惊魂记3/惊魂客栈 [REMUX无损版] Psycho III 1986 1080p BluRaycd REMUX AVC DTS-HD MA 5.1-FGT

Norman Bates falls in love with a fallen nun who stays at the Bates Motel alongside a drifter and a curious reporter. Meanwhile, "mother" is still watching.
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◎译　　名　惊魂记3/惊魂客栈
◎片　　名　Psycho III
: ]0 J- a3 M, h4 g9 a◎年　　代　1986
# K6 m3 r) q& X# {3 W◎产　　地　美国
◎类　　别　爱情/悬疑/惊悚/恐怖
  c) s, T# f$ P5 b' ^5 ~◎语　　言　英语
◎上映日期　1986-07-02(美国)
; X; A% r  }8 R  X! {+ m◎IMDb评分  5.3/10 from 11,341 users
◎IMDb链接  https://www.imdb.com/title/tt0091799/
. D# Q6 f6 Y  i7 P. H, L◎豆瓣评分　5.9/10 from 138 users
◎豆瓣链接　https://movie.douban.com/subject/1296159/
◎文件格式　x264 + DTS
◎视频尺寸　1920 x 1080
◎文件大小　1DVD 24.89 GiB
# A  }8 M7 c/ y◎片　　长　1 h 32 min
: s( _! P& J, N# G* R5 q- i4 f7 s◎导　　演　安东尼·博金斯 Anthony Perkins
◎编　　剧　查尔斯·爱德华·波格 Charles Edward Pogue
　　　　　  罗伯特·布洛克 Robert Bloch
◎主　　演　安东尼·博金斯 Anthony Perkins
/ W1 F2 M' Q! k/ g1 a1 W　　　　　  杰夫·法赫 Jeff Fahey
% @4 U, u' C3 c) `9 Y, p8 y& V　　　　　  Hugh Gillin
　　　　　  凯特·西亚 Katt Shea
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# W0 |2 |7 H  {; M* P◎简　　介      
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　　母子共同经营的“诺曼汽车旅馆”再度开张，新来的房客请小心！在经过多年隔离与心理治疗后，诺曼贝兹（安东尼柏金斯，「激情之罪」）决定自己可以再次当个称职的汽车旅馆老板，给他的房客一个温暖而血腥的接待;韩特警长，餐馆老板，以及女侍梅娜都认为诺曼已改头换面，但事实上却不是这么一回事，刚购入制冰器的诺曼决定让这台崭新的机器增加一项新用途，实验对象则是不知情的房客们，加上总是只闻其声，不见其人的诺曼 “妈妈” 在一旁推波助澜，喜爱恐怖片的观众即将再次领略惊声尖叫的刺激快感;本片是由男主角安东尼柏金斯亲自执导，并邀来澳洲籍演员杰夫法汉（「神鬼奇兵」，「铁迷宫」 ）参与演出。

" i9 U" R& [2 K6 k7 u; ?$ t　　One month after the events of PSYCHO II, Norman is still running the Bates Motel along with "Mother". Things are going fine until Norman falls in love with a fallen nun, takes in a greedy drifter, a nosy reporter sticks her nose where it doesn't belong and a series of murders begins once again.

Video
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! D% c: ]/ c7 b4 n9 C# b
2 {$ T- p5 M& t' x9 U1 dMenu
00:00:00.000 : en:Chapter 01
00:03:50.647 : en:Chapter 02
( j/ _3 Y/ j4 [3 w; w) o* w) |00:09:18.015 : en:Chapter 03
% D* Q+ j$ a3 a00:13:14.668 : en:Chapter 04
0 |2 F9 b* E& C2 [00:16:57.141 : en:Chapter 05
00:22:40.942 : en:Chapter 06
4 t( o5 C% X) n00:27:38.698 : en:Chapter 07
* b  V9 V+ U& c00:33:30.591 : en:Chapter 08
00:37:41.384 : en:Chapter 09
) M: x9 w0 E4 M00:43:06.041 : en:Chapter 10
00:48:20.188 : en:Chapter 11
; d% z" C" f. I( {# L; l8 W8 D00:53:04.931 : en:Chapter 12
01:00:30.835 : en:Chapter 13
01:04:14.225 : en:Chapter 14
/ f$ _7 ~. l8 q. A01:09:06.684 : en:Chapter 15
% s" X  P* o, Q. t1 q01:14:16.201 : en:Chapter 16
01:20:03.840 : en:Chapter 17
& ]  n$ K( R  y; F+ o; a* o* `01:24:18.887 : en:Chapter 18
: L8 i( h& ^2 o* A* r01:30:00.895 : en:Chapter 19

Psycho III Blu-ray, Video Quality

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2 m4 k# U. p# r6 Y( H8 D, NPsycho III is presented on Blu-ray courtesy of Shout! Factory with an AVC encoded 1080p transfer in 1.84:1.  While this is almost as commendable a high definition presentation as Psycho II, there are a few minor issues which would make me subtract perhaps a quarter point from the video score were I able to.  One of these is some very minor ringing which creeps into several scenes—you'll notice it for example in the opening sequence when Scarwid is in front of the large arched window, as well as later in the film when Perkins comes out of the house and walks toward the motel.  While Psycho II's cinematographer Dean Cundey had earned the soubriquet Prince of Darkness, Psycho III's Bruce Surtees certainly works hard to be next in line, for a lot of this film is bathed in extremely low light, and this film even more than its predecessor is occasionally hobbled by middling shadow detail and crush.  But on the whole, things look rather spry here, with the elements in great shape (as with the first sequel, some of the process photography is a little iffy looking), and perhaps even better color than Psycho II.  Despite some minor issues (and they are relatively minor), Psycho III boasts a very natural look, with a healthy layer of fine grain, consistent contrast and a very stable image.

Psycho III Blu-ray, Audio Quality  
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As with Psycho II, Psycho III features both a DTS-HD Master Audio 2.0 mix recreating the original sound design, and a repurposed DTS-HD Master Audio 5.1 surround mix.  This film has a slightly more ambitious sound design than Psycho II, one which is helped marginally by the 5.1 mix, where foley effects are often utilized quite well to create a suffocating immersive quality.  Fidelity is excellent in both of these tracks, with very well prioritized dialogue, effects and score (an early effort by Carter Burwell).  Dynamic range is quite wide, especially in a couple of the hyperkinetic attack sequences.
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