叶问1/一代宗师·叶问 [蓝光原盘] Ip Man 2008 1080p BluRaycd AVC LPCM 7.1-FGT 39.72GB

During the Japanese invasion of 1937, when a wealthy martial artist is forced to leave his home and work to support his family, he reluctantly agrees to train others in the art of Wing Chun for self-defense.

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# T6 y& b0 o$ y9 c* k◎译　　名　叶问/一代宗师·叶问
# h0 v2 T/ I$ k" s◎片　　名　葉問 / Yip Man / Ip Man
. V# ^) {- @8 e◎年　　代　2008
( o1 w7 _" h0 U, L  H◎国　　家　香港/中国大陆
◎类　　别　动作/传记/剧情/历史
◎语　　言　粤语/汉语普通话/日语
◎上映日期　2008-12-12(中国大陆)/2008-12-19(香港)
◎IMDb评分 8.0/10 from 204,705 users
◎IMDb链接 https://www.imdb.com/title/tt1220719/
◎豆瓣评分　7.6/10 from 173,483 users
◎豆瓣链接　http://movie.douban.com/subject/3041806/
◎文件格式　x264 + LPCM
" X) z7 `# k" \' _◎视频尺寸　1920 x 1080
◎文件大小　1DVD 39.72 GiB
9 B8 P; {. A2 \# J1 x◎片　　长　1:46:21 (h:m:s)
◎导　　演　叶伟信 Wilson Yip
◎主　　演　甄子丹 Donnie Yen
, D) R8 ~! [! w1 L　　　　　　任达华 Simon Yam
　　　　　　熊黛林 Lynn Hung
. N4 e  @6 l9 P7 ?　　　　　　池内博之 Hiroyuki Ikeuchi
; e% ~) F* T* ^　　　　　　林家栋 Ka Tung Lam
4 E# R" f9 A" c$ z　　　　　　樊少皇 Siu-Wong Fan
　　　　　　释延能 Xingyu Shi
　　　　　　黄又南 You-Nam Wong
　　　　　　杜宇航 Yu-Hang To

+ i& N3 u6 w0 W◎简　　介   

5 H( Q  k8 g( R1 [( U　　1930年代，中国武术之都佛山。
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# T$ ~' [1 R7 J$ Q0 o　　这日，武功了得的北方武师金山找（樊少皇 饰）率众来佛山踢馆，各大武馆馆主皆成他手下败将之后，他找上习得一身武艺却为人低调未设馆授徒的叶问（甄子丹 饰）。在巡警李钊（林家栋 饰）、好友武痴林（行宇 饰）等乡邻的请求及妻子张永成（熊黛林 饰 ）的鼓励下，叶问用咏春拳以柔克刚将金山找制服，确立在佛山的大师傅地位，李钊更私下将他视作师父。之前叶问挚友周清泉（任达华 饰）有心拉他合开纺织厂，但怕与爱妻及爱子分开的他只在资金上将周支持。

　　几年之后，侵华日军将佛山攻占，叶问同幸存下的乡邻一样，被迫携妻儿移居废屋。生计面前，叶问混在人群争抢去煤矿做苦力的机会，李钊则成为日军翻译官。日军将领三蒲（池内博之 饰）是名武痴，他以一袋白米作奖赏，派李钊四处搜寻能打国人在打斗场上与日军切磋，多名昔日武馆馆主及武痴林因此惨死。这将叶问激怒，他走入打斗场。

2 U/ P$ [2 \7 _! N) \9 K　　Adapted from the life story of Ip Man - the grand master of the Wing Chun style of kung fu and sifu of legendary kung fu superstar Bruce Lee. This movie will be the first important record of the master's life. Ip's persistent devotion to Wing Chun is a classic example of the love and respect shown to wushu and the freedom and spirit it represents. Ip Man is a concept, a spirit, a way of thinking - and it exemplifies a new peak in Hong Kong's wushu movies.

◎获奖情况

/ Q( G) I% G3 q7 N9 p　　第46届台北金马影展  (2009)
' M9 f- n% _9 w2 h; @  Q2 c5 |) J　　金马奖 最佳动作设计 梁小熊 / 洪金宝
　　第28届香港电影金像奖  (2009)
/ p0 F6 a* u3 A　　最佳电影
　　最佳导演(提名) 叶伟信
; B+ B; r: g) [  d+ I# H　　最佳男主角(提名) 甄子丹
: V, X) K- Z  c0 z+ T　　最佳男配角(提名) 樊少皇 / 林家栋
　　最佳摄影(提名) 柯星沛
　　最佳剪接(提名) 张嘉辉
. {% @' y8 k- b; S- M6 M) K8 C　　最佳美术指导(提名) 麦国强
　　最佳动作设计 梁小熊 / 洪金宝
; v' t4 r: p; ~5 S8 e　　最佳原创电影音乐(提名) 川井宪次
, y: ?2 v" g! C* P　　最佳音响效果(提名) 曾景祥
　　最佳视觉效果(提名) 黄智亨
　　第30届大众电影百花奖  (2010)
# n3 B! }% n" S) N; Q, c2 x& O! c　　最佳男主角(提名) 甄子丹
+ X8 n( r$ a# i0 l　　第13届中国电影华表奖  (2009)
, g! p' n- R; Q" B) S　　优秀境外华裔导演奖(提名) 叶伟信
- m+ V* f, Y/ j" ?& ?2 e5 A5 P　　优秀境外华裔男演员奖 甄子丹
　　优秀合拍片奖

1. DISC INFO:
   
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3. Disc Title:     Ip.Man.2008.1080p.BluRayCD.AVC.LPCM.7.1-FGT
   
4. Disc Size:      42,647,456,456 bytes
   
5. Protection:     AACS
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6. BD-Java:        No
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11. Size:           34,264,104,960 bytes
    
12. Length:         1:46:21 (h:m:s)
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13. Total Bitrate:  42.96 Mbps
    
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26. MPEG-4 AVC Video    25147 kbps      1080p / 24fps / 16:9 / High Profile 4.1
    
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32. LPCM Audio                      Cantonese         6144 kbps       7.1 / 48kHz / 16-bit / 6144kbps
    
33. Dolby TrueHD Audio              Cantonese         1766 kbps       7.1 / 48kHz / 16-bit / 1766kbps (AC3 Core: 5.1 / 48kHz / 640kbps)
    
34. DTS-HD Master Audio             Cantonese         2681 kbps       5.1 / 48kHz / 16-bit / 2681kbps (DTS Core: 5.1 / 48kHz / 16-bit / 1536kbps)
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35. DTS-HD Master Audio             Mandarin         2437 kbps       5.1 / 48kHz / 16-bit / 2437kbps (DTS Core: 5.1 / 48kHz / 16-bit / 1536kbps)
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36. Dolby Digital Audio             Mandarin         640 kbps        5.1 / 48kHz / 640kbps
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42. Presentation Graphics           English         25.526 kbps                    
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43. Presentation Graphics           Chinese         21.251 kbps     

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Ip Man Blu-ray, Video Quality  


Presented in 1080p utilizing the AVC codec (at an average bitrate of 30Mbps), Ip Man isn't what I'd call a visually stunning film, but still looks decent within the framework of the vintage cinematography.  Colors are often filtered down to remove any hint of naturally vivid hues, leaving many scenes either awash in yellowed, sepia tones, or a spectrum that falls just shy of black and white.  This shift in the coloring is often meant to evoke a certain feel as the timeline of the story progresses (starting off rich in the years prior to the Japanese occupation, and gradually moving further from natural as we go), providing an emotional layer to the majority of the visuals.  Fortunately the filtering doesn't seem to affect the level of clarity in the transfer, revealing subtle textures on the fabric of clothing and the blood-drenched faces of combatants.  Looking to the background of most shots, you'll notice a wonderful sense of depth during both close-up and distance shots, developing a certain level of precision that's not often found on a film with a modest budget.  Unfortunately, there are two items worth mentioning that collectively downgraded my assessment to a four.  First, I was somewhat disappointed in the presence of edge halos and harsh bordering around figures or items in the foreground.  The problem became most noticeable during the opening ten minutes of the film, but remains visible from time to time throughout the full length of the feature.  The second item that collectively downgraded the visual score has to do with black level depth, which tends to suffer during a handful of shots.  It's not egregious enough to leave a significant black eye on what's otherwise a strong presentation, but demonstrates enough instability to be worth mentioning.
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Ip Man Blu-ray, Audio Quality  

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Whether you hate subtitles or adore the native language, Well Go has gone out of their way to appease all members of the audience with three lossless tracks of comparable proficiency.  From a personal standpoint, the English dub ranks just shy of unbearable, with voice actors that truly struggle to convey the subtleties of their character.  It's still passable if you're so inclined, but considering the amount of Japanese lines in the film (which require subtitles on any language version you choose), I'd recommend most viewers opt for the original language track.  Moving along to the particulars of the native offering, fans of kung fu cinema will be blown away by the inherent strengths of the sound design.  During the fight sequences (of which there are many), strike effects are distributed evenly throughout the soundstage, creating a sense of immersion that's often lost on modern kung fu productions.  Whether we're listening for metal on metal during a blade fight, the crack of a bamboo pole, or the muffled swoosh of an aerial foot strike, every element blends together with a sense of realism that must be heard to fully appreciate.  Likewise, I was impressed with the musical selections incorporated into the film (courtesy of Kenji Kawai), since they serve as emotional triggers throughout, yet still fit within the traditional setting of the production.  If there's one area where the track falters to a certain degree, it's the front-heavy nature of the dialog, and the huge contrast between action-heavy scenes and the quieter moments of the film.  I'm not necessarily advocating for an enhancement to the volume of the dialog, but the spread across the three front channels could have been much better.  Likewise, it seems the environmental effects that reside in the rear surrounds are far less noticeable during dialog-heavy scenes, creating a situation where the emergence of action scenes can feel a bit bombastic next to mellower moments.

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