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A married New York cop falls for the socialite murder witness he's been assigned to protect.
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: K, H1 K% e) e. r" o◎译 名 情人保镖8 I0 R4 k: v# ^5 ]
◎片 名 Someone to Watch Over Me: ]' ?. @, R4 D$ j8 o+ ?$ ]
◎年 代 1987* X8 K" Y/ C/ H" W+ A
◎产 地 美国
' f6 d/ b& c+ Q' X# c0 b◎类 别 剧情/动作/爱情/惊悚/犯罪
" m2 Q$ }1 u# u7 G◎语 言 英语! y( S5 `4 |1 @/ S( l" ` S# j+ k
◎上映日期 1987-10-09
a/ p5 H% ~8 p) w% _5 ~3 c3 R◎IMDb评分 6.1/10 from 8,610 users
" M/ @& D J! N◎IMDb链接 https://www.imdb.com/title/tt0094008/, E5 H* R6 b4 f+ S' Q
◎豆瓣评分 5.2/10 from 141 users0 c6 h7 ~9 p! N; e/ n1 }9 b
◎豆瓣链接 https://movie.douban.com/subject/1293563/
: f, a, M, a* s( d* w2 d4 d9 P◎文件格式 x264 + DTS) O( t5 i! ?: H- U. Y
◎视频尺寸 1920 x 1080
; c7 x. a" O Z◎文件大小 1DVD 27.46 GiB
5 ~( x# Y; B% p- l( J1 A◎片 长 1 h 46 min
; B9 r+ @6 G4 N. i6 h) U( f" _' w◎导 演 雷德利·斯科特 Ridley Scott) }: c. _ E3 k
◎编 剧 霍华德·富兰克林 Howard Franklin$ K. N5 D4 s) z t- N* a
◎主 演 汤姆·贝伦杰 Tom Berenger4 T4 R" E$ [7 a& ^& @7 k# A& b
米密·罗杰斯 Mimi Rogers
6 X0 d3 z7 n% U$ {7 w 洛南·布雷科 Lorraine Bracco4 N1 {( s! o; X0 p
杰里·奥尔巴赫 Jerry Orbach. N w) t) ?' m0 a4 [
哈利·克罗斯 Harley Cross9 L c, Q7 b( E' a, S6 t% V* ~
0 R2 u, }' @0 B) i ~, {, c◎简 介 9 T! i/ A$ P# F& {3 v; F) q7 G
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克莱儿目睹了一场谋杀案,凶手正朝她而来杀她灭口,警探麦可奉命保护唯一的证人克莱儿,他却不由自主的爱上她,麦可能成功地捕获凶手,并在妻子和克莱儿之间作出选择吗?
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n1 ^ y0 S$ g; vVideo& I- F0 ^9 B0 s7 R2 C6 n8 I
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8 y9 u H( c3 E$ b# NFormat : AVC
6 c$ o+ N, {9 d) sFormat/Info : Advanced Video Codec
! \3 b) _$ q' l5 [1 uFormat profile : High@L4.1) `1 I4 e$ ~3 D4 m3 [
Format settings : CABAC / 4 Ref Frames
- s& ~& p6 v0 a. {Format settings, CABAC : Yes
5 G: w% n3 u# g: ~4 \Format settings, ReFrames : 4 frames
% r3 x' L1 B3 s/ ZCodec ID : V_MPEG4/ISO/AVC
9 d V; A r2 g% XDuration : 1 h 46 min4 _1 S3 B' W& m
Bit rate mode : Constant
5 p9 ~) J: U# S& {* eBit rate : 35.0 Mb/s% `, f, O: K: n& u2 C2 l
Width : 1 920 pixels
% F3 c. H6 o% S3 Y cHeight : 1 080 pixels: Q- j( Y4 M% P! X
Display aspect ratio : 16:9
( q3 B+ R( F4 V5 o/ RFrame rate mode : Constant' j+ U, m4 X$ L% v
Frame rate : 23.976 (24000/1001) FPS& [2 i( L$ c# q* H0 e; ^9 \# A8 @
Color space : YUV% W O5 D/ w/ ~' R& M! j
Chroma subsampling : 4:2:0
! d, c* j$ M5 PBit depth : 8 bits
* O4 y$ V1 [" C ZScan type : Progressive
' C/ a) r+ r: {% g eBits/(Pixel*Frame) : 0.704
. ]* w) Y& x5 t" G$ @- F0 qStream size : 25.1 GiB (91%)
% q; l6 S- U8 t4 @Title : Someone.to.Watch.Over.Me.1987.1080p.BluRayCD.REMUX.AVC.DTS-HD.MA.2.0-FGT4 | U: X& b+ R6 ?9 i7 T) g3 K
Language : English; U3 o% K% N8 [7 Q- ~, g
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" s; h- I# f' e, z. I) k) \% [
. _/ ?9 N% W7 r& d$ P1 a4 `! h9 U9 mAudio #1
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Format/Info : Digital Theater Systems
# A6 a/ B& \" M# i! r& V) E; tCommercial name : DTS-HD Master Audio$ \% u2 k! d3 [: ]- t( L9 a
Codec ID : A_DTS
# s: B# E# t2 Y0 IDuration : 1 h 46 min/ g' x- X5 O/ ~1 x! l+ w M
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% A6 X1 P m& p: P: y8 dBit rate : 1 610 kb/s
2 S6 T8 G$ J. v! ]Channel(s) : 2 channels
% f1 c+ x/ R9 W! e' x+ XChannel layout : L R
) ?, a* m' W2 y7 ~$ O+ eSampling rate : 48.0 kHz
: L/ m5 }0 p% X1 o) m |% CFrame rate : 93.750 FPS (512 SPF)
) D8 A( }# W( X9 K% c0 [! ^- PBit depth : 24 bits
5 X0 {+ v% {4 K2 hCompression mode : Lossless R8 x& {8 |/ y& w& B A5 ?
Stream size : 1.20 GiB (4%)
v7 G& e: x" J% \! WTitle : Someone.to.Watch.Over.Me.1987.1080p.BluRaycd.REMUX.AVC.DTS-HD.MA.2.0-FGT2 u! b& {$ l; N: o" z) |, ^& m
Language : English$ F$ m6 O) @; J$ r4 R& p, B: p
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! H" `5 O, J: ], CFormat/Info : Digital Theater Systems
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8 H) C* j0 `: V) Q3 TDuration : 1 h 46 min$ G; B# c, L( ^
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$ h+ x9 }: n w: S; W& N S3 }. W3 tChannel(s) : 2 channels
7 `! ^$ [/ F. \( pChannel layout : L R5 w! C) X( P9 Y* q. ]
Sampling rate : 48.0 kHz" y! I- l2 c7 A4 Z8 }: N" \
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Bit depth : 24 bits4 u9 ]5 H2 }6 B
Compression mode : Lossy6 @; k) W; p4 l( \" C9 N
Stream size : 1.12 GiB (4%)) v3 g7 s2 ~4 v$ i0 o9 Q
Title : Someone.to.Watch.Over.Me.1987.1080p.BluRaycd.REMUX.AVC.DTS-HD.MA.2.0-FGT1 F2 u7 f; N$ ^$ M7 d p
Language : English* m1 L4 v& T% { l) t5 P
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3 r, t d* F' C# i# _( w/ GDuration : 1 h 45 min2 K- T+ J6 p4 ^& ]5 o
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4 q7 L6 ]1 m7 ]' uCount of elements : 1305# O8 e: w% Q( B+ A8 ^% i: Q4 J
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Menu
) t. `0 f. B# g( l3 v& y00:00:00.000 : en:Chapter 01
4 Z4 J7 i1 C1 w" g00:06:07.158 : en:Chapter 02
# z" `! H1 U- T/ {00:15:01.609 : en:Chapter 03
) x, m; v6 w9 Q00:27:17.135 : en:Chapter 04- F: s8 y+ w( h& X" I; e( i; I8 S
00:39:19.732 : en:Chapter 05
( z* H7 x! X8 C# ], S00:49:28.632 : en:Chapter 06
" h' M8 d# \$ g- q( p8 c: Q00:58:19.412 : en:Chapter 07! @7 ]0 h7 [8 ^& m- F
01:04:23.234 : en:Chapter 08, F/ f2 Q3 a, }' H1 w' k
01:12:52.117 : en:Chapter 09. ]4 ~/ w( ~9 W/ X; ^9 i
01:20:07.260 : en:Chapter 10- c; B# S7 u4 }
01:27:48.554 : en:Chapter 11
3 @" W$ b% g, y" e( K01:34:50.393 : en:Chapter 12
0 K* E6 Q+ [2 `. y2 O7 J0 v01:46:27.672 : en:Chapter 13 Someone to Watch Over Me Blu-ray, Video Quality / i/ g, _& {! m: J6 R
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Someone to Watch Over Me makes its debut on Blu-ray worldwide courtesy of Shout Select (#69 in the specialty label's series) on this MPEG-4 AVC-encoded BD-50. Presented in its original theatrical aspect ratio of 1.85:1, the transfer is most competently presented by Shout. One thing you'll notice is how dark the film is from start to finish. Scott employs a lot of chiaroscuro lighting and mixes in his characteristic fog and smoke. Facial tones are natural and don't appear manipulated. The image has a very nice, thick texture with rock-solid contrast. There are some speckles but those are few and far between.
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In evaluating StWOM's transfer, it holds true to form how it likely appeared to critics seeing the release prints in 1987. Longtime New York Times reviewer Vincent Canby noted the "smoky interiors often lighted from below, lots of reflecting surfaces, nighttime exteriors of startling, liquid clarity." Film historian David Daly noted the soft backlighting and mellow blues.Bob Ross of the The Tampa Tribune agreed: "Almost every shot in 'Someone' is severely backlit. Pinpoints or squares of brightness illuminate the rear of each frame, while the central objects or characters are in shadowy semi-brightness. Women seem to have halos when they are bathed in such spotlights." Ross' colleague Hal Lipper from the rival Tampa Bay Times lauded the disco's basement (as shown in the scene from Screenshot #8): "This has to be seen. Scott and production designer Jim Bissell have retrofitted a Roman bath with Blade Runner appointments, so the setting has a misty, mysterious, otherworldly effect."& U) q7 f% I9 ^8 _( f
& t! v% w2 \, H6 {' F0 U# ^$ HThe main feature carries an average video bitrate of 35000 kbps. My video score is 4.75.3 r/ u" I; Z( B5 h; L8 i
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Someone to Watch Over Me Blu-ray, Audio Quality * I2 O" Q3 \$ {' x8 m m' k
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The only sound track on the disc is the original stereo, rendered here as a DTS-HD Master Audio 2.0 Stereo (1610 kbps, 24-bit). I found myself turning the volume up quite frequently to hear Berenger's plebeian accent. Perhaps owing to how the stereo tracks were mixed in 1987, the dialogue doesn't register that lough or at a sufficiently high enough pitch to keep your audio receiver static throughout. Michael Kamen's musical underscore and the various pop songs and classical pieces fare better. There are three renditions of the Gershwins' title theme, "Someone to Watch Over Me": Sting performs it at the beginning, four vocalists in the middle, and Roberta Flack over the closing credits. Bach's "Aria" and Vivaldi's "Gloria" are source works played in Claire's apartment. I wouldn't have minded if Shout also included a 5.1 remix.+ D, N4 u) p& Q
2 @3 y+ t& H, X+ m9 l; a" POptional English SDH are included. 6 U N2 ?+ `& Y; b; B
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