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[蓝光原盘] 彗星之夜 [REMUX无损版] Night of the Comet 1984 1080p BluRaycd REMUX AVC LPCM 2.0-FGT 25.86GB

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黄金嫖客 发表于 2019-11-14 23:00:11 | 显示全部楼层 |阅读模式
A comet wipes out most of life on Earth, leaving two Valley Girls to fight the evil types who survive.
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◎译  名 彗星之夜
/ w" n2 W6 T) {9 H◎片  名 Night of the Comet
) L- t4 P/ V2 M  A6 b; @◎年  代 1984
2 b; ]5 q; M% \3 d8 v6 a◎国  家 美国
5 T! m; p) P6 u' i  g◎类  别 喜剧/科幻/惊悚/恐怖
! b; m) A+ T! E" j' G◎语  言 英语. k& V" h7 i4 j
◎上映日期 1984-11-16
  t2 p: j1 i6 l) b4 x/ w◎IMDb评分  6.4/10 from 17,004 users
$ ]. j1 ^' m3 Z- d2 v, C4 _◎IMDb链接  https://www.imdb.com/title/tt0087799/
2 |- p2 U$ T* m. ~# q% n; b# Q7 E◎豆瓣评分 6.9/10 from 313 users
5 ~. S$ y6 ?2 W* C; U) p, |◎豆瓣链接 https://movie.douban.com/subject/1960217/
$ W0 E+ l) M0 z5 A" {( M% B◎文件格式 x264 + LPCM $ S/ F+ C; a5 N3 ]6 x& y6 X7 Z
◎视频尺寸 1920 x 10806 h& B/ L8 J3 ]9 N/ ^
◎文件大小 1DVD 25.86 GiB
* n  T" }5 e; A5 F◎片  长 1 h 35 min
7 j- l- S8 `4 p0 h& M◎导  演 梭姆·艾伯哈特 Thom Eberhardt
+ N# a$ y+ p7 y! V1 J7 Z◎编  剧 梭姆·艾伯哈特 Thom Eberhardt
& ~: b  W/ ]8 ?7 s3 M◎主  演 罗伯特·贝尔特兰 Robert Beltran" t0 x* j+ R$ N/ |; z: S6 B
       凯瑟琳·玛丽·斯图尔特 Catherine Mary Stewart
4 ^4 X6 z# H8 _$ G, e5 c       杰佛里·刘易斯 Geoffrey Lewis
; T2 n, i* @: g6 F, Q! I       Kelli Maroney0 p' W  ]# x/ O$ a4 t2 S
       Janice Kawaye         .4 }: s: p: F, b: m6 i) L

& q7 c* g! [* ~) a( }. o◎简  介/ f( d0 R# _9 }7 [5 k

' H% f5 ~$ J# i" O  一颗被命名为“RD”的红色彗星将和地球擦肩而过,届时人们可以肉眼看到这个壮观的景象。于是整个纽约就像过节一样沉浸在欢腾的气氛当中,人们纷纷来到大街上庆祝这一历史性的时刻。就在此时,美军基地也在注视着这颗彗星,然而,他们似乎另有所谋。* t* B2 ~2 n* }
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  A comet wipes out most of life on Earth, leaving two Valley Girls fighting against cannibal zombies and a sinister group of scientists. 0 |/ d1 f6 W- y+ }5 v* D$ N+ r
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  中国早期引进的科幻译制片(其实本质是个僵尸电影。。。)7 I7 w% q/ J, l
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  Two sisters, high school seniors in the early 1980s, awaken one morning to blood red skies and the realization that the human race has been wiped out. It becomes apparant that anyone who was not surrounded by steel when the Earth recently passed through the tail of Haley's comet has been reduced to a pile of red ash (the trace elements of human chemical makeup.) They encounter a rebellious Native American man and take over the air waves at a local radio station in an attempt to get help. Unfortunately, they attract the attention of a group of scientists who knew what the effects of the comet would be. They hid underground in a steel laboratory, but idiotically left the vents open. Now, as various survivors of the comet who were only partially surrounded by steel are decaying into flesh-hungry zombies, the scientists are attempting to come up with a vaccine made of the blood of people who were not infected by the comet. Thus the trio must fight their way past not only roving packs of the cannibalistic dead, but also outsmart a pack of scientists desperate not to become that way themselves.
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Video
% _+ s" l* C3 i' nID : 1
: D! [' W# B( lFormat : AVC$ a# |- H6 S7 ^( u
Format/Info : Advanced Video Codec! t4 a2 U% U9 K% K  x( u. P
Format profile : High@L4.10 x; I, i4 p4 R
Format settings : CABAC / 3 Ref Frames" A( D6 K3 r# K
Format settings, CABAC : Yes; w8 d2 {/ n' T) v+ S% k
Format settings, Reference frames : 3 frames
# i: e  @! @, ~4 m5 n# ?3 g0 BCodec ID : V_MPEG4/ISO/AVC, _8 u' }! y, G* P3 X2 `
Duration : 1 h 35 min
0 a3 o& R. V* ZBit rate mode : Variable. @* c7 ~8 Z7 ^4 Y. E" Z
Bit rate : 36.6 Mb/s
) [& ~2 X6 e' j$ \& f* q4 jMaximum bit rate : 37.0 Mb/s
( ^3 b( t5 k( a- fWidth : 1 920 pixels
% b( N/ M6 H' Q. g+ h' ]Height : 1 080 pixels3 }! S6 E7 Q/ j# I- |: k( g
Display aspect ratio : 16:9
0 z- z9 w8 o+ Z9 ]2 VFrame rate mode : Constant* n% ]# s2 @$ B: B5 j1 o  O2 a# ~# c
Frame rate : 23.976 (24000/1001) FPS
, y, x; c4 I4 t2 o/ ?Standard : NTSC6 z) z. x- b" ^4 `
Color space : YUV
; r+ Y& C) I/ l: {, b' K# uChroma subsampling : 4:2:0: F$ t) Y! W0 t0 r1 P
Bit depth : 8 bits7 l6 G& Z( Q' {. w& n
Scan type : Progressive, a* n7 r6 W" t- ^; t5 v$ J( J
Bits/(Pixel*Frame) : 0.735, C# w+ M  a2 k, l% j
Stream size : 24.3 GiB (94%)
  I( w2 j: e- K7 f, v' rTitle : Night.of.the.Comet.1984.1080p.BluRayCD.REMUX.AVC.LPCM.2.0-FGT
. [1 S4 {6 q' g, b; K! i  U* }( ^Writing library : x264pro - Adobe CS Exporter Plug-in% A2 y7 i5 N6 z1 o- N
Encoding settings : cabac=1 / ref=4 / deblock=1:-2:-2 / analyse=0x3:0x113 / me=umh / subme=9 / psy=1 / psy_rd=1.00:0.25 / mixed_ref=1 / me_range=16 / chroma_me=1 / trellis=1 / 8x8dct=1 / cqm=0 / deadzone=6,6 / fast_pskip=1 / chroma_qp_offset=-4 / threads=16 / lookahead_threads=2 / sliced_threads=0 / slices=4 / nr=0 / decimate=0 / interlaced=0 / bluray_compat=1 / constrained_intra=0 / bframes=3 / b_pyramid=1 / b_adapt=2 / b_bias=0 / direct=3 / weightb=1 / open_gop=0 / weightp=1 / keyint=24 / keyint_min=1 / scenecut=40 / intra_refresh=0 / rc_lookahead=24 / rc=crf / mbtree=1 / crf=1.0 / qcomp=0.80 / qpmin=0 / qpmax=69 / qpstep=4 / vbv_maxrate=37000 / vbv_bufsize=30000 / crf_max=0.0 / nal_hrd=vbr / ip_ratio=1.10 / aq=1:0.504 M& h; f  c( ]: M5 S; `/ ^
Language : English
  G' r/ p% B0 C/ v# N4 W8 `+ MDefault : No
! C% z$ B2 i( L5 v" t& a% l" }Forced : No
( s( @2 T3 r4 r" |" Y+ mColor range : Limited, k5 s/ G) _# @0 ^3 l
Color primaries : BT.709
, Y+ M9 `/ c: u5 E7 K* V  CTransfer characteristics : BT.709
6 v& s$ F; Q: P- `4 @Matrix coefficients : BT.709" O; K+ D, N& A' ?, k' F7 h

# u& g1 Y6 C+ ^* }Audio #15 u& ?  Z" I4 L* R6 X) C
ID : 2
$ t0 D+ l# N$ o% q1 K* g, FFormat : PCM
! w9 T5 q8 o* X' ~7 }1 GFormat settings : Little / Signed* G, I6 }5 U1 Y6 ~  I  N1 E
Codec ID : A_PCM/INT/LIT
! ]) P% o4 \8 `6 g* V7 H* k/ m- u' QDuration : 1 h 35 min
" a; \( U; g! g8 l1 ^, Y: X3 uBit rate mode : Constant# x, N4 z8 M1 E, i, r( _
Bit rate : 1 536 kb/s# R. J6 |, @5 s) i0 x
Channel(s) : 2 channels
$ X7 M; ]( x$ s: S- d, KSampling rate : 48.0 kHz
! i! }6 b4 N3 `, ~Frame rate : 30.000 FPS (1600 SPF)0 X* i, P, D5 V4 c( U
Bit depth : 16 bits
/ i& c4 W. D* O. z+ z. \Stream size : 1.02 GiB (4%)
% G: ^8 {4 `# Y. r* w2 I0 MTitle : Night.of.the.Comet.1984.1080p.BluRaycd.REMUX.AVC.LPCM.2.0-FGT
( ^0 h) \( L4 J+ A/ GLanguage : English# \; E# q- q' J' ]
Default : Yes. |- D6 R6 V$ w% }+ \5 ~
Forced : No7 U2 y1 e  r: Q1 r
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Audio #2- Z0 _+ X- }4 v% d3 O% U9 e; e
ID : 3
, T1 [( F' \( JFormat : AC-3$ J3 ?, O+ R  Y
Format/Info : Audio Coding 3+ ?* I8 g( W0 [) H+ T6 B$ X* v
Commercial name : Dolby Digital
) @  o# `2 k, K* {$ D# ~Codec ID : A_AC3
! S, ?/ e4 q8 j/ ~$ ~: aDuration : 1 h 35 min
2 G- h8 s7 ]1 e2 {# O. n5 DBit rate mode : Constant
# G* Z) a5 [* I2 E8 ~0 q* ]Bit rate : 256 kb/s/ R% r% u6 L0 N  I) G
Channel(s) : 2 channels
# T$ x! f* L; S! t9 m; V5 b9 BChannel layout : L R
( ?, @  W9 S  ]# `6 L% bSampling rate : 48.0 kHz) ?* d/ d( E2 D/ i. [
Frame rate : 31.250 FPS (1536 SPF)
7 f7 z" j! n- v; \0 x8 E- mBit depth : 16 bits3 u2 Z% @. s: m5 C6 V
Compression mode : Lossy) D2 o; M6 E+ x8 U% @$ t+ M+ p- u, C
Stream size : 174 MiB (1%)* o  {7 C( H  |: B2 C
Title : Night.of.the.Comet.1984.1080p.BluRaycd.REMUX.AVC.LPCM.2.0-FGT* i7 \3 G7 Y$ V" w: F$ X
Language : English% G  G6 q& T/ i
Service kind : Complete Main$ [  p  |1 X3 L) ]' A1 E
Default : No0 e' E$ v4 @: y" u3 s
Forced : No
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Audio #3- o6 s) y$ t6 K( c) ^. g
ID : 4; ^( Z! H# G% y/ F
Format : AC-31 I8 }: r$ y0 h8 ~; P& d2 R
Format/Info : Audio Coding 3
4 i% W6 ~6 X# z' A  C0 ZCommercial name : Dolby Digital
+ J% s% D  f2 F" E3 M- ~# UCodec ID : A_AC3
3 K- n, X7 D# w% eDuration : 1 h 35 min
% U7 x' [( s% _! C1 K& J6 y6 u8 ?Bit rate mode : Constant
5 W' R$ g, K0 j6 C) A7 V3 h' [Bit rate : 256 kb/s
( j7 T, u- _( a- }- ]" H" AChannel(s) : 2 channels
' P% S# j6 T* GChannel layout : L R
% e- h% h1 P' PSampling rate : 48.0 kHz  c. C0 z* A5 C: q% f1 o
Frame rate : 31.250 FPS (1536 SPF)
, O2 m0 Q+ r! P5 W: A0 z$ H0 E, ABit depth : 16 bits. q# `  e$ e$ l, V+ l  P1 H
Compression mode : Lossy
6 `  o$ a) J% Q, h, V7 rStream size : 174 MiB (1%)* n) ^& i. M" m/ n4 I: u
Title : Night.of.the.Comet.1984.1080p.BluRaycd.REMUX.AVC.LPCM.2.0-FGT
# D' i2 P( h0 C3 g* hLanguage : English
( n$ ^! x7 `- K, p- F+ `Service kind : Complete Main2 e5 W2 i/ E/ P  W" Y( t% m" u# C. P
Default : No/ k7 Q7 f8 Y6 l/ ]
Forced : No
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Audio #4
8 U! \! {8 ]( |3 P$ y6 V4 Q3 z5 }3 LID : 5
* Q9 c. `$ |, f" B1 [0 I/ I9 EFormat : AC-35 A, W! h4 \& ^9 U% H6 E. Y, Q. P( W
Format/Info : Audio Coding 34 A& F6 H# n! q! f" K: A# v
Commercial name : Dolby Digital& W" X) M: K' `/ e1 p0 c8 R$ J# E
Codec ID : A_AC3- a1 c7 _/ J* g
Duration : 1 h 35 min
* b+ m) D& `. d7 U: ?) bBit rate mode : Constant$ L+ O2 ?1 E0 C, F7 H7 x8 g8 J
Bit rate : 256 kb/s
  [& |, J9 \8 c$ yChannel(s) : 2 channels
* y' {6 Y8 ~, f4 U) fChannel layout : L R) u8 }! b# k& y
Sampling rate : 48.0 kHz
/ n6 a5 O9 z$ a$ hFrame rate : 31.250 FPS (1536 SPF)
5 V: f& a# M7 j# D8 H* G5 X" g) ^Bit depth : 16 bits# Y' R& A, f8 d- X: r4 T
Compression mode : Lossy
8 c0 b, s+ {5 R- `2 {, c6 n1 iStream size : 174 MiB (1%)
( w# V) _. K3 W( tTitle : Night.of.the.Comet.1984.1080p.BluRaycd.REMUX.AVC.LPCM.2.0-FGT+ K5 w1 g( p7 Q& X0 |! A; @, w: u) H
Language : English
! o' B' H& E3 P: m+ S! {Service kind : Complete Main
9 {, t9 e: A) Z8 \' J* GDefault : No
% h1 C$ _( h% t1 CForced : No( K- b7 ?3 U/ `. d, `( n

. R% w1 D! U. V! u  x/ Y" k& I5 i8 j: qText
- [! y' [/ Q4 s2 D. |) S" ~9 kID : 6
+ U( P: l. Z: b; ~3 vFormat : PGS
8 ^4 D7 \' |. I. ?% I% {. QMuxing mode : zlib
! }  k$ G5 x# f8 lCodec ID : S_HDMV/PGS  l1 f4 F" X  n3 I6 p4 S, n4 s
Codec ID/Info : Picture based subtitle format used on BDs/HD-DVDs8 [) r( C/ w9 E2 C6 u2 P  o
Duration : 1 h 31 min1 o) l, h/ H3 q8 Q+ N' U5 O
Bit rate : 29.9 kb/s! x5 V' w0 j% H4 m- U
Count of elements : 1994
" J; {6 b5 N/ L: Y6 eStream size : 19.5 MiB (0%)9 [6 p. \# P4 a9 L/ X/ M: Q
Title : English-PGS
/ F& m+ q2 B4 nLanguage : English
/ B, \- E. Z4 _9 g% z. bDefault : Yes8 K1 h: s" G* P$ |
Forced : No" G" U; G# v2 d+ b: \

1 n1 p5 Q1 @; v  R2 @/ h; |+ V( Y7 b9 MMenu
2 j' G( c4 }* J% p1 ]! s' C00:00:00.000 : en:Chapter 014 y$ R. P4 Z0 Z
00:06:39.357 : en:Chapter 02% q" [/ v2 Q% v" A
00:11:12.838 : en:Chapter 031 V; u% e. Y9 M- {+ p3 c! `
00:16:58.142 : en:Chapter 04( Q2 B& Q8 i7 L* g& n
00:21:48.932 : en:Chapter 05% P0 u0 T1 w+ c# K9 |  R' _
00:26:12.070 : en:Chapter 062 _+ T2 \+ v- D
00:36:38.446 : en:Chapter 071 y- i. d4 T5 }8 i+ E. C3 L
00:45:36.942 : en:Chapter 08- c! T3 s8 B4 @4 f: _! [6 Z
00:52:57.674 : en:Chapter 09
* I0 F) ^/ C) i. p7 N00:58:41.768 : en:Chapter 10
9 Z" o( E, c- M$ w01:04:02.421 : en:Chapter 11
$ T, F% y' S8 s7 Y01:08:25.476 : en:Chapter 12
& Y. E  a: e$ p" x" f1 F. ^' a01:17:28.727 : en:Chapter 133 U- F, Z3 |/ H
01:22:07.380 : en:Chapter 14- q9 c0 d) B' b' I: X8 [" {
01:28:36.311 : en:Chapter 15
. e2 S) i# ]& `' i9 H6 _01:32:29.502 : en:Chapter 16

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Night of the Comet Blu-ray, Video Quality  
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Presented in its original aspect ratio of 1.85:1, encoded with MPEG-4 AVC and granted a 1080p transfer, Thom  Eberhardt's Night of the Comet arrives on Blu-ray courtesy of British distributors Arrow Video.( K5 X  W' ^7 |

3 y$ S7 m% x2 X: s' R# ZThe high-definition transfer has been struck from the same MGM master Shout Factory accessed when they prepared their Blu-ray release of Night of the Comet for the U.S. market. This is certainly excellent news as the film has a wonderful organic appearance. Excluding some tiny dirt specks that occasionally pop up here and there (see screencapture #14) all of the important areas we typically address in our reviews look solid -- image depth and clarity are very good, contrast levels remain stable, and color reproduction is pleasing. There are no traces of problematic degraining corrections.  Compromising sharpening adjustments also have not been applied. Overall image stability is excellent. Finally, there are no encoding anomalies to report in this review. All in all, this is a very good organic presentation of Night of the Comet which should please fans of the film. (Note: This is a Region-B "locked" Blu-ray release. Therefore, you must have a native Region-B or Region-Free PS3 or SA in order to access its content).
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Night of the Comet Blu-ray, Audio Quality  ! d- O+ D- }$ D3 B; p2 b; Z

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" V7 J& w& R1 u7 ]9 {4 ~" ?There is only one standard audio track on this Blu-ray release: English LPCM 2.0. For the record, Arrow Video have provided optional English SDH subtitles for the main feature. ' C% E' W( K0 X

: S6 s" D. x! HThe lossless track is excellent. The atmospheric music and the random sounds and noises, for example, are very well balanced (see the the panoramic shots around the 12-minute mark). The rock track also breathe easily throughout the entire film. Overall dynamic intensity is rather limited, but this should not be surprising considering the fact that the film's creators had to work with a very small budget. During the action sequences, however, there is plenty of depth (see the department store shootout). The dialog is clean, stable, and very easy to follow. There are no pops, cracks, audio dropouts, background hiss, or digital distortions to report in this review. 9 {) q2 o8 E- J$ n9 V$ t

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