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An unscrupulous movie producer uses an actress, a director and a writer to achieve success. ( J$ ^1 N" ?2 Q, \+ B( b2 w
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3 q4 P) E# X9 m◎译 名 玉女奇男/玉女奇遇
: l6 e8 n! R# N◎片 名 The Bad and the Beautiful
c: e" ]. N$ S* D* y3 e% ]4 z◎年 代 1952
5 Q) m# B: B+ S4 e◎产 地 美国: b8 c& U( D u, y. b! q
◎类 别 剧情/爱情
+ k6 I) L( n3 w7 W◎语 言 英语: p! Y5 @3 p( E4 x+ n2 j
◎上映日期 1954-07-018 _* ~& K/ o& C# r
◎IMDb评分 7.8/10 from 11,957 users
8 r% L! u& q1 S# g& y8 M. g8 l◎IMDb链接 https://www.imdb.com/title/tt0044391/* O- w4 {- }* f V" J, a& L- \
◎豆瓣评分 7.6/10 from 323 users$ O! S" I, B0 f- t9 j* j4 Q
◎豆瓣链接 https://movie.douban.com/subject/1449829/4 ^; w E$ N7 g& j
◎文件格式 x264 + DTS
( w1 j3 B# O! C* d* j5 a◎视频尺寸 1920 x 1080 6 N; o J4 @5 r j' Q+ z* t% a
◎文件大小 1DVD 30.34 GiB* ?/ \- @3 |9 P
◎片 长 1 h 57 min+ w% Y8 e) K O" M: ~% H
◎导 演 文森特·明奈利 Vincente Minnelli
. W$ e9 L$ z% t/ Z* i6 t+ `2 E2 `◎编 剧 查理斯·施内 Charles Schnee
0 j: _; e9 Z# w George Bradshaw
4 | D/ L* m" g8 A9 u! L◎主 演 拉娜·特纳 Lana Turner
7 f# ~$ Y- g; w% t; ? 柯克·道格拉斯 Kirk Douglas( d$ H+ t C* V# l! E8 Q
沃尔特·皮金 Walter Pidgeon" v* T% Q& \8 G% I. Z
格洛丽亚·格雷厄姆 Gloria Grahame
! T+ L* h0 T+ o Paul Marion
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- C, T6 d7 Q/ e+ ^: |" K9 l◎简 介 # I/ T, U6 K8 W8 [3 o+ p4 Y3 G
) A1 @+ L+ w( d/ i$ u2 k 不道德的电影制片人利用女演员,导演和作家来取得成功。
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此为一部揭露电影圈内幕电影的杰作,对好莱坞的批判一针见血。影片由三段故事组成,均围绕着大制作片家柯克.道格拉斯的身边发生,三段戏的主角分别是拉娜.特纳演的女明星、迪克.鲍威尔演的编剧和巴里.沙利文演的导演。力图东山再起的大制片家道格拉斯制作的下一部巨片要求他们三人参一脚,三人一齐到片厂等候他的电话作决定。就在等候的过程中,三人分别回忆他们跟大制片家之间因爱生恨的关系,从而描绘了这位影坛大亨的真面目。本片剧本结构严谨,导演文森特.明尼里指导演员和处理气氛均相当了出色,曾获五项奥斯卡金像奖。 : O% e& R* W3 e+ Y& S; Z7 a8 r
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; N4 {! k1 S) Y; Z◎获奖情况
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第25届奥斯卡金像奖(1953)2 X8 `; L, h1 j; q+ s2 P
最佳男主角(提名) 柯克·道格拉斯
# H1 c* z n" O2 c# h/ u" A7 x0 a 最佳女配角 格洛丽亚·格雷厄姆$ N( X2 P' a& h5 s
最佳编剧 查理斯·施内2 N, S0 k. u5 A7 R- G6 |# _
黑白片最佳摄影 罗伯特·瑟蒂斯6 B) M7 H; a V" Q H* H
黑白片最佳艺术指导和布景 F. Keogh Gleason / 埃德温·B·威利斯 / 塞德里克·吉本森 / 爱德华·C·卡法诺
6 N8 w- d% c1 O! U" ?8 e8 z 黑白片最佳服装设计 海伦·罗斯
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第14届威尼斯电影节(1953)& e* |4 s# q$ N4 }" E: W p
主竞赛单元 金狮奖 (提名) 文森特·明奈利4 K& h$ y- M1 W1 M2 O: N" D8 o) {
Y5 @: H# a) o" `2 Y0 B: _1 x/ { 第10届金球奖(1953)
3 X1 |" z- c& H2 E. t& H 电影类 最佳男配角(提名) 吉尔伯特·罗兰
9 n1 x! o9 _2 l' t3 g7 f7 e( m 电影类 最佳女配角(提名) 格洛丽亚·格雷厄姆
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- r3 N, A$ I2 X" x: SVideo, {) |- r- \8 a, z
ID : 18 u9 G. s9 S0 J$ l
Format : AVC2 O+ L4 e' ]$ q/ \- ^. e* H& w! F
Format/Info : Advanced Video Codec
, y, N/ L J, ^2 i7 C" m; _Format profile : High@L4.1
: u+ C1 V( @( M0 |, g( B7 ZFormat settings : CABAC / 4 Ref Frames
: R8 U8 m* G# Y5 QFormat settings, CABAC : Yes
3 D0 G, B0 C' Z* O: FFormat settings, Reference frames : 4 frames
. ^- m9 U3 G* J* Z+ e' N. NCodec ID : V_MPEG4/ISO/AVC
. v3 T2 b& Q" W% d tDuration : 1 h 57 min
7 x- j$ i# G4 r! ~2 D& N/ i# v7 YBit rate mode : Variable
/ v& R, f8 t' |$ nBit rate : 34.9 Mb/s
- I& Q L8 t6 |5 w) O- w) \" MMaximum bit rate : 38.0 Mb/s& Q% w' \+ _1 y; g# v+ N) p
Width : 1 920 pixels" _5 ] g2 F" X) Z) y
Height : 1 080 pixels7 o; _, h& w W) d
Display aspect ratio : 16:9
4 w: Z& \% m4 }* X3 z9 `" J pFrame rate mode : Constant$ W) h/ o2 _/ Q l
Frame rate : 23.976 (24000/1001) FPS' V; @! E. A! J3 {3 b* }
Color space : YUV
* {3 @9 e+ W5 RChroma subsampling : 4:2:0
$ h5 u6 b' I1 L# q3 T. [3 R* X3 ?6 T+ OBit depth : 8 bits9 ?4 x9 u+ m. p. V1 R* j* M
Scan type : Progressive
0 j4 I% i. I- s1 n! xBits/(Pixel*Frame) : 0.701
1 V5 g; ~) y: I! P- O7 gStream size : 28.7 GiB (95%)/ I+ q% u. ^9 C
Title : The.Bad.and.the.Beautiful.1952.1080p.BluRayCD.REMUX.AVC.DTS-HD.MA.2.0-FGT- }" ~3 d1 P( G- p$ r
Language : English/ g8 ~- K* }: U! z) v1 j) y
Default : No
' l5 G( g6 u, @2 g% pForced : No
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$ U: h3 J( }6 t) ~Audio
2 b0 R8 N* e# o& G- N) k& G+ CID : 2
1 T, L( i' l9 d2 q$ J. f) U' cFormat : DTS XLL3 `+ R5 ~& J! x- y
Format/Info : Digital Theater Systems# O: O0 z) ?. u- w9 E
Commercial name : DTS-HD Master Audio
2 _! `+ {/ N( Y9 [4 r" {+ ECodec ID : A_DTS; t; ^* i6 r. n8 ?$ ?/ ~
Duration : 1 h 57 min! D6 @6 s; ?. M, w& E0 n. `
Bit rate mode : Variable9 n( k3 `. m% x* L) q U6 f
Bit rate : 1 975 kb/s3 X% R3 g r6 |# J D( V9 l
Channel(s) : 2 channels
8 C& @, @! y" v3 wChannel layout : L R
, n( m$ s$ X' Z2 KSampling rate : 48.0 kHz5 D# I& x; d! L, ]+ p* z8 f) S+ @+ U* g
Frame rate : 93.750 FPS (512 SPF)
# X* ~* \0 J6 t _5 CBit depth : 24 bits- m7 m6 u; e7 {. U, k: L
Compression mode : Lossless' f3 h! t4 k' o( H6 o# [2 N
Stream size : 1.63 GiB (5%), z/ {* h' f$ e; \2 c5 K
Title : The.Bad.and.the.Beautiful.1952.1080p.BluRaycd.REMUX.AVC.DTS-HD.MA.2.0-FGT/ G: s1 p/ G* C( J: k
Language : English
' `6 P7 ~4 @$ k% {/ E. X) M" B1 gDefault : Yes2 z' S0 ?4 C, F4 l/ Q6 B+ y
Forced : No8 ?+ c, ?/ k F
1 G' G; T/ U3 v; J6 `Text
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* b: b" i1 \& }; R# e2 y9 [0 CFormat : PGS
5 r: k0 I' h4 o- {2 P6 FMuxing mode : zlib5 v) x- d" } @ c) N# o0 T
Codec ID : S_HDMV/PGS
& X4 Q) N @1 r0 o4 r/ U% yCodec ID/Info : Picture based subtitle format used on BDs/HD-DVDs7 J% h# V7 x- s7 `
Duration : 1 h 57 min. ?; x" d V6 N0 ^
Bit rate : 42.0 kb/s
+ P- l' j# n5 {; m- bCount of elements : 3916( Y0 }6 ]* q" q& d
Stream size : 35.3 MiB (0%)* p$ o: d5 s) |( b* r: N
Title : English-PGS. r8 C& A- j/ r% y, C, m
Language : English C7 I& n2 V" G+ Z N0 B. q
Default : Yes1 d4 {5 V7 `, O
Forced : No# t, I" a8 w* z& i& a
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Menu- [$ c) j( ?" T, i' ^$ l4 y+ p
00:00:00.000 : en:Chapter 011 P8 c# Y# N% {
00:01:24.125 : en:Chapter 02$ ^6 P! h$ ]. A) d2 Y. U
00:03:31.711 : en:Chapter 03
3 y5 ~* T0 d' D1 E* s- g" L6 C3 }) ~" X00:07:04.715 : en:Chapter 040 F- E" `/ {/ ^; s! |( B5 V! v4 a# R
00:11:59.719 : en:Chapter 05. M! y; |8 T- l( |* T e
00:17:09.695 : en:Chapter 06; G2 W$ t5 Z% Y7 a* H( j6 E' @
00:20:45.702 : en:Chapter 07
7 e% ]6 z! z- _2 t5 n2 p, R00:24:25.297 : en:Chapter 08
" D0 w% H Y' ]: i- a1 P0 H1 R- X00:27:32.192 : en:Chapter 09
5 v2 h2 D/ n: ~' }$ b9 H* C* M9 X00:30:54.310 : en:Chapter 10
! u+ Q$ E3 j: A# g' l1 c00:35:06.145 : en:Chapter 11- k; m* G0 f# @' X7 I
00:38:33.436 : en:Chapter 12
* ] m2 k) Q. W' q* u) a00:42:16.742 : en:Chapter 13
% m9 Z& P. E! U4 a8 S. Q00:49:39.768 : en:Chapter 14
2 ~% b- s( V$ s4 P ]0 f+ k00:53:56.858 : en:Chapter 15) ~( {, `) `* I; I& B- X# C
00:58:18.286 : en:Chapter 16: R4 e! }6 Z+ W; Y; ~. n! w
01:02:54.645 : en:Chapter 17
$ O# m7 v+ @9 w9 M01:08:22.515 : en:Chapter 18
" e$ K$ Z u7 O. O01:12:37.061 : en:Chapter 193 n6 b/ ^1 v: y7 a8 ]$ X7 q* T
01:15:23.894 : en:Chapter 20% v$ y3 X9 t6 \; a
01:19:45.530 : en:Chapter 21" ~# {; H I7 d8 E' m/ P6 h* b7 ~( z
01:21:50.655 : en:Chapter 22- |0 Y' w" ?( j# c( N! e
01:25:49.435 : en:Chapter 23
7 i4 r* m# Z# A' w" `01:29:39.415 : en:Chapter 24' J% D( _6 w; r
01:33:48.372 : en:Chapter 25; V7 ]+ }/ Y8 W/ z2 D5 M9 c. X+ F
01:37:45.359 : en:Chapter 26/ X7 L. ^8 Y2 Q- p3 {1 w
01:40:51.336 : en:Chapter 27
. C' g: N1 \" O, B6 b: U01:43:39.880 : en:Chapter 28
% X8 R- o" h5 x" i' W01:46:12.574 : en:Chapter 29
8 b- ^( E% I) ?/ m+ G% e01:48:15.071 : en:Chapter 30; U* h8 V, D6 E
01:51:38.191 : en:Chapter 314 d7 |% E' t) o F# Q3 J3 Y
01:53:53.326 : en:Chapter 32
( { g# n) b' k9 R9 @5 F1 Y01:56:43.997 : en:Chapter 33
+ D$ K9 a5 d8 X- i8 N01:57:48.061 : en:Chapter 34 The Bad and the Beautiful Blu-ray, Video Quality
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) p( Q- ~8 z& A) G, n4 i2 y7 gPresented in its original 1.37:1 aspect ratio, The Bad and the Beautiful looks, well, beautiful on Blu-ray. No surprises here -- Warner Archive Collection has given it the usual white-glove treatment sourced from a recent 4K scan of the original camera negative. The resulting 1080p transfer is as wonderful as expected with rich image detail and loads of natural film grain; it certainly has the shimmering, almost silvery appearance of nitrate stock, although I am not 100% sure of its origins. Textures and fine details are uniformly crisp, while the framing itself is very stable with no obvious signs of judder or wobble. Shadow detail and contrast levels are likewise strong with surprising depth during a handful of outdoor scenes. Yet perhaps the most striking facet of The Bad and the Beautiful's overall appearance is how clean the picture looks; WAC is frequently able to apply extensive cleanup to their 2K and 4K scans, and this is no different. Overall, a truly five-star effort that represents one of their best-lookingBlu-rays this year.
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The Bad and the Beautiful Blu-ray, Audio Quality 5 C0 b/ `8 ^% y; v
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! }9 E! A# N t& o! mLikewise, the DTS-HD 2.0 Master Audio offers a dynamic listening experience that all but defies the film's age. Dialogue is extremely crisp and the excellent score by prolific composer David Raksin is balanced nicely. Overall, it's a great effort that, while not as immediately striking as the video presentation, has its share of strengths. Optional English (SDH) subtitles are included during the main feature and all applicable extras. Unlike many recent WAC Blu-rays, these are formatted nicely and not in all caps. I'd love for this to be the standard, but it's as random as a coin flip.
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