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8 H( B# Z! N( e& S' l◎译 名 永恒之门/梵高·永恒之门(港)/梵谷:在永恒之门(台)/在永恒的门口/在永生之门
- e L$ i! |% J, u* X◎片 名 At Eternity's Gate
3 H# S" t- j7 H( I◎年 代 2018) w- d8 \! M5 V% j
◎产 地 美国& p8 `% Z1 ^- ~8 w% W
◎类 别 剧情/传记
/ U$ V8 z* T3 _# }/ L9 j7 H- g0 g◎语 言 法语/英语
2 t- T& W, L" T, A◎上映日期 2018-09-03(威尼斯电影节)/2018-10-14(纽约电影节)/2018-11-16(美国)! h$ [* e9 M" K+ G1 Y* b
◎IMDb评分 7.0/10 from 6,475 users* i/ k1 T. [9 i: e* E0 q
◎IMDb链接 https://www.imdb.com/title/tt6938828// I* V; Z% }9 x3 ^- X) u
◎豆瓣评分 5.9/10 from 723 users7 _+ V$ P; B. R% q
◎豆瓣链接 https://movie.douban.com/subject/27050878/- C, w7 a/ h; \% `0 z
◎文件格式 x264 + DTS
) v) j: c j! ?" l8 ~◎视频尺寸 1920 x 1080, f& }4 h/ ]/ Z3 n6 I7 C( q
◎文件大小 1DVD 35.09 GiB
/ `; w/ m5 a. f: s8 L2 u( }◎片 长 1:51:17.712 (h:m:s.ms)
9 P+ h5 s" \4 B/ ^: z◎导 演 朱利安·施纳贝尔 Julian Schnabel
, C& X8 _% L+ H) ` U; |◎编 剧 让-克洛德·卡里埃 Jean-Claude Carrière
' P7 K+ |6 f5 f$ T0 x0 _4 F7 H 朱利安·施纳贝尔 Julian Schnabel; u. ]! g! R, S5 M$ U: ^
◎主 演 威廉·达福 Willem Dafoe
/ y) b0 O1 {1 ]) [: ]$ X# [ 鲁伯特·弗兰德 Rupert Friend
! w- K b o% \0 n" d& v9 \ 奥斯卡·伊萨克 Oscar Isaac& n3 [ A# U) U4 h/ t u
麦斯·米科尔森 Mads Mikkelsen
" J" u I: N0 n4 K5 Z5 o8 W4 y 马修·阿马立克 Mathieu Amalric! g, E2 ?3 j+ \' B+ l0 e* W: |, u
艾玛纽尔·塞尼耶 Emmanuelle Seigner
8 h3 R! b* P$ E) v. U3 ] 尼尔斯·阿贺斯图普 Niels Arestrup1 l8 d1 O2 C$ g! T2 z. q! U! H
艾伦·奥伯特 Alan Aubert1 l4 o! i8 L8 h
阿蜜拉·卡萨 Amira Casar+ @2 M5 m6 Y0 q J
洛丽塔·夏马 Lolita Chammah% ~* |7 z1 Q& N, J" }
帕特里克·薛内斯 Patrick Chesnais& A- l9 f! y+ k) @; r. k7 s
弗拉基米尔·康斯金尼 Vladimir Consigny
* O, C) X" i' w- ~0 n 亚力克西斯·马沙利克 Alexis·Michalik
& E+ N% m, ?0 J d5 s/ o- Z( S 文森特·佩雷斯 Vincent Perez7 O$ x$ D& j6 [) m- S
亚历山德拉·斯图尔特 Alexandra Stewart+ ~0 E6 n3 p* `9 j
6 C8 P7 _$ F# O- l3 F% F◎简 介 " v" l9 L# q. {4 s2 Y
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A look at Vincent van Gogh's time in Arles.
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威廉·达福将加盟朱利安·施纳贝尔([潜水钟与蝴蝶])执导的新片[在永恒的门口](At Eternity’s Gate,暂译)。达福将在片中出演文森特·梵高。电影将聚焦梵高在法国阿尔勒与瓦兹河畔奥维尔度过的时光,重点讲述艺术家的创造力和为创作做出了怎样的牺牲。该片将在法国当地取景拍摄。
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; N- [, \# ~7 U6 o, U# X$ d A look at the life of painter Vincent van Gogh during the time he lived in Arles and Auvers-sur-Oise, France.
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: P) M- r$ O* q◎获奖情况
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R1 P4 {% m9 a# | 第91届奥斯卡金像奖(2019)
$ Z& G, f. r: a% A' F! p 最佳男主角(提名) 威廉·达福$ t, U5 |* S- x7 l' s, |$ i- T E
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第75届威尼斯电影节(2018)* N. r4 A- `' y0 n/ W# |
主竞赛单元 金狮奖 (提名) 朱利安·施纳贝尔
) S6 w/ C h' M) d D) H3 |5 t 沃尔皮杯 最佳男演员 威廉·达福
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* P& u' ]- C# ^ 第76届金球奖(2019)
) z( p7 X/ {. d6 z 电影类 剧情片最佳男主角(提名) 威廉·达福
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) K9 a* _+ i- d. X* | 第24届美国评论家选择电影奖(2019)) D0 Y3 ]1 k5 z4 N( R
最佳男主角(提名) 威廉·达福. }( f3 Q/ g% G* w$ N
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第23届金卫星奖(2019)
8 H( a4 O2 D( F# y3 I 电影部门 剧情片最佳男主角 威廉·达福) n3 k# {$ P6 j5 N8 [+ w! M
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第53届美国国家影评人协会奖(2019)
0 q7 M# t) a! A o0 R4 M 最佳男主角(提名) 威廉·达福
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第17届旧金山影评人协会奖(2018)
, \5 J' ?# o4 `9 f& b 最佳男主角(提名) 威廉·达福 t% j6 C/ P6 j0 W9 O5 B! Z7 D' _: {4 E
/ f7 |' i/ M% D$ q- DISC INFO:" S, F7 y& J, w) f, F2 I
1 C, ^% r0 Z8 v1 |2 n- Disc Title: At.Eternitys.Gate.2018.1080p.BluRayCD.AVC.DTS-HD.MA.5.1-CiNEMATiC
# ]* ~! e6 e( i1 u4 ` z - Disc Size: 37,675,427,838 bytes3 _ H1 [4 Q/ L4 i/ \3 P' @
- Protection: AACS. A- W; \% u9 t& ^, ]% N; k
- Extras: BD-Java) q" W& X, Q7 ?$ T. {- C$ v7 i
- BDInfo: 0.7.5.3 (compatible layout created by DVDFab 11.0.1.5)2 r: [3 Z; n4 R5 k& k- v9 D$ u, W
7 u# c& E5 O3 X% t1 }# v- PLAYLIST REPORT:2 b V+ @6 I/ [
4 m; C& v$ g+ V6 {- Name: 00887.MPLS , Q8 v3 L( ^& g7 i* t. d- y& y- r% | c
- Length: 1:51:17.712 (h:m:s.ms)
1 ^7 F* C' Y. X* o5 A U& L - Size: 33,719,396,352 bytes4 R: \- z" E- z
- Total Bitrate: 40.40 Mbps
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- Video:6 r; b' z; ~: _" W. ^4 i
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- Codec Bitrate Description 7 W1 ~7 S1 o4 K; Z, @- C# P6 C9 ~% k
- ----- ------- -----------
* d1 A; w0 c8 B! ?7 l7 F - MPEG-4 AVC Video 34999 kbps 1080p / 23.976 fps / 16:9 / High Profile 4.1 / ' A" B7 L# y; U* l
2 ~" M. d9 i, H5 s( P8 {6 C- AUDIO:; Z M6 \! O! x2 n
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- Codec Language Bitrate Description , h$ i* k7 n- N% _/ v* X
- ----- -------- ------- ----------- 0 j% @2 w, t; [. F" y% P$ m- V* ]
- DTS-HD Master Audio English 2878 kbps 5.1 / 48 kHz / 2878 kbps / 24-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 24-bit)
' K% E/ y1 x8 [4 u1 q8 M - Dolby Digital Audio English 192 kbps 2.0 / 48 kHz / 192 kbps
% G& W8 i u1 d+ U5 @ [/ I0 W - Dolby Digital Audio English 192 kbps 2.0 / 48 kHz / 192 kbps8 k" N& c& B0 \( o2 y6 a( g3 d
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- SUBTITLES:$ v E$ b( i% d
) `2 E! k1 m. \, A2 u7 m2 f; U* u" H- Codec Language Bitrate Description
1 q' `% y/ o. O! E6 q7 R - ----- -------- ------- -----------
" @6 I! |) X2 R3 M+ i5 w* J9 G/ ?; G - Presentation Graphics English 22 kbps
: q. K9 n& Z! A! x" M7 f - Presentation Graphics English 25.327 kbps 5 h0 C; @8 `% ^6 |# I$ j/ C6 S
- Presentation Graphics Spanish 24.833 kbps
复制代码 At Eternity's Gate Blu-ray, Video Quality
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At Eternity's Gate is presented on Blu-ray courtesy of Lionsgate Films with an AVC encoded 1080p transfer in 2.39:1. Digitally captured with RED cameras (at a source resolution of 8K), and finished at a 4K DI (all datapoints courtesy of the IMDb), this is a stunning looking transfer that offers consistently excellent detail levels and a nicely suffused palette, within the context that Schnabel and Delhomme intentionally tweak the imagery throughout, adjustments that definitely affect detail levels and the "naturalness" of the palette at times. There are a lot of oddly framed close-ups in the film, but even with things like sunlight glaring right at the lens, fine detail is often exceptional, revealing the interwoven fibers of Van Gogh's straw hat, or even the crags in Dafoe's weathered face. The texture of some of the canvas that Van Gogh paints on is also often virtually palpable, and even the thick paint that is applied to the canvas assumes a tactile aspect a lot of the time. The palette is generally natural looking a lot of the time, but things have been graded weirdly in a number of "POV" shots, and there is even a brief moment of black and white that suddenly bursts into splendorous color. As has been the case lately with some Lionsgate releases, I noticed just a hint of banding in some of the production mastheads and later in some brief transitions with rapidly changing amounts of light, but these were minor and transitory issues.
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; v: O. n4 ` w5 K( m( L+ l4 GAt Eternity's Gate Blu-ray, Audio Quality * y% }* I$ B! b6 `1 ~
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At Eternity's Gate features a nicely immersive DTS-HD Master Audio 5.1 track that makes the most of many outdoor scenes, where things like almost nonstop birdsong or the rustling of breezes in the trees make for excellent surround activity. Crowd scenes like an early pub sequence where Van Gogh spies Gauguin also use the side and rear channels effectively. Another stylistic conceit of the film is the kind of repetitive, quasi-minimalist piano score by Tatiana Livoskaya, a choice that frankly didn't resonate that well with me personally, but which at least sounds fine and "wobble" free in this rendition. Dialogue, in both English and French, is always rendered cleanly and clearly and without any problems. ( x) U; U6 g) X" r+ t
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