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◎片 名 Cars 3
% D. i5 h) i* Z3 X- e◎译 名 赛车总动员3：极速挑战/反斗车王3(港)/Cars 3：闪电再起(台)/汽车总动员3/小汽车的故事3/飞车正传3* Y. }: M. p7 b( A
◎年 代 2017
9 d ^1 ~# _. o5 S# T$ N; E◎产 地 美国
0 Q2 R, [' s- v2 K$ H t. ^2 B3 x◎类 别 喜剧/动画/冒险
$ J7 i( k3 b! F, t+ t, Z& @◎语 言 英语
# t5 T; ]) f& v; s8 W, f6 R, C F◎上映日期 2017-08-25(中国大陆)/2017-06-16(美国)
, Q/ t+ ^1 `: E2 ]◎IMDb评分 6.7/10 from 63,318 users: t+ I% M8 Q$ x- n' p3 m% C
◎IMDb链接 https://www.imdb.com/title/tt3606752/" K1 p9 f, a P6 F- C. R
◎豆瓣评分 7.0/10 from 30,434 users
5 q" R' u& X: z, E S6 B( a◎豆瓣链接 https://movie.douban.com/subject/25849480/( H& y# B' R$ i3 l; o
◎片 长 1 h 42 min
7 d% c n8 x3 X◎导 演 布莱恩·飞 Brian Fee
1 G% b, |; |9 \/ o# J◎编 剧 布莱恩·飞 Brian Fee
0 U3 i0 B( i" N% i' [3 G 本·奎因 Ben Queen* o3 e- Z8 i C" K t
伊尔·波戴尔 Eyal Podell V3 c7 ?# V% f6 K( g1 K
乔纳森·E·斯图尔特 Jonathon E. Stewart
: H& Q" w+ A7 p# X+ `7 ?" |$ ` 基尔·默里 Kiel Murray+ |' W2 v$ C5 |( k+ K8 `$ L; R
鲍勃·彼德森 Bob Peterson( i m4 a4 n( f, W( i7 l0 ^4 R
迈克·里奇 Mike Rich! ~1 s- G/ E/ a) u1 p6 x* J
◎主 演 欧文·威尔逊 Owen Wilson5 d% y- G1 y# m+ Q) t/ F
克里斯黛拉·阿朗索 Cristela Alonzo
! b4 V0 j8 {: J 克里斯·库珀 Chris Cooper
8 l- y" h* e. f- y5 y 内森·菲利安 Nathan Fillion$ Y- g% t4 @+ o4 r: O& T% S. |( ~
王牌接线员拉里 Larry The Cable Guy9 g6 h- s$ `4 b0 l- y8 {
阿米·汉莫 Armie Hammer
+ q3 x! p0 z. [$ k 雷·马格利奥齐 Ray Magliozzi9 h5 h8 b L2 f! Q# G# x
托尼·夏尔赫布 Tony Shalhoub2 ?. E( D# q8 s$ b
邦尼·亨特 Bonnie Hunt/ F( P0 g# t ]% N: `1 j
丽亚·德拉利亚 Lea DeLaria0 T# G5 |' z% D( J+ B: m' e
凯丽·华盛顿 Kerry Washington
& W; ?0 h# w0 `" z' u 鲍勃·科斯塔斯 Bob Costas" Y( P2 B5 m* A! v! L6 p! @
玛格·马丁戴尔 Margo Martindale( l. ]2 F+ q, P: D! `
达雷尔·沃尔特里普 Darrell Waltrip
- f5 n- W$ F1 o: M7 @4 O 小伊塞亚·维特洛克 Isiah Whitlock Jr.
2 Z4 T' P( C0 g% N: H5 Q4 K6 ~# ] 保罗·杜利 Paul Dooley2 c9 z0 A/ j, W
凯瑟琳·海蒙德 Katherine Helmond$ n: n5 f3 a1 J
切奇·马林 Cheech Marin
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( F& ^0 b3 _! N& D- B2 g+ J◎简 介
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e0 O3 B' Q4 V; C Lightning McQueen sets out to prove to a new generation of racers that he's still the best race car in the world. 8 ] Y' d9 P5 E- @0 m+ p- ?
& ^8 W8 I' ]4 ^& ` 征战沙场多年，闪电麦昆（欧文·威尔逊 Owen Wilson 配音）早已成为经验丰富的老将。对于现在的他来说，比赛更像与老友们的聚会，大家共同享受狂奔带来的乐趣。然而这和谐的一幕很快被残酷的现实打破，以风暴杰克逊（艾米·汉莫 Armie Hammer 配音）为代表的次世代高科技赛车相继步入赛场，他们凭借更加优良的性能与高科技的组装改造将老一代赛车一一淘汰，甚至包括王者麦昆。四个月后，伤愈的麦昆决定复出，而他也被合作多年的赞助商转到了斯特林（内森·菲利安 Nathan Fillion 配音）麾下。接受从内到外的全新改造后，麦昆在教练科鲁兹·拉米雷斯（克里斯黛拉·阿朗索 Cristela Alonzo 配音）的监督下展开训练。然而他面临着一项严峻的考验，如果他不能在接下来的比赛中取得胜利，那么他必须从此退休。: [9 w% N* U; Z6 \
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希望渺茫，不服输的麦昆能否重新取得胜利的荣光……
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A high-octane adventure comedy that shows life is about the journey, not the finish line. Hotshot rookie race car Lightning McQueen is living life in the fast lane until he hits a detour on his way to the most important race of his life. Stranded in Radiator Springs, a forgotten town on the old Route 66, he meets Sally, Mater, Doc Hudson, and a variety of quirky characters who help him discover that there’s more to life than trophies and fame. Cars is full of freewheeling fun for everyone.. C% P$ t; u0 `% k2 p9 \* {7 A
6 B0 |) K3 B2 @1 U# i◎获奖情况 8 T2 @7 c) [# O V6 F8 A
" |# X# A" F) Z c9 E2 ]. g# H
第45届动画安妮奖(2018)
9 C+ S! {8 K! U& d7 B3 f3 z 最佳动画长片(提名)8 _" z5 N$ S+ `/ C9 K; L
最佳动画效果(提名)
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' A5 t" `) V5 D- Y% I) ~! x 第22届美国艺术指导工会奖(2018)
- o0 z$ r2 B2 g6 u 电影奖 最佳动画电影艺术指导(提名)) {$ \) L8 g# A h e: ?
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第16届美国视觉效果协会奖(2018)6 k) H I; ^; w
最佳动画电影视觉效果(提名)( {* |' W0 I* F7 A$ G
最佳动画电影CG背景(提名): p6 U6 Q; `) T
最佳动画电影模拟动画效果(提名)
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6 h* N2 i7 ^" A' P. U& b8 \ 第54届美国声音效果协会奖(2018)1 N; c; k$ o7 ]' A
动画电影最佳音效(提名)2 ^- i. g6 E" k! o1 Q
0 b# q6 N" ?7 L& K 第22届金卫星奖(2018)5 X; q) @9 a' E8 }4 T& h {
电影部门 最佳动画片(提名)
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( Q* X% u+ J3 Y# y# i2 BCars 3 3D Blu-ray, Video Quality 2 N( L; `1 J/ t: k
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# d2 K( U. k* g8 l2 xCars 3 looks genuinely amazing in 3D. One of the biggest reasons why is that so much of the movie, or at least so many of its key, big scenes, takes place in fairly round racetracks, where large stands tower over the track's periphery and upcoming (or distant, if the camera is looking backwards) corners allow an even greater appreciation for the various venues' scope and scale. As the cars race around, and the distance between the camera and points of reference is ever-changing, the 3D's qualities prove their worth like they have in few other films, creating a dynamic, ever-shifting perspective that remains constant and true to both size and length. With the camera often low to the track, the track's curvature also becomes quickly apparent, and the shape and volume of each car is clear to see, particularly considering that they're mostly all very curvy rather than angular (Jackson Storm being an exception). Lightning's rollover accident in chapter three sees the car spin out of and flip back into the screen. Debris is tossed about and sparks appear to float out of the screen.
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0 l" A7 t9 x2 O4 D: _More generally, there's a wonderful sense of screen stretch. Background distance is incredible, whether gazing far off down a beach or towards the desert beyond Radiator Springs (which is also home to nicely defined building volume and space between structures, as well as support elements like billboards and electrical wires and poles). Smaller distances impress in their own right, such as when the camera allows the viewer to gaze into a garage bay where the cars are stored or in which they are repaired. There is some nice environmental stretch during a montage in chapter six as Lightning travels to the performance center along various examples of natural terrain and across various manmade objects, like a bridge. While significant pop-put effects are few and far between (with a few good ones at Thunder Hollow), the basic depth and shape, as well as those extraordinary race track sequences, make this a major winner for the 3D format. 0 H: n! ]; i: J" C8 X/ f
! C7 w# [: `- c' @3 ]; AThe presentation's general attributes shine in 3D as well. Detailing is crisp and firm. There's very little, if any, downgrade from the 2D's brilliance in terms of the 3D image's ability to convey all of the wonderful digital texturing -- shiny cars, heavily used racetrack surface, desert around Radiator Springs, mud in Thunder Hollow, flashy interiors inside the performance center -- with the utmost care and accuracy. Colors are likewise rich and bold. The diverse palette pops with regularity, whether punchy car colors or some fiery oranges at Thunder Hollow. Black levels are very deep. The review XBR65Z9D displayed no significant crosstalk. This is a wonderful 3D image that format (and film) fans need to import. Of all the 3D titles Disney did not release in the United States, this may be the best of the bunch.
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9 h+ C/ z! O' n8 jCars 3 3D Blu-ray, Audio Quality
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7 A# S# ]# d6 l" e9 SVideo
3 H/ F9 C$ s& H4 h1 L2 LID : 1
& C E. T4 Z* a5 U; K( }Format : AVC
, z( V: s. |) @ tFormat/Info : Advanced Video Codec
- ?) r0 w# u' \; x7 ^4 N! zFormat profile : High@L4.12 A( P" f# s- w' p; H3 `9 r
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' L& \0 J; g4 t7 r' [8 W+ MFormat settings, CABAC : Yes
3 c& o& B0 |& i" H( @Format settings, ReFrames : 3 frames
; M9 c# n. D+ a ~4 Z) m6 R# |! R8 pCodec ID : V_MPEG4/ISO/AVC: R1 S' Y2 x+ f+ {% }- f; J
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B( M9 o! }( r3 l1 RHeight : 1 080 pixels8 D" O. ]# o: a7 E# C
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6 I8 O: D! ~' f6 F- k( D9 y. [, ^4 sScan type : Progressive3 {/ e0 ]& l; Y
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7 O: Z$ L# a& i) _Title : Cars.3.2017.1080p.3D.BluRayCD.Half-SBS.x264.DTS-HD.MA.7.1-FGT
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8 s- _8 z5 Q3 V( \Color range : Limited
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& y6 G+ g. k0 g) i3 ?- i3 [( P$ NChannel positions : Front: L C R, Side: L R, Back: L R, LFE / Front: L C R, Side: L R, LFE5 f9 j/ `% f S
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0 b i( F, i2 T2 o0 V; v; SFrame rate : 93.750 FPS (512 SPF)% y$ _3 Z: Y2 c
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% I8 w& G/ _8 KTitle : Cars.3.2017.1080p.3D.BluRaycd.Half-SBS.x264.DTS-HD.MA.7.1-FGT" W$ H9 p8 Y* d1 F% N
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0 `7 W* a- n. Y3 [4 f, M# |' dAudio #2: D. x& h8 U3 ]) b
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4 g* G' L' U6 Y! L9 b9 N6 ~( BCodec ID : A_DTS. _" J3 D; l8 O
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% \8 b, O+ K& ]& }0 ^Compression mode : Lossy/ f$ R% d! P( b! n) n
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7 u X- a0 h- C& LTitle : Cars.3.2017.1080p.3D.BluRaycd.Half-SBS.x264.DTS-HD.MA.7.1-FGT
1 ?0 B* @; [( C: p) i( I. _! oLanguage : English4 I' Q. z( V% f! h) L
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- V* r. f# f, h; F" k X; w% eCodec ID : A_AC3# ?0 u5 |1 ?' j% _( w# N( D
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% @" p; ~( b& J$ L9 w$ [% }) kBit depth : 16 bits7 {) }3 @ t' R- o
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( `8 u( ~! A2 ?1 W) JStream size : 234 MiB (1%) e& r' v- R4 q0 T. x
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2 }7 k3 }1 E+ J3 {! M" B5 ]Stream size : 469 MiB (2%)3 i/ P7 t) K' O; Z+ a
Title : Cars.3.2017.1080p.3D.BluRaycd.Half-SBS.x264.DTS-HD.MA.7.1-FGT5 \5 K* o) C6 R- J
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6 i, \# I3 a5 A6 u( {" n8 SService kind : Complete Main
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* i! Y$ K7 T2 O4 ~Sampling rate : 48.0 kHz
! ?) H y! ]& `+ f5 Z; B% I7 l* BFrame rate : 93.750 FPS (512 SPF)
! F% Z* N9 O' P: s4 GBit depth : 24 bits; Q0 Q0 A. Q9 u# Z0 X! O2 \4 P D6 M
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Title : Cars.3.2017.1080p.3D.BluRaycd.Half-SBS.x264.DTS-HD.MA.7.1-FGT
9 D! r7 m& Y) [% y, N, O" PLanguage : Polish
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2 Q7 r9 P# |3 bChannel positions : Front: L C R, Side: L R, LFE
0 l2 A! R* r4 q! |) VSampling rate : 48.0 kHz
6 o1 v9 f! e4 C# h; i5 TFrame rate : 93.750 FPS (512 SPF) t, e. N a; i8 y% T
Bit depth : 24 bits
3 y$ E- D; \5 K. [8 b( }0 G; ]Compression mode : Lossy4 ^1 Q) F. _9 g6 t
Stream size : 1.08GB (5%)" _) b5 I. V# r r9 q
Title : Cars.3.2017.1080p.3D.BluRaycd.Half-SBS.x264.DTS-HD.MA.7.1-FGT- D, U! Y& ^& a9 u
Language : Spanish% Z9 h) |. C- G
Default : No
7 ]+ Q" q9 g+ {# JForced : No
, W& \: ?- ~2 O0 b0 n. Z0 l, M0 C
0 c- K& E! S/ b! j! F$ PAudio #8 F% b9 Y" E- X5 Z! G5 N. @& d% H
ID : 9 D6 Z9 L4 {+ z
Format : DTS1 @6 q& h# ~, O
Format/Info : Digital Theater Systems6 E1 M3 l# X, V$ h2 G/ v5 Y
Codec ID : A_DTS# q8 {' A! q: R
Duration : 1 h 42 min
' n6 ?8 t" O" l8 V0 JBit rate mode : Constant
7 g* W2 A. k( B% iBit rate : 1 509 kb/s% u; w' M* `3 n4 V& M( z# H" b
Channel(s) : 6 channels
( ~* Q y: J7 A! N9 CChannel positions : Front: L C R, Side: L R, LFE
6 T9 `8 Q& B0 N: A+ x0 p! NSampling rate : 48.0 kHz
% W( A1 g7 w1 ^3 oFrame rate : 93.750 FPS (512 SPF)
7 w* g. W4 v8 J" U* B KBit depth : 24 bits
3 j$ `/ @9 F; T9 O4 }Compression mode : Lossy. Y' V! e# y: J0 K) e( a
Stream size : 1.08GB (5%)
1 h+ K9 Y8 r3 @; x tTitle : Cars.3.2017.1080p.3D.BluRaycd.Half-SBS.x264.DTS-HD.MA.7.1-FGT
* j- N; w3 p! n' g6 x9 JLanguage : Catalan! X4 l5 z% Q/ N) k
Default : No
. x; B3 S) a9 x, \; J& NForced : No7 t- L4 [. p4 h; f
0 g3 Z. y7 q0 U% @, J2 h
Audio #9' Q8 j c0 l% G# a1 [
ID : 10+ Q# M. n. ^& |+ L- Q' U
Format : DTS, o; Q( e! E; l+ D, H& L
Format/Info : Digital Theater Systems
) J- {# q( i' _ ECodec ID : A_DTS8 K6 t9 \& p# N, o/ g
Duration : 1 h 42 min
" X- }$ w t$ E4 c4 e: GBit rate mode : Constant
+ B; B/ n' F3 C: P6 M: a# yBit rate : 1 509 kb/s. T j( u& d z8 }- _" }; U) q
Channel(s) : 6 channels" j" c; E! Z7 P8 x! l7 j6 l: T
Channel positions : Front: L C R, Side: L R, LFE, T B& p4 |. c8 s/ t/ n! d
Sampling rate : 48.0 kHz3 p7 _9 T# W7 l9 \; `; D
Frame rate : 93.750 FPS (512 SPF)
G' {1 x4 D0 { ^Bit depth : 16 bits; o% y+ A& c, k7 d
Compression mode : Lossy
0 o. w! j0 x7 ZStream size : 1.08GB (5%)" o+ F" P$ |' V( t) D
Title : Cars.3.2017.1080p.3D.BluRaycd.Half-SBS.x264.DTS-HD.MA.7.1-FGT
4 n2 g; G& o# _8 x0 {# ]* }Language : English' g; p' v6 z* E2 y
Default : No, D+ A9 ?/ \& i( ?, ?& c) o S
Forced : No6 m. t+ t6 ?) S' B, } J) P
- S' E7 x! I# l. f5 l" H, Z
Audio #10( h2 o1 S% c e/ j {
ID : 11
8 W r6 r- o! q- GFormat : DTS7 J+ J/ O t O, o4 S
Format/Info : Digital Theater Systems
' n1 Y+ E# r, [ h" nCodec ID : A_DTS
) o. P- o; `% G$ E, GDuration : 1 h 42 min
/ g7 M6 q2 q! H% t3 j' s# e$ ^Bit rate mode : Constant$ v9 l2 W$ u {: Z
Bit rate : 1 509 kb/s
' o+ D# w* v/ C' T! LChannel(s) : 6 channels; K! x' h3 s, `
Channel positions : Front: L C R, Side: L R, LFE7 k. A) B2 V J c/ x
Sampling rate : 48.0 kHz! X6 Y( e" d, c3 L4 a
Frame rate : 93.750 FPS (512 SPF)
s: O" `( _# [! [Bit depth : 24 bits
$ Y0 ]8 ~5 S8 ]$ l1 NCompression mode : Lossy" I" Y) }; x) x' ?8 h6 @0 o
Stream size : 1.08GB (5%)
! K1 a0 `- A% G$ _( a3 k' B1 xTitle : Cars.3.2017.1080p.3D.BluRaycd.Half-SBS.x264.DTS-HD.MA.7.1-FGT0 N1 Y7 E2 e! F" g( }
Language : English6 s; v/ o4 w6 Q
Default : No' n$ k: Z2 c5 i
Forced : No
, e% T) E8 {+ e- W8 E: l7 N
. |$ S/ `5 n, k, Z, tText #1$ R$ i _) _2 k" W8 |5 U
ID : 122 a, y" e/ ^2 s& J& y8 G @/ `: e
Format : PGS
- M' j+ P( P5 _# ^8 QMuxing mode : zlib! |$ ?# F: y" ]" @- X2 q7 a% e
Codec ID : S_HDMV/PGS
" L: r4 r/ u4 b$ QCodec ID/Info : Picture based subtitle format used on BDs/HD-DVDs( E2 T: k. w2 ]8 a& q
Title : English-PGS
( y* q5 c2 E! I% ~Language : English
- P0 T' C8 @# z& FDefault : Yes4 F) o; L# Z/ T
Forced : No) z: Q! {- |0 Z- S3 J8 O/ O7 z
' q; v. x$ b5 n( q; C1 A- [7 m( {Text #28 A: h& h0 i+ o7 a; a3 L! A" s
ID : 13: ^* e; b7 K8 w& b6 k% d9 C
Format : PGS
( W s4 F7 j9 ~! {" Z$ |Muxing mode : zlib
# G. o; u* }4 J" M" _Codec ID : S_HDMV/PGS
: _, k! y; ~3 I/ F5 XCodec ID/Info : Picture based subtitle format used on BDs/HD-DVDs. V" |+ c# N, X
Title : Spanish-PGS
0 Y6 n2 q% s- w0 J9 ZLanguage : Spanish2 W# v) r/ f" R& U% q
Default : No* A3 \6 y2 M9 u" b: |- N
Forced : No
: F1 u5 _# ^0 \
: I( S: ~- B6 [' Y' N, F5 AText #3
. ~5 {2 b! C% s& M) YID : 14+ z8 ?- s2 E7 R% A3 u* ~' K: O
Format : PGS; \# |1 T3 u( l9 Z l: @
Muxing mode : zlib
* L4 g4 h1 I$ c; s0 }2 w7 `Codec ID : S_HDMV/PGS( _% b8 t: J( g" F' X- O' G' H$ j
Codec ID/Info : Picture based subtitle format used on BDs/HD-DVDs- K& y" E( ]: W" A! ?% K
Title : Polish-PGS4 w0 l C/ _/ S% d* T* J+ }
Language : Polish
+ P" O- r+ r6 a. e/ t# U3 BDefault : No
+ c/ H6 N4 q0 S' Q: x4 gForced : No
# O0 J3 E9 v y+ f3 O( s
3 F8 K. F. y9 s! u$ aText #4
! A( d* F9 }3 Z* wID : 152 L$ K. R+ h& F& A. x5 b4 Q3 F. G) M6 d
Format : PGS4 E& ~4 z& w5 C4 q! n. n- _; n
Muxing mode : zlib- d5 {7 \8 M9 E
Codec ID : S_HDMV/PGS! Q8 P+ @; i* L+ u* G6 P; X
Codec ID/Info : Picture based subtitle format used on BDs/HD-DVDs7 C) O7 m1 Q+ k7 V o3 P/ {
Title : Polish-FORCED-PGS
! o3 \/ j+ |$ D, R. S3 X/ sLanguage : Polish7 ~& p& Q4 T# A, S! F. [7 @& K
Default : No
9 _( N1 T9 M% ]0 Q, NForced : No
/ y0 R& p @* D! P7 N* T
3 L0 K9 ^0 ^+ k o* WText #53 J0 P! I0 y+ x1 E) e2 i' a
ID : 161 z0 ^& I3 v0 t0 w$ a$ S S4 j
Format : PGS i1 i! @4 Z- `. W: B8 G
Muxing mode : zlib% b' T; I3 a6 e$ G
Codec ID : S_HDMV/PGS
0 v c- h" x( r7 ]( xCodec ID/Info : Picture based subtitle format used on BDs/HD-DVDs
5 E) x4 C( g6 U9 M) ~Title : Hindi-FORCED-PGS1 u- w' B/ c. z }3 [& H+ m
Language : Hindi
7 L- F% c0 h; X) Z# tDefault : No' D5 S& Y C7 i- b0 q, H
Forced : No
2 }9 K/ d( Y4 ^' [& h: A# i9 k2 T% \6 r. y
Menu# J, e. M6 J- g, F+ [
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00:04:57.255 : en02)00:04:57:255
- B3 z# Z" Y4 x& G' U00:10:54.987 : en03)00:10:54:9871 K9 X! T$ o6 z( Z- J) C1 D$ b0 u
00:13:59.421 : en04)00:13:59:421
: S) ]% u7 p/ }0 X5 y% S, }2 X0 U00:18:15.344 : en05)00:18:15:344) b( o$ w- ]( A+ w" c
00:21:07.641 : en06)00:21:07:641
- \9 [7 o2 A2 F9 r, T5 E8 [) {5 s$ V00:34:08.880 : en07)00:34:08:880
; O. c/ D! a: p: I& g3 M& _1 [0 D/ ~) ?00:37:52.103 : en000:37:52:103
0 h7 O* v9 P7 {2 x9 q( f00:42:44.812 : en09)00:42:44:812
" c; ^$ i& l% s6 o) p, B00:49:44.397 : en10)00:49:44:397
3 I C2 X3 O- g. M. b( X+ X. d00:53:57.734 : en11)00:53:57:734, x G% c# Q3 u+ i2 L; ]5 L0 v* G
00:58:17.702 : en12)00:58:17:7021 `* y0 i6 P# A0 W. Q
00:59:27.522 : en13)00:59:27:522
; t- f! p) j( G0 r! H" ~7 U. `8 ~6 F01:02:15.940 : en14)01:02:15:940
* f& p M7 E8 G- ` J! Q4 R# j01:06:35.533 : en15)01:06:35:533
{ U2 p% M' _0 l" {01:08:33.108 : en16)01:08:33:108
) L3 E8 `6 g" N" @- n) K01:15:48.126 : en17)01:15:48:126
; q' H9 Z8 T/ B, ^! u. Q% u0 {01:20:57.852 : en101:20:57:852
. `( u' b' h0 J+ G! _1 J01:29:42.418 : en19)01:29:42:4187 G% A/ a t3 v' F
01:32:17.031 : en20)01:32:17:031
$ p5 {* C" `6 V7 E* F01:34:00.092 : en21)01:34:00:092; k7 A. j' v8 W+ z4 K
01:42:24.763 : en22)01:42:24:763  . L( u7 B( H9 O& \
    Video! O( z+ a, `; y9 o) f+ q9 J6 p0 B6 w
ID : 1
& u& e& u* A$ i+ _5 r1 s" t& d& t7 [Format : AVC
# d y, }7 W g! b5 CFormat/Info : Advanced Video Codec: R7 d/ a! ~: ?' Z& `, }
Format profile : High@L4.1 G( n6 g, V2 T
Format settings : CABAC / 5 Ref Frames. A- A4 u6 @; W {! t5 e6 P% k$ v
Format settings, CABAC : Yes
- P L; P: |) n5 B% D f; S" c( t/ RFormat settings, RefFrames : 5 frames. o! h) o' Y- J- |( c
Codec ID : V_MPEG4/ISO/AVC
7 I( R# A# i; E5 VDuration : 1 h 42 min, Z8 G' e8 u1 o/ s: T
Bit rate : 7 660 kb/s
/ a0 s, {2 ]! f. m, ~9 j7 MWidth : 1 920 pixels9 Z0 C3 S& D" v3 R
Height : 808 pixels
1 H r* f# L1 D2 f- w+ \Display aspect ratio : 2.40:10 `$ h5 v% l7 t1 i
Frame rate mode : Constant2 j j$ w1 G4 C8 c" ^! O
Frame rate : 23.976 (24000/1001) FPS% t2 O8 f9 x4 }$ V
Color space : YUV
( E/ q+ n3 m& A$ O/ r1 SChroma subsampling : 4:2:0
9 R9 {5 Y/ u" @" N% pBit depth : 8 bits( i* a" A" K6 Z& J w( ~1 r
Scan type : Progressive
3 ]1 B. |1 Q) S. p' Y" Z9 ]5 SBits/(Pixel*Frame) : 0.206
8 |) Y! ]7 h9 K4 qStream size : 5.48GB (84%)
. E6 B' w# K5 U$ t4 ]Writing library : x264 core 152 r2851 ba24899
8 O+ {6 x7 W, u+ dEncoding settings : cabac=1 / ref=5 / deblock=1:2:1 / analyse=0x3:0x133 / me=umh / subme=9 / psy=1 / psy_rd=0.50:0.00 / mixed_ref=1 / me_range=16 / chroma_me=1 / trellis=2 / 8x8dct=1 / cqm=0 / deadzone=21,11 / fast_pskip=0 / chroma_qp_offset=-2 / threads=12 / lookahead_threads=1 / sliced_threads=0 / nr=0 / decimate=1 / interlaced=0 / bluray_compat=0 / constrained_intra=0 / bframes=3 / b_pyramid=2 / b_adapt=2 / b_bias=0 / direct=3 / weightb=1 / open_gop=0 / weightp=2 / keyint=250 / keyint_min=23 / scenecut=40 / intra_refresh=0 / rc_lookahead=60 / rc=2pass / mbtree=1 / bitrate=7660 / ratetol=1.0 / qcomp=0.60 / qpmin=10 / qpmax=69 / qpstep=4 / cplxblur=20.0 / qblur=0.5 / ip_ratio=1.40 / aq=1:0.70
& J2 B4 m. z% A, F& O" h+ Z: X/ ?Language : English: R3 a; p& b7 l$ T" W5 s& p; j
Default : Yes
5 ?7 K+ U) h( ~$ D9 tForced : No
' e' V- J j% G+ C, ^- RAudio
4 \7 i& d. n" l7 c& ~8 rID : 2- ^6 |, ^- a2 f+ q
Format : DTS
7 S) o+ f* i/ v; kFormat/Info : Digital Theater Systems
4 P; {& j% w# g1 V- b2 o* nMode : 16
' l7 Y$ `, I. GFormat settings, Endianness : Big
: q. a9 v% p+ {! h5 p9 Z/ n8 \Codec ID : A_DTS1 T- r7 t. J" V/ j. v8 V3 V: |: W0 W u
Duration : 1 h 42 min' ^% \1 G8 ]$ o: o1 l1 x6 k2 r
Bit rate mode : Constant D! H2 H5 b. v% Q
Bit rate : 1 509 kb/s
. Q6 }) Y: C4 X6 H! \Channel(s) : 6 channels
2 n0 b4 A6 y- s0 m% ~* LChannel positions : Front: L C R, Side: L R, LFE
$ |1 G, D1 i [/ H! {) Z2 KSampling rate : 48.0 kHz& k8 \ D; S4 u2 D
Frame rate : 93.750 FPS (512 SPF)" { B9 O5 T/ ]/ c
Bit depth : 16 bits @) A# c q p
Compression mode : Lossy
% `% x% x. p; q4 N) Q) MStream size : 1.08GB (16%)
* i* w/ {4 O- i8 C3 H3 VTitle : English DTS 1509 kbps0 n& ?. l$ v" T5 v9 R& V) M \
Language : English
* a3 \( d; e. f. v* lDefault : Yes
$ _* Q& ?2 n1 W. lForced : No
 $ ]. k9 g' y1 R7 ]0 U. T2 s7 h& E ?
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