- 积分
- 99353
- 经验
- 31865 点
- 热情
- 19581 点
- 魅力
- 9232 点
- 信誉
- 14960 度
- 金币
- 3649 枚
- 钻石
- 3664 颗
- 蓝光币
- 0 ¥
Post Share
- 金币
- 3649 枚
- 体力
- 29109 点
|
A miner trapped in a cave-in resurfaces, and upon discovering mankind has been wiped out in a nuclear holocaust, sets out to find other survivors. 6 U; h& e4 |; t! ^+ A
$ d" w3 J2 x4 M `3 [ ]% b
4 O+ R- J# d3 B3 ^9 A7 V* `3 B
* R7 }( O, T* J N- v# a; X◎译 名 世界,众生和恶魔
3 x( i! k) [) _! m" q8 S: B: G◎片 名 The World, the Flesh and the Devil
/ A0 R) }2 f: i3 Z3 T9 R◎年 代 1959) _0 w. H, m- `; G% K, v6 d8 ^
◎产 地 美国7 s8 i7 }2 a. o4 F7 Z, D4 _3 V( D
◎类 别 剧情/爱情/科幻
- K: i d: G( y7 |' I◎语 言 法语/英语# m( q9 t; e% X( W# R: t: \1 F
◎上映日期 1959-05-20
! m5 V/ C) b% Y# ?◎IMDb评分 6.9/10 from 2,320 users$ |2 h. E5 }! j3 d
◎IMDb链接 https://www.imdb.com/title/tt0053454// p. F. ^3 r0 K9 G
◎豆瓣评分 0/10 from 0 users
* x" H7 v4 a8 }4 ^3 k◎豆瓣链接 https://movie.douban.com/subject/1886747/$ ~" @- V) o/ ?% b" K) f M3 F
◎文件格式 x264 + DTS" J0 O, k! ~% ?* _* {, b) }6 {% a' l
◎视频尺寸 1920 x 1080
* ?7 |9 _3 \4 }4 R. j; i* U6 ]◎文件大小 1DVD 24.41 GiB% t+ ^) W8 ~' j# U- y* b- I
◎片 长 1 h 34 min
9 z! e, T$ G. ~3 @◎导 演 拉纳尔德·麦克杜格尔 Ranald MacDougall6 j' _, J9 \( u! K
◎编 剧 M.P. Shiel
) V' D' s! t% X& w. Y7 ~ 甫德南·赖雅 Ferdinand Reyher
; ^9 R% \- S! W0 u3 s0 E+ r◎主 演 哈里·贝拉方特 Harry Belafonte
$ N) p) A' h$ K 英格儿·斯蒂文斯 Inger Stevens2 C7 R6 G i) K: o' G
梅尔·弗尔 Mel Ferrer' F4 t% [2 W$ s5 D
8 q" ~9 n9 [ t/ C. G
◎简 介
- T1 l0 K+ s4 W; M( m) W' T# A6 ~. A+ P# n+ T8 I
Ralph Burton is a miner who is trapped for several days as a result of a cave-in. When he finally manages to dig himself out, he realizes that all of mankind seems to have been destroyed in a nuclear holocaust. He travels to New York City only to find it deserted. Making a life for himself there, he is flabbergasted to eventually find Sarah Crandall, who also managed to survive. Together, they form a close friendship until the arrival of Benson Thacker who has managed to pilot his small boat into the city's harbor. At this point the tensions rise between the three, particularly between Thacker, who is white and Burton, who is black.1 j' a2 P' A. h j- J
/ A- a( y* l- X3 t 拉尔夫·伯顿(Ralph Burton)是一名矿工,由于被山洞陷井而被困了几天。+ [1 \6 K, ]6 d8 F0 o' y. s5 Z) W
当他终于设法挖掘自己的力量时,他意识到人类似乎已经在核大屠杀中被摧毁。' k% ~4 m) L; x a
他前往纽约市,却发现那里空无一人。9 Q! [4 `& P/ P8 B
在那为自己谋生,他为最终找到也能生存的莎拉·克兰德尔感到惊讶。
* ^' r4 g" U* ?) r 他们在一起形成了密切的友谊,直到本森·特克(Benson Thacker)到达为止。本森·特克(Benson Thacker)设法将他的小船带入城市的港口。$ }; J! [# U& B4 }+ F- S7 f( d' P( g
此时,三者之间的紧张关系加剧,尤其是白人的沙克(Thacker)和黑人的伯顿(Burton)之间的紧张关系加剧。
+ V2 O3 K# r. P! J- Z6 i3 p
3 w( D7 d6 X! B, B4 d"Millions Flee from Cities! End of the World!" From a Manhattan skyscraper, Ralph Burton surveys the emptiness announced by that chilling newspaper headline. Nuclear doomsday has come. Ralph is sure he is the last person alive. Then a woman appears and the two form a cautious friendship that's threatened when a third survivor arrives. Unlike other post-apocalyptic thrillers from The Time Machine to I Am Legend, there are no external monsters to battle here./ V, }' }8 `& T
4 h- L. R: \/ Q! p
! y) R, W% n: G# u7 p
Video! n5 d* c: {3 s5 M+ S' P
ID : 19 Y/ c+ m; L# o) X1 E% r$ |
Format : AVC$ ^7 K- m& I' r6 p: E. J6 _
Format/Info : Advanced Video Codec
/ V# E# V: U. p3 ~ [Format profile : High@L4.1
7 \3 j# C. R. s; CFormat settings : CABAC / 4 Ref Frames
9 }7 l& v4 e2 e" _Format settings, CABAC : Yes) |4 n6 k, [7 N- C: _6 p, {
Format settings, Reference frames : 4 frames* e! {/ W! p" t5 E# r% J
Codec ID : V_MPEG4/ISO/AVC
# e, c% ]% u3 ^, \0 ?4 IDuration : 1 h 34 min
$ R [! t1 J. O: n$ f MBit rate mode : Variable
3 Q @, D- n3 ?( m$ I& T' aBit rate : 34.9 Mb/s
/ s8 `9 F( i$ F9 a6 ]+ c4 {1 `4 o& LMaximum bit rate : 38.0 Mb/s2 `& P6 }1 O! T. o
Width : 1 920 pixels
* h7 j, [: F- k/ U2 wHeight : 1 080 pixels
5 a2 I' Q. d2 T9 lDisplay aspect ratio : 16:9
8 U) B5 t& r& G. i; e* u: nFrame rate mode : Constant9 d4 m/ U% @% [: l$ I
Frame rate : 23.976 (24000/1001) FPS8 R/ m) T0 U* q) Y& q6 \- M I
Color space : YUV+ g; ] ~; d; {3 n) {% I X4 Z& k4 L
Chroma subsampling : 4:2:0
) U4 \2 l3 W* u/ n0 V" dBit depth : 8 bits# \5 a" P. O. B/ N# O' E
Scan type : Progressive0 o8 p7 P2 T+ a- l5 h% S4 B b( n
Bits/(Pixel*Frame) : 0.701
1 F) d' l4 j+ l0 j! C% }9 XStream size : 23.1 GiB (95%)
9 e' H" T3 z! g t, O; Q2 j4 STitle : The.World.the.Flesh.and.the.Devil.1959.1080p.BluRayCD.REMUX.AVC.DTS-HD.MA.2.0-FGT |+ `4 x, P* M0 w5 r5 |! ^
Language : English
8 I Y2 O) Q0 u& d/ ]2 ^; s1 nDefault : No
$ T5 S- T" B: B+ F" g. _* JForced : No
7 ?/ P4 K4 }; t. L
" v; n$ ?5 o! v# p6 qAudio
+ k* P5 O9 q( { kID : 2% C% `6 k, ]1 A) @
Format : DTS XLL
6 X& \# S: [; j2 G9 ?Format/Info : Digital Theater Systems* s. ~1 `' o) Q( l* u. H: B9 u
Commercial name : DTS-HD Master Audio
1 i% l. Y. X5 r3 x; |Codec ID : A_DTS
, Z! a/ N$ l1 a5 i# M/ p: o6 SDuration : 1 h 34 min$ V" D, m" g( V/ j+ m
Bit rate mode : Variable) V! v e4 h) g. G( u/ I1 g& e
Bit rate : 1 972 kb/s
8 q# `: k# O/ F% M( TChannel(s) : 2 channels5 W' _& ^+ V1 B
Channel layout : L R
: _& H$ y( B$ W1 ?4 x' H) n( v" xSampling rate : 48.0 kHz
; t/ u7 L7 k: ]0 `+ W8 \( k! EFrame rate : 93.750 FPS (512 SPF) |: d, O& r0 K$ c
Bit depth : 24 bits
. P$ U9 Y( P: Y6 {" H. L& R& sCompression mode : Lossless" z: k# O9 ~$ x8 j( ^
Stream size : 1.31 GiB (5%)' _0 a- H( x5 U: Y
Title : The.World.the.Flesh.and.the.Devil.1959.1080p.BluRaycd.REMUX.AVC.DTS-HD.MA.2.0-FGT3 d* I7 h. n- P( d" ?- W; q+ R
Language : English6 G1 Z2 k |) u) G8 o+ S
Default : Yes
3 m) N+ w/ b3 m" zForced : No1 V4 i6 ^& Q: r+ ^* u% a
! k8 V' [/ E4 `9 ~9 C9 _+ \, m$ Z
Text( [4 W/ b4 [/ L0 m% i
ID : 3* s7 _. o0 M% q
Format : PGS
+ X$ ]& B Z. L+ Z: [Muxing mode : zlib" b1 W# B/ V' f! J1 p
Codec ID : S_HDMV/PGS
; x5 f X' e/ x5 l, ECodec ID/Info : Picture based subtitle format used on BDs/HD-DVDs
6 v0 @1 d$ h0 k3 U$ _9 ]Duration : 1 h 34 min8 C# a% h: e; ]& b! T' b- w
Bit rate : 63.6 kb/s
0 E Q6 l8 B# B" SCount of elements : 2414
4 U6 q" m- W5 g# k, MStream size : 42.8 MiB (0%)
( J7 x8 `+ `0 o2 U& c7 L4 hTitle : English-PGS
: X, Z y2 D: Z; X( l1 O( |Language : English' n# k3 }, {# {* v- T
Default : Yes
; Z" z' Y) u, ?- v# ^, ]* o0 [Forced : No
7 T" ^4 l& R4 K5 e* r$ G' M
& H4 ^8 y6 j0 W! [- ]Menu2 e0 y9 w& t' M+ t, k0 G5 r$ ^
00:00:00.000 : en:Chapter 01
' A3 |: t4 [0 j5 M8 G00:01:28.171 : en:Chapter 02
2 d$ f6 V( D8 P- l1 e: `/ R2 e00:05:46.554 : en:Chapter 03# w, {2 H/ f: _7 k
00:09:08.756 : en:Chapter 04
! S* F5 m- f, ~2 E6 P00:12:03.222 : en:Chapter 05
8 v( p W: v4 s8 y) c00:17:00.310 : en:Chapter 061 j8 x8 z: H$ H# k& P" ]! O
00:19:20.284 : en:Chapter 07
# E' O+ x' p1 C. O& r- b) i00:23:15.018 : en:Chapter 086 e, {( V) [5 A/ c0 x* T
00:25:14.554 : en:Chapter 09
, d9 y B7 _9 m# U' s) k6 m/ g00:29:10.081 : en:Chapter 10, P/ h7 E9 b9 |, z
00:32:39.374 : en:Chapter 11; \9 `* l, B! A7 B- S
00:35:24.705 : en:Chapter 12
# I/ S" x8 j P! |! m! l00:37:53.646 : en:Chapter 13+ v y8 W( k% ^ Y5 [: q
00:41:26.984 : en:Chapter 14 \! j7 m; M3 S( ?
00:43:57.176 : en:Chapter 15
3 ~5 R; P% c, s* a' q/ m( g) o2 z00:46:23.697 : en:Chapter 160 Q! [$ }& a- C3 d/ r) A! u& R
00:50:13.468 : en:Chapter 176 A& |* W G( Y; T
00:53:19.779 : en:Chapter 18
# L& u$ p5 @" j* l5 g8 }00:58:46.314 : en:Chapter 19
]$ J" p0 A9 P3 F01:03:19.462 : en:Chapter 20
; w$ W# x) S) c& u5 E8 F- G% X01:04:29.824 : en:Chapter 21
% M* r0 }, A" Z) r% f. {01:07:57.031 : en:Chapter 22
4 a w9 M3 o; P2 h: p01:12:14.038 : en:Chapter 23- `" U0 E6 p$ W2 k( C1 D
01:17:19.259 : en:Chapter 24
5 h$ C; _8 C S4 M6 H* ~01:20:31.576 : en:Chapter 25
+ ~6 b- {: P! j/ s01:23:31.673 : en:Chapter 267 Q7 f7 ?# c; F# w
01:26:39.360 : en:Chapter 27
: c, E0 r4 j% b( f4 [5 L01:30:28.589 : en:Chapter 28
! y+ h4 \8 y3 k8 F1 m0 P01:34:27.036 : en:Chapter 299 g- r8 w* t/ I( u* {1 R# j* j
01:34:42.927 : en:Chapter 30 The World, the Flesh and the Devil Blu-ray, Video Quality
+ T9 ~/ |0 b, ?& E
) g* `5 e! S6 v9 K' l0 Q
9 R5 A0 i4 T0 Q& G6 wPresented in its original 2.35:1 aspect ratio, The World, the Flesh and the Devil makes great use of the wide canvas. Although some of its compositions aren't overly creative, almost everything is smartly framed and the desolate city landscapes are given plenty of room to breathe. Of course, the real star is WAC's excellent 1080p transfer, which is sourced from a recent 2K scan of the fine-grain master positive and yields a startling amount of image detail. Clothing and other textures are well-defined during close-ups, while plenty of depth is achieved in wide shots; perhaps the only exceptions are a few obvious matte paintings, but a lack of color probably helps maintain the illusion. Shadow details and contrast look very balanced, although a handful of scenes appear more harsh with lower levels of image detail; either they were sourced from lesser elements or perhaps optically zoomed. Noise is also more prevalent than expected during these moments, but they're mostly few and far between. The majority of The World, the Flesh and the Devil looks near-flawless in 1080p and easily outperforms WAC's earlier DVD edition by a wide margin.
+ s& ]& q* H8 k$ G9 g% f, _) W, U6 W; G; e. y
The World, the Flesh and the Devil Blu-ray, Audio Quality
! |+ q- T+ _) S, f g; I( u, u' F: e. d- f
2 t+ J4 C+ }7 YThe sporadically-reliable IMBb lists both Mono and four-track Stereo as specs for The World, the Flesh and the Devil, and this Blu-ray's DTS-HD 2.0 Master Audio mix sounds somewhere in-between. Echoes and other wide elements are effectively used during the film's dominant "empty street" moments, which really goes a long way towards selling its oppressive, desolate atmosphere. Dialogue is clean and crisp (again, not a lot of overlap here for obvious reasons), while Miklós Rózsa's orchestral cues are balanced nicely without fighting for attention. Low end is well-represented during a few stretches, including the opening cave-in and distant echoes during a subsequent rescue attempts. Overall, it's a surprisingly dramatic mix that should even sound great on a modest setup, although those with larger front speakers will clearly benefit the most from this disc's considerable strengths.Optional English SDH subtitles are included during the film only (screenshot #14). Unlike most recent WAC releases, these are formatted properly -- not ALL CAPS -- and sit inside the 2.35:1 frame with no obvious sync issues.6 v- n# ^6 t+ i! \; p5 s2 W! ~. m
|
|