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A repressed young wife’s traumatic sexual assault triggers a depraved obsession with her attacker.
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◎译 名 一位女士的可疑照片/ a/ U+ R x$ Z8 G9 S5 j% N' N
◎片 名 Le foto proibite di una signora perbene / Forbidden Photos of a Lady Above Suspicion / Días de angustia/ R+ U: G) T- r
◎年 代 1970
! m/ P' h" x6 h◎产 地 西班牙/意大利
% \% a$ T' c. U/ c◎类 别 悬疑/惊悚
W6 m) Y1 k9 x4 O; @◎语 言 意大利语
: \% @3 D- D# w* ]3 }◎上映日期 1970-11-19
~+ c/ c' }( p+ O, T7 p" A* U) ^7 c◎IMDb评分 6.3/10 from 997 users
; `+ y; u6 l# f! I b◎IMDb链接 https://www.imdb.com/title/tt0065677/
" ~) G% v2 M" ?3 k2 z; `◎豆瓣评分 0/10 from 0 users0 A& l. B/ @% d
◎豆瓣链接 https://movie.douban.com/subject/1613801/
+ {, F. m. S. k4 q0 g# Z◎文件格式 x264 + LPCM 4 s* q5 X8 @8 N) i
◎视频尺寸 1920 x 1080
5 U+ A- X# b3 N5 v4 U! _7 @◎文件大小 1DVD 21.79 GiB' |! n! G) A% q! S6 J
◎片 长 1 h 35 min U6 _ C$ \+ p$ H0 M# A
◎导 演 卢恰诺·埃尔科利 Luciano Ercoli
2 q3 d% ]" \3 M d: Z* {* A7 ]◎编 剧 耶尔迈斯托·加斯塔尔迪 Ernesto Gastaldi
) f# C$ o9 k c5 z( e- M7 Z/ O◎主 演 妲歌玛·拉桑德 Dagmar Lassander
, A) E2 m1 |- [0 E& Z) p$ v 皮耶尔·保罗·卡波尼 Pier Paolo Capponi) q/ z$ Q, ?" U8 ?
列薇思·纳瓦罗 Nieves Navarro
+ w, ?/ H* c+ q. U l5 l1 u Simón Andreu
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◎简 介 % {7 j8 X" M! ]- J5 z2 d& s
2 U, G6 E0 |: Y M A triangle of friendship, love, sex, and, perhaps, murder. Minou is newly married to Peter, a businessman in debt as he works to bring a new product to market. They met through Dominique, sexually voracious, Minou's best friend, and Peter's former (and possibly still) lover. A stranger accosts Minou one night on the beach while Peter is away. He tells her that Peter has murdered a business associate and blackmails her into sleeping with him. He compounds the blackmail with photos taken of their tryst. To Minou's surprise, this same stranger is in a pornographic photo Dominique has imported from Denmark. Is this all a game, and if so, who's behind it?- ~( T% A+ o1 k9 W
2 [) j G) p7 z6 OVideo
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P, g: w2 ~; N5 v0 ^Title : The.Forbidden.Photos.of.a.Lady.Above.Suspicion.1970.ITALIAN.1080p.BluRayCD.REMUX.AVC.LPCM.1.0-FGT
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, |! y' S" N6 n* O! H0 p% zAudio #1$ I+ N# j- _8 P8 w) m9 p
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3 P8 ^* O5 H5 KFrame rate : 30.000 FPS (1600 SPF)
( W0 E$ f3 q1 CBit depth : 24 bits
# \' G" I5 s0 i: P7 t8 E xStream size : 789 MiB (4%)# P& M3 W9 n7 v1 {1 ~) l
Title : The.Forbidden.Photos.of.a.Lady.Above.Suspicion.1970.ITALIAN.1080p.BluRaycd.REMUX.AVC.LPCM.1.0-FGT1 c0 e6 Y' D, }* \% v9 D" _8 d
Language : Italian
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0 E; i1 O& _. D' H2 a" A/ |, Z0 CStream size : 789 MiB (4%)
6 P: E& H' W0 Q0 B- D4 `5 BTitle : The.Forbidden.Photos.of.a.Lady.Above.Suspicion.1970.ITALIAN.1080p.BluRaycd.REMUX.AVC.LPCM.1.0-FGT
. Q6 p# W: Z& z0 Q! N1 t' n* B$ BLanguage : English
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: _$ H9 ]3 _6 a0 O! H# o/ LStream size : 219 MiB (1%)2 C, [! W7 x" N ?/ Y! a* x' ]2 ~
Title : The.Forbidden.Photos.of.a.Lady.Above.Suspicion.1970.ITALIAN.1080p.BluRaycd.REMUX.AVC.LPCM.1.0-FGT% n1 {' W6 g# L4 g8 {6 v; y
Language : English
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7 I. O5 U9 w9 L0 s4 V; yDuration : 1 h 34 min
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$ e0 q0 G- n3 v* S5 K" L$ U- HMenu
! d/ A2 ?; ? i4 Q2 A00:00:00.000 : en:Chapter 01
+ _# b J" }1 o1 e! u1 c+ M. i7 G00:08:31.219 : en:Chapter 02
# p, N" M( z7 |* \- K& ~00:16:04.338 : en:Chapter 03
( H! o' | Y+ a# u1 u3 _00:25:53.635 : en:Chapter 04
, y/ Y/ K) k4 }2 U00:32:50.927 : en:Chapter 05$ E' g8 W0 P" C1 ^. i
00:39:54.517 : en:Chapter 06
, g0 j* w* C* u; b' |8 c2 Q00:46:53.977 : en:Chapter 07" P0 }- p- h' L) z( X
00:55:50.472 : en:Chapter 08
e0 t2 p6 h$ N3 G" A4 I01:03:36.479 : en:Chapter 09/ C: i5 a; R% A+ G0 m3 M
01:12:28.927 : en:Chapter 10* \' E, q, e& j6 U" [% t6 a7 G. V
01:19:16.793 : en:Chapter 11
# @4 W6 M5 x* s* D' @01:27:11.935 : en:Chapter 12 The Forbidden Photos of a Lady Above Suspicion Blu-ray, Video Quality
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/ A( g" [) ?. }+ i8 a1 V5 [& bThe Forbidden Photos of a Lady Above Suspicion is presented on Blu-ray courtesy of Arrow Video with an AVC encoded 1080p transfer in 2.35:1. Arrow's insert booklet contains the following verbiage about the restoration: The Forbidden Photos of a Lady Above Suspicion / Le foto proibite di una signora per bene is presented in its original aspect ratio of 2.35:1 with Italian and English mono audio. Scanning and restoration work was completed at L'Immagine Ritrovata, Bologna. The original 2-perf Techniscope 35mm camera negative was scanned in 2K resolution on a pin-registered Arriscan. Thousands of instances of dirt, debris, scratches, picture instability and other instances of film wear were repaired or removed through a combination of digital restoration tools and techniques. The mono Italian and English language tracks were remastered from the optical sound negatives. The audio synch will appear slightly loose against the picture, due to the fact that the dialogue was recorded entirely in post-production, as per the production standards of the period. ) z* h+ v4 O2 z* N
+ l9 f/ Y9 g) [1 r0 |The film was graded on Digital Vision's Nucoda Film Master at R3Store Studios, London. As the commentary track on another release I reviewed recently, The Appaloosa, got into, Techniscope was a cheaper, non-anamorphic widescreen process which per that commentary can look a bit grainy at times, and with that understanding, this is a really excellent looking transfer almost all of the time. Detail levels are quite impressive throughout, even in some nighttime sequences (take a look at the fine detail on the fabric in screenshot 4 for just one example). There is definitely a somewhat gritty appearance that shows up courtesy of the heavy grain field, and there are occasional very brief moments of chunkiness or yellow splotchiness, but on the whole this a very impressively organic looking transfer. As can perhaps be gleaned from some of the screenshots accompanying this review, the palette in this film is almost lurid at times, often featuring kind of peculiar lighting that emphasizes deep reds and blues. Colors are really nicely saturated throughout the presentation.
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: x N, M" l# DThe Forbidden Photos of a Lady Above Suspicion Blu-ray, Audio Quality , T. Q8 u) _+ G/ o5 k' s! W9 |5 P5 j
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# n8 _! X- S- O8 t2 OThe Forbidden Photos of a Lady Above Suspicion features nice sounding LPCM Mono tracks in either Italian or English, but as per Arrow's verbiage reprinted above, synch can be almost comically loose in both languages at times. The film benefits from yet another great Ennio Morricone score, which sounds full bodied and distortion free throughout the presentation. The two mixes have some interesting, and to my ears kind of random, difference in mix levels, where you can hear the prioritization between music and dialogue handled differently in the two different languages. That said, there are no major issues in hearing dialogue in either of the languages.
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