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A disfigured composer sells his soul for the woman he loves so that she will perform his music. However, an evil record tycoon betrays him and steals his music to open his rock palace, The Paradise. . w1 N, S# A% L6 Q G
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◎译 名 魅影天堂/天堂魅影/魅影歌声
7 D, `2 Q( m# t# [, a: Q, U) H/ C" [◎片 名 Phantom of the Paradise! A/ o4 o7 C, e1 ?% {
◎年 代 1974
. L* c! Z1 R& a' w1 _& r3 g8 ^3 U◎国 家 美国' j, T$ s$ i% c
◎类 别 喜剧/惊悚/恐怖/音乐/歌舞/奇幻7 k2 x% `2 c- x+ ]1 }. X
◎语 言 英语# Q& ^6 q B p w! z- E, s
◎上映日期 1974-10-31
2 ?3 u j' ?, V! b" F8 K◎IMDb评分 7.4/10 from 14,138 users
5 a o: J& ]1 y◎IMDb链接 https://www.imdb.com/title/tt0071994/: }, m, |$ R, k
◎豆瓣评分 7.6/10 from 501 users1 W6 g2 @/ e6 a9 R
◎豆瓣链接 https://movie.douban.com/subject/1754975/& ^, S: |' z. h. o
◎文件格式 x264 + DTS
+ l' j5 Q" M6 s4 H* a3 }1 r/ O◎视频尺寸 1920 x 1080
" D) Z7 ?7 K6 t8 t2 u) p" D' P- s+ S◎文件大小 1DVD 17.28 GiB$ z1 W$ H8 i7 I% B* q
◎片 长 1h 31mn( \% b# x# q2 L# P6 u
◎导 演 布莱恩·德·帕尔玛 Brian De Palma
6 R0 y: \( d3 X$ y8 g2 `◎编 剧 布莱恩·德·帕尔玛 Brian De Palma- t! }" t9 d% s
◎主 演 Paul Williams
2 A* n% c/ v5 c7 U 威廉姆·菲利 William Finley9 P$ o C, d, ?- ^0 r
Peter Elbling; e" O3 ]% ?( X- n
杰西卡·哈珀 Jessica Harper& e9 x$ U; c) D( {/ M* D
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◎简 介
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影片根据恐怖片经典《歌剧魅影》改编而来,却演变成溶喜剧、恐怖和摇滚歌剧于一体的怪鸡电影。' ~6 H7 c7 S: E, `) ^, k
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In this glam rock variation on the famous 'Phantom of the Opera' story, Swan, a music business tycoon, steals the work of talented composer Winslow Leach, along with the object of his affections, aspiring singer Phoenix. Leach plans to get revenge, but his plans soon go horribly wrong and he ends up with a terrible facial disfigurement. Assuming a mask to hide his injuries and his identity, Leach's next move is to sign a pact with Swan to write a rock opera version of 'Faust' — a pact which is much more binding than he ever imagined.
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, o) d/ l% R8 }. m, h◎获奖情况, F7 C e% W2 T3 `8 I
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第47届奥斯卡金像奖 (1975)8 K3 [& t0 I- ?8 Z+ o" `
Best Music, Scoring Original Song Score and/or Adaptation(提名) 保罗 威廉斯 / George Aliceson Tipton; d& z( ?( \9 ]; W* z
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Video4 N* W; D3 B; o' r) b
ID : 1
: p& F8 w7 ?. Q( d4 MFormat : AVC( E, Q6 L5 c/ ~& @4 Z
Format/Info : Advanced Video Codec
" D# @+ }4 ]+ t6 G2 _/ fFormat profile : High@L4.1
& C* B- B9 M V7 g+ {/ tFormat settings, CABAC : Yes
, m' n' A0 g2 r! C* S; RFormat settings, ReFrames : 4 frames
) P9 o+ o- m9 g9 D6 e! G0 xCodec ID : V_MPEG4/ISO/AVC
' W* G$ s# |& Z& y+ t8 S3 u# qDuration : 1h 31mn- b; S: y: J$ J6 h9 i
Bit rate : 10.9 Mbps2 g( |2 Q$ m4 L$ I, X- u9 ~# `' N$ K" j
Width : 1 920 pixels
4 x1 Q5 L! z) }. Z0 L# t7 b' OHeight : 1 080 pixels
/ @( S) \5 S2 r9 Z# L2 oDisplay aspect ratio : 1.85:16 F0 Z2 [( x& m& \% H- D" M$ u: b
Frame rate mode : Constant
$ H2 R2 {8 X' t' iFrame rate : 24.000 fps
: i1 N# C& C5 B# `$ h1 c- M1 ]; CColor space : YUV
0 M; \7 Z' S; {& v) sChroma subsampling : 4:2:0' {8 p3 o0 ]! H1 T ?
Bit depth : 8 bits
* \4 u. F; p" h) e6 d/ DScan type : Progressive
7 O6 ]& I' m$ h. V9 C' D! e3 rBits/(Pixel*Frame) : 0.228
2 ^; G ^3 I& qStream size : 6.83 GiB (86%)
( W% G- i+ ^& }0 ]) u0 j' K. Y% I% U+ ZWriting library : x264 core 80 r1373 4322f63
9 b0 G1 c' }# x; s# W% gEncoding settings : cabac=1 / ref=4 / deblock=1:0:0 / analyse=0x3:0x2 / me=umh / subme=7 / psy=1 / psy_rd=1.0:0.0 / mixed_ref=1 / me_range=16 / chroma_me=1 / trellis=1 / 8x8dct=1 / cqm=0 / deadzone=21,11 / fast_pskip=0 / chroma_qp_offset=-2 / threads=6 / sliced_threads=0 / nr=0 / decimate=1 / mbaff=0 / constrained_intra=0 / bframes=3 / b_pyramid=2 / b_adapt=1 / b_bias=0 / direct=3 / wpredb=1 / wpredp=0 / keyint=250 / keyint_min=25 / scenecut=40 / rc=2pass / mbtree=0 / bitrate=10923 / ratetol=1.0 / qcomp=0.60 / qpmin=10 / qpmax=51 / qpstep=4 / cplxblur=20.0 / qblur=0.5 / ip_ratio=1.40 / pb_ratio=1.30 / aq=1:1.00
4 \# ? V% o7 E& d+ r( pLanguage : English
3 R0 d C/ O( d% ^. h5 E! IDefault : No
1 [0 o6 _ d- H( G! ~7 P' J2 HForced : No" B e& B* T& s' A4 P8 Q0 Z
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Audio9 Q: N9 B6 v" Z
ID : 2( q2 }7 W0 L' F& b& {" V6 I
Format : DTS3 c( e9 X- h. K, L/ n
Format/Info : Digital Theater Systems
" k* Z" }" a+ kMode : 166 Z6 q" q, w, b8 x
Format settings, Endianness : Big8 |: T7 L R, ^' Y5 S$ n
Codec ID : A_DTS) f5 f* i; l$ c( K6 V
Duration : 1h 31mn
. m+ W' j2 y! H5 T- n0 ?# XBit rate mode : Constant( K4 e n0 X$ t( y0 K1 V
Bit rate : 1 509 Kbps# J: z; }( I5 E! A
Channel(s) : 6 channels0 ^, o {! ~4 Y3 O
Channel positions : Front: L C R, Side: L R, LFE
9 p5 h( b3 T) B/ fSampling rate : 48.0 KHz
1 O I3 O0 |4 @4 cFrame rate : 93.750 fps (512 spf)
4 A9 q7 W& G# r7 B2 Z& X) l( PBit depth : 24 bits
" J8 _0 \9 n H# |/ eCompression mode : Lossy
9 ^6 ~6 w# n) q0 h' Z4 w# iStream size : 988 MiB (12%)
/ Z' @, Y8 R+ Z1 a) ^% YLanguage : English1 \9 p* s" J% h1 h
Default : Yes
5 y; \9 ~7 h" `% }- O5 b0 q) `/ j+ x7 ]Forced : No6 b' e7 w; D6 ?' d8 U7 l. M0 p
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Text3 s. R; V8 c3 s
ID : 33 w3 i( Q8 f2 Q3 `
Format : UTF-8
+ O, u7 j- C& o" F2 _Codec ID : S_TEXT/UTF8, s3 ~% [5 U+ u) G% P
Codec ID/Info : UTF-8 Plain Text! N4 J$ Y# O$ l$ F6 t- Q1 h
Title : English8 R+ ?0 H! }# M
Language : English! R# c. C d# V: I
Default : No1 R4 _! B, x3 p
Forced : No Phantom of the Paradise Blu-ray, Video Quality
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Phantom of the Paradise is presented on Blu-ray courtesy of Scream Factory (an imprint of Shout! Factory) with an AVC encoded 1080p transfer in 1.85:1. This film has seen several European Blu-ray releases, including British and French, though for the purposes of this review, probably only the British release need be addressed for comparative purposes, as that was reportedly sourced from the same new(ish) high definition master Fox did on this title which evidently also served as the basis for this release. A cursory comparison of screenshots (I've tried to provide at least a few which come close to those in Svet's review of the Arrow release) shows that color timing has been tweaked on this new Shout release (as Shout's own Cliff MacMillan has indicated on our Forum). The overall look here is considerably brighter a lot of the time (compare the screenshots of Graham in the shower), but there's also a noticeably cooler color space a lot of the time which (to my eyes, anyway) seems more natural and less contrast boosted looking than the Arrow release. This might therefore be seen as a nice middle ground between the British and French releases, at least in terms of color timing. The transfer boasts richly saturated colors one way or the other, and also has a natural looking grain field which expectedly spikes during opticals (the film has a lot of split screen elements). Blacks are especially lush and deep throughout this presentation. The increased resolution of this presentation only points out a few inherent problems which were caused when the name of Swan's record label needed to be changed in post-production. These include some wavering matte lines and the like, but nothing is ultimately that distracting.
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/ A! Q N8 M8 I$ NPhantom of the Paradise Blu-ray, Audio Quality
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Phantom of the Paradise features DTS-HD Master Audio tracks in both 2.0 and 5.1 Amplitude on the 2.0 track seems anemic when compared to the 5.1 track, and there's simply no comparison when it comes to the music, which is much more vibrant, spacious and full of low end in the surround iteration. There are occasional moments of a kind of boxy phased quality in the 5.1 mix (listen to Rod Serling's opening narration for an example), but overall fidelity is superb, offering both the score and the dialogue with clarity and precision. Neither track has any problems to cause concern.
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