怪兽哥斯拉/酷斯拉 [4K UHD蓝光原盘 自带中文字幕] Godzilla 1998 2160p BluRaycd HEVC TrueHD 7.1 Atmos-TERMiNAL 78.07GB

! p) }6 e6 F- P* m" I◎译　　名　哥斯拉/酷斯拉/怪兽哥斯拉
5 S. l' W' \: t+ s. f+ n6 i/ J3 K◎片　　名　Godzilla
◎年　　代　1998
- d- j5 R' M9 {3 D, i◎产　　地　美国/日本
+ \6 P% d2 Y: n1 S◎类　　别　动作/科幻/冒险/灾难
% O  K  M; H. Z% k+ H5 j◎语　　言　英语/法语/日语/俄语/西班牙语
◎上映日期　1998-05-20
◎IMDb评分  5.4/10 from 173,603 users
  E2 q" M( s# n1 Q, g◎IMDb链接  https://www.imdb.com/title/tt0120685/
◎豆瓣评分　7.1/10 from 56,573 users
  Q8 ~. G( }3 f) s: b* P* P◎豆瓣链接　https://movie.douban.com/subject/1295292/
◎文件格式　x265 + TrueHD
◎视频尺寸　3840 x 2160
◎文件大小　1DVD 78.07 GiB
8 T* r. y' {" B$ Y" q◎片　　长　2:18:43.314 (h:m:s.ms)
- I  v) p& v) w! y# D- z◎导　　演　罗兰·艾默里奇 Roland Emmerich
◎编　　剧　迪安·德夫林 Dean Devlin
2 [  n* B# A( p/ I) H　　　　　  罗兰·艾默里奇 Roland Emmerich
! Y* I! |! ]" H7 `2 F' T◎主　　演　马修·布罗德里克 Matthew Broderick
8 S5 K% ?/ n- G% |: k- l' N6 M/ q　　　　　  让·雷诺 Jean Reno
& i) r* c( g$ n　　　　　  玛丽亚·皮提罗 Maria Pitillo
3 o1 ]! R0 k- J- y0 b! p: B　　　　　  汉克·阿扎利亚 Hank Azaria
　　　　　  凯文·杜恩 Kevin Dunn

◎简　　介　
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8 Q0 i; J$ _% c2 R　　A giant, reptilian monster descends upon New York, and it's up to the Army and an odd team of investigators to save their city.
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　　这天，美国纽约附近出现了一些异常现象：太平洋上的海浪速度超乎寻常地惊人、巴哈马巨大的原始森林里竟然出现了一个类似恐龙脚印的巨大痕迹、动物们都惊慌失措，仿佛一股巨大的力量正向纽约席卷而来。
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8 W4 g7 J9 n6 ?7 j　　原来，世界上频繁的核试验引起的核辐射导致了气候异常和最终导致岛上蜥蜴变异。现在，它正以越来越快的步伐向纽约逼近。这下，所有的人都慌了神，美国全国的所有力量都联合了起来，目的只有一个，就是在它踏入纽约前将它干掉！
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: t) T4 p' O" j, M8 c　　A giant, reptilian monster surfaces, leaving destruction in its wake as it strides into New York City. To stop it, an earthworm scientist, his reporter ex-girlfriend, and other unlikely heroes team up to save their city.

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) S$ p4 r. D' Z- z9 }　　第26届动画安妮奖  (1998)
　　最佳动画效果(提名) JeromeChen
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3. Disc Title:     Godzilla.1998.2160p.BluRayCD.HEVC.TrueHD.7.1.Atmos-TERMiNAL
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4. Disc Size:      83,828,318,382 bytes
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5. Protection:     AACS2
   
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Godzilla 4K Blu-ray, Video Quality  

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The included screenshots are sourced from a 1080p Blu-ray disc. Watch for 4K screenshots at a later date.
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- o; C- {9 I2 `9 h- M+ ?3 [( iGodzilla's UHD stomps all over the previously issued Blu-ray. It's not even close when considering the monstrous upgrades to both texture and color. Though much of the film takes place in gray, overcast city locations during the day and dark and dreary nighttime exteriors and interiors where light is at a premium and there's not ample opportunity for extreme detail revelations, there's no mistaking the image's vast superiority and firm, filmic credentials in any lighting or environment. The movie certainly looks at its best under optimal conditions, such as when Tatopoulos is brought to the island to work the footprint find in the movie's opening minutes. The absolute image clarity and razor-sharp skin, clothing, and environmental textures are striking, and the grain field appears perfectly complimentary, evenly distributed, and very organic. There are only a few fleeting occurrences when the grain field pushes more fuzzy and dense. The bland, gray-dominant cityscapes and various scenes along street level look tremendous. New York comes to life in 4K even without the benefit or better illumination. Paved streets, storefronts and building façades, and certainly characters and cars and other high-yield elements greatly benefit from the UHD's improved sharpness, so much so that the Blu-ray appears almost pitifully fuzzy in comparison.
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  [3 R* `+ h# R1 Z+ F+ xThe increase in color saturation and brilliance is nothing short of striking, too. Though much of the movie takes place under those aforementioned gray and dark tones, the few brightly intense and colorful scenes, such as that referenced above when Tatopoulos is first taken to the site where the footprint has been discovered, offer the most impressively obvious HDR applications and upgrades the UHD format has yet seen. In that sequence, the sky transforms from a dull, faded blue on the Blu-ray to a lively, intense brilliance on the UHD. Natural green terrains and military fatigues additionally find vast improvements to depth and punch (and the sequence is also one of the best examples of the image's improvements to sharpness). The gray cityscapes find tighter depth and color nuance, offering a more organic display of variations on the theme both during the overcast and wet daytimes and through the darker nighttime shots and low-light interior locations. Skin tones hold true in every condition and black level depth is nearly perfect. This is another substantial UHD upgrade from Sony. The studio continues to release knockout after knockout onto the UHD market.

Godzilla 4K Blu-ray, Audio Quality  

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. S. ^% c/ C' F" U" F4 b1 wEven dating back to DVD (and probably even LaserDisc), Godzilla's soundtracks have been monstrous achievements in sonic excellence. The 2009 Blu-ray's DTS-HD Master Audio 5.1 lossless soundtrack was heretofore the standard for the film and also one of the torchbearers for 5.1 lossless excellence. But this Dolby Atmos presentation takes things to a whole new level, quite literally, in fact. The opening title music presents with organic width and complimentary depth, excellent clarity, and the following nuclear explosion rumbles with quality low end push. In the following scene, thunder cracks and rolls throughout the stage while a steady, heavy barrage of falling rain -- a sonic signature throughout the film -- saturates the stage with unusually impressive immersion and a tangible top end component. A blaring alarm emanates from the back but with a healthy feel for spacial immersion beyond the rears. As the ship rocks and rolls in the storm, objects fall, the ship creaks and moans, and sonic chaos reigns. Water spills through as Godzilla tears into the hull. It's simply the first example of a full-on sonic assault that leaves no speaker anything but breathlessly worked and pushed to their limits.
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0 O/ w+ \- @" OThe real fun begins when Godzilla makes landfall in New York. The track is everything one would expect it to be, offering the ultimate in low end response, chaotic yet balanced and immersive crashes and slams, and plenty of amazing Godzilla screeches and roars. Apache helicopters rush about the stage with seamless directional detail and flow and tremendous zip and depth to spinning rotors, which sometimes sound as if they are above the listener as the scene allows. A barrage of small arms and rocket fire delivers a startling full-stage assault when the creature is ambushed after being served a mountain of fish. The scene is defined by organic shot movement and flow and powerful impacts. Falling debris and another Godzilla bass-fueled rampage extravaganza follows. There is plenty of overhead engagement throughout, even if it's just a feel for roar and rumble and general atmosphere. The movie's components are always in perfect working order. There's no shallowness, no timidity, nothing standing in its way. Add in perfectly balanced and detailed atmospherics and precision dialogue reproduction and there's nothing to call this track but "reference."
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