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[蓝光原盘] 玉女奇男/玉女奇遇 [REMUX无损版] The Bad and the Beautiful 1952 1080p BluRaycd REMUX AVC DTS

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黄金嫖客 发表于 2019-11-28 02:35:36 | 显示全部楼层 |阅读模式
An unscrupulous movie producer uses an actress, a director and a writer to achieve success.
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5 I6 x$ O- R0 i( Z◎译  名 玉女奇男/玉女奇遇0 j/ E- Z9 z( Z: G! g
◎片  名 The Bad and the Beautiful
9 Q' h% Q3 a0 q◎年  代 1952
# c/ h* G, C6 S% V◎产  地 美国+ @# J# p- J% G9 @* U; K5 V
◎类  别 剧情/爱情
/ V# b! a: w# {, U; t& m0 }8 U7 f◎语  言 英语
4 b0 z8 o( b. d4 I, G◎上映日期 1954-07-01
/ q' @* O+ S, ]2 f◎IMDb评分  7.8/10 from 11,957 users/ O* P; @6 a# t% }9 Y
◎IMDb链接  https://www.imdb.com/title/tt0044391/! i7 N) r' @: d
◎豆瓣评分 7.6/10 from 323 users
7 N9 N4 y& j# @/ J8 _% u5 ]5 K: u◎豆瓣链接 https://movie.douban.com/subject/1449829/( M& |3 W: ?4 J4 i2 `4 f
◎文件格式 x264 + DTS
# u6 F0 O4 E8 f◎视频尺寸 1920 x 1080 # s( R: d" t$ o* x
◎文件大小 1DVD 30.34 GiB
" D5 }. f' o- C/ y, c% Z◎片  长 1 h 57 min
$ U2 _' j' V6 a. N, v/ D9 C◎导  演 文森特·明奈利 Vincente Minnelli
9 v2 A5 o' v: R+ W4 N◎编  剧 查理斯·施内 Charles Schnee5 o( J" X. Z3 v; n: \( I; U
       George Bradshaw8 L& j7 T0 m' k9 ]% X
◎主  演 拉娜·特纳 Lana Turner
% {3 [8 p( ?$ c$ e3 q+ O. F       柯克·道格拉斯 Kirk Douglas
5 D+ p" c0 b$ C! l) a       沃尔特·皮金 Walter Pidgeon
: [# f4 _& f, ?* x       格洛丽亚·格雷厄姆 Gloria Grahame8 ]6 n7 ?: u0 R- N" x$ s4 {' K
       Paul Marion
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◎简  介    ) f. X* s' n5 D

8 i* o, w( d  h3 ^% K% w   不道德的电影制片人利用女演员,导演和作家来取得成功。
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  此为一部揭露电影圈内幕电影的杰作,对好莱坞的批判一针见血。影片由三段故事组成,均围绕着大制作片家柯克.道格拉斯的身边发生,三段戏的主角分别是拉娜.特纳演的女明星、迪克.鲍威尔演的编剧和巴里.沙利文演的导演。力图东山再起的大制片家道格拉斯制作的下一部巨片要求他们三人参一脚,三人一齐到片厂等候他的电话作决定。就在等候的过程中,三人分别回忆他们跟大制片家之间因爱生恨的关系,从而描绘了这位影坛大亨的真面目。本片剧本结构严谨,导演文森特.明尼里指导演员和处理气氛均相当了出色,曾获五项奥斯卡金像奖。 7 c1 ~6 Q5 Y2 m* r2 O
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◎获奖情况6 D) n7 v8 B7 b5 @+ X% c' `0 v! w0 P
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  第25届奥斯卡金像奖(1953)
% g! g5 q5 V1 A  最佳男主角(提名) 柯克·道格拉斯% C5 ~( @" D$ D' U; s* E/ c6 g, x
  最佳女配角 格洛丽亚·格雷厄姆% F+ x/ O  e. h& ^: a
  最佳编剧 查理斯·施内
# e  ?! z3 {& S. V  |0 M5 M/ U  黑白片最佳摄影 罗伯特·瑟蒂斯
& o' ^+ k* Q  j+ x4 ]( z  黑白片最佳艺术指导和布景 F. Keogh Gleason / 埃德温·B·威利斯 / 塞德里克·吉本森 / 爱德华·C·卡法诺
8 G0 ~3 g" g( W  h8 h  黑白片最佳服装设计 海伦·罗斯4 ^" p" A! {7 c; ?+ }4 U& I

3 q1 H) @/ n& L2 z% N$ g% ~  第14届威尼斯电影节(1953)
/ t, |- o, E- l, z, M. o  主竞赛单元 金狮奖 (提名) 文森特·明奈利% e; B( w7 R9 U) S+ i$ D
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  第10届金球奖(1953)
9 s% T, M) {, I; W  电影类 最佳男配角(提名) 吉尔伯特·罗兰! U0 Z7 u$ u; }9 W, W, c+ n1 \4 p; t
  电影类 最佳女配角(提名) 格洛丽亚·格雷厄姆
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Video
' i% e9 z) e+ @ID : 1
* e. l5 D/ |+ x- a: b5 t5 x, j9 rFormat : AVC+ m7 a5 F" A: W; M7 {) x
Format/Info : Advanced Video Codec
0 @3 Q& G4 M9 Q+ n+ N( {Format profile : High@L4.1) c4 w! l( P) u" U0 w' Q
Format settings : CABAC / 4 Ref Frames1 U! b+ n: l1 C' B0 N/ l
Format settings, CABAC : Yes- Z) E8 P. [5 s
Format settings, Reference frames : 4 frames: J$ o/ O  p2 Y# z) U
Codec ID : V_MPEG4/ISO/AVC) T: X: _/ w# l- t
Duration : 1 h 57 min
: ^3 ^$ B( m9 e5 U  D. ~9 p2 x. q: SBit rate mode : Variable$ m8 b- ~! J1 k. G9 l* U
Bit rate : 34.9 Mb/s
! w% Q0 p8 v/ P) o9 _' k9 nMaximum bit rate : 38.0 Mb/s
* M) A, M3 \! EWidth : 1 920 pixels
: v, Q6 V  |6 s! b: E% _Height : 1 080 pixels& e4 J% X) A  e+ ]6 }/ ~1 {/ p
Display aspect ratio : 16:9
) S, I' ^7 U2 _0 m7 d' SFrame rate mode : Constant
) J" L  M& m8 K2 b" c+ Q; ~. G  @Frame rate : 23.976 (24000/1001) FPS% G/ `+ ^* f) E6 B3 H
Color space : YUV: q5 _  O2 ?* y
Chroma subsampling : 4:2:0( z" v$ r1 V8 V
Bit depth : 8 bits7 @# d! m0 C8 k
Scan type : Progressive& Y! C( g/ t# ]3 K# M4 V, T
Bits/(Pixel*Frame) : 0.701
& t& U% [7 n" v) @) ^0 V8 s$ B3 e* lStream size : 28.7 GiB (95%)7 f0 R+ Q+ [0 Y
Title : The.Bad.and.the.Beautiful.1952.1080p.BluRayCD.REMUX.AVC.DTS-HD.MA.2.0-FGT
- B2 b( P) {' b7 L3 CLanguage : English: u( ~7 \5 j& L2 o9 l% _+ u
Default : No
# k5 a; B. ~3 i+ IForced : No( b! j  D) t: w* d

8 P) B: E3 k6 o3 M8 a0 q4 N" x: IAudio  s# |0 M, A3 i
ID : 2
3 U$ \, H2 c7 c# H& m6 eFormat : DTS XLL
& w; i. s6 I- T4 z: e3 ~Format/Info : Digital Theater Systems+ O/ i* V9 [9 v( I3 }$ X- L" [
Commercial name : DTS-HD Master Audio
5 N- ?( i% J# z5 nCodec ID : A_DTS0 D3 T4 H+ x8 M3 M: x
Duration : 1 h 57 min
; M9 s* g* |+ m# JBit rate mode : Variable
8 k  _& T) |# O9 `' hBit rate : 1 975 kb/s& \" i: {& _2 s0 W$ U% L! H  r/ k8 \
Channel(s) : 2 channels
  K& X( S4 s) B/ N: L$ F/ H& xChannel layout : L R
* ~7 ]7 X- a. _- b5 BSampling rate : 48.0 kHz
9 n- v9 z: e: P$ {8 C5 i4 zFrame rate : 93.750 FPS (512 SPF)# x+ G6 ]2 b9 u, B: k1 r
Bit depth : 24 bits, `9 q" G+ m. o) ^. m
Compression mode : Lossless
7 k- }7 f7 r# ~' ~, W& _Stream size : 1.63 GiB (5%)6 y; v4 g! y+ d
Title : The.Bad.and.the.Beautiful.1952.1080p.BluRaycd.REMUX.AVC.DTS-HD.MA.2.0-FGT3 }. X2 V/ C: y8 ], ?) X4 j
Language : English
6 R' r1 [( Q# Q  V: c9 TDefault : Yes! \+ G3 z: D5 v$ k1 b/ ~7 [8 Z9 l
Forced : No
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Text
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Format : PGS( U: P; f3 G1 I% J+ g0 F
Muxing mode : zlib; B+ Z/ I5 |( Q: z% G3 C
Codec ID : S_HDMV/PGS! C) ^6 t% V9 W+ q7 g
Codec ID/Info : Picture based subtitle format used on BDs/HD-DVDs5 P' i3 |' {+ G" I+ j/ N( X
Duration : 1 h 57 min1 T) k; Y2 k, P3 N3 S
Bit rate : 42.0 kb/s
% q% d. Q3 V) I" OCount of elements : 3916
6 z9 n* r# q" H9 T' Y9 j- HStream size : 35.3 MiB (0%): Z. v( u) ?  D! y" p
Title : English-PGS
2 \/ _; e5 x' `Language : English4 l/ T* J6 v1 `( _, s, ]
Default : Yes
2 h5 K' q: Z9 w! E, @Forced : No
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Menu- e6 n) @( U2 D) \9 T/ L2 C+ y) o
00:00:00.000 : en:Chapter 01
. [5 g- A* o. s* e) G00:01:24.125 : en:Chapter 02, y2 e* `% w2 @' D5 D- b
00:03:31.711 : en:Chapter 03
$ m: j* N% C4 S$ O00:07:04.715 : en:Chapter 04& z0 d: T: J1 A* B! Q
00:11:59.719 : en:Chapter 05
/ Q+ @9 u+ ?: s' o4 p4 M00:17:09.695 : en:Chapter 06
# X# h; b1 {5 Q& N& M00:20:45.702 : en:Chapter 07
  e9 J' h4 H! d# k) \0 P$ _00:24:25.297 : en:Chapter 08
) U9 l# o! S% _9 `00:27:32.192 : en:Chapter 09
4 }& z& s2 U6 Q& K: y6 a* \00:30:54.310 : en:Chapter 10
2 V) ~& n5 g% E- [00:35:06.145 : en:Chapter 11
  y* \# w8 _) o: H00:38:33.436 : en:Chapter 127 p5 I% t! b& P" M3 a3 }- E
00:42:16.742 : en:Chapter 13
% S/ \8 n1 o# \6 T8 ^- d00:49:39.768 : en:Chapter 144 A# X+ e. g1 |5 c# y7 Z" d
00:53:56.858 : en:Chapter 15& L, n* g. O3 [( E8 k
00:58:18.286 : en:Chapter 16
7 f" O1 J* q- E! [3 i' [01:02:54.645 : en:Chapter 17( J5 ?: l- o. }, U, a# A# x
01:08:22.515 : en:Chapter 18: }+ k5 ^2 k% ?0 T2 p7 r4 f
01:12:37.061 : en:Chapter 19
& B/ V4 a* Q  V( Y! Y6 m% ^, X8 ^01:15:23.894 : en:Chapter 20
$ \+ [6 r( _* d01:19:45.530 : en:Chapter 21
# k$ O$ N% [6 l1 {' d! P! m01:21:50.655 : en:Chapter 22
( Q+ L! L" L  p01:25:49.435 : en:Chapter 23! r+ O1 `" Z# F% d7 r
01:29:39.415 : en:Chapter 24# U+ U3 X/ j8 ~* x5 ?9 |; D
01:33:48.372 : en:Chapter 25
! J# w) v; {+ t, B01:37:45.359 : en:Chapter 267 e" C- r/ R6 c  c$ u% @' O
01:40:51.336 : en:Chapter 27
% q0 a7 Z; }& B; ~7 }' Y/ ^) ~01:43:39.880 : en:Chapter 28
7 n6 T" H6 @- s3 H! p01:46:12.574 : en:Chapter 29% G  ]: v+ |- ~  m; }' c' R3 [- J
01:48:15.071 : en:Chapter 30& z. K" |* d8 F# U- c0 d6 {' k
01:51:38.191 : en:Chapter 31
& W1 R" ?- ^, k0 N8 O6 Q( _01:53:53.326 : en:Chapter 32
7 o' R) ~; N4 t+ C2 {9 f" Z01:56:43.997 : en:Chapter 33
! s: E( X  c: _01:57:48.061 : en:Chapter 34
The Bad and the Beautiful Blu-ray, Video Quality  
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. A% \. _/ z. J5 t2 v4 k  C3 xPresented in its original 1.37:1 aspect ratio, The Bad and the Beautiful looks, well, beautiful on Blu-ray.  No surprises here -- Warner Archive Collection has given it the usual white-glove treatment sourced from a recent 4K scan of the original camera negative.  The resulting 1080p transfer is as wonderful as expected with rich image detail and loads of natural film grain; it certainly has the shimmering, almost silvery appearance of nitrate stock, although I am not 100% sure of its origins.  Textures and fine details are uniformly crisp, while the framing itself is very stable with no obvious signs of judder or wobble.  Shadow detail and contrast levels are likewise strong with surprising depth during a handful of outdoor scenes.  Yet perhaps the most striking facet of The Bad and the Beautiful's overall appearance is how clean the picture looks; WAC is frequently able to apply extensive cleanup to their 2K and 4K scans, and this is no different.  Overall, a truly five-star effort that represents one of their best-lookingBlu-rays this year.
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The Bad and the Beautiful Blu-ray, Audio Quality  5 P- V1 B. J7 r2 C- W; t
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Likewise, the DTS-HD 2.0 Master Audio offers a dynamic listening experience that all but defies the film's age.  Dialogue is extremely crisp and the excellent score by prolific composer David Raksin is balanced nicely.  Overall, it's a great effort that, while not as immediately striking as the video presentation, has its share of strengths.  Optional English (SDH) subtitles are included during the main feature and all applicable extras.  Unlike many recent WAC Blu-rays, these are formatted nicely and not in all caps.  I'd love for this to be the standard, but it's as random as a coin flip.
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