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A man joins the political campaign of a smooth-operator candidate for president of the USA.
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◎译 名 风起云涌/这个总统真太滥/原色/白宫本色# v. B6 I) p* k
◎片 名 Primary Colors1 X6 U, W+ Q( e" s/ l+ ]
◎年 代 19987 v8 `% N1 T O3 O/ U" Y, T$ @
◎产 地 美国/法国/英国/德国/日本+ o" U6 U3 U6 R
◎类 别 剧情/喜剧
/ o. o' t) L# F; T: {9 D1 i3 u+ _◎语 言 英语
0 A( `; m3 J! {! n/ D+ @% e" w4 U* m◎上映日期 1998-03-204 T. j, `( `: U& H
◎IMDb评分 6.6/10 from 26,396 users
4 u0 |$ `; Z+ D, `◎IMDb链接 https://www.imdb.com/title/tt0119942/
0 d4 ~; O8 G7 Z% f◎豆瓣评分 6.9/10 from 270 users9 |/ i2 Y7 J' h. W( p4 X
◎豆瓣链接 https://movie.douban.com/subject/1299686/
' n' c0 g& X5 m◎文件格式 x264 + DTS
* Z5 C0 A) C5 ?8 J8 B3 d: w◎视频尺寸 1920 x 10805 @0 h( @& E2 f' e/ ~7 c
◎文件大小 1DVD 37.73 GiB
8 D" {) ~+ ~$ M5 z& o# q◎片 长 2 h 23 min
0 N; y% Q( {8 \4 P. ?◎导 演 迈克·尼科尔斯 Mike Nichols0 }# _% E& y. u% n6 F9 `' w
◎编 剧 伊莲·梅 Elaine May i9 z5 W) \9 [4 y
◎主 演 约翰·特拉沃尔塔 John Travolta) q8 n6 ~! x! y. Y0 o" T
艾玛·汤普森 Emma Thompson) f: v1 w) F3 {) N
比利·鲍伯·松顿 Billy Bob Thornton5 h7 ^: E$ G8 `1 Y+ Y
凯西·贝茨 Kathy Bates
" R# K' [9 q$ E 艾德里安·莱斯特 Adrian Lester' x* Q- ?& t1 ^
毛拉·蒂尔内 Maura Tierney
" u/ R0 x2 \) V8 I7 J' @. T, h 拉里·哈格曼 Larry Hagman
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& O$ Y1 \* G1 ^! i* \; t3 I5 H◎简 介
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/ |% g: E2 L1 n9 d# I, u2 O 杰克·史坦顿是南方的一个州长,他是个天生的政客,所做一切都服从于最终当选美国总统这一最高目标。在他那位能干的妻子的鼎力支持下,在1992年民主党总统争夺战中,赢得了许多选民的青睐,有人甚至拿他与肯尼迪相比。但是,时间一长,杰克私生活中的许多污点就暴露出来了:逃避兵役,令少女怀孕等等不光彩的事都被抖落出来,为了掩盖这些丑闻,竞选小组使用了种种手段。这时,亨利·伯顿出现了。他是黑白混血儿,祖父是著名民权领袖,他本人很早就在政界摸爬滚打。全片以他的视角来看待竞选的整个过程。 $ |( C/ h+ @9 e* r* j* D
9 q# E; S9 G. ~; a* T5 `$ J Jack Stanton (Travolta) is a virtually unknown Southern governor on a quest for the White House with his strong, savvy and equally ambitious wife, Susan (Thompson). Running against the odds, the Stantons need all the help they can get from their extremely colorful political team. Together, they take off on a hilarious, heart-wrenching and ultimately history-making roller coaster ride to the top.0 A3 S- P' M. K4 f: s" @
8 X2 G" l8 p2 f" L, _◎获奖情况
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- g4 q. Z, a& r2 E* n2 l 第71届奥斯卡金像奖(1999)
1 X) v& @. a8 g% _. U+ `8 X 最佳女配角(提名) 凯西·贝茨7 m& T% j; v4 n& B3 c0 i; \+ v
最佳改编剧本(提名) 伊莲·梅
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Video
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Format : AVC0 k: c. i6 p8 F+ l) R5 M! ]) [+ {7 F
Format/Info : Advanced Video Codec: Z2 ]" ]6 W: S4 z. a& B
Format profile : High@L4.1; s1 x1 s. P @ s/ d% Q
Format settings : CABAC / 2 Ref Frames: t9 ]6 W) m1 a' ^/ P$ ^4 O1 P o
Format settings, CABAC : Yes* v5 s9 g8 c6 A! O* K7 i6 h
Format settings, Reference frames : 2 frames
% [9 q, d' v* BFormat settings, GOP : M=1, N=5' L4 }) G/ H6 o4 w$ j
Codec ID : V_MPEG4/ISO/AVC
5 W: t4 ~0 ^+ [8 u6 F; l" T7 GDuration : 2 h 23 min/ R7 v C, b' } v1 ]* l. m0 S+ D
Bit rate mode : Variable
" T ~9 m; m$ p, Y HBit rate : 33.6 Mb/s% u- H& N, C% E# h) x' d3 a5 }
Maximum bit rate : 38.2 Mb/s( q6 q- Y% r. q6 {" I1 x/ q
Width : 1 920 pixels
- u$ y$ e/ `, AHeight : 1 080 pixels
: p% ?5 `: z% Y; D8 C( [' GDisplay aspect ratio : 16:9
- f8 {6 a5 \, I3 }" W+ rFrame rate mode : Constant G# X9 {3 e0 h" d, X$ O" }- o5 x
Frame rate : 23.976 (24000/1001) FPS
9 P7 O5 a/ c. b& k. EColor space : YUV$ `: S1 D% V* Q5 u0 K. Z8 L
Chroma subsampling : 4:2:0
, W. B( ]4 x' x7 Y$ iBit depth : 8 bits
. d9 y2 ]- \$ m O. u7 l+ \0 vScan type : Progressive* c1 D, k/ i7 E' C5 p
Bits/(Pixel*Frame) : 0.677+ D2 [* `/ |& o \+ u& q
Stream size : 33.7 GiB (89%)( n# e1 l( E# e" ]5 a/ m
Title : Primary.Colors.1998.1080p.BluRayCD.REMUX.AVC.DTS-HD.MA.5.1-FGT9 U- N ]2 f3 a3 X- R8 w1 s1 {! u
Language : English
, G$ R6 X: h/ o& HDefault : No
" X9 W7 e6 A3 X3 r, c) {+ rForced : No1 l" Y0 N( L! L) h& k& N1 O
0 K$ {1 R( l5 O: E l) V! aAudio
0 W2 ?) Q2 {/ t) Y; `ID : 2
' `8 A. m! ^/ b* HFormat : DTS XLL
/ L9 H* ^$ _$ n' N5 l; FFormat/Info : Digital Theater Systems
7 f4 z+ a( Z" ^Commercial name : DTS-HD Master Audio3 w- ]7 M5 T" F8 j6 }' ?0 W. Q
Codec ID : A_DTS) a+ X7 B$ K; H, H' M
Duration : 2 h 23 min
) n5 `3 q5 E# {/ k7 i g) D: h% `Bit rate mode : Variable. Y6 i: c2 y$ G" }
Bit rate : 4 052 kb/s
, p3 j5 w3 U/ F/ bChannel(s) : 6 channels
. H6 t* t* [0 _9 D2 ?4 @Channel layout : C L R Ls Rs LFE* K& o' b, P, j$ P0 f# E; _& r% r
Sampling rate : 48.0 kHz
$ F7 q: J/ L: j/ S4 `8 M, A7 h* R! XFrame rate : 93.750 FPS (512 SPF)
; C! `" j9 ]+ MBit depth : 24 bits( \, J$ @' _% L) u$ \
Compression mode : Lossless
: z8 Q8 K2 f" m8 l/ z$ n. v# e$ A" x0 CStream size : 4.05 GiB (11%)
8 O4 }4 q$ _ I, W1 f& d) C6 oTitle : Primary.Colors.1998.1080p.BluRaycd.REMUX.AVC.DTS-HD.MA.5.1-FGT7 l# x8 H z$ `; u' u+ {
Language : English9 T. S8 E; O, o7 }0 ~
Default : Yes
: @8 q! A& k5 fForced : No3 A& I$ z, F, z; y9 ?, w3 P0 p
8 C: h9 ]! O* uText
. p1 _. Q, p0 I# xID : 30 l; Q+ \, P) x8 ~) _5 V1 a3 p6 x
Format : PGS4 Q: d1 l6 w: {% c# }* W/ A
Muxing mode : zlib
6 v- Y# O" r- ICodec ID : S_HDMV/PGS/ e; K. ~( i/ h! R, f0 e
Codec ID/Info : Picture based subtitle format used on BDs/HD-DVDs0 Y4 K: H& l. K. v R
Duration : 2 h 15 min* X3 b: }) _$ f$ Z
Bit rate : 66.9 kb/s! }) a B; E# ?) O
Count of elements : 4938" P) l" ]2 ] {# ^
Stream size : 64.8 MiB (0%)- q6 [3 H% T& c; G7 b
Title : English-PGS% a% m+ x5 O9 ]* s" \
Language : English' \5 `7 l: k- z. X, ?% P
Default : Yes
+ Y B6 d, t( A% T2 YForced : No t+ N% w0 y; L6 J. x6 d6 y2 C
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Menu$ ]- C! O7 y% `: k" c$ |& M
00:00:00.000 : en:Chapter 01
$ G6 A) Z% I( r2 p) ~. h( q1 W$ Q2 o00:10:00.725 : en:Chapter 02
. U! P) h! @/ m- o5 `; I, ]$ [8 z00:20:01.408 : en:Chapter 035 }" d0 N, v$ s) f
00:30:02.801 : en:Chapter 04
! L7 e0 R+ u- J/ o00:40:03.317 : en:Chapter 05, Z r: @; H: K9 L6 ^# c0 Z: K8 ?
00:50:03.208 : en:Chapter 06
' ?0 }2 }) D N01:00:04.100 : en:Chapter 07
4 h4 M; A. T. i+ `: c01:10:04.658 : en:Chapter 081 A# c" c) d& A8 m; H; M
01:20:05.634 : en:Chapter 09
8 W0 ~0 S% I: g/ D" H01:30:05.733 : en:Chapter 10
o0 Z# d+ R9 j9 m( F* f* Z, y01:40:06.166 : en:Chapter 112 ^2 t1 K8 }3 H: S& C# ~; F
01:50:06.850 : en:Chapter 12
D; I& k4 ~ M8 u02:00:07.867 : en:Chapter 139 y. Q; M; H- S
02:10:07.925 : en:Chapter 146 H% C+ v k. y7 j* F. I% {+ I
02:20:08.691 : en:Chapter 15 Primary Colors Blu-ray, Video Quality
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Just a fun little anecdote to start the review: the movie begins playback immediately upon disc insertion and I wasn't quite ready to start watching as soon as the disc loaded. My receiver was on another input. When I switched over the movie was about 10 minutes in and I literally took one look at the screen and said aloud, "oh my goodness that looks horrible." Sigh. Universal's 1080p transfer for Primary Colors really only takes a few moments to analyze. It's a DVD era upscale and a very typical image for the studio's catalogue releases. Some fare better, some fare worse, but Primary Colors epitomizes the studio's Blu-ray backlog. It's a digitally processed mess. Grain is frozen in place, edge enhancement is obvious, clarity struggles, and details are sloppy and indistinct. The 1080p resolution only calls attention to the deficits rather than masks them. The picture does benefit from the resolution insofar as it's a little more detailed than the DVD but on a big screen the processing is greatly amplified. Clothes, faces, and locations -- hotel rooms, campaign headquarters -- are all less than visually ideal, appearing scrubbed down and showing only core definition rather than intimate detail. Colors are not particularly striking, either. The colorful banners around headquarters show a decent feel for punch but there's very little tonal nuance to be found. Clothes are lacking and skin tones are flat and unappealing. Black levels are decent enough -- there's a nice enough shot pushing in on a Krispy Kreme donut shop in chapter six with the bright neon lights contrasting nicely against fairly deep, albeit relatively flat, nighttime blacks. It's clear Universal has done nothing for the image beyond slapping it onto Blu-ray; fans are sure to be disappointed. " f4 i$ J' \, G L# Y
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Primary Colors Blu-ray, Audio Quality ( D5 j3 I5 [1 M7 V8 M7 I& \) D) p
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5 _. y9 K6 j4 `- _0 bPrimary Colors' one and only audio option is a DTS-HD Master Audio 5.1 lossless soundtrack. The track is capable but without flair, reflective the film's fairly pedestrian soundtrack design. Music finds adequate stretch to the sides and good general clarity. Atmospheric effects in various locales, notably outdoors or inside bustling campaign headquarters, does just enough to help listeners identify an environment but not necessarily pull them in. There's not much else to the track. A few one-off effects here and there support as necessary but there's nothing that stands apart that's worthy of written attention or praise. Dialogue is clear and as the primary driver its sound placement and prioritization are vital. Whether hushed discussions, angry tirades, political speeches, or sound bites heard through television speakers, every syllable is audible and well detailed.
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