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发表于 2019-3-17 20:44:54
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6 i" F. ]: O" d' k' |; f◎译 名 绿皮书/绿簿旅友(港)/幸福绿皮书(台)/绿书
' Y" b& K( l# ~( g' y4 H+ l◎片 名 Green Book8 R% T+ o/ x: ?# q. a J5 \( ~- r
◎年 代 2018
2 c( W4 P+ ^9 L0 v( L$ q$ x, W$ \0 e◎产 地 美国! `" L# e7 j5 {& `5 M2 c0 V
◎类 别 剧情/喜剧/传记
4 Q( G2 w7 S- R* F2 r◎语 言 英语/意大利语/俄语/德语
; A7 ]2 H* x& E. H◎上映日期 2019-03-01(中国大陆)/2018-09-11(多伦多电影节)/2018-11-21(美国)) ^+ X7 ?; C- ~! `0 j
◎IMDb评分 8.3/10 from 143,243 users
, ^0 Y6 z; Q: M0 z% O; }' T◎IMDb链接 https://www.imdb.com/title/tt6966692/
8 G- D6 K9 T, B9 o◎豆瓣评分 8.9/10 from 405,305 users, N& ~9 L* R+ O; M
◎豆瓣链接 https://movie.douban.com/subject/27060077/
8 M: m& \" w# x0 ?+ @◎文件格式 x265 + TrueHD# g7 L3 {; S* G. I2 n
◎视频尺寸 3840 x 21600 W# H7 T- a" }+ Z) A2 F2 X
◎文件大小 1DVD 60.20 GiB6 p* F6 y) g# @% C6 C$ t
◎片 长 2:10:04.004 (h:m:s.ms)) Z& _! j$ ~" R+ h
◎导 演 彼得·法雷利 Peter Farrelly+ D0 k: T4 H; Z
◎编 剧 尼克·维勒欧嘉 Nick Vallelonga
n( E# @ b8 `! c 布莱恩·海耶斯·库瑞 Brian Hayes Currie" G, O8 J7 P C2 v7 E$ N# ~; Q
彼得·法雷利 Peter Farrelly
6 e) l5 G/ \: f+ H◎主 演 维果·莫腾森 Viggo Mortensen
+ j* @" P; e6 t9 t1 S 马赫沙拉·阿里 Mahershala Ali
# I H6 m6 w- { 琳达·卡德里尼 Linda Cardellini
# [6 a! y' x' h2 X8 n1 i5 ?$ |, j 塞巴斯蒂安·马尼斯科 Sebastian Maniscalco
6 e" _* C9 v& F3 p) H! u( }5 m 迪米特·D·马里诺夫 Dimiter D. Marinov! J3 G9 y7 k. `. Q% N
迈克·哈顿 Mike Hatton, w; W4 R1 S0 s" v
P·J·伯恩 P.J. Byrne
$ s; g3 E2 ^) x& x# a 乔·柯蒂斯 Joe Cortese
3 Y# m4 X; G3 u; {- o2 g+ {7 `/ X- ] 玛姬·尼克松 Maggie Nixon- }' n; O. \; E; g$ { z- A& f
冯·刘易斯 Von Lewis
% t( y7 I. f5 G A2 S3 l 乔恩·索特兰 Jon Sortland
1 l- T9 N& C+ P0 }$ [0 b 唐·斯达克 Don Stark
3 U- n3 o R, a; m9 j" d8 x 安东尼·曼加诺 Anthony Mangano/ n6 F; Q, A% l* r, m5 S
保罗·斯隆 Paul Sloan! B/ n/ h U1 p
珍娜·劳伦索 Jenna Laurenzo: P7 ?9 H4 e2 s- C. l3 N
肯尼斯·以色列 Kenneth Israel4 g! M+ C6 W/ p" d! J
伊克博·塞巴 Iqbal Theba% {. R9 K" |9 ?5 ?! K
尼克·瓦莱隆加 Nick Vallelonga' I3 E: f }3 q& n
大卫·安 David An; O* L' x$ i- m
迈克·切罗内 Mike Cerrone/ M% D. b3 B6 O' w. T
杰拉尔丁·辛格 Geraldine Singer
2 l1 l. Q: W# y. J 马丁·巴特斯·布拉德福德 Martin Bats Bradford
0 e# C4 n+ g& _( I" ` ]3 X; P# M 格拉伦·布莱恩特·班克斯 Gralen Bryant Banks
: e! H5 a" [2 X o( h# |2 Y 汤姆·维图 Tom Virtue
' _" ]8 E C& i* r 夏恩·帕特洛 Shane Partlow5 A6 {9 z2 q" q9 C4 {0 \
丹尼斯·W·霍尔 Dennis W. Hall
# m. R! v7 R/ X: c 吉姆·克洛克 Jim Klock
3 L) y$ ~4 t8 }/ @; Z. c2 S 戴恩·罗兹 Dane Rhodes+ l# L" f( \% _
布赖恩·斯特帕尼克 Brian Stepanek
7 e# I4 t P9 x( ~ 乔恩·迈克尔·戴维斯 Jon Michael Davis7 Z- b4 q" o. o) [& B9 i; M
布莱恩·海耶斯·库瑞 Brian Hayes Currie4 C U7 O7 j4 u& @7 o1 T% B
托尼亚·马尔多纳多 Tonya Maldonado
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◎简 介 5 @1 T+ T& g+ \# y# O' q0 R: L
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A working-class Italian-American bouncer becomes the driver of an African-American classical pianist on a tour of venues through the 1960s American South.
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+ |- A- v; }2 t% ^2 W 一名黑人钢琴家,为前往种族歧视严重的南方巡演,找了一个粗暴的白人混混做司机。在一路开车南下的过程里,截然不同的两人矛盾不断,引发了不少争吵和笑料。但又在彼此最需要的时候,一起共渡难关。行程临近结束,两人也慢慢放下了偏见......
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1 @( f" z! \) N, D6 `* u' C- |+ `! p8 O 绿皮书,是一本专为黑人而设的旅行指南,标注了各城市中允许黑人进入的旅店、餐馆。电影由真实故事改编。
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& e2 s t9 u( W) N& p: _◎获奖情况2 s- ?/ m( X+ C
I7 J4 z/ G) N' Z+ e 第76届金球奖(2019)9 _* [6 d' ]! b* Q# _# ]
电影类 最佳音乐/喜剧片(提名)
6 a: M+ P8 Q2 M; j5 i4 t! p 电影类 最佳导演(提名) 彼得·法雷利
4 v2 d3 Y/ _3 c. A0 }1 l 电影类 音乐/喜剧片最佳男主角(提名) 维果·莫腾森8 _, U2 j! |) t0 H" [/ i* _) L
电影类 最佳男配角(提名) 马赫沙拉·阿里
% u/ }2 y6 ?. N' V- Y6 C. { 电影类 最佳编剧(提名) 尼克·维勒欧嘉 / 彼得·法雷利 / 布莱恩·海耶斯·库瑞
( d' t6 l' k; E 第43届多伦多国际电影节(2018)
8 W6 F, K9 }" G: E1 s3 V7 V# h 观众选择奖; }$ Z5 f/ a( l& A e
第25届美国演员工会奖(2019)8 f: j5 N/ c, @7 I4 E/ B
电影奖 最佳男主角(提名) 维果·莫腾森& H$ B. \5 d% Y8 A0 ]
电影奖 最佳男配角(提名) 马赫沙拉·阿里* `* I% [, ^4 {7 Z7 s: z' T
第90届美国国家评论协会奖(2018)1 | l! C) h2 z2 C' f$ c G
最佳影片
$ B" E2 W7 T; L 最佳男主角 维果·莫腾森
( R2 k. A" T3 Y& ]4 ~/ K 第24届美国评论家选择电影奖(2019)
1 B' E' E# X1 r3 f# |9 i. | 最佳影片(提名)1 U7 I- _; y" I7 n7 g! B. S
最佳导演(提名) 彼得·法雷利
2 g6 }! T# h8 y/ f- _ 最佳男主角(提名) 维果·莫腾森
1 a9 i, e4 R8 Q2 a4 k9 ^# x4 T 最佳男配角(提名) 马赫沙拉·阿里
% b( B/ d" h7 P7 L! F* C- W 喜剧片最佳男主角(提名) 维果·莫腾森6 G+ p0 e; a+ p7 d
最佳原创剧本(提名) 尼克·维勒欧嘉 / 彼得·法雷利 / 布莱恩·海耶斯·库瑞
- F& L* C2 d1 C. V$ {9 M$ O 最佳配乐(提名)
, C9 w) V% I/ U9 g% g; X 第19届美国电影学会奖(2018)0 J5 F3 B4 `' ]" y$ h1 p
年度佳片
8 l6 ?3 c @, B/ t 第23届金卫星奖(2019)) v! A2 R7 m/ W* e( K
电影部门 最佳喜剧/音乐片(提名)! i5 A8 K! }- R& M- Q( @! _
电影部门 最佳导演(提名) 彼得·法雷利. z! r/ E" S9 R
电影部门 喜剧/音乐片最佳男主角(提名) 维果·莫腾森9 }8 p' E3 Y U
电影部门 最佳男配角(提名) 马赫沙拉·阿里
* C! B9 }3 [2 e- Q a2 d 电影部门 最佳原创剧本(提名) 尼克·维勒欧嘉 / 彼得·法雷利 / 布莱恩·海耶斯·库瑞* o f& D! t5 p* }2 j
第22届好莱坞电影奖(2018)2 M5 P: w: @& ~: A, x
年度编剧 尼克·维勒欧嘉 / 彼得·法雷利 / 布莱恩·海耶斯·库瑞
# w6 S7 t% J5 b x/ h 年度群像演技$ n- ^( U' u$ q6 K2 Z9 w
第17届华盛顿影评人协会奖(2018)
/ I: z! x7 K9 K" c 最佳影片(提名)$ u: p3 |3 j# G& c, r! ^, p, @
最佳男主角(提名) 维果·莫腾森 W$ ]4 W. c! |( n2 R' U
最佳男配角 马赫沙拉·阿里, E5 n, z' U" j' R/ G4 P- y# Z7 O/ x4 l& I
最佳原创剧本(提名) 尼克·维勒欧嘉 / 彼得·法雷利 / 布莱恩·海耶斯·库瑞
, ~) s5 q/ p! M& [ 第31届芝加哥影评人协会奖(2018)
# }& v- N7 K! W, ^" }5 O 最佳男配角(提名) 马赫沙拉·阿里2 W; [4 }1 E! @% l: H
第17届旧金山影评人协会奖(2018)
/ X; @9 |0 O$ |& M7 ~' b 最佳男主角(提名) 维果·莫腾森( b7 U9 R* w& R$ w- h% s; D
最佳男配角(提名) 马赫沙拉·阿里: M+ |1 K: N6 S/ C) |$ T7 p# k
第18届温哥华影评人协会奖(2019)
4 y3 g. i' |1 N# Q 最佳男主角(提名) 维果·莫腾森
3 v' K J% A$ D6 O4 C O% \ 最佳男配角(提名) 马赫沙拉·阿里 M0 h, l. E9 {/ |' ~
第18届凤凰城影评人协会奖(2018). e# @$ p, k9 c0 M4 G
最佳影片
; t( w% w8 b0 b) f/ M# |: f. | 最佳男主角 维果·莫腾森
2 w+ Q1 O* ^: g6 H 最佳男配角 马赫沙拉·阿里
: e. A7 |7 ?& G" X8 i; f 最佳原创剧本
& s, l9 x( ?3 ^: Q! N) k4 ^$ v 十佳影片
% C' y! |$ k+ }& J+ ^/ V 第12届底特律影评人协会奖(2018)0 _7 X1 K8 z" ~+ F0 ?, ?
最佳剧本" `, d+ i5 |& ^# p- V) D- p
第22届美国在线影评人协会奖(2019)# A$ z; S8 l2 ?( u8 b/ f
最佳男配角(提名) 马赫沙拉·阿里
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3 Q0 o7 @1 H" ]' D- DISC INFO: ~0 E$ z+ N+ {( B6 z: o
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- Disc Title: Green.Book.2018.2160p.BluRayCD.HEVC.TrueHD.7.1.Atmos-COASTER2 a! k. h/ f9 [! Y
- Disc Size: 64,636,221,409 bytes
" p- r8 Q1 r2 ?* \% B* u# g - Protection: AACS20 L" k) g6 `) W2 z5 u* q
- Extras: Ultra HD, BD-Java
& o1 |2 }7 u! ~3 g - BDInfo: 0.7.5.3 (compatible layout created by DVDFab 11.0.1.)
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- PLAYLIST REPORT:
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- Name: 00800.MPLS
* j6 u) W9 _' ]9 Z! T - Length: 2:10:04.004 (h:m:s.ms)
- G$ \$ s# L* ` - Size: 60,001,536,000 bytes
6 k, x1 n: [* U3 g0 ? - Total Bitrate: 61.51 Mbps+ S# n* P* s/ T
. A- g$ [$ u$ U9 u- Video:* K4 ?0 q6 f6 A R$ v+ b; m+ d
1 D+ x c- e3 L* @9 i- Codec Bitrate Description
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- MPEG-H HEVC Video 52600 kbps 2160p / 23.976 fps / 16:9 / Main 10 @ Level 5.1 @ High / 4:2:0 / 10 bits / HDR10 / BT.2020 /
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- AUDIO:% O& ?5 R" ~( B
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- Codec Language Bitrate Description / O" V( g; @0 T t; Q+ F+ T
- ----- -------- ------- -----------
+ h1 c) O9 \0 | i9 H. c# S - Dolby TrueHD/Atmos Audio English 4232 kbps 7.1-Atmos / 48 kHz / 4232 kbps / 24-bit (AC3 Core: 5.1 / 48 kHz / 448 kbps)5 c& h) } t' s
- DTS Audio French 768 kbps 5.1 / 48 kHz / 768 kbps / 24-bit
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; x [% h6 o; L* I6 M2 B) E3 \( C- SUBTITLES:; w5 | ?9 g' P: l8 {- l. m
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- Codec Language Bitrate Description 5 S S- C0 _! C0 M! Y$ U
- ----- -------- ------- -----------
9 G, b' Y0 T a' [# y& u3 L - Presentation Graphics English 47.42 kbps
3 F2 } w" M4 X' ~) C; h, d3 r - Presentation Graphics Spanish 40.477 kbps * ~$ R; h6 ?3 ^+ t" e
- Presentation Graphics French 43.145 kbps
. C# }9 i* Q" y$ P5 y& l8 p4 G - Presentation Graphics French 1.591 kbps
复制代码 Green Book 4K Blu-ray, Video Quality
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* ?# r4 G( L, x2 c9 E- k# C. P, Y4 HThe included screenshots are sourced from a 1080p Blu-ray disc. Watch for 4K screenshots at a later date.
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; @4 A4 X' t! }* @7 uGreen Book's UHD may not offer a wholly revelatory viewing experience in comparison to Universal's excellent day-and-date companion 1080p Blu-ray release, but this 2160p/HDR presentation is certainly a clear step forward in terms of both clarity and, in particular, color. The image, which was shot digitally at a resolution of 3.4K, finds more naturally and consistently sharp textures, offering increased skin and clothing detail when compared to Blu-ray. One of the nicest points of comparison comes when Tony first meets Dr. Shirley. The former is wearing a suit jacket above an undershirt with a ribbed collar that shows more distinction and tangible texturing in 2160p, while the latter is wearing an ornate robe that sees its various accents revealed with much improved and flavorful clarity and innate sharpness. Nothing in the image is particularly striking in terms of textural upgrade, but even at an incremental level the adds in resolution are certainly appreciable and appreciated in nearly every scene. The overall increase to color fidelity and intensity, courtesy of the HDR color enhancements, are evident throughout the film. Classic automobiles are a particularly obvious beneficiary, but any daytime scene offers notably crisper, brighter, more intensely saturated colors. The Blu-ray is left looking comparatively flat and pale by comparison in nearly every scene, even in darker shots where the improvements are more fine-tuned rather than breathtaking. Shadow detail and black levels depth are more solidified, while whites are crisper and brighter; take a look at a Kentucky Fried Chicken sign seen at the 50:58 mark for one of the best examples of white intensity and overall improvement. Any of several concert scenes (a good example comes right at the 60-minute mark) serve as fine reference points for the improvements to blacks. Noise is present but not to excess. No additional source or encode flaws are apparent. Fans should be very satisfied with Universal's efforts with this release; modest adds to sharpness and fairly major increases to color intensity and depth alike yield a very well-rounded UHD image. # K. o: E3 M" a5 L3 g2 `
: D5 p: w, I4 A$ cGreen Book 4K Blu-ray, Audio Quality 2 t5 I5 I: H1 p* P% F% Y
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With one of the main characters being a musician, it's no surprise that music is a critical component to Green Book. Universal's Dolby Atmos soundtrack supports the film with grandeur and grace alike, delivering a first-rate listen that supports both the generalized sonic atmosphere and the thematically enriching music, often that played by Shirley and his fellow musicians in several concert stops. The film opens with some impressive musical beats flowing off the Copacabana stage. Terrific width, full and balanced surround implementation, and a quality low end depth give a significant verve and enjoyable, immersive presence to music right off the bat. Concert scenes yield wonderfully melodic details as the three instruments present with recognizable individual character and sonic signature while merging into symphonic bliss; the Atmos track effortlessly pulls the listener into any of the several venues along the way. Environmental effects are filling and nicely defined. The tack recreates several distinct locations: bustling city exteriors, a diner, a restaurant, a kitchen, a motel courtyard. Each one finds effortlessly engaging and perfectly balanced location recreation, easily drawing the listener into every stop during the journey. The overhead channels are never used to discrete effect but they do support music and environmental details, with special emphasis on a scene featuring driving rainfall in chapter 15 that offers the most obvious top layer implementation to be found. Dialogue is clear, center-focused, and well prioritized for the duration. ! B' p3 j0 h; k: S9 V+ |
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