千尸屋3/恐怖三人组 [4K UHD蓝光原盘] 3 from Hell 2019 UNRATED 2160p BluRaycd HEVC TrueHD 7.1-BHD 79.47GB

Sequel to The Devil's Rejects and House of 1,000 Corpses.



, K2 d: g% i: Y6 d, t/ y- s◎译　　名　千尸屋3/恐怖三人组
◎片　　名　3 from Hell / Three From Hell
◎年　　代　2019
+ E7 B2 o% n& n/ A# g◎产　　地　美国
◎类　　别　恐怖
$ b, t( A. z% p4 l: g0 `◎语　　言　英语
' v9 {% _  F" q1 K7 |+ H0 }◎上映日期　2019-09-18(美国)
◎IMDb评分  5.8/10 from 3,389 users
◎IMDb链接  https://www.imdb.com/title/tt8134742/
) Q$ p, u/ [7 f  j4 A% m◎豆瓣评分　4.9/10 from 238 users
7 N# ^4 Y9 n: y1 S6 g! Q◎豆瓣链接　https://movie.douban.com/subject/30254678/
◎文件格式　x265 +  TrueHD
+ T' `6 S: `; t" S7 P5 j( ~' V◎视频尺寸　3840 x 2160
  M* k, p/ ]$ w1 ?( D, J◎文件大小　1DVD 79.47 GiB
◎片　　长　1:55:47.940 (h:m:s.ms)
◎导　　演　罗布·赞比 Rob Zombie
+ r" @0 @6 p6 O+ T. E◎编　　剧　罗布·赞比 Rob Zombie
, o/ ^+ ], \% G, }◎主　　演　雪莉·穆恩·赞比 Sheri Moon Zombie
- F* o) r6 |$ [' @0 s* q　　　　　 希德·黑格 Sid Haig
& L1 p' I& P6 B% p4 G3 Y4 u$ @+ j　　　　　 比尔·莫斯利 Bill Moseley
2 V3 e' f% f3 \! T- ?; d　　　　　 埃米里奥·瑞弗拉 Emilio Rivera
7 N3 R$ ^. j, m: {　　　　　 丹尼·特雷霍 Danny Trejo
　　　　　 克林特·霍华德 Clint Howard
& ^# }4 W9 {* [* Z5 _: Q　　　　　 理查德·布雷克 Richard Brake
/ R3 ^- \) I, h/ {' R( \# O　　　　　 丹尼尔·洛巴克 Daniel Roebuck
　　　　　 杰弗里·丹尼尔·菲利普斯 Jeffrey Daniel Phillips
0 t  [! U9 P1 {: M- X1 C  [　　　　　 戴维·尤里 David Ury
1 ^" `& t# [' r, ]6 ~0 A+ @* N　　　　　 迪·沃伦斯 Dee Wallace
' D6 J9 q* N% K, K3 l1 P　　　　　 多特-玛丽·琼斯 Dot-Marie Jones
' p1 G4 k) ]9 \/ e, R  C2 u　　　　　 西恩·瓦兰 Sean Whalen
　　　　　 理查德·里尔 Richard Riehle
- }( S5 ~& `1 ^  F) P　　　　　 马修·维利希 Matthew Willig
4 f: k* V6 _9 Q, i  I; _; u8 ?　　　　　 西尔维娅·杰弗里斯 Sylvia Jefferies
9 |$ w0 e6 i, I0 ^. q　　　　　 理查德·埃德森 Richard Edson
; m( v6 Z9 Q; U9 o　　　　　 卢辛达·珍妮 Lucinda Jenney
# p: X9 `9 O  b! w　　　　　 史蒂芬·迈克尔·克扎达 Steven Michael Quezada
　　　　　 克里斯托弗·B·邓肯 Christopher B. Duncan
8 A/ w" X' Q4 o4 N9 U! V5 S3 o7 G　　　　　 小比尔·奥伯斯特 Bill Oberst Jr.
　　　　　 比利·布莱尔 Billy Blair
1 c5 ]& ]+ D+ x0 m. _3 h/ t1 ?　　　　　 杜恩·惠特克 Duane Whitaker
6 l. O: T; I' A6 W5 X, L　　　　　 马里亚诺·门多萨 Mariano Mendoza
　　　　　 简·霍格 Jan Hoag
　　　　　 尼克·科尼特 Nic Cornett
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6 }; q* Q; w9 p◎简　　介

　　《千尸屋》的续集。

　　After barely surviving a furious shootout with the police, Baby Firefly, Otis Driftwood and Captain Spaulding are behind bars. But pure evil cannot be contained. Teaming up with Otis’ half-brother Winslow "Foxy" Coltrane, the demented Firefly clan are back to unleash a whole new wave of death and depravity. A firestorm of murder, madness and mayhem will be unleashed in this terror ride to hell and back.
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1. DISC INFO:
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3. Disc Title:     3.from.Hell.2019.UNRATED.2160p.BluRayCD.HEVC.TrueHD.7.1-BHD
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4. Disc Size:      85,327,758,514 bytes
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5. Protection:     AACS2
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6. Extras:         Ultra HD, BD-Java
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7. BDInfo:         0.7.5.6 (compatible layout created by DVDFab 11.0.5.3)
   
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11. Name:                   00800.MPLS  
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12. Length:                 1:55:47.940 (h:m:s.ms)
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13. Size:                   70,713,292,800 bytes
    
14. Total Bitrate:          81.42 Mbps
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20. MPEG-H HEVC Video       73489 kbps          2160p / 23.976 fps / 16:9 / Main 10 @ Level 5.1 @ High / 4:2:0 / 10 bits / 1000nits / HDR10 / BT.2020
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26. Dolby TrueHD Audio              English         2888 kbps       7.1 / 48 kHz / 2888 kbps / 16-bit (AC3 Core: 5.1-EX / 48 kHz / 640 kbps)
    
27. Dolby Digital Audio             English         192 kbps        2.0 / 48 kHz / 192 kbps
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33. Presentation Graphics           English         38.874 kbps                     
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34. Presentation Graphics           Spanish         32.43 kbps                     

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Screens:
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3 from Hell 4K Blu-ray, Video Quality
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Note:  Screenshots are sourced from the 1080p Blu-ray.  

3 From Hell  is presented in 4K UHD courtesy of Lionsgate Films with a 2160p transfer in 1.85:1.  While this sports the "captured with Alexa" credit in the final roll (and I'm assuming was finished at a 2K DI), as can probably be gleaned from the screenshots, the imagery has been tweaked with any number of bells and whistles.  The intense transformation Zombie and cinematographer David Daniels put a lot of the imagery through means that those expecting huge upticks in detail levels in the 4K UHD presentation may be at least intermittently disappointed.  Not only is the film rife with such techniques as desaturation, intentional "distressing", digital grain (sometimes quite heavy) and other "tricks of the trade", large sequences, especially some of the jail scenes, play out in near darkness, all of which contributes to somewhat more variable levels of fine detail than can be seen in other, less stylistically florid, presentations.  There are definitely upticks in fine detail noticeable in elements like bloody faces seen in close-ups, or even the textures on a kind of rubbery-leathery mask one character wears in the final scenes, but to my eyes the biggest change between the 1080p and 4K UHD versions was the palette, which is considerably more saturated (when it  is  saturated, it should be stated) in the HDR aided version.  The film has a number of really vivid gradings and/or lighting conditions, and everything from some of the lustrous blues and greens of the jail scenes to some really evocative reds and oranges in some of the Day of the Dead sequences pop with an immediacy and increased highlights that aren't quite as noticeable in the 1080p Blu-ray presentation.  Shadow detail is at least marginally improved in the 4K UHD version, something that aids seeing into the "nooks and crannies" of some of those aforementioned darker moments.   The film is also stuffed full of "video" like elements, in the form of "newscasts" and the like, and the 4K UHD increase in resolution is not particularly kind to the overall look of many of these moments.  That said, there's an obvious "grindhouse" approach to the visuals here, and so anyone expecting something "pretty" is in for some major surprises one way or the other.  

" c7 l( a5 p! j' F4 W3 from Hell 4K Blu-ray, Audio Quality
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8 e1 k8 V$ h: `( f, y3 From Hell  features a nicely bombastic Dolby TrueHD 7.1 mix.  There are a ton of really nicely executed (pun probably intentional) effects here, beginning as soon as the gunshots accompanying the title credit, shots which clearly pan and emanate from different surround channels.  The film is kind of relentlessly noisy, and surround activity is fairly consistent as a result.  The outdoor material has a lot of ambient environmental action, but even some of the supposedly cloistered interior material (and there are a lot of scenes in small environments) often offer spaciousness in terms of discrete placement of individual effects (or even reverberant echoes in some of the jail scenes).  As might be expected, there is ubiquitous use of music, all of which spills quite effectively through the side and rear channels.  Dialogue is rendered cleanly and clearly throughout this problem free and enjoyable track.  

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