不惜一切/妮可基曼爱的机密 [REMUX无损版] To Die For 1995 BluRaycd REMUX 1080p AVC LPCM 2.0-CHD 18.81GB

A beautiful but naïve aspiring television personality films a documentary on teenagers with a darker ulterior motive.
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◎译　　名　不惜一切/妮可基曼爱的机密(台)/爱的机密
◎片　　名　To Die For
7 ^0 @7 {' ~& \# U$ \◎年　　代　1995
% U# E) i; U; `; w' \. x" o- p◎产　　地　英国/法国/加拿大
, p2 f9 O, b& {6 L& U7 D4 B◎类　　别　喜剧/犯罪/惊悚
◎语　　言　英语
2 ~5 j- n7 r9 A; x& n0 N◎上映日期　1995-05-20(戛纳电影节)/1995-10-06(美国)/1995-10-27(英国)/1995-12-06(法国)
2 j& j4 A* l- A7 K3 _◎IMDb评分  6.8/10 from 52,618 users
◎IMDb链接  https://www.imdb.com/title/tt0114681/
◎豆瓣评分　6.8/10 from 3,541 users
◎豆瓣链接　https://movie.douban.com/subject/1297768/
/ u6 g# H# B$ |! r! }" q/ ^8 j◎文件格式　x264 + LPCM
$ H. L0 q) q& O4 K◎视频尺寸　1920 x 1080
9 A- }- r5 d9 Z4 }1 v! `◎文件大小　1DVD 18.81 GB
◎片　　长　1 h 46 min
' |( O9 e7 p  R( l. [◎导　　演　格斯·范·桑特 Gus Van Sant
◎编　　剧　乔伊丝·梅纳德 Joyce Maynard
2 a/ P# C( i2 Q. h2 s* y　　　　  　巴克·亨利 Buck Henry
# L1 ]3 `/ w% G% s9 `. ^◎主　　演　妮可·基德曼 Nicole Kidman
　　　　  　马特·狄龙 Matt Dillon
　　　　  　华金·菲尼克斯 Joaquin Phoenix
　　　　  　卡西·阿弗莱克 Casey Affleck
7 W, d1 C1 U4 `2 z8 V( C! R$ ~8 ^　　　　  　伊里纳·道格拉斯 Illeana Douglas
1 v' N" z- O" ?, ~& {5 k* s' U　　　　  　艾莉森·福兰德 Alison Folland
# t$ v( q; Z8 y" W+ O* M# o　　　　  　丹·哈达亚 Dan Hedaya
　　　　  　韦恩·奈特 Wayne Knight
. i; G7 L) X" o2 G# e) e# k　　　　  　柯特伍德·史密斯 Kurtwood Smith
+ E4 k  ?) \( @# \! \" D+ }　　　　  　霍兰德·泰勒 Holland Taylor
　　　　  　苏珊·特雷勒 Susan Traylor
　　　　  　Maria Tucci
0 t  ~/ @# ^+ k) c　　　　  　Tim Hopper
& K2 s7 G  H5 h2 L( d+ h　　　　  　迈克尔·里斯波利 Michael Rispoli
+ O  z6 v, v3 J$ Z1 t$ X1 a　　　　  　巴克·亨利 Buck Henry
　　　　  　康拉德·科茨 Conrad Coates
　　　　  　乔伊丝·梅纳德 Joyce Maynard
0 m- S" {/ @/ t% t5 k　　　　  　大卫·柯林斯 David Collins
　　　　  　大卫·柯南伯格 David Cronenberg
- O2 x2 I/ A- E/ U% n" R2 |　　　　  　Andrew Scott
# E4 F$ v/ p2 \: ]* H4 T; W　　　　  　Tamara Gorski
3 l$ T# N3 h6 E+ `  ]　　　　  　瑞恩·菲尼克斯 Rain Phoenix
　　　　  　乔治·席格 George Segal
　　　　  　Isabella Simone
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" C% F# D8 o9 K& y' j◎标　　签　NicoleKidman | 美国 | 妮可·基德曼 | GusVanSant | 犯罪 | 1995 | 剧情 | 美国电影
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　　天气播报员苏珊（尼克·基德曼 Nicole Kidman 饰）因涉嫌丈夫被害的谋杀案一时成为媒体焦点，数位当事人的访谈将事件的过程逐步呈现……

　　立志从事新闻事业的苏珊雄心万丈，不顾丈夫拉利（马特·狄龙 Matt Dillon 饰）的意大利裔家庭反对，全力进行入行的相应准备，并最终为当地一家仅两名工作人员的有线电视台聘用，担任“天气女郎”。苏珊高昂的工作热情并未被消极的环境打退，不断提出工作计划，并着手深入学校的青年访谈系列节目，由此结识了詹姆斯（杰昆·菲尼克斯 Joaquin Phoenix 饰）等三位叛逆青年，詹姆斯深深迷恋苏珊。当苏珊意识到丈夫正在成为她事业上的障碍时，利用詹姆斯枪杀了拉利。苏珊自认是最后的赢家，但情况突然急转直下。

$ q3 |4 }4 S# {; e) m$ _　　Suzanne Stone wants to be on television and she is willing to do whatever it takes to get what she wants. As she pursues her goal with relentless focus, she refuses to let anything or anyone stand in her way.
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◎获奖情况  
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　　第49届英国电影学院奖 (1996)
　　电影奖最佳女主角(提名) 妮可·基德曼
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1. To.Die.For.1995.BluRayCD.REMUX.1080p.AVC.LPCM.2.0-CHD 18.81 GB

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To Die For Blu-ray, Video Quality   

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" d% m5 k/ n' v' XTo Die For is one of the catalogue titles that Sony has licensed to Image Entertainment, and Image has produced a respectable 1080p, AVC-encoded Blu-ray that effectively represents Gus Van Sant's typically low-key imagery. (The cinematographer was Eric Alan Edwards, who shot several features for Van Sant in the Nineties, as well as films for Larry Clarke, before moving on more recently to studio comedies like Knocked Up and The Change-Up.) Even when he's doing a period piece like Milk, Van Sant has never tried to draw attention to the photography in his films, which is an intriguingly "old school" quality in a director long considered counter-cultural. Still, television is the subject of To Die For; so, just as Sidney Lumet instructed his cinematographer in Network to "corrupt the camera" by gradually making the lighting more artificial, Van Zant has Edwards light many of the interior scenes with an extra dose of pizzazz. This helps them blend more easily with the TV interview footage, and it also establishes a marked contrast with the wintry New Hampshire (actually Ontario) outdoors, which reflects the dull reality Suzanne wants to escape.
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I've sometimes been accused of "making excuses" for a disc when I say it doesn't "pop", but that's really just my way of telling the demo disc crowd that this isn't their kind of Blu-ray -- or movie. I rate this transfer highly, because it accurately reproduces the film's look without any obvious effort to freshen, update or "improve" it to resemble a contemporary digital production, a big-budget Technicolor extravaganza, or any other style of filmmaking that some viewers might find preferable. The Blu-ray's image has subtle, excellent detail on clothing and other fine textures, which is especially important for Suzanne's array of tasteless but attention-grabbing outfits. Everything in Suzanne's life has been borrowed from a glossy magazine, and the better you can see that, the better you understand Suzanne. Black levels are very good, and the film's grain patterns are stable and natural-looking.
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4 A' |1 ~" N0 j$ `# U: T* Z# n( u# QFine detail suffers on just a few occasions from minor aliasing noise, and a shot of Lydia near the end appears to have an unstable background, but since the problem is limited to that one shot, it's presumably a flaw in the original element. The final shot of Jimmy in the prison interview room exhibits some minor edge ringing, which would be a concern if it were pervasive throughout the transfer, but it isn't. These issues aside, I saw no signs of high-frequency filtering, transfer-induced ringing or other inappropriate digital tampering, nor did I spot any compression artifacts.

4 b: _* g. r" C: m6 q& A4 l  b! LTo Die For Blu-ray, Audio Quality   
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& [, k. Q7 U" Z" U/ z% ~# vOn the audio front, the news is somewhat perplexing. Anyone following Disney's catalogue releases through Mill Creek is familiar with the disappointment of having films released to theaters with a 5.1 soundtrack issued on Blu-ray with only stereo surround. But Image and Sony have been very reliable about supplying original audio mixes -- until now.

To Die For was released in 1995, two years after discrete multi-channel formats appeared in theaters, and its credits feature the "SDDS" logo for Sony's multi-channel format at a time when Sony owned the Loews theater chain and was making a much greater effort than now to promote that proprietary format for delivering digital sound in theaters. But, more tellingly, when Sony released To Die For in 1998 on the still-new DVD format, the DVD had a 5.1 soundtrack in Dolby Digital. Why wasn't that soundtrack provided to Image?
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( p1 [& n) D5 H. F# c' IWhat we get on the Blu-ray is a PCM 2.0 surround track (and not, as the back of the case indicates, a DTS-HD MA 2.0 track). Now, don't get me wrong: It's a fine-sounding track. Voices are clear, sound effects are fully rendered, there's a decent sense of ambiance from the surround decoder, and the score by Danny Elfman (the ideal composer for a satire of this nature) sounds musical and lively. A 2.0 track was also included on the DVD, as was standard for Sony in the format's early days, and one can reasonably assume, given the slow rollout of new hardware that is typical of penurious theater owners, that many patrons in 1995 never heard the 5.1 mix, because their local theaters hadn't yet invested in the new decoders.

Still, that was sixteen years ago. Today, even a low-end receiver can decode DD and DTS. Why couldn't Sony just dig up that 5.1 mix for To Die For from the vault and ship it to Image? If Sony couldn't find it, why not just rip the 5.1 off the DVD (which would be better than nothing)?

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