The life and career of vaudevillian and silent screen horror star Lon Chaney, including his contentious relationship with his neurotic wife and his premature death. 4 M B z- A+ H: W; F
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. j! {: B( }9 z& l- I) [- A◎译 名 千面人
% P' L8 m3 p! t8 l0 [3 i- O1 D- K6 ~◎片 名 Man of a Thousand Faces( Q6 o4 |6 c. A# \( }) n
◎年 代 1957/ A3 U5 K0 [1 }% l2 L: d
◎产 地 美国2 ]5 u2 c$ n7 t. c
◎类 别 剧情/传记6 m3 F, U: ?* N. m D
◎语 言 美国手语/英语. D8 w8 r1 W- k) \* j! j6 O
◎上映日期 1957-08-13
7 G* B8 q4 Z8 t◎IMDb评分 7.2/10 from 2,170 users, I5 e* z! n( r" o+ q
◎IMDb链接 https://www.imdb.com/title/tt0050681/, s# D0 X4 U0 K, Y. x. O9 G
◎豆瓣评分 0/10 from 0 users% ~6 r2 [) a# }! W
◎豆瓣链接 https://movie.douban.com/subject/1295107/
L" W3 c! S( d( P: H◎文件格式 x264 + DTS
0 ^/ _* M. U# l ?* Z1 s2 L* n◎视频尺寸 1920 x 1080
( b& C% Z5 r, S! E# u/ L$ h# y3 x◎文件大小 1DVD 31.49 GiB
K. |7 N0 P( H, p& p* Y8 r, h2 ~◎片 长 2 h 1 min
2 n, X4 r% D: Y% K4 h◎导 演 约瑟夫 佩夫尼 (Joseph Pevney)
6 Z4 t& n4 L( Y; J◎编 剧 Ben Roberts (I) / 伊凡 戈夫 (Ivan Goff) / R. Wright Campbell7 p; P( O, x5 v) s: {* E+ }
◎主 演 James Cagney
+ [' m- D i/ I; C Dorothy Malone
7 ?+ z# L* b7 ]2 F$ A Jane Greer' z3 K" n N0 c6 J1 [$ M. k
Robert Evans6 \/ X, X" P# l: w1 o. _
! l# b0 A( n1 ?" B◎标 签 美国 | James_Cagney | 美国电影 | 1950s | 约瑟夫·佩夫尼 | 传记 | JamesCagney | 詹姆斯·卡格尼
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◎简 介6 |, C9 U& f& K+ o# y( V
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詹姆斯.卡格尼主演的默片时期“千面人”演员 朗.钱尼 的传记片。* w9 w3 N4 r$ a" o& a5 |: N) a
& Y9 O6 q( F5 @" i James Cagney plays Lon Chaney in this glossy Hollywood biography, a reverent, melodramatic tribute that focuses on his turbulent private life and rise from vaudeville clown to hard-working Hollywood extra to movie star. Cagney brings to the role passion and compassion that burn through the indifferent direction and show-biz clichés to create a vivid, energetic portrait of the enigmatic cult star who rarely let audiences see his true face.0 \+ K+ U( o$ r
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◎获奖情况
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; Q5 t# `8 m6 Y4 A6 ]9 X 第30届奥斯卡金像奖(1958)
) }7 H3 D" @ K% O& F: d4 u 最佳原创剧本(提名) 伊万·戈夫 / R·赖特·坎贝尔 / Ralph Wheelwright / 本·罗伯茨) ^( C$ r0 w" `/ |8 ~2 b3 x
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3 C- b. V5 Z$ Z0 }2 TFormat settings : CABAC / 3 Ref Frames
6 Z+ h4 U- N$ W2 {Format settings, CABAC : Yes8 o5 I1 w& H, p8 u. N. i$ S" \
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0 O1 C+ I% i3 K( aDisplay aspect ratio : 16:9
* I/ J' [2 v+ J( H: S9 r) KFrame rate mode : Constant b- b, [) J# |9 f" g
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" u% u+ S0 O$ w+ L$ k% W% r( I6 Q" JBit depth : 8 bits4 p& G/ G* A/ u' o! T) E* Q
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% M+ X Z) C4 W% b& t8 fBits/(Pixel*Frame) : 0.704
! r/ ?% D% b* J5 S1 E) j2 LStream size : 29.6 GiB (94%)
2 ?- k( k" l+ s1 y' |" \Title : Man.of.a.Thousand.Faces.1957.1080p.BluRayCD.REMUX.AVC.DTS-HD.MA.1.0-FGT
& e+ b* Q' U9 X2 S5 j& \ `Writing library : x264 core 157 r2935 545de2f
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) Z3 _4 F6 `( Z( H+ C+ ELanguage : English+ s- S; F1 m% U s2 o3 m
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( Y9 M3 W3 r: O3 ]% aColor range : Limited, a: B* z5 E8 J- [5 E* M
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: g8 q+ ~5 `$ STransfer characteristics : BT.7097 U, H/ V9 l" r6 _) d) q
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/ t7 }4 `: G! i* u+ ~" a# ?Format/Info : Digital Theater Systems
$ d6 X K l4 Z6 I& HCommercial name : DTS-HD Master Audio
) E4 F& O" M F- n2 _1 CCodec ID : A_DTS
& W* L( G" S- K, xDuration : 2 h 1 min- R1 e6 l2 R; }- [
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Title : Man.of.a.Thousand.Faces.1957.1080p.BluRaycd.REMUX.AVC.DTS-HD.MA.1.0-FGT5 p. l0 T+ F S8 C) b
Language : English; F/ Y- n) W5 {5 c; E2 d
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2 ]$ b: L. o) C5 V; ~! D9 rDuration : 2 h 1 min- ^ p! _/ `% Q$ y, M
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- z2 C7 }; A6 f O6 h% T3 }: G( YSampling rate : 48.0 kHz& q* J* p" J2 E
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; K6 C. W( _/ m. s% a: @Bit depth : 24 bits$ v7 V5 t2 N% z& G/ Y
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Title : Man.of.a.Thousand.Faces.1957.1080p.BluRaycd.REMUX.AVC.DTS-HD.MA.1.0-FGT
. R! m3 V9 }. Y# d3 I0 @( c, eLanguage : English# o" c. L T: _2 K% S
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, C: z- |& h2 R% J( B. ~: L, Z( nCodec ID/Info : Picture based subtitle format used on BDs/HD-DVDs7 R& r G; F6 V# v* S
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' G6 W: k1 u9 J9 ~3 K4 gBit rate : 34.1 kb/s
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7 j4 s, C* f( B2 ?3 G! N, A& zTitle : English-PGS/ v6 q& j7 G1 J" ?/ k( T6 p
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00:00:00.000 : en:Chapter 01
) J" f: ~, @* F, x$ I( N; ~00:11:52.086 : en:Chapter 02
0 \2 x- F: L9 k) \8 F00:23:07.886 : en:Chapter 03
: A1 K/ q4 y" e2 ` j00:32:03.338 : en:Chapter 04# q% g9 h4 G" W4 u2 p
00:41:14.138 : en:Chapter 05% _. y8 D7 J8 x- d. j" i% N
00:50:10.882 : en:Chapter 06
5 _ p/ V) g) e3 Q4 n01:01:03.826 : en:Chapter 070 Q+ s7 G5 v' ]. Q
01:14:11.864 : en:Chapter 08
2 T+ K9 `5 C* L& H! V01:22:42.916 : en:Chapter 09
% g$ ]- u1 e6 j9 u4 h& w01:33:13.337 : en:Chapter 10
* v- X% W1 z/ e2 E* |% O01:43:38.795 : en:Chapter 11
7 ^- O! a2 J. r8 F; f8 e01:52:10.056 : en:Chapter 12 
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( n% w4 h( c1 c2 C" V* |Man of a Thousand Faces Blu-ray, Video Quality 6 q, [/ k3 i# f6 U6 V1 _6 \
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Man of a Thousand Faces is presented on Blu-ray courtesy of Arrow Academy with an AVC encoded 1080p transfer in 2.35:1. Arrow's insert booklet contains the following information on the restoration: Man of a Thousand Faces has been exclusively restored by Arrow Films and is presented in its original aspect ratio of 2.35:1 with mono audio.
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The original 35mm camera negative was scanned in 2K resolution on an Arriscan at NBC Universal. The film was graded and restored at Dragon DI, Wales. Picture grading was completed on a Pablo Rio system and restoration was completed using a combination of PFClean and Revival software. The audio was remastered from the three channel dialogue, music and effects dubbed master track by NBC Universal. This is a great looking transfer which should easily please this film's fans. Detail levels are commendable throughout the presentation, offering precise looks at patterns on a number of nicely appointed costumes and sets, but also with regard to the recreations of some of the iconic makeup that Chaney helped to fashion for some of his best remembered film appearances. Detail levels are so good, in fact, that a couple of "seams" in some of the makeup can be spotted. Contrast is solid throughout, supporting good black levels and a nicely modulated gray scale. Grain resolves naturally throughout and gives the presentation depth and texture.8 Q3 B% P. k+ J, [
. R+ K7 I- E% R3 p' n1 M8 y( \Man of a Thousand Faces Blu-ray, Audio Quality
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! w+ \7 ^) t9 w2 m: _7 ]9 U0 DMan of a Thousand Faces features a fine sounding DTS-HD Master Audio Mono track, one which capably supports both the long dialogue scenes as well as some of the more music hall like performances that Chaney gives in his earlier theatrical career. The track offers good fidelity throughout all frequency ranges, and there are no problems with damage, distortion or dropouts.
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