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发表于 2019-7-15 17:43:11
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% n, b& Q. x0 c i4 D8 J. M6 }6 S9 Q◎译 名 凶手或许就是你
& M* `; \/ a- @8 R1 S2 ?◎片 名 You Might Be the Killer+ Y6 i: h. B! z$ V$ s
◎年 代 2018
* F, h3 ?+ a; g2 J, A; s6 U. }◎产 地 美国6 W6 V! q2 S8 c7 N8 \
◎类 别 悬疑/恐怖9 W- d9 A6 a0 H$ @
◎语 言 英语! B3 v% w3 H; _' p- w9 r: J2 i' i$ {
◎上映日期 2018-09-21(奇幻电影节)
9 j# x% q5 q# o1 l: v' H5 D7 v( g◎IMDb评分 6.0/10 from 2,524 users) ?: N5 {* ~' r4 v3 ?$ N, j
◎IMDb链接 https://www.imdb.com/title/tt8998472/
: h7 ]* n8 B+ Q" \◎豆瓣评分 4.8/10 from 239 users
, y% K- |7 E/ Z* ~8 Q6 g◎豆瓣链接 https://movie.douban.com/subject/30337433/
7 E( P0 Q5 x" ], B( U◎文件格式 x264 + DTS3 }+ @4 L3 F; H5 J
◎视频尺寸 1920 x 10800 o: I$ h! [8 Z! E; E5 {/ t
◎文件大小 1DVD 16.83 GiB
7 M s/ F+ _4 L* U/ l◎片 长 1 h 27 min5 M5 I2 z7 A7 x- F" a
◎导 演 布雷特·西蒙斯 Brett Simmons s: Y+ T- w6 r$ r1 |4 q% g
◎编 剧 科维斯·柏佐因 Covis Berzoyne4 Y$ D+ Z7 ^4 k, h$ }
布雷特·西蒙斯 Brett Simmons, B8 y" t. Z' H4 o/ M
托马斯·P·维塔勒 Thomas P. Vitale
1 F# u! z# y$ d$ Q% H: p◎主 演 弗兰·克朗茨 Fran Kranz
% @) H0 T$ F$ P9 v: v, h: R# ] 艾丽森·汉妮根 Alyson Hannigan/ j' Q6 L1 }8 ]7 y4 B1 n
布列塔尼·S·霍尔 Brittany S. Hall- L4 a7 [7 o9 ? J$ K( [ y
简娜·哈维 Jenna Harvey( f9 \- V" Q& O
布莱恩·普莱斯 Bryan Price
) R$ K/ P1 H& x- Y9 N: `( { 帕特里克·R·沃克 Patrick R. Walker
9 w% k9 \. Y E( `5 t( B4 y8 ` 杰克·穆里略 Jack Murillo0 L/ S. I5 x# p/ n5 w7 O
莎拉·凯瑟琳·贝勒米 Sara Catherine Bellamy- ^6 T( c/ }: }2 ^0 Z; y; [
萨凡娜·德索蒙 Savannah DesOrmeaux( Y8 c+ V. A* W) w1 H
卡罗尔·简·威尔斯 Carol Jean Wells% {. y8 P- B' s" e4 f& k' ?
彼得·詹梅斯 Peter Jaymes Jr.
7 j; W5 f9 F5 ?+ j1 Q5 F 奥利维亚·杰伊·布朗 Olivia Jaye Brown
* g0 J2 {/ }: d! k0 T 凯斯·大卫 Keith David
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4 Q9 B$ u3 r: F9 [6 r P# l◎简 介
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! `% c" F: \2 V s. u: [ A camp counselor suffering from blackouts finds himself surrounded by murder victims. He turns to his horror movie enthusiast friend for advice, and to contend with the idea he may be the killer.+ O9 N2 H. y: O. r) ?5 P+ w
+ o8 l7 a. u; h; X9 G 一名夏令营辅导员发现自己被凶手围追堵截，他向他的恐怖电影爱好者朋友寻求建议，发誓要找出真凶，真凶不是别人，正是……: _9 `. `* ]6 \# B( m) \
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9 E j0 D L' _# y6 V) {$ UFormat : AVC! {% I8 @/ `+ i' d
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0 k) d6 t/ @1 [& {! @0 K; lFormat profile : High@L4.19 ]/ {9 x$ C4 p( X
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. X" b2 b8 r' X( {Duration : 1 h 27 min I. i* ^3 e2 I( l8 G
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. W$ a" y# u6 k, n4 vMaximum bit rate : 35.0 Mb/s* Z& U. o8 f6 P) \! U* c; {* g
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; j1 m2 C7 y5 S, r$ L# l! QHeight : 1 080 pixels
7 ?. J3 ~! e6 l i" _% Q1 M+ Q0 ~Display aspect ratio : 16:9
& O, C1 P. k( mFrame rate mode : Constant- U+ G0 c; n5 o4 j
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; [/ ?3 J2 B0 iStandard : NTSC- C( Z6 V. t' p* N& p
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' j1 D! W& t6 t( fStream size : 15.1 GiB (90%)
% J' B# G7 h& z. t! G6 G: D% W$ e3 \Title : You.Might.Be.the.Killer.2018.1080p.BluRayCD.REMUX.AVC.DTS-HD.MA.5.1-FGT
& J% l( z6 j6 n' v* K: SLanguage : English
' b* r7 \: p% ?8 x. {/ t5 r, L5 GDefault : No. V+ V& J$ T1 w# J; I# [; P
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* ?' y4 G5 X6 ? C4 [Audio #19 P% M' F$ S1 n/ u! k
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5 u6 O* B! E0 u/ \0 OCommercial name : DTS-HD Master Audio% H7 l; m7 H9 L& P7 e3 M. z& K
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' H+ T8 o+ s( |6 a# T0 lDuration : 1 h 27 min
/ m( I4 |* Q( q, y7 ]# r4 D' N9 ?% ]Bit rate mode : Variable9 W% Z1 L( `0 e5 ~( N) F" h8 b
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* P! O' \' e8 @9 W. }- H; U: S; g1 aChannel(s) : 6 channels
! F0 b7 n) A i8 w* {- r' rChannel layout : C L R Ls Rs LFE
; Q$ W& ]2 z6 X2 z- V& oSampling rate : 48.0 kHz
$ d% y8 w& U8 q0 v/ E/ r. y" AFrame rate : 93.750 FPS (512 SPF)% y% J# e Y$ x9 Z# \0 \
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- {0 r9 u$ ~6 @0 E5 M; PCompression mode : Lossless( _2 q7 c0 m2 ?
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# M, E& U# M M! S' `7 qTitle : You.Might.Be.the.Killer.2018.1080p.BluRaycd.REMUX.AVC.DTS-HD.MA.5.1-FGT2 k0 ~: [0 p( ^
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* P: I9 }( r3 i3 |, n+ @! JTitle : You.Might.Be.the.Killer.2018.1080p.BluRaycd.REMUX.AVC.DTS-HD.MA.5.1-FGT
( a" F/ S. F' b5 {6 I# y) M- ELanguage : English. x$ S: X7 }1 i8 r
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# k A8 p" X0 _7 v# F5 NBit rate : 32.2 kb/s
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, g/ ?- G) Z v
Menu
+ @5 m$ ?0 P: ]" S+ ^+ o6 R00:00:00.000 : en:Chapter 017 Y$ U& ~. f1 H' V5 U/ f0 H1 Y
00:08:46.943 : en:Chapter 02
) P' p& d. x8 j$ d8 X2 B00:15:18.626 : en:Chapter 03
3 V/ D" p& t1 q( M/ ^2 i0 T: k g00:23:29.199 : en:Chapter 04; t- g' f* }' Y3 \
00:31:38.021 : en:Chapter 05
# H! E0 z; p7 ^' A& G# P00:40:46.902 : en:Chapter 06- h% w6 V0 G2 e) P i, L1 |$ \9 @
00:47:18.252 : en:Chapter 07
' a: f. p+ z; Z. K00:54:53.540 : en:Chapter 08- b. ~# N5 v: o/ Y/ a+ @
01:02:21.362 : en:Chapter 09
6 O0 g/ o2 b `' \+ V) A01:10:08.913 : en:Chapter 10. |2 j8 v2 }) E. E/ M
01:17:10.667 : en:Chapter 115 a6 j6 E! p. E- R
01:23:34.551 : en:Chapter 12
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You Might Be the Killer features a very agreeable look of film that reinforces the 80s structural vibe. The image has been altered to include title wobble and the occasional scratch and speckle, but it's not overdone and most of these manufactured flaws only really appear when the film keeps track of deaths, etc. in large, red-colored on-screen graphics. Texturally, the movie looks great. Facial clarity is wonderful and visible details in well-lit locations, whether the comic book shop where Chuck works or some of the camp cabins, look amazing, particularly in terms of structural and production design clarity and detailing. Lower light scenes, such as the many nighttime exteriors around the camp, hold firm but obviously cannot reveal highly intricate visuals with the lighting constraints. Still, basic character, terrain, and tree shapes and definition are fine in context. Colors are heathy, perhaps a little faded by design. Blood is often seen in darker scenes but looks great while colors around the comic shop spring to life and give the location a diversely colorful appearance. The blood red titles and numbers are arguably the color highlight. Skin tones are true and black levels are very deep. At the 8:45 mark, viewers will see a fairly heavy barrage of macroblocking on the killer's black jacket, but such is the only real encode issue of note.
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, \7 F4 x, s) p* G; K; p. ?You Might Be the Killer Blu-ray, Audio Quality
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You Might Be the Killer's DTS-HD Master Audio 5.1 lossless soundtrack handles every sonic element very well. One of the most prominent features is ambience, which is often amplified in volume but still very natural and immersive. Insect and bird noises emanate from all over, creating a seamless fill that sounds larger than the 5.1 channels afforded to the track. Likewise, as the voices in Sam's head swirl about, clarity remains excellent as it defines the whispery, airy details that emanate from all over. Music is healthy in width and clarity. Various sounds of horror, such as slashing blades and squishy viscera, draw the listener into the movie's scares. Dialogue is clear and center positioned.
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