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A frumpy spinster blossoms under therapy and becomes an elegant, independent woman. 4 Z0 J2 T7 n: }% ]7 q' w# |! [
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4 d: Q! J2 t* P* t◎译 名 扬帆/航行者/走出过去的时代0 J6 H+ f7 G( M8 R
◎片 名 Now, Voyager
* N2 H3 i7 f* Q; q, p+ V◎年 代 1942( l! i4 H" f) Y5 x. f( H+ S
◎产 地 美国
' Z/ ^ e X$ S \, {( R◎类 别 剧情/爱情" D! x) O8 Q$ W, P* `
◎语 言 英语/葡萄牙语/ o* X+ W$ {( K. S1 R7 d
◎上映日期 1942-10-31(美国). W. c8 R( H9 P; u8 N( `& e
◎IMDb评分 8.0/10 from 14,043 users
- _8 a G! b. d" G: i◎IMDb链接 https://www.imdb.com/title/tt0035140/
, g7 r# F9 V8 H3 W1 c N7 N! O◎豆瓣评分 7.6/10 from 438 users
8 r; G+ ?. L) C9 u9 ]◎豆瓣链接 https://movie.douban.com/subject/1294710/
2 R$ |/ _; R9 F4 W- l( k6 e2 l◎文件格式 x264 + LPCM : }$ n1 z$ q4 X" |/ |1 J
◎视频尺寸 1920 x 1080
4 d' J) W: e2 g& l3 g! N4 K◎文件大小 1DVD 27.13 GiB
) m6 U' t" |$ O" S J! d9 x◎片 长 1 h 57 min2 Q# A# n3 y- {3 f' O
◎导 演 欧文·拉帕尔 Irving Rapper
; `, y% R" W2 V/ f# C% V3 e3 o( S◎编 剧 凯西·罗宾逊 Casey Robinson
, Y$ U" I7 h0 W y◎主 演 贝蒂·戴维斯 Bette Davis
7 p* `7 c _& [1 M1 ? 保罗·亨雷德 Paul Henreid0 s6 C& L7 K# a5 c
克劳德·雷恩斯 Claude Rains
7 ~7 r; K b" b4 V) L# u 格拉黛丝·库珀 Gladys Cooper
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4 X/ ?. R; O0 A/ k% G! d◎简 介 : a3 c8 D( D8 V8 U# C: w
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夏洛特(贝蒂·戴维斯 Bette Davis 饰)已经能算得上是一个老姑娘了,她梳着呆板的发型,穿着保守的服装,性格也古里古怪的,更糟糕的是,她似乎还染上了酗酒的坏毛病。在家人的建议之下,夏洛特决定踏上治疗心灵的旅途,登上了驶往远方的游轮。
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+ y2 M: M, ^, X( n. |; n 在游轮上,夏洛特邂逅了名为杰瑞(保罗·亨雷德 Paul Henreid 饰)的男子,并且在误打误撞之中和杰瑞的女儿结下了深厚的友谊。很快,夏洛特就感到自己坠入了情网之中,然而,此时的杰瑞并不是自由身,他有这一段无法结束的婚姻。心碎的夏洛特选择了离开,而夏洛特的母亲也在不久之后撒手人寰。& a _. i3 ]( E+ i
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The love story of Charolette Vale, a middle-aged spinstress who suffers a nervous breakdown because of her domineering mother and is finally freed after a brief love affair with Jerry, a man she meets while on a cruise after spending time in a sanitarium.../ R3 t' J F" R) f5 o' Y
Z, Q+ Q. j9 \' o◎获奖情况 ! o9 Y0 ]& L3 w" r) R# n
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第15届奥斯卡金像奖(1943) Z1 w( y2 ~1 s) V0 b0 e
最佳女主角(提名) 贝蒂·戴维斯1 F* w4 }9 v% ?& o. Y( X7 q
最佳女配角(提名) 格拉黛丝·库珀
( U9 E1 x6 D/ O7 B% M- H. d 剧情/喜剧片最佳配乐 马克思·斯坦纳
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6 `- z5 e" G4 ^. r& y; F' eVideo
7 K! ?; W( k+ T5 |' RID : 1, \& [; c f' D% a
Format : AVC
4 e0 k* |& T; n/ G/ G5 k1 }8 tFormat/Info : Advanced Video Codec) t* i3 r# L* U4 `% ~- B/ h
Format profile : High@L4.1
( ~2 Z7 j' n: R |5 C+ lFormat settings : CABAC / 4 Ref Frames
1 m( s6 ~! E& ?' |7 l" D) @7 W( RFormat settings, CABAC : Yes
. e @" o" @3 U: \4 IFormat settings, Reference frames : 4 frames$ |& G# J* W. I- m/ I
Format settings, GOP : M=3, N=12& q0 m* K Z& n$ e
Codec ID : V_MPEG4/ISO/AVC
$ X3 }; G4 ]: T! @) L2 KDuration : 1 h 57 min( Z2 }. U- M' {" D2 P& I( @
Bit rate mode : Variable
; Z7 @4 F6 `( a) o8 IBit rate : 31.8 Mb/s
# a+ f, c# o: C4 ZMaximum bit rate : 37.0 Mb/s5 ^) V' T3 C3 G5 Z, J; E# I. Q
Width : 1 920 pixels
% O, U% p( z3 n |0 EHeight : 1 080 pixels
4 ?3 a7 _; c$ N- w5 W% @ qDisplay aspect ratio : 16:9
8 D8 i& y# f& ?" K$ f1 n" gFrame rate mode : Constant% U3 q n$ m* f
Frame rate : 23.976 (24000/1001) FPS
3 v; R+ A& P) r" b: q3 n, jColor space : YUV' ?5 U. Y3 X9 N4 }
Chroma subsampling : 4:2:0, u; D3 ~7 ?" f* Y
Bit depth : 8 bits/ t( S, ~8 l4 _8 d! J# W3 w* i
Scan type : Progressive
8 }, Y9 {- q8 dBits/(Pixel*Frame) : 0.640/ K" z- x7 p; q) U
Stream size : 26.2 GiB (96%)# R8 C' H" z# y1 b& g3 P; A
Title : Now.Voyager.1942.1080p.BluRayCD.REMUX.AVC.LPCM.1.0-FGT$ F5 T& d0 x6 ]7 A
Language : English
% q+ R2 J/ u5 y( K) ?7 S2 g7 }Default : No
, G) c# ]/ H4 o2 o* X6 ?2 v# cForced : No0 {& `3 E$ }! [9 v+ N
0 L6 m. w2 D2 W# g7 v, vAudio
5 ]& @* @# P: N5 XID : 2
. O( `9 D1 w& Z) w% u- T5 i, YFormat : PCM
0 z) Q( ^3 m- M. oFormat settings : Little / Signed
2 d3 m! r! c9 X/ oCodec ID : A_PCM/INT/LIT
F- C' \) F! y+ l6 wDuration : 1 h 57 min+ o- t/ C3 x7 ?& H4 a, c
Bit rate mode : Constant
+ ]( j0 J% m# NBit rate : 1 152 kb/s" S) v' ]7 N, U4 C" l) U
Sampling rate : 48.0 kHz- u1 g+ |: P0 m; b
Frame rate : 30.000 FPS (1600 SPF)
& g" J) q* m$ o7 ~' cBit depth : 24 bits
2 }, H& a) J4 R& _ Z* tStream size : 970 MiB (3%)
! q7 k8 x. V. B% F1 BTitle : Now.Voyager.1942.1080p.BluRaycd.REMUX.AVC.LPCM.1.0-FGT5 S/ H% L8 e1 Y( c3 R6 ]% l
Language : English
1 x# g6 ?; {& bDefault : Yes
8 c2 U+ O: b4 j# I- M9 x+ j' G CForced : No0 K+ L" f4 T- P+ [8 X0 e6 Y$ f
* ?3 S, c# _! W8 y7 MText4 n3 Y, Y+ ]" z7 X" P3 N/ w3 u: I
ID : 33 L* Z3 g( O, a; l
Format : PGS
, r% ~2 O5 |5 o/ K! N: _ SMuxing mode : zlib
0 p/ }8 n$ V# x5 g- pCodec ID : S_HDMV/PGS6 ?& `# W% {9 z3 J2 C7 L
Codec ID/Info : Picture based subtitle format used on BDs/HD-DVDs; k+ r K: ]0 L# Y1 j0 m) C; e, T/ C
Duration : 1 h 55 min4 z6 G6 d( T! M3 f3 t8 \1 @
Bit rate : 74.8 kb/s
6 k* R# ]! M" e: [, z/ ?8 LCount of elements : 3944
. e! Q* c/ Z5 a2 I+ aStream size : 62.0 MiB (0%)
, _" O9 W1 N( e3 C. A, D) @Title : English-PGS" t0 x$ p- [( H
Language : English! m! o1 S; k. r& K' }8 L
Default : Yes+ O) c/ n4 z* ?! F9 @* G& q; m
Forced : No3 e: r0 \* b }) l* H
* {' U8 k: i5 v+ Q; k, S4 zMenu
; {8 S \* w0 ^/ W4 Z$ }9 _( K00:00:00.000 : en:Chapter 01
e) m' ?3 d2 W# q00:11:44.704 : en:Chapter 02% W5 i; n8 I# `, O
00:15:45.736 : en:Chapter 03 V" y% d, Z, d& _. G, H! o: p
00:19:39.178 : en:Chapter 04
" T' W# z& m3 J. H00:23:03.006 : en:Chapter 05+ p8 ]) F6 Q) g% `) E1 p! `6 ~
00:30:59.858 : en:Chapter 06
! @1 p9 C. Z1 c/ f00:37:19.237 : en:Chapter 07& Z: C3 b' b, F% k
00:40:31.554 : en:Chapter 08) M* b5 e# i, B
00:53:02.554 : en:Chapter 09: @0 r+ Q$ @! \6 Z, m N4 u
00:55:54.059 : en:Chapter 10
5 ^- ~2 a: G: ?$ L: O( }( q6 T01:05:33.179 : en:Chapter 11+ Y8 s- J" v6 S% U# {8 A
01:12:30.471 : en:Chapter 12
7 u/ o+ w4 T# e8 D: \; l01:15:58.554 : en:Chapter 13; Y! Y, s! w7 l6 ~$ N6 e
01:23:49.024 : en:Chapter 14
2 H" [! U0 p" o* \. [01:29:46.839 : en:Chapter 15/ z) v% K/ C& j {2 M; U
01:34:10.061 : en:Chapter 16
4 J+ H0 i& n* ~& O01:41:18.739 : en:Chapter 17( E8 Y6 v8 i5 o. Y& L7 O
01:47:59.473 : en:Chapter 18
/ ]7 M8 A0 L; \- e1 s, V01:51:29.724 : en:Chapter 19 Now, Voyager Blu-ray, Video Quality 0 K3 x2 w1 k' Z
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Presented in its original aspect ratio of 1.37:1, encoded with MPEG-4 AVC and granted a 1080p transfer, Now, Voyager arrives on Blu-ray courtesy of Criterion.
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The following text appears inside the booklet that is provided with this Blu-ray release: , y9 {5 ?( b- a" |
( E! D5 O Y- h7 h i9 T0 S"This new digital transfer was created in 4K resolution on a Lasergraphics Director film scanner, primarily from the 35mm nitrate original camera negative. Some sequences were scanned from a 35mm nitrate fine-grain master held by the Museum of Modern Art. Thousands of instances of dirt, debris, scratches, splices, and warps were manually removed using MTI Film's DRS, while Digital Vision's Phoenix was used for jitter, flicker, smaller dirt, grain, and noise management. The original monaural soundtrack was remastered from the 35mm nitrate fine-grain using Avid's Pro Tools and iZotope RX.
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$ E+ M2 P7 T5 x& J. qColorist: Lee Kline/Criterion Post, New York." ?& b/ V; X% U+ ?; W$ k$ q$ o
Film scanning: Motion Picture Imaging, Burbank, CA."+ [4 I$ k2 a5 e$ Z3 M
1 R9 Z- d1 A, Y& W8 [. P% OThere are a few areas with noticeable density fluctuations -- which basically leave the impression that the visuals are just a tad softer than the rest of the film -- but they are so small that I actually think that most viewers will completely ignore them. And this is the only inconsistency worth pointing out, because everything else looks quite spectacular. Indeed, when projected this new restoration conveys the solid depth, clarity, and overall consistent fluidity that we have come to expect from high-quality makeovers of older films. Also, the grading job is excellent. You can see from the numerous screencaptures that are provided with the review that blacks are solid but not boosted and there are wide ranges of very healthy whites and grays. The entire film has been thoroughly cleaned up as well. My score is 4.75/5.00. (Note: This is a Region-A "locked" Blu-ray release. Therefore, you must have a Region-A or Region-Free player in order to access its content).
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Now, Voyager Blu-ray, Audio Quality
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There is only one standard audio track on this Blu-ray release: English LPCM 1.0. Optional English SDH subtitles are provided for the main feature. . v: _% c0 l& @4 P
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There are no technical issues to report in our review. The audio is clean, crisp, and stable. Balance is good as well. Predictably, dynamic intensity is limited, but I would not say that is in sync with the film's dated personality. In some areas there are actually some surprisingly good dynamic contrasts.
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