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◎译 名 钢铁侠/铁甲奇侠(港)/钢铁人(台)/铁人
8 [: l/ ]) v0 v9 d" _! K◎片 名 Iron Man
6 U( t# M9 h3 G+ Y3 k8 x◎年 代 2008/ Q$ w0 B$ ?: z
◎产 地 美国
: |( n% B& w1 M, ^4 b% g( j0 b◎类 别 动作/科幻/惊悚/冒险
/ @1 A6 j' j0 }◎语 言 英语/波斯语/乌尔都语/阿拉伯语. }+ N. I9 x; t; o& B
◎上映日期 2008-04-30(中国大陆)/2008-04-14(悉尼首映)/2008-05-02(美国)
2 L: I5 I- [7 v/ b/ O◎IMDb评分 7.9/10 from 824,085 users6 O" Q7 i: l3 O! N p
◎IMDb链接 https://www.imdb.com/title/tt0371746/3 Y: ?; M$ m) K. m: i3 d
◎豆瓣评分 8.0/10 from 296,956 users
# }) P% Q2 G7 { z# M! ~; H◎豆瓣链接 https://movie.douban.com/subject/1432146/9 v V+ v) t" z1 w
◎文件格式 x264 + TrueHD
$ L: E7 y4 y9 N/ `% D1 E/ n* F# L◎视频尺寸 1920 x 10800 I; \7 X7 s2 D5 ?: s! @- ?/ G
◎文件大小 1DVD 44.61 GiB
6 Z6 N) j# T3 ^ Y$ i# C◎片 长 2:06:01 (h:m:s)9 r- z1 J/ n7 Z, ~! d
◎导 演 乔恩·费儒 Jon Favreau% p% c" H- x- `; `, o# g
◎编 剧 阿特·马库姆 Art Marcum M% k0 J% ~# t4 V1 s; X5 U6 |# R4 h
马特·霍洛维 Matt Holloway8 q& V5 |: J2 D! e$ L6 c; h- y
马克·弗格斯 Mark Fergus& }3 r& E* F+ t% K
霍克·奥斯比 Hawk Ostby9 z2 d5 F4 Q6 x2 Z/ @; P
◎主 演 小罗伯特·唐尼 Robert Downey Jr.
: f2 f+ C- h# u" A$ V3 F7 E 泰伦斯·霍华德 Terrence Howard
% N7 j; D' _5 p& u/ W' K* U 格温妮斯·帕特洛 Gwyneth Paltrow0 y" W/ A5 c d3 W
杰夫·布里吉斯 Jeff Bridges- _7 C$ N& m o! E- R) @
莱丝莉·比伯 Leslie Bibb7 C/ v+ i% A$ `' G2 n4 R4 z }6 e& h
肖恩·托布 Shaun Toub% w' `! I0 U+ m% Q+ T
保罗·贝坦尼 Paul Bettany: e# P5 e% J- A2 T0 n" t5 b
乔恩·费儒 Jon Favreau
9 w) z$ |4 e+ L3 f8 N& q, G. {5 F 克拉克·格雷格 Clark Gregg
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◎简 介 8 `( ~9 ?+ A% K4 C5 J
$ s. R& z9 f3 L; i+ e After being held captive in an Afghan cave, billionaire engineer Tony Stark creates a unique weaponized suit of armor to fight evil.
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斯塔克军火公司是美军在全球范围内第一大军火供应商,其新任掌门人托尼·斯塔克(小罗伯特·唐尼 Robert Downey Jr. 饰)风流倜傥,天资聪颖。他与公司元老俄巴迪亚·斯坦(杰夫·布里吉斯 Jeff Bridges 饰)合作无间,共同将斯塔克公司的业务推向顶峰。现 实生活中的托尼热衷收集名贵跑车,搞点儿发明创造,当然露水姻缘更不可少。所幸他身边有维吉尼亚·波茨(格温妮斯·帕特洛 Gwyneth Paltrow 饰)这样的好助手细心打理一切,才让他能自由自在过着贵公子的生活。
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' Y, O" y0 D N" J 在前往中东为军方展示新型武器的途中,托尼一众遭到恐怖分子袭击。他被弹片击中险些丧命,在英森博士的帮助下,托尼体内移植了一颗核动力的人工心脏。恐怖分子要求托尼制造强大的杀伤性武器,他和英森虚与委蛇,暗中制造了一套由聚变能源驱动的钢铁盔甲。穿上盔甲托尼大闹恐怖分子的基地,回到美国后又对其进行了改进。却不知,接下来有更为黑暗的阴谋等着他……8 y* [# y$ y* r! i& x6 S
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Billionaire industrialist and genius inventor Tony Stark is kidnapped and forced to build a devastating weapon. Instead, using his intelligence and ingenuity, he builds a high-tech suit of armor and escapes captivity. When he uncovers a nefarious plot with global implications, he dons his powerful armor and vows to protect the world as Iron Man.; _, p; @! O2 r* y$ d) U( B2 U4 ?$ t
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◎获奖情况
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* p# s/ _' I. r: P4 l# l' s, w 第81届奥斯卡金像奖 (2009)
1 k7 T$ ^- U. D2 ~1 a2 u: D 最佳视觉效果(提名) 约翰·尼尔森 / Ben Snow / 丹尼尔·萨迪克 / Shane Mahan
) T! B; q# x5 n, E! y* B" e( T 最佳音效剪辑(提名) Frank E. Eulner / 克里斯托弗·博伊斯7 F* x8 a" X& M9 ^. [0 u- P$ |
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第18届MTV电影奖 (2009)
6 @6 D- d9 M3 u8 l7 s v MTV电影奖 年度电影(提名)
1 E3 Q, c6 ]( g9 K MTV电影奖 最佳男演员(提名) 小罗伯特·唐尼 ^5 ?8 i4 E8 y) r8 H% {& L: Z
0 S: z% z& N1 G' s+ {2 k/ k 第17届MTV电影奖 (2008)
9 ^. m. ]* Y; ? MTV电影奖 迄今最佳暑期电影8 }; A/ y$ p8 q: N% u
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Screens:5 I# ~0 P4 l+ V
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- DISC INFO:
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- Disc Title: Iron.Man.2008.1080p.CEE.BluRayCD.AVC.TrueHD.5.1-FGT
1 I y, Z' Y6 j1 r- S3 }8 n% t4 X - Disc Size: 48 537 896 387 bytes
+ f. M" L1 ^" x - Protection: AACS; _% T- j7 E8 t/ @7 r$ r- e
- BD-Java: Yes$ S& H0 r9 {; c: w4 m
- BDInfo: 0.5.3( _+ z9 ^7 C( Z# d k2 v
6 n( b- F4 t( e8 f1 n2 R S- PLAYLIST REPORT:
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\9 h. E% M! H! h3 e# k5 d- Name: 00000.MPLS
0 d+ m5 ?+ q6 H1 q7 ^8 Y - Length: 2:06:01 (h:m:s)- c# V: q: {# q2 z( ]
- Size: 34 499 936 256 bytes
U7 l A: [, n, f" I2 ] - Total Bitrate: 36,50 Mbps/ t2 X4 B4 B# F# x
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- Codec Bitrate Description
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- MPEG-4 AVC Video 27127 kbps 1080p / 23,976 fps / 16:9 / High Profile 4.1
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/ V. F/ v0 T$ g- {3 T/ C( _- Codec Language Bitrate Description $ ^, y- J4 G/ ^3 V& g" _
- ----- -------- ------- -----------
' z+ T# V+ F: ?6 r8 p# O - Dolby TrueHD Audio English 3493 kbps 5.1 / 48 kHz / 3493 kbps / 24-bit (AC3 Embedded: 5.1 / 48 kHz / 640 kbps / DN -4dB). p6 l# d* @3 o0 c
- Dolby Digital Audio Russian 640 kbps 5.1 / 48 kHz / 640 kbps / DN -4dB
( x5 K6 Q% R O, x, f0 L9 V, q0 q - Dolby Digital Audio Turkish 640 kbps 5.1 / 48 kHz / 640 kbps / DN -4dB1 S9 ^1 p; }* j% X9 d, w
- Dolby Digital Audio Polish 192 kbps 2.0 / 48 kHz / 192 kbps / DN -4dB / Dolby Surround7 W# a; G7 n* {3 s% K
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& G' E0 E8 F a- G& o2 l - Presentation Graphics English 0,344 kbps
/ L4 @. F; D! ]/ j - Presentation Graphics English 35,596 kbps
# V, u% X- y3 t6 D - Presentation Graphics Croatian 24,357 kbps
1 s: J+ [" n/ f4 {$ [( d! W* Z* l - Presentation Graphics Estonian 27,513 kbps
" p) S+ ]' B) v. f/ h% [ - Presentation Graphics Icelandic 27,303 kbps
1 x" k5 G- q5 C - Presentation Graphics Latvian 23,547 kbps $ Q- A @7 K2 A2 a2 _6 D; Z
- Presentation Graphics Lithuanian 27,770 kbps
( A* r5 }9 O$ B; n5 ~" i - Presentation Graphics Polish 27,736 kbps
; p' u) `7 }( } - Presentation Graphics Russian 32,556 kbps / U6 P. R; P- o# l% v& O9 _2 h
- Presentation Graphics Russian 0,486 kbps ! \3 V: _8 @/ |# a% Q% x: ?
- Presentation Graphics Turkish 29,578 kbps
; Z( f3 ~8 H1 A: q: a2 }/ @) u2 f - Presentation Graphics Turkish 0,536 kbps , E2 R. ^8 P, P
- Presentation Graphics Ukrainian 35,535 kbps
复制代码 Iron Man Blu-ray, Video Quality
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( h7 I! I2 H/ P% A* wWhen I saw Iron Man at the local AMC, it appeared to have heavy grain in many scenes, such as the action taking place in Afghanistan, that lent a news-like realism to those sequences. But the 2.40:1, 1080p video on the Blu-ray is cleaner and clearer--nearly noise-free. What happened? Either the film was subject to digital noise reduction to produce the BD content, or it was sourced from video that was later post-produced to look grainy for the theatrical release. Either way, the picture on the Blu-ray appears highly defined and life-like, with a vibrance and resolution that escalate it to reference quality. I will not deduce points because Paramount opted to produce the Blu-ray differently than the theatrical release. I wish that was the case, as I have no aversion to film grain and want to see film as the director intended. But who can blame Paramount for pursuing a cleaner look after Warner received so much criticism for the grain in 300, for example. Whatever the reason for the difference between the theatrical and Blu-ray video, there is no question that only a rarified few BDs have better picture. Detail may be lacking a bit in some scenes, but it's mostly during motion, when the camera and/or the objects in the picture are moving.
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Watch the scene near the beginning, when the reporter wakes up in Tony's Malibu mansion. From showing her in the living room, the camera pulls away about a half mile off the coast to show the estate high on a cliff above the Pacific Ocean. The camera then pans to the right. In all of this, the video appears vibrant, but a touch soft due to the camera motion. What is more notable is the warmth of the colors, with lifelike earth tones and good depth to the picture. Darker scenes are equally impressive, and often more detailed. Watch the cave scene when Tony first regains consciousness after his injuries. Black level is excellent and there is a good contrast balance. Skin looks especially lifelike, and fabrics show good detail. Amazingly, the picture looks clean without losing definition, depth and palpability. I often felt as though the screen was a window and I could simply step into the action in the film., ^; `3 u Z6 K$ E" ^# H5 X6 x; t/ _
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Iron Man Blu-ray, Audio Quality* p% d# ` U% r: Y& k/ n
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8 r4 q4 d+ Z, {9 Y- n0 O0 nWith a Dolby TrueHD 5.1 track, the audio performance of Iron Man features the most aggressive LFE content this reviewer has ever heard. I wouldn't call the audio "bass-heavy", because it maintained a good balance. It's just that an incredible amount of material is assigned to the subwoofer, which effectively shook the room. We're talking prodigious levels here. If you share a wall or your floor is someone's ceiling, you may seriously want to consider turning your subwoofer down. From each time Iron Man took a step, to blasts of munitions in the hills of Afghanistan, to jet engines achieving supersonic speed, the LFE content maintains an important partner to the action on the screen. So too are the other channels. The front left and right prove almost as important as the center in the mix, with the rears mainly being used for ambient noises. This created a wide soundstage that is not as immersive as other action films making more use of the surround channels.
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The audio engineering is overall excellent, with live action appearing wide and powerful while noises coming from plasma screens in Tony's home, for example, sounded narrow and constricted. It was an interesting mix--one that works very well with the film's style. I especially liked that it avoided gimmicks and ping-pong stereophonics, although the subwoofer content pushes the envelope. Fans of deep bass will certainly like it. The film's orchestral score appeared a bit squashed dynamically, but most will enjoy its warm sound. I could not pick out good definition in the massed strings or wind instruments but the score is only a small part of the soundtrack. Voices and effects sound detailed and resolve convincingly--often in a realistic manner. I would have preferred a PCM track, but I do tend to prefer TrueHD to DTS-HD Master Audio that sometimes have unnatural sounding treble. So I was pleased that Paramount did not stick me with the latter.
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