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5 F$ b" n- v: y3 W, q/ ?◎译 名 海王/潜水侠/水行侠(港/台)/水人/人鱼哥(豆友译名)
m, c6 \- r* o& @8 j0 _& ~◎片 名 Aquaman9 X% k, z" J6 T2 {, c' J
◎年 代 2018
0 p& c; M+ t) J/ _0 f: w" b◎产 地 澳大利亚/美国
% w# S- I" }- ]9 w3 i) w! J5 |◎类 别 动作/奇幻/冒险
g8 Q; G8 r+ q0 d9 K J◎语 言 英语
- i# G! ~. ^" _% @1 K" {, F; l2 l◎上映日期 2018-12-07(中国大陆)/2018-12-21(美国)
5 P, t: o8 _/ m2 ?" t4 J◎IMDb评分 7.3/10 from 198,043 users3 ?+ v' b4 o7 Y6 B0 C
◎IMDb链接 https://www.imdb.com/title/tt1477834/- ^7 }& ]6 u$ X8 X" Y( Z
◎豆瓣评分 7.7/10 from 516,986 users
2 l( H+ s ]; }) V1 S' L4 `; f+ w( X◎豆瓣链接 https://movie.douban.com/subject/3878007/% L8 J3 a1 ?+ {; O d+ i6 ]
◎文件格式 x265 + TrueHD . K$ w( i7 h$ @ Y' ?1 |1 Y
◎视频尺寸 3840 x 21604 t8 X x8 ?" _/ n6 l4 V* D
◎文件大小 1DVD 83.05 GiB# l3 A; Q, `: ^0 H
◎片 长 2:23:19.382 (h:m:s.ms) w, d; M: t- R( g+ @! j
◎导 演 温子仁 James Wan1 h* r/ D* ?6 F, b, I& I
◎编 剧 大卫·约翰逊 David Johnson
: z' Q3 c7 R7 w, M* q3 `; z 威尔·比尔 Will Beall
0 Z! j8 E4 }. a+ t( N/ X: z 乔夫·琼斯 Geoff Johns( y2 n: f4 y) ^# u. D. j& L5 G
温子仁 James Wan. o) `, C# H- N- o, n2 v/ |5 E
莫尔特·魏辛格 Mort Weisinger
: t. S9 z- Q% q" z 保罗·诺里斯 Paul Norris
# j7 |. L8 q$ r- A/ y' ~" x# X1 q4 D◎主 演 杰森·莫玛 Jason Momoa D, q, p4 o; j I9 L: o* j$ Q9 _0 b5 m
艾梅柏·希尔德 Amber Heard) F) R# L" C B* p' f3 [
威廉·达福 Willem Dafoe
$ s5 c5 X: e0 i" f. R4 l4 G 帕特里克·威尔森 Patrick Wilson6 V2 c( v; d* b: v
妮可·基德曼 Nicole Kidman$ c8 w% d$ _1 c% A. y. {
杜夫·龙格尔 Dolph Lundgren! U; v& R5 m; q: C5 [& j* E
兰道尔·朴 Randall Park/ N3 b1 w5 ~, B; o; a7 E
格拉汉姆·麦克泰维什 Graham McTavish
3 _# V2 z6 s9 c$ p" }2 N 雷·沃纳尔 Leigh Whannell; J4 \/ @0 w) H0 d4 ]$ n, w1 [6 z
泰努伊·柯克伍德 Tainui Kirkwood
: V8 c1 C. L1 `5 C( D1 { 塔穆尔·柯克伍德 Tamor Kirkwood8 x3 U" m: ^. R @
丹泽尔·夸克 Denzel Quirke
/ {% G6 X5 P* y7 [5 L 卡恩·古尔杜尔 Kaan Guldur
R' _0 `1 b7 S) P' ` 奥蒂斯·丹吉 Otis Dhanji; T3 `2 Z* a* _. X) H" z7 J! K
克考亚·克库毛诺 Kekoa Kekumano
% b- @. C9 i" k" W 朱莉·安德鲁斯 Julie Andrews6 s+ l o2 N K
约翰·瑞斯-戴维斯 John Rhys-Davies8 H0 x$ N; @6 w( \& M: U# D, {
杰曼·翰苏 Djimon Hounsou; [* i- D% @! h1 y0 A, y2 s2 u
索菲亚·福雷斯特 Sophia Forrest# R5 |. I& N9 t9 O; e. \& s
娜塔莉亚·姗福瑞 Natalia Safran6 P7 x! x) ?! m
杰克·安德鲁 Jack Andrew
) ^: Y- a) W5 {! L1 E9 f) V1 s 汉克·阿莫斯 Hank Amos* ?+ u8 x+ s, c' x% `+ g+ b2 n" @
帕特里克·考克斯 Patrick Cox6 N, @* Z2 l# a& u3 R
罗伯特·朗斯特里特 Robert Longstreet, K5 X i# _/ G) X1 ~
德维卡·帕利赫 Devika Parikh) @5 m3 A" g1 ?' J0 j
梅布尔·塔莫内 Mabel Tamone
5 W5 _' }0 R1 P$ J9 M9 f 文森特·B·拉戈斯 Vincent B. Gorce
/ i5 `4 W p j, r) z; z( s 加布里埃拉·佩特科娃 Gabriella Petkova2 X, t9 T) v6 T$ A1 u( p% ?
爱丽丝·兰斯伯里 Alice Lanesbury
/ a# i+ f% |( k, n 帕特里克·艾奇逊 Patrick Atchison3 @% c. `2 U& n$ ?6 {% H
约翰·盖蒂尔 John Gettier
9 E b$ G$ P+ |, i 塔丽亚·杰德·霍尔特 Tahlia Jade Holt+ h9 S' y+ o. p8 s5 {* t& U3 c4 n
罗斯·克纳汉 Ross Kernahan
. E! c2 f" g' s: T2 ?0 @% ]4 Q 布拉登·刘易斯 Braden Lewis
1 y% t" L3 h4 g8 b$ c, J2 Z 萨尔瓦多·梅伦达 Salvatore Merenda, |( A9 `$ l, p x4 b
山姆·莫纳汉 Sam Monaghan+ B r: [/ o6 K$ |- v E& ~$ |
温妮·穆赞贝 Winnie Mzembe% [ d+ r- T, i+ L Y, H
凯·潘塔诺 Kai Pantano9 M4 }8 P+ {0 U4 L( U
安娜·帕奇 Anna Patch
# B3 f ]$ \' @6 V 乔恩·奎斯蒂德 Jon Quested: e# X E5 s- v$ K0 w7 B! M1 L
迪伦·斯图默 Dylan Stumer
" M9 g4 G6 @; g0 A 米奇·武尔夫 Mikey Wulff
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* y7 o- }: f5 h◎简 介
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许多年前,亚特兰蒂斯女王(妮可·基德曼 Nicole Kidman 饰)和人类相知相恋,共同孕育了爱情的结晶——后来被陆地人称为海王的亚瑟·库瑞(杰森·莫玛 Jason Momoa 饰)。在成长的过程中,亚瑟接受海底导师维科(威廉·达福 Willem Dafoe 饰)的严苛训练,时刻渴望去看望母亲,然而作为混血的私生子这却是奢望。与此同时,亚瑟的同母异父兄弟奥姆(帕特里克·威尔森 Patrick Wilson 饰)成为亚特兰蒂斯的国王,他不满陆地人类对大海的荼毒与污染,遂谋划联合其他海底王国发动对陆地的全面战争。为了阻止他的野心,维科和奥姆的未婚妻湄拉(艾梅柏·希尔德 Amber Heard 饰)将亚瑟带到海底世界。
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$ H( ?5 c; d: v5 N; W 宿命推动着亚瑟,去寻找失落已久的三叉戟,建立一个更加开明的海底王国……
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Arthur Curry learns that he is the heir to the underwater kingdom of Atlantis, and must step forward to lead his people and to be a hero to the world.% n! g/ t3 m7 c) R, t# k
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◎获奖情况
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! {2 l7 R! K7 Y 第21届美国服装设计工会奖 (2019)* \) O- o4 t) h1 h- p; _9 H2 o9 k, ]
科幻/奇幻题材电影最佳服装设计(提名) 凯姆·巴雷特# I' }; L o( A. C' y( q
8 T, p# m# L! u+ j+ P; d" r2 k 第6届美国化妆及发型设计工会奖 (2019)
) s9 }8 w0 R' f, Z 电影类最佳特效化妆(提名)' r8 H; `; N' f5 \2 u& ?2 u7 W' _5 J0 U
3 g/ e7 K8 I$ c: l
第66届美国音效剪辑协会奖 (2019)
; K* [3 g( r8 @+ f 金卷轴奖 最佳配乐剪辑(提名)3 {* X% Q# `% l! [7 b! }
2 u ]8 r4 p0 u, K 第17届美国视觉效果协会奖 (2019)
! V/ J+ m2 `. Z* ?0 W( ?3 ? 最佳真人电影CG背景(提名) D) z1 G; C: y; S. g4 N- e
最佳电影虚拟摄影(提名)/ T; a; Q6 a& r. t' M: ?5 b
+ Y7 P, B9 u0 V' l6 A# z/ t6 t+ ~
第5届豆瓣电影年度榜单 (2018)
0 p! M3 H5 x+ a. h: y" \ 评分最高的科幻/动作片(提名)
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8 |+ U6 d" A3 C7 l6 G: @ 第4届豆瓣电影年度榜单 (2017)4 K0 Q3 R5 V4 k2 O& e4 t
最值得期待的外语电影(提名)
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/ _" z# R9 Y+ j$ f2 {3 S花絮' q) t& w/ f9 [" h. v/ P9 n
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.整部电影从一开始亚瑟就带着他的部落纹身,这是杰森·莫玛自己的主意。拍摄期间,化妆部门制作这个纹身的次数超过一百次。2 e! j- H# P' R: B# Q& u" L
.关于亚特兰蒂斯人,服装设计师许姆·巴雷特和她的团队设定了一个主题。“不管是湄拉还是奥姆,海洋王国所有角色的服装都采用一种蜂窝结构的图案。”+ A/ P( m s7 Q
.光线是亚特兰蒂斯战士制服至关重要的组成部分。电影制作团队想到用“生物发光”的创意来照亮深海。设计师在战士面部设计了LED设备,它们可以在演员的脸上反射蓝光。
% C! y/ T% E# B' p$ _' X.《海王》主要是在澳大利亚昆士兰黄金海岸拍摄,它位于布里斯班南部的大陆东海岸。该片使用了威秀娱乐所有的九个摄影棚,包括最新的第九摄影棚。
0 g6 b+ e. y% n- Y7 G5 u.影共搭建了五十多个场景,其中主要有亚特兰蒂斯宫殿以及竞技场,国王奥姆的军舰以及先王的宝座等。( e9 a" H J2 [: ?4 G% b
.为了能更好地展现水下文明,温子仁和摄像导演唐·伯吉斯合作,制作了几个特殊的灯光设备供水下场景使用。
3 y8 E, i. `7 m.这部电影的挑战是需要在一个干燥的环境下拍摄水下场景,每个人的头发都要进行CG渲染。/ V# e1 R( F# N6 J# S
( X- w+ x! a+ S2 K7 Z- DISC INFO:
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; c4 [! R6 K/ U2 T6 |; _- Disc Title: Aquaman.2018.IMAX.2160p.BluRayCD.HEVC.TrueHD.7.1.Atmos-BHD
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复制代码- Aquaman.2018.IMAX.4K.UHD.BDAV.BluRaycd.2160p.HEVC.TrueHD.Atmos.7.1-MassModz 83.05 GB
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K# f( V+ X7 {" {4 Q. S - ID: 0 (0x0)
+ w4 \* n1 e) b, |; g - Complete name: E:\Movies\Aquaman.2018.IMAX.4K.UHD.BDAV.BluRaycd.2160p.HEVC.TrueHD.Atmos.7.1-MassModz\BDMV\STREAM\00058.m2ts" }6 S5 ?/ c8 M2 B
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- Duration: 2 h 23 min, P ]7 L$ T; L& ~. A0 t* f
- Overall bit rate mode: Variable
" p) r" t1 M. U+ L; [/ ~- p' f& j - Overall bit rate: 82.0 Mb/s
; f& f) P! M7 f0 H - Maximum Overall bit rate: 128 Mb/s
! i9 ]- C* N2 ] \ - Frame rate: 23.976 FPS
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% R* Z' z9 Y* G/ X6 W - Format profile: Main 10@L5.1@High/ m3 j6 _* D* W0 S6 O4 {) o7 [, g
- HDR format: SMPTE ST 2086, HDR10 compatible q7 N; J9 }7 E5 s2 u. |9 n
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/ E8 @* K8 I0 O& w6 L - Width: 3840 pixels+ y2 Q& h, u* X! Z+ S7 q
- Height: 2160 pixels
& d; D& _' R7 |4 a5 a. E; g - Display aspect ratio: 16:9
8 [( N7 }7 G7 a! a - Frame rate: 23.976 (24000/1001) FPS
# U7 \) A/ c+ L% X8 b f - Color space: YUV2 ~. ?- Y, p' ~3 p" d- r' \3 r
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) E# |+ a5 U/ Z0 p - Bit depth: 10 bits
. \" A: A+ q1 V) J$ v+ K. s - Color range: Limited# x/ \% D5 x6 b
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! |4 n- t+ e2 v1 | - Transfer characteristics: PQ
6 D( R3 t, b5 M - Matrix coefficients: BT.2020 non-constant
$ B6 M+ Y9 S% V9 ?" _ - Mastering display color primaries: Display P3& _5 @8 U& w7 E2 N/ a/ x
- Mastering display luminance: min: 0.0050 cd/m2, max: 4000 cd/m25 n/ o" V8 f% o2 j& k" E
- Maximum Content Light Level: 1506 cd/m2
; Y$ C9 q) E N( L0 F& U7 w( p - Maximum Frame-Average Light Level: 459 cd/m20 D: M9 u: E: A, G6 G0 f
- 3 L2 N/ I" y, N- {% f
- Video #20 ^" K4 ]1 t% ?0 ?& O. e/ d
- ID: 4117 (0x1015)
8 b1 G' a1 u3 t* K! a, X. c - Menu ID: 1 (0x1)
7 S3 E) T( O2 t- p1 ]% {: z - Format: HEVC
( H. c3 M! x( ~2 |) B* ~. P; \' A8 N - Format/Info: High Efficiency Video Coding4 P2 A* _ N/ h8 [; l
- Format profile: Main 10@L5.1@High9 K0 M( i. x2 E6 {5 y9 ~& b& O6 g
- HDR format: SMPTE ST 2086, HDR10 compatible
8 N6 S6 }7 L* V' S, X - Codec ID: 366 P( |9 |3 S, e
- Duration: 2 h 23 min
. s8 k8 n( I3 a) T8 h7 e# S - Width: 1920 pixels# [% `2 d t% Z7 C/ ~+ H2 b* e, V
- Height: 1080 pixels6 [% J3 x0 I5 J; p* H
- Display aspect ratio: 16:9
7 [1 }7 u; A2 p; d3 u - Frame rate: 23.976 (24000/1001) FPS
& k9 t: ^' x+ G& ~& Q - Color space: YUV
* Y, h! J- j- q. B, E6 G/ w - Chroma subsampling: 4:2:0 (Type 2)
4 s+ n! ^# o* S5 {( t - Bit depth: 10 bits0 z; q0 Z* e/ b' Q
- Color range: Limited
/ Z6 p" ]5 D @" _ - Color primaries: BT.20207 e2 h: l# {$ G( e6 t9 k9 g
- Transfer characteristics: PQ
4 Q: ?) Y0 ?# M - Matrix coefficients: BT.2020 non-constant
# m! W/ L$ ?$ x - Mastering display color primaries: Display P3& k! w: A: A O6 i; Q3 M& F/ i
- Mastering display luminance: min: 0.0050 cd/m2, max: 4000 cd/m2
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- Audio #1. c \( K' j* B9 j, ?' n
- ID: 4352 (0x1100)
$ _8 Z& T! K6 L4 u9 e - Menu ID: 1 (0x1)
0 }1 r' m7 R, m$ L% q5 g6 m - Format: MLP FBA AC-3 16-ch
% y" D9 [- \, b1 m - Format/Info: Meridian Lossless Packing FBA with 16-channel presentation
+ T w0 X' x4 T$ u0 _; v - Commercial name: Dolby TrueHD with Dolby Atmos
, b k0 |* J2 O. ^ - Format settings: Dolby Surround EX. ?5 r* I0 _5 Q% Q) W- V$ t+ e
- Muxing mode: Stream extension$ K! L4 m$ p/ h- E, E' O. A
- Codec ID: 131
+ w4 W8 a* `/ O9 s- \, f( k' `( i8 Z& n - Duration: 2 h 23 min
" e* r& @3 j* m - Bit rate mode: Variable
3 a7 s; n( H8 N( l+ Z. g! T* i - Bit rate: 448 kb/s
" J* y9 w {4 p! ^ - Maximum bit rate: 6 144 kb/s
+ F/ W; }+ `" P6 @) J/ ] - Channel(s): 8 channels& V# |# T" u" [" u. L- s" D+ ^* G
- Channel layout: L R C LFE Ls Rs Lb Rb; V. u1 h4 N, w
- Sampling rate: 48.0 kHz) T. p& f: E, _; Y
- Frame rate: 31.250 FPS (1536 SPF)+ q% W. {/ Y/ X9 s' {
- Compression mode: Lossless; U. v8 a0 n0 O) B
- Stream size: 459 MiB (1%) D7 k/ D \" _" z7 \0 ?
- Service kind: Complete Main
3 A$ p2 _6 D$ F' a% d+ g; y! ] y - Number of dynamic objects: 15
) s! B2 {7 a2 n( I5 A5 V - Bed channel count: 1 channel* P* d7 r% s2 N' P( s9 v
- Bed channel configuration: LFE/ v! J* e1 n ^0 y, o5 ~5 C3 D
- : t3 B3 S2 Y" {3 [$ r" H u! I- p, V
- Audio #2
9 {* j6 a! @5 t/ W - ID: 4353 (0x1101)
8 l0 R3 G" `2 L, L& A - Menu ID: 1 (0x1)4 |# O6 K% Z9 v h ~ v
- Format: DTS XLL% |4 u. ?" x8 I" \9 }- Z2 ]0 I
- Format/Info: Digital Theater Systems
$ P. k% F& q4 j! a& ]! C - Commercial name: DTS-HD Master Audio6 I/ j! B ^" M' W
- Muxing mode: Stream extension/ I. C2 e' j* z# [* O: v8 @& g' a
- Codec ID: 134
Y0 t9 v: P5 f+ R p- S* l0 f - Duration: 2 h 23 min# v9 {0 w: Z! N6 M, d
- Bit rate mode: Variable
* H4 N, t' @5 {* o8 Z! ~5 i5 W - Channel(s): 6 channels
6 } g$ I ^) o, |) f* `3 r9 |/ ~ - Channel layout: C L R Ls Rs LFE
. n7 m% q4 p" c/ e0 _5 [" j - Sampling rate: 48.0 kHz3 w7 O% d$ U" ^6 K
- Frame rate: 93.750 FPS (512 SPF)
5 G# ]8 G( R& F& u9 [+ m+ ^ o+ e - Bit depth: 16 bits
$ t! x6 h2 y; j3 U8 B - Compression mode: Lossless- o1 Q: Q5 `, G4 N
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- Subtitles: English, French, Italian, Spanish, Chinese, Korean, Spanish, Arabic, Bulgarian, Croatian,
6 S9 q1 G w+ u5 m - Czech, Danish, Finnish, Greek, Hungarian, Norwegian, Polish, Portuguese, Romanian,
1 e j3 e% _, ~1 K - Russian, Slovak, Swedish, Thai, Turkish, Hindi, Tamil, Telugu, Japanese. (in order), I7 R0 k4 D- V$ c2 w! ]
- 3 W& _/ k; A4 N+ a
- Audio Channels: English, French, Italian, Spanish, Chinese, Czech, Hindi,
' H- r8 f% N9 T9 v$ w! v0 C - Hungarian, Polish, Russian, Tamil, Telugu, Thai, Turkish, Japanese. (in order)
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( K( r$ J: L% \/ A2 y* }' o- 重要提示:这是原始的解密蓝光光盘,它有2个视频通道,20个音频通道,32个字幕通道。没有减去任何东西。
- _" p# F8 ^1 N" }! i d - IMPORTANT INFO: THIS IS THE RAW DECRYPTED BLU-RAY DISC, IT HAS 2 VIDEO CHANNELS, 20 AUDIO CHANNELS, AND 32 SUBTITLE CHANNELS. NOTHING SUBTRACTED. REMUX TO YOUR LIKING.
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8 s$ k/ s/ N/ b" l$ g: p( G% {Aquaman 4K Blu-ray, Video Quality 4 y! `- J) n% O2 w* e
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! t2 |: n( e6 s* b' `) u& hAlthough Aquaman wasn't filmed in 4K, that doesn't make Warner Bros.' 2160p transfer any less impressive. This is a top-quality effort that stands will the genre's most visually ambitious productions to date: image detail and textures are especially crisp, black levels are rock solid with no noticeable crush, and background depth almost approaches that of a 3D presentation at times. It almost goes without saying the the benefits of HDR breathe even more life into the film's striking color palette, which is undoubtedly the star of this 4K presentation. Aquaman's wide range of locales have their own district appearance: murky underwater depths, warm and inviting interiors at the home of Arthur's father, sun-soaked Sicily and the Sahara Desert, the dark and foreboding Trench, otherworldly Atlantis, and more; these all pop in different ways, while the latter is almost hypnotic in its overall atmosphere. Foreground colors fare exceptionally well too, from the fluorescent red of Mera's hair to the yellow-gold of Aquaman's "official" gear and, of course, an endless sea of blues, both underwater and above-ground. Given the relatively bland palette of most superhero films this decade, it's nice to count Aquaman among those who aren't afraid to flaunt some real color.In further contrast, the IMAX-framed sequences, which are sporadic early on but dominate the second half, seem to favor a smoother overall appearance and showcase a similarly high amount of depth and clarity. The more expansive compositions give these moments a wide-open atmosphere that, despite their almost random and occasionally jarring contrast when they arrive, feel more comfortable once they've settled in. As a whole, this is a near reference-level effort that accurately preserves the film's ambitious and, at times, overwhelming visuals.* E2 m2 [+ b4 v" [
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For those who haven't yet upgraded to 4K but want this combo pack for "future-proofing" purposes, the Blu-ray disc is excellent in its own right and, aside from format limitations and the lack of HDR, offers a perfectly acceptable viewing alternative. Please read my separate Blu-ray review for an evaluation of its video presentation.. d( U# h4 `' |# o, |* T8 e) S/ M
0 y$ u8 i3 O. ~0 X: V: `Aquaman 4K Blu-ray, Audio Quality
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* [; T% X! n2 E- J/ O0 |Equally impressive is Aquaman's Dolby Atmos track, which automatically unfolds to TrueHD 7.1 if your receiver or soundbar doesn't support the format. As expected, this is an incredibly dynamic and, at times, aggressive track that features a great deal of atmospheric effects and channel separation. The most obvious highlight is just about anything underwater, as the rear channels are used to great effect and create a convincing level of immersion. There's also a large amount of space and direction during action scenes, particularly the chaotic climax and an earlier fight between Arthur and his half-brother in a vast, crowded underwater arena. Low frequencies are outstanding and extremely deep -- literally and figuratively -- which adds some weight to the punchy explosions and gunfire, as well as the more sustained lower frequencies during several music cues. Speaking of which, the soundtrack and score also get priority treatment when they kick in, whether designed to amplify aggressive moments or blend in more subtly to the background. Dialogue remains clean and crisp throughout with no obvious sync issues. Overall, this is a top-tier effort that fans will adore. Just remember that Warner Bros.' Blu-ray forces you to choose this Atmos track manually; the default is a decent-sounding DTS-HD 5.1 Master Audio mix. Why they continue to author discs this way (and thirteen years into the format's lifespan, no less!) is mind-boggling...so the sooner they catch up, the better.Optional subtitles are included in English -- standard and SDH, as well as several other languages -- during the main feature, with occasional burnt-in subtitles for Maori translation. The former are perfectly legible and, due to the shifting aspect ratio, partially sit outside of the 2.40:1 frame during those scenes.0 u) F& a1 L3 M' L
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