惊魂记2/触目惊心2 [REMUX无损版] Psycho II 1983 1080p BluRaycd REMUX AVC DTS-HD MA 5.1-FGT

Norman Bates is released from the mental institution and returns home. Then the grisly murders start up afresh. Has he returned to his old ways?
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◎译　　名　惊魂记2/触目惊心2
◎片　　名　Psycho II
# i8 B1 z4 A" Z6 V, k3 ]7 U7 K4 a◎年　　代　1983
4 `; I3 ~" N- _+ A9 \0 e/ U◎产　　地　美国
◎类　　别　悬疑/惊悚/恐怖
◎语　　言　英语
7 E" S$ c! M, c& ]5 Y0 T2 y0 T. c◎上映日期　1983-06-03(美国)
◎IMDb评分  6.4/10 from 20,616 users
◎IMDb链接  https://www.imdb.com/title/tt0086154/
' I  O6 I7 d& w' V& I$ e◎豆瓣评分　7.7/10 from 1,411 users
2 N/ q# Q9 v) D8 v3 G  ~◎豆瓣链接　https://movie.douban.com/subject/1293129/
3 v1 k: a7 N. X7 y! x1 r9 q◎文件格式　x264 + DTS
5 x$ ^, t5 g& V4 R/ C& w1 y( F5 O- p◎视频尺寸　1920 x 1080
) K+ J7 ?3 Q, `1 r9 `2 _◎文件大小　1DVD 26.91 GiB
% q# q/ V; R* H◎片　　长　1 h 52 min
% Q0 c1 U; {" t: N* o$ P5 q◎导　　演　理查德·富兰克林 Richard Franklin
# t/ z2 ]' D3 \# i$ M" J2 }. c: v& K◎编　　剧　汤姆·霍兰德 Tom Holland
　　　　　  罗伯特·布洛克 Robert Bloch
◎主　　演　安东尼·博金斯 Anthony Perkins
8 {4 t/ j  n. Q9 e　　　　　  维拉·迈尔斯 Vera Miles
　　　　　  梅格·提利 Meg Tilly
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◎简　　介      
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　　22年前，诺曼贝兹在自家的旅馆中，刺杀了正在淋浴的女房客玛莉莲，而被关进了精神病院，一关就是22年。如今，加州政府根据医生的诊断决定让他重回社会，他获释后，返回了山丘上的破旧旅馆。诺曼在当地一家餐馆中找到了新工作，担任厨师的助手，因此认识了年轻的女服务生玛丽，两人坠入了情网。但是不久后，诺曼却在自家的窗口，看到了死去的母亲，接下来，小镇上便发生了一连串的谋杀案，这些凶杀案会是诺曼的所作所为吗？他真的痊愈了吗？

　　After twenty-two years of psychiatric care, Norman Bates attempts to return to a life of solitude, but the specters of his crimes - and his mother - continue to haunt him.
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9 o. i5 r3 _5 b. l- DMaximum bit rate : 35.0 Mb/s
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4 D  {4 @& W1 f6 b  D+ L  Y* P) WTitle : Psycho.II.1983.1080p.BluRayCD.REMUX.AVC.DTS-HD.MA.5.1-FGT
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1 E7 W8 v; ~, F; ~1 y9 xColor primaries : BT.709
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8 M0 D6 [2 a1 M  q  pSampling rate : 48.0 kHz
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: }5 ^  [' o( D$ T/ M: l5 N' k9 cLanguage : English
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& W( M+ g; [7 N' {# fBit depth : 16 bits
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Title : Psycho.II.1983.1080p.BluRaycd.REMUX.AVC.DTS-HD.MA.5.1-FGT
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Menu
00:00:00.000 : en:Chapter 01
/ f# o5 D* f- C00:04:20.927 : en:Chapter 02
' I' K; ^  L0 E00:06:12.580 : en:Chapter 03
00:10:44.143 : en:Chapter 04
00:15:10.826 : en:Chapter 05
$ `% W- o+ a; e8 m; G00:18:41.912 : en:Chapter 06
00:27:09.586 : en:Chapter 07
00:33:30.508 : en:Chapter 08
00:40:32.721 : en:Chapter 09
4 N, R7 S1 o" q7 d00:45:05.411 : en:Chapter 10
00:49:11.365 : en:Chapter 11
00:52:16.258 : en:Chapter 12
! Z# Q- N  k. ~8 ~00:57:22.939 : en:Chapter 13
01:02:07.473 : en:Chapter 14
01:07:46.896 : en:Chapter 15
01:14:11.321 : en:Chapter 16
01:17:24.973 : en:Chapter 17
01:20:06.676 : en:Chapter 18
' H" {" H/ t6 D" j01:24:45.622 : en:Chapter 19
01:33:31.063 : en:Chapter 20
4 I" L  M# E0 O& D0 x1 p! c01:36:54.934 : en:Chapter 21
+ N+ k, x; S. ~01:40:46.582 : en:Chapter 22
01:44:59.042 : en:Chapter 23
01:50:00.176 : en:Chapter 24

Psycho II Blu-ray, Video Quality  
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Psycho II is presented on Blu-ray courtesy of Shout! Factory with an AVC encoded 1080p transfer in 1.84:1.  This is a generally extremely nice looking high definition presentation.  The elements are in very good condition, and a noticeable but unobtrusive layer of fine grain is in evidence throughout the presentation.  Some of the matte work shows its age and the higher resolution of the Blu-ray literally reveals the seams (those who have gone on the Universal Studios tour will remember that the Bates Mansion is really rather small and is surrounded by other sets, necessitating process photography to make it look like it's out in the open—see screenshot 7 for a good example).  Cinematographer Dean Cundley, then quite well known for his collaborations with John Carpenter, had gained the nickname "Prince of Darkness", and there are in fact several low light sequences here that suffer from minor but noticeable crush.  Fine detail pops quite well in close-ups.  Colors seem just a tad anemic at times, but overall this is a very respectable job from Shout!

Psycho II Blu-ray, Audio Quality  
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Psycho II features both a DTS-HD Master Audio 2.0 mix recreating the film's original sound design, as well as a repurposed DTS-HD Master Audio 5.1 mix (the packaging incorrectly lists a nonexistent 4.0 audio option).  Both of these tracks sport great fidelity and admirable dynamic range,  The 5.1 mix is not overly artificial sounding, tending to posit discrete channelization only in some expected ways, including sound effects (the slash of the knife) or in Jerry Goldsmith's nice score, which does not mimic Bernard Herrmann's iconic work in the original film.  Dialogue is always cleanly presented and easy to hear.
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