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发表于 2019-7-15 17:43:11
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& p9 @( j0 ?8 J5 a0 S6 m◎译 名 凶手或许就是你/ Q3 T) h/ f$ E+ ]+ x( W$ r
◎片 名 You Might Be the Killer
! A4 ?/ B4 Z( D+ X* M% Y4 l◎年 代 2018
[: d% ^& B$ x◎产 地 美国
/ `) E5 ~' \/ Z1 X1 _◎类 别 悬疑/恐怖
/ R# `8 A, h2 U2 A4 {/ g◎语 言 英语, i0 K9 P/ v$ a. |, a
◎上映日期 2018-09-21(奇幻电影节)5 ? K. `6 x A! }
◎IMDb评分 6.0/10 from 2,524 users
# j i3 `7 S, T7 O h$ Q* p◎IMDb链接 https://www.imdb.com/title/tt8998472/3 F' I. u1 Z) R9 m
◎豆瓣评分 4.8/10 from 239 users5 G9 E3 Z9 g6 \5 [# Y% g. m, d3 E
◎豆瓣链接 https://movie.douban.com/subject/30337433/2 b9 e6 U6 j& q% {) W) m
◎文件格式 x264 + DTS+ E7 _- h7 M* S! ^* |3 W
◎视频尺寸 1920 x 1080
5 J' I3 N5 T& T4 P ^◎文件大小 1DVD 16.83 GiB: {) r6 q+ f& Z/ E% k& P4 ]# d
◎片 长 1 h 27 min. N2 Z5 S4 t1 |3 b5 ~) L" d
◎导 演 布雷特·西蒙斯 Brett Simmons
6 C) a S$ [9 ?5 C2 W2 q◎编 剧 科维斯·柏佐因 Covis Berzoyne3 ~' h2 z8 I: d) g6 Z, b
布雷特·西蒙斯 Brett Simmons! y7 l: o" a3 ]& r
托马斯·P·维塔勒 Thomas P. Vitale1 }1 z9 m ~- \ F; A+ n) K
◎主 演 弗兰·克朗茨 Fran Kranz
0 d0 J( r0 ~5 o& z. i, q) ^2 D$ Z 艾丽森·汉妮根 Alyson Hannigan/ T! E# ~) B$ N0 E, u
布列塔尼·S·霍尔 Brittany S. Hall
5 |6 ]- Y7 w1 h 简娜·哈维 Jenna Harvey9 x" o8 e& M" ~$ N& g% M. V
布莱恩·普莱斯 Bryan Price
% C7 f4 n/ C ^, d 帕特里克·R·沃克 Patrick R. Walker
1 x' U/ Q r; v8 q6 R 杰克·穆里略 Jack Murillo
) C; Q- N1 g5 x7 g3 l/ S2 ^, }* l 莎拉·凯瑟琳·贝勒米 Sara Catherine Bellamy; _* n( E6 `; U8 M
萨凡娜·德索蒙 Savannah DesOrmeaux
; P( ]9 @* w4 ~) F- o 卡罗尔·简·威尔斯 Carol Jean Wells
6 _6 i @+ n' {, h9 P+ @ 彼得·詹梅斯 Peter Jaymes Jr.
4 m+ y0 P# L! B$ a 奥利维亚·杰伊·布朗 Olivia Jaye Brown
; {# E! n; ^3 h8 D. k 凯斯·大卫 Keith David
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' G' W, A/ g( H3 |& X( H# f◎简 介
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A camp counselor suffering from blackouts finds himself surrounded by murder victims. He turns to his horror movie enthusiast friend for advice, and to contend with the idea he may be the killer., x" G) i) V0 u( q, s! ], f
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一名夏令营辅导员发现自己被凶手围追堵截，他向他的恐怖电影爱好者朋友寻求建议，发誓要找出真凶，真凶不是别人，正是……
0 d2 A9 F: @1 A8 T; J& xVideo
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) }8 F% K2 b- F) o3 E! eFormat : AVC
! O& z" [6 h- ?% M$ PFormat/Info : Advanced Video Codec" U8 P2 W- k3 G+ f" z/ o
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Format settings : CABAC / 3 Ref Frames
7 C4 M5 S( g1 N# Q1 Y1 O; F6 A/ rFormat settings, CABAC : Yes
: B! g" q. J# I+ bFormat settings, ReFrames : 3 frames
; {+ p/ [0 v& b" G# z4 ?Format settings, GOP : M=3, N=12( [9 |* R. r) Q) W0 e& h
Codec ID : V_MPEG4/ISO/AVC5 }4 s8 ~1 \+ l7 q
Duration : 1 h 27 min
6 J0 K0 M* a. W6 X8 f$ uBit rate mode : Variable9 E* ]/ F: k; ]! ` R/ A2 U
Bit rate : 24.7 Mb/s
: m! a5 R, U$ ?! ~: T# c B+ Q" d' JMaximum bit rate : 35.0 Mb/s
' R' X, i* c# B7 j6 i! Y6 mWidth : 1 920 pixels4 g7 T' u( \' K( Z3 j
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2 b) n0 }0 T& G) Q1 c) gDisplay aspect ratio : 16:9
. b# m: H/ b" H% y; sFrame rate mode : Constant
# y7 O' c3 W% G* s4 Y0 dFrame rate : 23.976 (24000/1001) FPS
# c. |; x" e' I% `3 OStandard : NTSC
3 A: D# Q- n6 A" W, DColor space : YUV3 O% ^3 C9 \+ X; U/ q' q
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Bit depth : 8 bits
$ E2 ?! }! e6 Q* E0 tScan type : Progressive
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3 y/ ^& _% a2 ?0 E& yStream size : 15.1 GiB (90%)
1 j! u+ q/ c3 L9 M' H/ ~Title : You.Might.Be.the.Killer.2018.1080p.BluRayCD.REMUX.AVC.DTS-HD.MA.5.1-FGT
, j3 s) Y# W! lLanguage : English
" R$ G3 P( C* Q* oDefault : No
& x9 ?4 z( V N' t7 j5 yForced : No
. A& K, g& p0 G; X! q" dColor range : Limited
6 B# Y0 C/ f c- XColor primaries : BT.709
# f3 W0 |" a# P/ wTransfer characteristics : BT.709, l4 W# J2 W: V$ O8 m' P
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( u2 G1 r* j1 q* `: Q) C' D) \" I" L- Y& O3 a: x& _
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& E! k4 H$ s7 o$ B4 ~ ]/ XFormat : DTS XLL3 C0 J* q1 j' j
Format/Info : Digital Theater Systems6 }$ e/ I: d, j3 i/ s+ \( H
Commercial name : DTS-HD Master Audio
% {: R$ F! s/ r# v* WCodec ID : A_DTS
! |) p, M' m; u# fDuration : 1 h 27 min
. @6 G! u) v* u! W; Z: ]% J4 P8 aBit rate mode : Variable
1 U! T: X6 h6 q9 i) ^- M+ m/ R0 l' TBit rate : 2 627 kb/s
1 |$ p- Z Q$ y. V% L" p+ @3 ^Channel(s) : 6 channels
- r2 B1 I3 I' IChannel layout : C L R Ls Rs LFE% t8 R/ U6 V; J2 q" s5 `
Sampling rate : 48.0 kHz
! M7 q& y+ u0 f' s) HFrame rate : 93.750 FPS (512 SPF)
7 ?. B. F2 x) fBit depth : 24 bits+ J+ x3 F8 l) z
Compression mode : Lossless
7 u: ~4 J0 `& @Stream size : 1.61 GiB (10%) t' Y+ q2 k, s J0 O, V
Title : You.Might.Be.the.Killer.2018.1080p.BluRaycd.REMUX.AVC.DTS-HD.MA.5.1-FGT
$ P2 D( K8 I: C2 {' \Language : English' s1 f- R7 v- F8 Y& q8 s% N
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- ?& }- H7 h! \7 j4 |0 DFormat/Info : Audio Coding 3
7 Q+ y& E0 |7 F o1 kCommercial name : Dolby Digital) @8 \. e4 _. Y9 x; e* M
Codec ID : A_AC3
E/ K$ J) C% dDuration : 1 h 27 min% I" U$ s' w" q. ~8 H6 h( Z* n
Bit rate mode : Constant L5 G5 t8 |: ]7 l6 r
Bit rate : 192 kb/s# A$ P* W6 C) I
Channel(s) : 2 channels" o# _& \0 g/ F/ m& `
Channel layout : L R0 A, e0 V3 [6 F( P& Q# n
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Frame rate : 31.250 FPS (1536 SPF)2 c6 B' ]7 M* ^$ s+ e/ L
Bit depth : 16 bits
3 Q# E/ n' ~4 J) J2 ]: FCompression mode : Lossy
2 W) Y2 Z- }9 X2 [7 CStream size : 121 MiB (1%)6 @, P% b7 m% x
Title : You.Might.Be.the.Killer.2018.1080p.BluRaycd.REMUX.AVC.DTS-HD.MA.5.1-FGT% M2 B1 ^2 g4 \3 z- X( j! F
Language : English6 A9 [3 L) N0 ~- s7 s. b
Service kind : Complete Main8 U3 m8 v9 h+ ^7 Q+ c L/ e; f" ]& L
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) E- l ^* U& y D* A" N" `6 UText
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0 Y( ~! |8 N: l9 }( r( \Codec ID/Info : Picture based subtitle format used on BDs/HD-DVDs
* [7 l, `8 H' ?/ B" a6 n/ UDuration : 1 h 27 min( C b4 l% K2 M, \ H
Bit rate : 32.2 kb/s4 Z' u# w" w+ u) y
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; {3 k1 r2 o4 y r5 j1 k# R. _Default : Yes% |- J5 h k- N$ T& [- q
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Menu4 {+ l% `/ `& D- f8 H$ r. J
00:00:00.000 : en:Chapter 01% B u% T- I8 v2 C0 F1 I1 i' C
00:08:46.943 : en:Chapter 02% N* A* t$ J0 L; x3 q# h! g! g7 e
00:15:18.626 : en:Chapter 03
# |( T; ^7 S" y" Q b. b00:23:29.199 : en:Chapter 04: ?/ Q' x" _! d: a! m: u8 v; U
00:31:38.021 : en:Chapter 05
# Y9 I5 Y* x6 P/ k) y00:40:46.902 : en:Chapter 06
8 _5 n$ }9 r# v00:47:18.252 : en:Chapter 07
* o) u" ?$ L! @; l4 H1 G' v$ t* B00:54:53.540 : en:Chapter 083 W; X' D+ S( F* L2 p: |' P- i$ c, R
01:02:21.362 : en:Chapter 09
0 \1 R+ L- i- m; N5 X5 `01:10:08.913 : en:Chapter 10
8 ^4 W; i) d2 \01:17:10.667 : en:Chapter 11
) }1 r. r9 b( v# y3 m, O G01:23:34.551 : en:Chapter 12
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/ ]! ]5 w1 O8 j" IYou Might Be the Killer features a very agreeable look of film that reinforces the 80s structural vibe. The image has been altered to include title wobble and the occasional scratch and speckle, but it's not overdone and most of these manufactured flaws only really appear when the film keeps track of deaths, etc. in large, red-colored on-screen graphics. Texturally, the movie looks great. Facial clarity is wonderful and visible details in well-lit locations, whether the comic book shop where Chuck works or some of the camp cabins, look amazing, particularly in terms of structural and production design clarity and detailing. Lower light scenes, such as the many nighttime exteriors around the camp, hold firm but obviously cannot reveal highly intricate visuals with the lighting constraints. Still, basic character, terrain, and tree shapes and definition are fine in context. Colors are heathy, perhaps a little faded by design. Blood is often seen in darker scenes but looks great while colors around the comic shop spring to life and give the location a diversely colorful appearance. The blood red titles and numbers are arguably the color highlight. Skin tones are true and black levels are very deep. At the 8:45 mark, viewers will see a fairly heavy barrage of macroblocking on the killer's black jacket, but such is the only real encode issue of note.
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7 f1 Y, i) C- S. PYou Might Be the Killer Blu-ray, Audio Quality
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You Might Be the Killer's DTS-HD Master Audio 5.1 lossless soundtrack handles every sonic element very well. One of the most prominent features is ambience, which is often amplified in volume but still very natural and immersive. Insect and bird noises emanate from all over, creating a seamless fill that sounds larger than the 5.1 channels afforded to the track. Likewise, as the voices in Sam's head swirl about, clarity remains excellent as it defines the whispery, airy details that emanate from all over. Music is healthy in width and clarity. Various sounds of horror, such as slashing blades and squishy viscera, draw the listener into the movie's scares. Dialogue is clear and center positioned. & d. u% j+ [( u, M$ c/ k8 O+ }4 D2 d/ M
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