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" ]/ U+ O% I7 K9 j◎译 名 夜黑风高: Y* T; L! T7 u/ a+ ]' n
◎片 名 So Dark the Night
! F7 u1 l/ N6 S8 Z* Q◎年 代 1946
+ {: C l* x' `. y" I0 r4 `( y* o◎产 地 美国
. \' J! ^( K- Z3 ?7 O◎类 别 剧情/犯罪/黑色电影8 X; [2 p* i: Y* t9 p
◎语 言 英语 S1 W% P; ?$ D4 F
◎上映日期 1946-10-10, _0 N2 \& O+ S! F9 @
◎IMDb评分 6.4/10 from 549 users2 h3 p! T" ^) z3 _
◎IMDb链接 https://www.imdb.com/title/tt0038958/' l5 X Y! S3 x3 G: ^. L: i4 ?
◎豆瓣评分 0/10 from 0 users1 R7 W! P% B, u
◎豆瓣链接 https://movie.douban.com/subject/2111922/
8 @' x$ N3 ]4 Y# ?# X3 @; P◎文件格式 x264 + LPCM
1 i3 u4 T' m+ A8 ]; V+ C◎视频尺寸 1920 x 1080
% e' {4 ?. I- g) I! t, J/ d◎文件大小 1DVD 19.04 GiB) V. e! q0 s9 z( J) n# B% x
◎片 长 1 h 10 min5 \, F( T% z7 y" B
◎导 演 约瑟夫·刘易斯 Joseph H. Lewis
* f1 ]# {, J+ }; i2 A◎编 剧 马丁·伯克利 Martin Berkeley( k. `1 ]4 ?( Z% Z/ @, s9 C
德怀特·V·巴布科克 Dwight V. Babcock
0 X( W% K# N% E7 E; X9 x 奥布里·维斯贝格 Aubrey Wisberg
4 o- H5 M |5 v4 A$ R, [◎主 演 史蒂文·杰雷 Steven Geray: j: `9 p' |& x/ d* p% j1 J
米舍利娜·谢雷尔 Micheline Cheirel
4 h& l: P! O& Q) M/ X, T& n 欧仁·博登 Eugene Borden# `* u$ g! H% r& G- a: U5 s5 r
Andre Marsaudon9 |8 Y" \" W, u C6 n- j$ U1 s
Alphonse Martell- i D7 n* z5 e8 E0 b& q8 h) L0 B
Paul Marion+ x. ?! G+ ~9 b W: L8 Q* t3 j
路易斯梅西埃 Louis Mercier
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' u! K" D7 k$ S: n8 _4 F◎简 介 ! k; X- i0 R# V
3 |$ y( x6 V0 T! y) G) R, h8 f A renowned and relentless Paris detective takes his first vacation in eleven years at a small inn in the French countryside. There he meets and falls in love with the hotelier's daughter, who had been betrothed to a neighboring farmer, but who hopes to marry him and move to Paris. On the evening of their engagement, both the fiancée and the farmer disappear. What has happened to them? Who is responsible? Can the famed detective apply his talents to a rural mystery?6 U' F) |& _( h9 }# v& I* a
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Director Joseph H. Lewis (GUN CRAZY) established his reputation as a talented stylist by wrangling a complicated story - of a Parisian detective (Steven Geray) who falls in love while on vacation, only to see the woman murdered - into a taut and atmospheric film noir. Overcoming the challenges of recreating the French countryside in Canoga Park, California, Lewis and noir cinematographer extraordinaire Burnett Guffey craft one of the great surprise endings in all of noir.
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- d5 X$ _) V1 U) L; c$ ]: F5 Q0 iVideo
# l7 q" F J3 V/ N! p0 hID : 1: L7 k. q8 J( p8 d
Format : AVC4 H5 H8 o1 i: G; P$ M( P: v
Format/Info : Advanced Video Codec
5 d( Q3 s9 C6 l1 [. |Format profile : High@L4.1
0 z( G( W% e+ R& Y$ oFormat settings : CABAC / 4 Ref Frames b; D3 S) @8 D. g4 m
Format settings, CABAC : Yes
' V6 [& Y5 e! T% c+ BFormat settings, ReFrames : 4 frames
3 }' m* x- j* c1 c( ~: Y$ JCodec ID : V_MPEG4/ISO/AVC; P! i" o$ Q5 g5 d# A- [
Duration : 1 h 10 min; U0 ^1 K' o! Q2 B) u. x" S" b5 K
Bit rate mode : Constant, S3 B' V# ]9 n% _
Bit rate : 35.0 Mb/s! Y9 z1 v ?7 {, X
Width : 1 920 pixels1 p# t' v8 v p" Q+ Y5 K) q
Height : 1 080 pixels
, Y3 P. M1 F, m2 u9 LDisplay aspect ratio : 16:9
0 B- k/ G- W# E' F6 \Frame rate mode : Constant$ [1 x- }: {( r. g% l O, k
Frame rate : 23.976 (24000/1001) FPS
/ H% Q1 O+ U& r% KColor space : YUV
9 Z" b6 s3 c {! |+ G/ r" a6 d. YChroma subsampling : 4:2:0
# g8 T* S$ }3 F; KBit depth : 8 bits& N& B& c& T5 [" r4 R" \% z. z6 @
Scan type : Progressive
" ~' C' k# |; F. S0 fBits/(Pixel*Frame) : 0.704# J7 ^; e# l, P
Stream size : 16.8 GiB (88%)4 Y& u) Q. L0 @
Title : So.Dark.the.Night.1946.1080p.BluRayCD.REMUX.AVC.LPCM.2.0-FGT
' k3 x4 l% r" J4 Y: vLanguage : English
4 A1 W, X2 n' u. w6 [Default : No$ o2 {6 e3 f7 ^* T+ Q
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% N- U" n0 T. I: aAudio #1- p: O7 R- z2 w( W
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& A# e/ u& [1 [0 g- LFormat settings : Little / Signed
8 e1 f, N, ~: G* f! SCodec ID : A_PCM/INT/LIT
3 L6 W- d% ^' E* y6 C# b. G4 eDuration : 1 h 10 min
! s( f- F! k' R* L" q. X; aBit rate mode : Constant# W- B6 |' \# j7 K' o: m
Bit rate : 2 304 kb/s
$ Z& f! Z. t6 c. _: B4 J, [4 g aChannel(s) : 2 channels3 S6 J" T1 j, F# m' p0 l
Sampling rate : 48.0 kHz
8 M+ @ }1 ^. [8 o9 vFrame rate : 30.000 FPS (1600 SPF)
4 M' g' f2 c* i1 S- O( yBit depth : 24 bits
% m/ f: O5 K+ V6 P( q0 G! O% D4 h9 BStream size : 1.13 GiB (6%)
& w; \7 r7 c) {; XTitle : So.Dark.the.Night.1946.1080p.BluRaycd.REMUX.AVC.LPCM.2.0-FGT
. W- ?0 H7 F# w5 I/ cLanguage : English
+ {( A+ |6 v Z7 iDefault : Yes
# s" e, t& ?# N( y, ?0 F. h, j' o4 LForced : No
X6 K l1 o3 P( z6 n
* f+ j' \9 x4 j3 L6 X4 iAudio #22 H( W# a9 ~/ M& V
ID : 38 R' h; o, Y- c$ x' L: o
Format : PCM
1 g' u/ x- s! p+ ~8 z Y1 j3 G$ z! _Format settings : Little / Signed
/ j0 Q/ u) X! o1 L: aCodec ID : A_PCM/INT/LIT
! J+ k, @) F! r) M3 T* x5 NDuration : 1 h 10 min# Q' U1 F) ~; P6 s! n
Bit rate mode : Constant& h$ z; z% c' I% ?' c. y
Bit rate : 2 304 kb/s
1 y' l5 q: l) h/ R0 v. fChannel(s) : 2 channels9 N5 @0 C' S) C$ h% q, k! |4 }% F
Sampling rate : 48.0 kHz
: @; V% m+ ]$ {& y; VFrame rate : 30.000 FPS (1600 SPF)
7 J2 r2 [$ R' _$ Y7 ~, aBit depth : 24 bits1 W4 H4 ?3 g7 g7 e4 Q: f7 y
Stream size : 1.13 GiB (6%)$ H# O7 T! Y# a8 c- i3 k( s
Title : So.Dark.the.Night.1946.1080p.BluRaycd.REMUX.AVC.LPCM.2.0-FGT
, s7 }0 u' s9 y* ?3 FLanguage : English
4 S7 v; ^; F0 T' X7 l* ODefault : No
( L( s( Z! T/ \8 y" HForced : No
) j- c! d6 Y& U1 V1 B) F9 H( H2 H. o( a( j8 Z
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+ u3 |) X4 }4 S9 q$ E$ FFormat : PGS
3 Q/ T- q' `4 S6 Q7 h; _7 D: M9 s! hMuxing mode : zlib0 z, P) w+ h6 }8 u
Codec ID : S_HDMV/PGS5 C6 G; g3 Y% z( L; A) K4 R" @. w
Codec ID/Info : Picture based subtitle format used on BDs/HD-DVDs
0 Z G+ r; n; a) t+ T, V7 tDuration : 1 h 8 min$ l" }2 a# c. R' @- q8 {" z
Bit rate : 32.7 kb/s% F5 {- ^' o* c+ H5 h' X1 R
Count of elements : 1554* B5 v. l! Q' L7 T1 a7 @. T4 c
Stream size : 16.0 MiB (0%)
9 k; [, H1 F8 `" f. WTitle : English-PGS
# f, a- ]- ? e% t0 A# d9 X! HLanguage : English
% P/ S! l7 A# }, z5 nDefault : Yes$ A' M) l) U# J" y* W7 W" c' R: L
Forced : No
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+ f/ w1 R5 ^+ I- l" Q% WMenu5 n6 T5 u- q0 \% t/ w/ d
00:00:00.083 : en:Chapter 017 w$ u' x* p: D7 u u2 g) q
00:05:15.315 : en:Chapter 02' }) X4 O) E2 W0 |% v
00:11:56.966 : en:Chapter 03
2 \7 G3 A( B4 {6 q7 i. r2 R# b00:17:54.364 : en:Chapter 04
9 N( N9 z" j$ b6 M, Z00:23:23.735 : en:Chapter 05$ Z7 ]! n% P, r$ K. q3 T% b; P
00:29:43.323 : en:Chapter 06
; x% R) i$ p+ w, K- A4 |5 S& b# S00:33:33.261 : en:Chapter 07
! J: [0 Q+ x* A \2 f' D" u) M& s00:40:55.578 : en:Chapter 08
7 d, k+ x" J* l3 p' \00:46:30.370 : en:Chapter 09
' o, `. @- Y& r: ?00:54:08.870 : en:Chapter 105 B: w$ P$ j/ P
01:00:27.040 : en:Chapter 11% h3 U1 ?- z* L8 F# J
01:04:09.053 : en:Chapter 12 1 _6 Y( [5 A$ }$ F
So Dark the Night Blu-ray, Video Quality ) H7 V* T# v# R* G
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/ y5 G* P. R3 G: C s9 K( z! XSo Dark the Night is presented on Blu-ray courtesy of Arrow Academy with an AVC encoded 1080p transfer in 1.33:1. The insert booklet's minimal verbiage on the transfer is pretty much identical to that found in the other Joseph H. Lewis Columbia noir Arrow is releasing, My Name Is Julia Ross, down to and including a misidentified aspect ratio: So Dark the Night is presented in its original aspect ratio of 1.37:1 [sic] with mono audio. The film was transferred in High Definition and supplied to Arrow Films by Sony Pictures Home Entertainment. Also as with My Name is Julia Ross, the back cover of this release touts a "2K restoration by Sony Pictures". While it may be a matter of arguable degrees, I personally found the appearance of So Dark the Night to be just a tad less pleasing overall than My Name is Julia Ross. As my My Name Is Julia Ross Blu-ray review mentioned, that film featured a surplus of optical dissolves leading from sequence to sequence, and the same tactic is employed in So Dark the Night, but to my eyes things don't look quite so organic. Some of the stylistic lighting choices occasionally looked slightly digitized to me (see the shadow running down Steven Geray's face in screenshot 6), and grain can be fairly gritty. On the plus side, I didn't notice the same sort of flicker that shows up on occasion in My Name is Julia Ross. This, also like My Name is Julia Ross, was lensed by ace cinematographer Burnett Guffey, who manages to inject at least a few chiaroscuro moments into what is an often surprisingly sunny seeming set of locations. To echo my sentiments about Arrow's My Name is Julia Ross, while I personally didn't find it quite as pleasing, I can't imagine fans of this film having too many major complaints about its appearance.
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' H- _% u3 X+ M) K, a9 S# ^. XSo Dark the Night Blu-ray, Audio Quality % j6 A9 ]. P0 I: E( B0 D
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So Dark the Night features an LPCM 2.0 mono track that capably supports the film's dialogue, effects and Hugo Friedhofer score. Things aren't especially robust sounding, especially some of the slightly shallow sounding underscore, but there's no real damage in terms of dropouts or distortion. 4 b- x% `& g0 q7 T+ ?
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