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◎译 名 加尔维斯顿
) U, B( r* D# S5 h U◎片 名 Galveston, S% A4 U% l i, s. j/ f
◎年 代 20183 j M3 n& { {$ W5 V7 s1 ^/ o, A( i) u
◎产 地 美国
# ~$ h; D* V9 _# b6 ~$ l◎类 别 动作/惊悚/犯罪: U- ~* V' W' T: N
◎语 言 英语& P' A: O! O8 L* ^9 ?& j) _& `
◎上映日期 2018-03-10(西南偏南电影节)/2018-10-19(美国)
$ c% m! r, S4 h; t◎IMDb评分 6.1/10 from 3,389 users) }8 [+ y- s0 ^$ E
◎IMDB链接 https://www.imdb.com/title/tt2315596/
: P9 |1 ]8 b% T* _◎豆瓣评分 6.8/10 from 1,826 users
" s; b6 s$ X) R& a% y◎豆瓣链接 https://movie.douban.com/subject/25969461/9 _8 ]% |! K- `2 { ?; W7 S: V# m/ B; K
◎文件格式 x265 + DTS
. u& E3 R* y7 t% c◎视频尺寸 3840 x 2160
* x" ~% Q0 s1 C7 n+ e4 u◎文件大小 1DVD 50.36 GiB" v- g2 c& \1 v
◎片 长 1:33:15.631 (h:m:s.ms)" `) A4 L8 K# b$ I& [( q
◎导 演 梅拉尼·罗兰 Mélanie Laurent
/ c& V' a$ X4 S2 r* A, g' a& n3 W$ f◎编 剧 吉姆·哈米特 Jim Hammett
/ H# i6 {' D5 M0 w; [' Z 尼克·皮佐拉托 Nic Pizzolatto
$ O) P. y* z5 O' h$ P4 G) P◎主 演 艾丽·范宁 Elle Fanning
( _) Q% l' |& q7 c" Y% U 丽丽·莱因哈特 Lili Reinhart0 W* K/ g7 ^$ Z/ h( N
本·福斯特 Ben Foster% ^5 x+ r7 _( S& ]2 i! J" J
玛利亚·瓦沃德 María Valverde
" ?# t) D) G' ^ 博·布里奇斯 Beau Bridges& W- v% [9 r/ @' }! A& K& @
罗伯特·阿拉马约 Robert Aramayo2 e% e/ B+ G. m: p0 {
阿德普波·奥杜耶 Adepero Oduye# }; l8 p- \* Y" U$ b
婷斯莉·普莱斯 Tinsley Price0 q, d5 D0 s) s9 E
安妮斯顿·普莱斯 Anniston Price
) h$ u* P4 [1 U Tuesday Beebe
6 K! |6 z9 r, K' Y4 E Christopher Amitrano
" r! r- T% Q+ Q9 u9 O9 N# n 贾迈尔·钱伯斯 Jamel Chambers/ |4 I6 {. M& n, N4 T3 d& h- N. K6 R
海蒂·莱万多夫斯基 Heidi Lewandowski
8 R+ G0 s7 ~- r+ K8 I: W7 v 迈克尔·雷·伊斯卡米拉 Michael Ray Escamilla
3 a: n( A: D( ]8 h) U: Q' }$ D 杰弗里·格罗弗 Jeffrey Grover, b( P: H# f. n+ }" i$ _
Robert Martin Steinberg, ]; M: h0 i: J" |3 z2 ^5 U
Brent Moorer Gaskins
# m, c5 S2 q; g( ]7 w1 m8 m# F( s 约翰·阿彻尔·朗格伦 John Archer Lundgren8 F# l6 v" O$ d$ u) O. K1 t, [
, F2 p4 I& e8 Z# u* p) B◎简 介 * I9 j6 N( y2 [" I& n
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After escaping a set up, a dying hitman returns to his hometown of Galveston where he plans his revenge.% y6 K% H4 _/ ]4 n# I7 x3 \8 G) d
h9 z% k! @) r! b% C! B x- s 影片根据尼克·皮佐拉托同名小说改编,梅拉尼·罗兰执导,尼克·皮佐拉托操刀剧本。故事讲述一名逃避追杀的中年人带着无意中拯救的妓女亡命天涯。然而,他们即将面临巨大的困境和威胁。 4 M% K0 Y* b5 A8 c* c
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( Y+ f7 ?3 A' q6 x3 i- DISC INFO:
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1 K6 A) c( S, i8 o7 I/ {" w- Disc Title: Galveston.2018.2160p.BluRayCD.HEVC.DTS-HD.MA.5.1-WhiteRhino: s8 ]: h. g: p+ X1 n: n$ a0 m
- Disc Size: 54,077,089,060 bytes* | [+ w% F5 u, k9 x0 @- v" B8 P
- Protection: AACS2
" U" U6 J3 H! [' M, ~; }, w5 T3 q - BD-Java: Yes" S4 u4 }5 t) g6 h% |7 ]4 ]
- Extras: Ultra HD6 N* ^0 U3 N6 ~
- BDInfo: 0.5.8.7 (compatible layout created by DVDFab 11.0.0.9)) M$ ^6 K9 b8 M: E, M8 ~2 r- j0 K
- + v9 q8 @+ X& [+ B2 Z
- PLAYLIST REPORT:
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" q5 Y3 v ]5 }: @- Name: 00020.MPLS ( f5 @+ o# F" l6 j8 z) E
- Length: 1:33:15.631 (h:m:s.ms), ]. o6 I! \7 O& o" U0 f
- Size: 50,031,593,472 bytes7 s4 @) O9 U; q8 R2 S
- Total Bitrate: 71.53 Mbps; e3 g/ r- E: c7 N. k# N% O
, k, Q/ k- Y% R) t8 v( k# f- Video:4 z! n( l+ \! V: I6 A: g# `6 [. e
- 2 V3 @4 C: I. x O5 w& w
- Codec Bitrate Description
+ R& G* m% ?' N! H |3 f0 q - ----- ------- -----------
2 @' u& @8 z& k% Y/ y4 Q/ Z2 e - MPEG-H HEVC Video 64375 kbps 2160p / 23.976 fps / 16:9 / Main 10 Profile 5.1 High / HDR / BT.2020 / 3 B6 ?+ b% N7 G& Q
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- AUDIO:
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- Codec Language Bitrate Description
3 e8 h: H+ H- f8 o - ----- -------- ------- -----------
" p5 \2 X V; n) E - DTS-HD Master Audio English 3773 kbps 5.1 / 48 kHz / 3773 kbps / 24-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 24-bit)* f. p r! U0 A) E1 w
1 t# V& F. m- `% [- SUBTITLES:
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- Codec Language Bitrate Description 2 W1 ]7 h8 {3 E; e* U0 U1 j
- ----- -------- ------- ----------- : \6 P+ m8 T+ S4 r
- Presentation Graphics English 21.789 kbps 4 A7 Q+ F c+ S& ^0 q
- Presentation Graphics Spanish 15.798 kbps
复制代码 - a; c2 F( ^% @7 Z
/ _: _8 A* c! o7 ~8 a/ zGalveston 4K Blu-ray, Video Quality
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# K4 s$ S# r1 T: q3 ?1 q2 W8 L(Note: Screenshots accompanying this review have been captured from the standard Blu-ray.Additional screen captures can be found here.), n e3 x- }$ n% n' U" j' b# t2 I9 A
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In the standard Blu-ray review, I described how director Mélanie Laurent and hercinematographer, Arnaud Potier, used darkness and dim lighting to achieve a contemporary noirstyle. For RLJ Entertainment's 2160p, HEVC/H.265-encoded UHD disc, the HDR coloristappears to have taken his (or her) cue from this extensive use of half-light and dark settings andexaggerated it to such extremes that in many scenes the action has become impossible to follow.(Seriously: In the botched job that turns Roy into a fugitive, I would not have been able to tellwhat was happening if I didn't already know from watching the standard Blu-ray.) The blacks onthe disc are velvety, deep and beautiful, but they don't service the story.
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This UHD appears to be an up-conversion from a 2K source, but any uptick in detail or definitionis negligible, even in the film's well-lit scenes, which were well-enough represented on thestandard Blu-ray. When darkness and shadow prevail, which they do for the majority of the film, anyadvantage from up-rezzing is negated by the HDR's enhanced gloom. Color values appearcomparable, with some minor refinements in shadings on the 4K.
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' ~. P' r4 O2 H4 n2 G, d* H9 \. IGalveston 4K Blu-ray, Audio Quality
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The UHD disc contains the same lossless DTS-HD MA 5.1 track previously reviewed.
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