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[蓝光原盘] 霸主/大君主之役/霸王行动 [蓝光原盘] Overlord 2018 1080p BluRaycd AVC TrueHD 7.1 Atmos-PCH 42.30GB

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卓越贡献勋章

24小时 发表于 2019-2-16 06:40:22 | 显示全部楼层 |阅读模式
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◎译  名 霸主/大君主之役(港)/霸王行动/君主/大君主行动2 M9 {, o5 O/ z" E' W& q
◎片  名 Overlord. _/ B# R' Y+ G
◎年  代 20181 d7 g9 R# M7 o
◎产  地 美国/加拿大
; s$ y) h. u5 N- R% f9 ]( g◎类  别 动作/科幻/恐怖/战争: E7 o  j; ], L, c5 z) k" l5 a
◎语  言 英语/俄语/法语/德语
0 m& ^5 @1 Y0 `: z: c◎上映日期 2018-11-09(美国)
0 g' c8 B0 e2 A8 U% @◎IMDb评分  6.9/10 from 31,753 users
  w) K7 i* S3 v: A! d' b5 p◎IMDb链接  https://www.imdb.com/title/tt4530422/' G( ^' \, A7 }) \3 ?' I
◎豆瓣评分 6.6/10 from 6,577 users7 w: i( \. b5 `2 Q' O, m4 x" J6 s" c
◎豆瓣链接 https://movie.douban.com/subject/26969115/
6 A4 z( J+ K9 y8 u$ B. `◎文件格式 x264 + TrueHD
1 C8 c+ p% \, q9 K7 }; U◎视频尺寸 1920 x 10800 x/ u  {6 J' R* r$ H
◎文件大小 1DVD 42.30 GiB
' }- a+ w; _  o' m9 _0 S◎片  长 1:49:47.289 (h:m:s.ms)
' D1 Q2 c6 v$ X◎导  演 朱利叶斯·艾弗里 Julius Avery- u2 {# S- H4 V
◎编  剧 比利·雷 Billy Ray
- i1 |! `$ d8 J4 q  c4 m  o       马克·L·史密斯 Mark L. Smith
. i. K" P, D! i0 }3 ~% y) \◎主  演 约翰·艾德坡 Jovan Adepo
4 S* Y) n6 B  x       怀亚特·罗素 Wyatt Russell5 n+ \4 C7 m  l
       马蒂尔德·奥利维耶 Mathilde Ollivier
+ ]5 J$ }1 }- L( c       皮鲁·埃斯贝克 Pilou Asbæk
+ N7 o" W% }5 Y* ]# [2 M       约翰·马加罗 John Magaro+ _; f; O8 r& g% d/ q
       伊恩·德·卡斯泰克 Iain De Caestecker
- D. P2 a0 i; G       雅各布·安德森 Jacob Anderson
7 I/ {; z9 ^- k# {       多米尼克·阿普尔怀特 Dominic Applewhite% d3 ~9 G- P) V4 O2 J
       博基姆·伍德拜因 Bokeem Woodbine
8 a1 D1 I) Q  [% g1 E0 y2 H  b- l       恩里奇·雷德曼 Erich Redman8 C6 E6 ^' i" E0 l; o1 y% e
       海莉·卡迈克尔 Hayley Carmichael
7 b) W9 u, F$ x; p2 \9 I0 n4 ?       米迦勒·埃普 Michael Epp' R/ l2 ]5 n; Y" n3 M* Q" `
       Ross Tomlinson/ n: z2 Z4 l5 D0 p
       本·特瓦索里 Ben Tavassoli- t! ~, R" v9 ~5 _
       安迪·韦勒姆 Andy Wareham3 U6 {$ \; N* O  E9 q* ?) z
       帕特里克·布拉莫尔 Patrick Brammall2 e' v: F5 _% [7 \$ [
       肖恩·狄克逊 Shawn Dixon! q: P0 ~! n- B9 ?, J+ E
       豪尔赫·莱昂·马丁内斯 Jorge Leon Martinez
" {% j6 S1 d0 Z: D& [+ Z/ x+ t       伊娃·马格亚 Éva Magyar
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◎简  介     
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  A small group of American soldiers find horror behind enemy lines on the eve of D-Day. 5 Y0 Z# e7 B: k) |# O% @0 N8 `  O: H
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  J·J·艾布拉姆斯监制的科幻片、他的坏机器人制片公司的首部R级电影《霸王行动》发布海报,伞兵降落带着血腥。该片被很多影迷戏称为“《使命召唤》的僵尸模式”,讲述二战时期的诺曼底登陆遇上生化丧尸:+ z7 N; H/ }; b. ~4 Y

9 T* r9 Y  c+ @2 E4 x7 S  诺曼底“霸王行动”前夕,美国伞兵深入敌人后方,执行一项对入侵的成功至关重要的任务。但当接近目标时,他们开始意识到,在这个纳粹占领的村庄里发生的事情比简单军事行动要复杂许多,他们将与超自然力量斗争,而这些是纳粹实验的一部分。
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  On the eve of D-Day, American paratroopers are dropped behind enemy lines to carry out a mission crucial to the invasion's success. But as they approach their target, they begin to realize there is more going on in this Nazi-occupied village than a simple military operation. They find themselves fighting against supernatural forces, part of a Nazi experiment.& e$ ]/ }- B( E1 D- v! T
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  1. DISC INFO:
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  3. Disc Title:     Overlord.2018.1080p.BluRayCD.AVC.TrueHD.7.1.Atmos-PCH
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  4. Disc Size:      45,412,117,821 bytes' [. b' N1 p4 I% W( H
  5. Protection:     AACS3 v0 M+ W% x2 I* ?4 {
  6. Extras:         BD-Java3 O$ ]- _- k$ b( L8 K$ Z8 q" L, o
  7. BDInfo:         0.7.5.3 (compatible layout created by DVDFab 11.0.1.5), Z( r1 Y3 ~9 ~0 ?& j
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  9. PLAYLIST REPORT:
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  10. 9 T, ~5 X1 j* Y. W5 E: S
  11. Name:                   00800.MPLS  " C$ _1 A8 A* k6 S: m) d
  12. Length:                 1:49:47.289 (h:m:s.ms)3 k; \  @& |9 ~, e1 L
  13. Size:                   33,488,707,584 bytes8 ^7 z6 }$ a3 B9 k
  14. Total Bitrate:          40.67 Mbps+ p! M3 s- \3 G( `5 ?

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  16. Video:
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  19. -----                   -------             -----------     
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  20. MPEG-4 AVC Video        26764 kbps          1080p / 23.976 fps / 16:9 / High Profile 4.1 /
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  22. AUDIO:- q, ^/ A6 B% g( X

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  25. -----                           --------        -------         -----------     
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  26. Dolby TrueHD/Atmos Audio        English         5362 kbps       7.1-Atmos / 48 kHz / 5362 kbps / 24-bit (AC3 Core: 5.1-EX / 48 kHz / 640 kbps)  J" W' w  ^, U/ G6 S* h& `% j7 m
  27. Dolby Digital Audio             English         640 kbps        5.1 / 48 kHz / 640 kbps
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  28. Dolby Digital Audio             German          640 kbps        5.1 / 48 kHz / 640 kbps
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  29. Dolby Digital Audio             Spanish         640 kbps        5.1 / 48 kHz / 640 kbps; O7 @1 I) {0 \$ W2 G! |) p9 N% T& C: O
  30. Dolby Digital Audio             Spanish         640 kbps        5.1 / 48 kHz / 640 kbps
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  31. Dolby Digital Audio             French          640 kbps        5.1 / 48 kHz / 640 kbps* E2 L' F3 }1 V* t; Q' r! N; V) Z
  32. Dolby Digital Audio             Italian         640 kbps        5.1 / 48 kHz / 640 kbps: ~! {8 c* D2 Z# Y9 I
  33. Dolby Digital Audio             Japanese        640 kbps        5.1 / 48 kHz / 640 kbps
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  34. Dolby Digital Audio             Portuguese      640 kbps        5.1 / 48 kHz / 640 kbps
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  36. SUBTITLES:
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  40. Presentation Graphics           English         8.533 kbps                      $ n& e! x7 `  t* K$ |; t& V
  41. Presentation Graphics           English         12.765 kbps                     ! }5 K  K5 V' q6 \  o) S+ n" E
  42. Presentation Graphics           Danish          7.375 kbps                      , g1 v+ I& `7 L/ V
  43. Presentation Graphics           German          8.377 kbps                      / q( J- B, s8 R* ?  A9 g
  44. Presentation Graphics           Spanish         8.072 kbps                     
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  45. Presentation Graphics           Spanish         7.872 kbps                      . Y. I& R6 i& Q0 n
  46. Presentation Graphics           French          6.94 kbps                       
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  47. Presentation Graphics           Italian         7.68 kbps                       ' O3 ^. C- L$ R+ C3 C
  48. Presentation Graphics           Japanese        12.22 kbps                     
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  49. Presentation Graphics           Dutch           6.804 kbps                      % v4 U/ c8 t& P( K& v' S( H7 [
  50. Presentation Graphics           Norwegian       7.257 kbps                      0 n' T% M# f7 E( e7 s
  51. Presentation Graphics           Portuguese      6.484 kbps                     
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  52. Presentation Graphics           Finnish         7.472 kbps                     
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  53. Presentation Graphics           Swedish         7.342 kbps                     
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  54. Presentation Graphics           Japanese        0.894 kbps                     
复制代码
Overlord Blu-ray, Video Quality9 ]/ N# B7 }+ {4 O: U; d" c
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Overlord was shot digitally which doesn't quite find the vintage, grainy, filmic look that might have better enhanced the movie's tone and style. It is nevertheless a pleasantly dense and highly agreeable image. Noise is present to some degree in many scenes, with much of the film playing out in lower light interiors and nighttime exteriors. Textures are consistently strong, with high-yield detailing to be found on well-worn military uniforms, stone buildings, rubble, and certainly in the bowels of the Nazi laboratory where equipment, mutated body parts, and grimy surfaces create an eerie Re-Animator kind of visual vibe. Of course, one of the highlights is the visibility of various wounds and gore which, particularly in the third act, reveal an incredible amount of both practical and digital detail that ups the visual ante, critical components that the Blu-ray highlights with stomach-churning clarity. Colors are generally drab in the lower light and nighttime shots as well as throughout the dreary underground lab. Fiery explosions and plenty of red blood are highlights, with a number of smaller color details impressing as the visual construction allows. Black levels, so critical to supporting the film, are generally fine if not falling slightly towards the "raised" end of the spectrum. Flesh tones appear unproblematic. Source and compression issues are next to nonexistent. This is a first-rate transfer from Paramount.
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' f+ E- D9 c( m: LOverlord Blu-ray, Audio Quality: o4 _* ~5 {- u5 i2 p
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: a3 O$ [" u1 h% ?& H" `- qOverlord's Dolby Atmos soundtrack can be summarized in a single word: bonkers. The track is a delight of sonic mayhem, stage expansion and extension, potent bass, and intensely and insanely fun full-stage saturation. Every action scene is a delight, cranking up the sonic mayhem and making full use of every speaker in the configuration, including the subwoofer, to paint a chaotic picture of wartime insanity. Right from the outset on the plane full of paratroopers, the track struts its stuff, which includes engine hum and interior rattle and eventually features bullets ripping through the plane's bottom half, explosions popping all around the aircraft, screaming men, all variety of wartime chaos that the track introduces and executes with startling precision, placement, and clarity. Such holds true for every shootout throughout the film and particularly in the film's climactic action scene. Every inch of the stage is filled with perfectly defined and carefully placed sound details that instantly and fully draw the listener into the battles and environments, where every shot, scream, crash, bang, and bullet slam find their proper, harmoniously balanced place.  Overhead speakers are mostly folded in rather than discretely used, though some loudspeaker announcements do offer some nice and obviously positioned overhead usage. "Reserved" is not in this track's vocabulary, though lighter support effects do help better define various scenes when the action isn't front-and-center. Musical clarity and stage saturation are terrific and dialogue is clear and detailed from its natural front-center position. This is a reference quality track from start to finish. ! R' ]. ~, w3 D! P; q9 T& ~
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