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◎译 名 小美人鱼/小鱼仙/小美人鱼3D版
7 P4 {; A. r; z$ [' ~◎片 名 The Little Mermaid / The Little Mermaid 3D
- U! h2 X" I0 X7 J8 t◎年 代 1989# \' A" _! @6 C# m
◎产 地 美国4 Y0 }5 b, `3 i
◎类 别 爱情/动画/歌舞/奇幻
" x: m; h% W5 }+ |◎语 言 英语 / 法语7 Y# p# g: F; o; Y
◎上映日期 1989-11-17(美国)/2013-09-13(美国)/2013-09-19(香港)
9 X6 S. p8 t) N; n+ Z◎IMDb评分 7.6/10 from 208,572 users
/ I; f" {& C2 ]! p◎IMDb链接 https://www.imdb.com/title/tt0097757/
a+ l4 Y4 S" b* Y8 B8 T" m4 P◎豆瓣评分 8.3/10 from 50,325 users( h2 K' F5 J- e) s; C
◎豆瓣链接 https://movie.douban.com/subject/1293120/$ D' q' H" d' a4 j& h' D- N$ X! `& Q
◎文件格式 x265 + TrueHD
. s5 l i7 s w4 [: N6 x- l, ?◎视频尺寸 3840 x 2160/ F* X0 @1 m. |, R
◎文件大小 1DVD 56.69 GiB) O" t; y6 r% Y* s& c
◎片 长 1:22:50.465 (h:m:s.ms)
0 p. C% m; _0 S◎导 演 罗恩·克莱蒙兹 Ron Clements. {- R; W$ D3 d3 q6 ^! d' Z
约翰·马斯克 John Musker
. M0 H) E& Q0 S3 g8 S" }2 a, y◎编 剧 约翰·马斯克 John Musker
! j. b% N* e( O 罗恩·克莱蒙兹 Ron Clements
) c5 A6 F" D! F* V6 X5 E◎主 演 雷内·奥博诺伊斯 Rene Auberjonois
# ~5 q p9 u1 }" ]0 N. L. Y0 ~ Christopher Daniel Barnes
7 W: C! U2 Y! P7 T- y& q 裘蒂·班森 Jodi Benson9 s: d% n; F m+ F. {/ d
南茜·卡特莱特 Nancy Cartwright( E- H9 c) k$ V6 k+ h: T, m# p
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◎简 介
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8 h: ~) I" t: N, F1 C7 @! D% e u A mermaid princess makes a Faustian bargain with an unscrupulous sea-witch in order to meet a human prince on land. r7 L8 x: Q c2 c: g- y6 J
0 q/ U1 f* ?( ^# V& h0 [ 爱丽儿是海中一条自由自在的小美人鱼,她向往自由,海底的世界似乎她看得有点厌了。这天,她突发奇想,想冲出海底,看看陆上精彩的世界。于是,她就真的冲破了美人鱼的限制,浮上了海面。当她看到了英俊的王子时,她彻底被征服了。为了能和王子相爱,小美人鱼爱丽儿决定以自己美丽的歌声为代价,换取一双平常人类女子的腿。在好朋友的支持和鼓励下,爱丽儿不顾一切向着自己的梦想出发!; T6 E! O1 f- e# r* f# S0 k
& z- |) k& \- G& t/ P, m& `0 s. A Ariel, a fun-loving and mischievous mermaid, is off on the adventure of a lifetime with her best friend, the adorable Flounder, and the reggae-singing Caribbean crab Sebastian at her side. But it will take all of her courage and determination to make her dreams come true—and save her father's beloved kingdom from the sneaky sea witch Ursula!
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◎获奖情况 ' d: w& j- k- `% Y6 C
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第62届奥斯卡金像奖(1990)3 F9 S, }: G1 r. W9 o' L
最佳原创配乐 艾伦·曼肯
, v; s* P& B/ a, n9 v' C- m 最佳原创歌曲 艾伦·曼肯 / 霍华德·阿什曼
% x7 z& w, M- T8 Q' ]( o, X- B 最佳原创歌曲(提名) 艾伦·曼肯 / 霍华德·阿什曼
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; H) @5 f. t0 {9 @6 N# g- DISC INFO:
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- Disc Title: The.Little.Mermaid.1989.2160p.BluRayCD.HEVC.TrueHD.7.1.Atmos-BHD
9 D6 X( q* [% U1 C( ? - Disc Size: 60,592,862,924 bytes, x- W% \5 z/ N$ a6 U
- Protection: AACS26 f$ E3 D8 C- l; N
- Extras: Ultra HD, BD-Java
9 W$ J" Q8 ` ~8 W' ]/ D+ I* ` - BDInfo: 0.7.5.3 (compatible layout created by DVDFab 11.0.1.7)
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0 [0 I* ]# J! Y" l, F0 {- PLAYLIST REPORT:
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' F# {# I. o8 A/ M1 T' V( ~- Name: 00800.MPLS
+ b5 o* ~+ R! z2 r$ y! b( I - Length: 1:22:50.465 (h:m:s.ms)) ]8 L4 F9 ?1 m) p. {
- Size: 59,274,129,408 bytes
: d! Z! F4 ~ @0 e - Total Bitrate: 95.40 Mbps
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- Codec Bitrate Description
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7 b4 c6 ]$ I! e9 T - MPEG-H HEVC Video 77314 kbps 2160p / 23.976 fps / 16:9 / Main 10 @ Level 5.1 @ High / 4:2:0 / 10 bits / HDR10 / BT.2020 /
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f8 H9 F- t( ?: O- AUDIO:7 m" s9 g5 u( d. B; o c/ F- @
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: h. V& F; j3 N. E1 T. x/ M3 O - Dolby TrueHD/Atmos Audio English 8895 kbps 7.1-Atmos / 48 kHz / 8895 kbps / 24-bit (AC3 Core: 5.1 / 48 kHz / 640 kbps)
~: B/ [' Z' o* u8 h/ _ - Dolby Digital Audio French 640 kbps 5.1 / 48 kHz / 640 kbps
- l9 l3 B7 k6 j( R. F - Dolby Digital Audio Spanish 640 kbps 5.1 / 48 kHz / 640 kbps
: V X- k" J+ c7 N - Dolby Digital Plus Audio Japanese 1024 kbps 7.1 / 48 kHz / 1024 kbps (AC3 Core: 5.1 / 48 kHz / 576 kbps ( Core: 5.1 / 48 kHz / 576 kbps)). r# F- ^8 y: _. i3 q' q3 H2 S# y
- Dolby Digital Audio Korean 640 kbps 5.1 / 48 kHz / 640 kbps# I) y. @1 h- u7 c
- Dolby Digital Audio Chinese 640 kbps 5.1 / 48 kHz / 640 kbps# j2 F5 a4 d& K
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- Presentation Graphics English 40.166 kbps
) ]7 }2 X3 i) F* R" Y% D - Presentation Graphics French 30.886 kbps " o5 O/ X9 o5 k6 }: Z! E- _
- Presentation Graphics Spanish 27.573 kbps + I7 |' p# a) D+ R
- Presentation Graphics Japanese 24.905 kbps
9 n& r9 f% J3 f6 ~7 e - Presentation Graphics Korean 16.22 kbps
8 \* i o( J1 u- a+ x - Presentation Graphics Chinese 21.192 kbps 5 ] d, V9 V1 J3 s6 F' n
- Presentation Graphics Chinese 23.564 kbps
. Z! |: n2 @4 h - Presentation Graphics French 0.039 kbps ! l% B1 D# e$ A
- Presentation Graphics Spanish 0.028 kbps ( n. S6 u% d, ~
- Presentation Graphics Korean 0.009 kbps 0 c3 b/ g( @( H/ M+ K( H
- Presentation Graphics Chinese 0.022 kbps
复制代码 The Little Mermaid 4K Blu-ray, Video Quality
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The included screenshots are sourced from a 1080p Blu-ray disc. Watch for 4K screenshots at a later date.
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Disney's previously released 1080p Blu-ray from 2013 was well received for its 2D image quality. The studio has improved upon a very good thing with this 2160p/HDR UHD presentation that does not necessarily see a major increase in sharpness to the original animation but does yield a substantial improvement to color depth and tonal solidification. The HDR color enhancement offers a strikingly rich palette, much more fruitful and full than the previous Blu-ray (and even the remastered Blu-ray), which in direct comparison appears much lighter, lacking the color nuance, impactful depth, and striking contrasting balances in play. Whether in dense and murky underwater areas or awash in bright sunlight up on the surface, the UHD picture reveals a nearly breathtaking color fortification that sets the tones not apart from the previous release -- this is not a revisionist color grading -- but rather brings out the best in every critical and minor shade in the film. Look at a scene in chapter five when Ariel talks with Scuddle up on the surface. There are three key colors in play: Ariel's red hair, the blue water, and Scuttle's feathery white body. Each one finds a level of color punch, depth, detail, and boldness that blows away the Blu-ray. Whites are crisper, reds are more dominant, and blues are deeper. The trade-off is that in some scenes, such as deep under the sea in the area where Ariel stores her assorted human trinkets, some colors lose a little distinction. Take a look at the 15:15 mark, one of the film's darkest scenes in that location. Two chests, a few books, a rope, and a scroll, among a few other items, appear on the frame's right-hand side. These are not difficult to see, but the Blu-ray's lighter color scheme allows the brown accents on the chests and rope to stand out more prominently, whereas on the UHD the brown demarcations are less prominent and take on the characteristics (though not entirely) of the dominant surrounding deep blues. The difference is minor and not bothersome, but it's worth noting. Generally, though, the increase in depth and intensity to everything from the film's title to bold yellow/orange sunsets near film's end are enormous.3 d4 F! T3 b. G o( @* P
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As noted, there's little obvious improvement to textures, which is not necessarily an issue. Lines are crisp, definition is solid, and clarity is a highlight throughout the film; all of these are improvements over the Blu-ray. Lines enjoy more distinguishing definition and separation. Look at the shot when Ariel first sees her new feet in chapter 17 at the 46:16 mark. Pay special attention to the hair flopping in front of her face off to the left. The little angled edges that stick down are far less distinct on the Blu-ray; the UHD manages to bring out clearer, more perfectly defined textural nuances that in 2160p appear with greater distinction rather than take on a fairly crude shape as seen in 1080p. But these are generally minor upticks that, as important as they may be, cannot hold a candle to the impact HDR brings to the table. The image maintains a pleasing and complimentary grain structure for the duration, showing that there has seen little, if any, tampering from the original film transfer elements. The source appears pristine with no artifacts of note. The UHD shows no compression artifacts, either. Ultimately, beyond a few tightening textures, this one is all about the HDR and the end result is a breathtaking revival of a cherished Disney classic that compliments, not reinvents, the colorful source. ; |# a7 X3 i% [" y& U) @2 Y
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The Little Mermaid 4K Blu-ray, Audio Quality # R' Y4 y* z( Z* D3 \+ G1 _
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Disney's Dolby Atmos soundtrack does not appear to suffer, severely, anyway, from the company's recent trend of limited range and lowered volume. On the contrary, this is a healthy, full-bodied track that is limited by some of the more inherently constrained sound elements but the overall presentation is quite solid. Listeners are almost immediately treated to an example of the track's positive qualities when a shark snaps at Ariel during her introductory scene, presenting with a hearty depth and detail that gives the scene the proper (albeit slightly comical) punch necessary for effect. Cracking thunder preceding a hurricane in chapter nine booms with impressive depth. The subsequent commotion on the seas and on ship's deck proves entertainingly immersive and detailed. The effects lack the loft that one might expect to hear; the top channels are not utilized to obviously discrete effect. On the contrary, the accompanying music feels a little more pronounced up top. Still, the scene, one of the most sonically prominent in the film, is rather fun and borderline spectacular, any top layer adds or misses notwithstanding. The finale offers a more robust engagement of the top end. Clarity just isn't quite there, but the sheer power of a booming Ursla voice, crashing waves, and big music help create a fairly frenzied sonic scene that is every bit the match, if not the better, of that storm scene from earlier in the film. The track creates agreeable lift to the highs when Ariel's voice calls out in near hypnotizing melody both when she loses it and when Ursula makes use of it to trick Eric, who is falling for the voiceless girl. Musical engagement is impressively wide and clear, boasting positive front end stretch and often modest, but well integrated, surround support details. Lyrical clarity and dialogue efficiency are both excellent. Minor reverb accompanies a few scenes as locations allow, but the spoken and sung word are both usually found in the natural front-center position.
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