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The story of the Battle of Midway, told by the leaders and the sailors who fought it. $ @" G) N6 D# I: C1 \$ {) G
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◎译 名 决战中途岛/中途岛/中途岛海战/中途岛战役3 }8 G8 a7 P$ h# h+ d7 y
◎片 名 Midway / Battle of the Midway! v1 A/ p# O. H5 v7 P
◎年 代 2019. y3 S" L6 n# v" o* S7 s" V! U3 J. Y
◎产 地 中国大陆/美国4 @. y; ]" o5 S! B# U
◎类 别 剧情/历史/战争
_5 n6 R) U c" r2 G( S# S' b◎语 言 英语8 B$ q- l- [. k9 \' v$ h
◎上映日期 2019-11-08(美国/中国大陆)& w0 B& s# z# I$ d1 m
◎IMDb评分 6.7/10 from 29,404 users3 {) l$ G( V. j' `2 r; N
◎IMDb链接 https://www.imdb.com/title/tt6924650/
9 V6 v w& J7 k# f( t! q \◎豆瓣评分 7.7/10 from 133,728 users
% Z( E$ z% E8 t( s% @+ k: q) B3 \◎豆瓣链接 https://movie.douban.com/subject/26786669/% d9 ]# G! x7 I2 J4 ~$ K1 z1 J4 J7 B6 A
◎文件格式 x265 + TrueHD( v |0 g" [$ T2 x' ~8 b
◎视频尺寸 3840 x 2160$ l3 P) p. U- E, z6 }
◎文件大小 1DVD 86.10 GiB, I2 s% K' d& n4 u
◎片 长 2:18:25.255 (h:m:s.ms)
' O; ?6 U. ?* h6 v4 h8 i9 w3 ^◎导 演 罗兰·艾默里奇 Roland Emmerich
% g- Y- q) `/ \- ~. p◎编 剧 韦斯·图克 Wes Tooke% L0 _/ ]& {; P& w7 U
◎主 演 艾德·斯克林 Ed Skrein' k: T) q. K$ Q# [- C
帕特里克·威尔森 Patrick Wilson% e, @, n) u$ h
伍迪·哈里森 Woody Harrelson0 o8 f8 v1 s4 @$ f* \
卢克·伊万斯 Luke Evans
5 [+ ] n3 O6 U 丹尼斯·奎德 Dennis Quaid$ \1 ]* D+ G8 F6 E1 E2 U
曼迪·摩尔 Mandy Moore* k" ?4 s: E6 U2 p5 i" |
亚历山大·路德韦格 Alexander Ludwig0 e" k Y" }( f; m& k% h
艾伦·艾克哈特 Aaron Eckhart- q! p+ o+ h5 c
达伦·克里斯 Darren Criss7 [" ]) C/ t6 u( \
尼克·乔纳斯 Nick Jonas
2 c" |* Q) A9 W/ N7 ]9 q 卢克·克莱恩坦克 Luke Kleintank
! |" q2 T2 [- c8 i3 x2 g2 P( W+ y 杰克·韦伯 Jake Weber
* v7 R8 s3 I; M3 f F0 Q' { 基恩·约翰逊 Keean Johnson
4 K k) K$ ^- e6 {5 [ 浅野忠信 Tadanobu Asano
$ v* S6 U. ?8 o# m) K- a 大卫·休莱特 David Hewlett5 M) s4 L. v' b2 O$ _! B1 m1 M
马克·罗斯顿 Mark Rolston! q/ {+ j H b4 f
布雷南·布朗 Brennan Brown7 z% i5 }. ]7 _8 ?0 S. u# j# a9 l
詹姆斯·卡佩内罗 James Carpinello
5 q1 w- N3 L; w+ t 马修·麦考尔 Matthew MacCaull
5 A; s2 o* ~" @5 ~3 B8 _) t 格雷格·霍瓦尼西安 Greg Hovanessian x( P7 Z0 W. {5 E3 U p) s3 V
杰克·曼利 Jake Manley
- d# e9 b; b8 N9 Y+ K3 {1 f 杰弗里·布莱克 Geoffrey Blake7 j1 d! i/ I/ H
瑞秋·佩雷尔·佛斯基特 Rachael Perrell Fosket
- z) x, l |5 [+ w# `; f 卡梅伦·布罗德 Cameron Brodeur
; V6 P9 ^; w4 a$ q' u 杰克博·布莱尔 Jacob Blair3 W8 ~* ~& y a6 G Y5 C4 U
克里斯蒂·布鲁克 Christie Brooke
a6 _9 Z) P6 c/ r: G6 L* a 国村隼 Jun Kunimura' G% @+ I0 [1 X& O8 }" A' k
泰勒·艾略特·伯克 Tyler Elliot Burke) E4 I$ Q7 n8 X8 r, ~0 m
丰川悦司 Etsushi Toyokawa
4 d9 Q& a2 e$ s# p 艾梅伯·瓦尔斯 Amber Walls
4 F9 q7 n: l; r 莫妮卡·比卡罗娃 Monika Bicarova. k/ P- {& ~& p6 [$ _
托尼·克里斯托弗 Tony Christopher( m- N& w3 y$ u& T) C2 Z
加雷特·佐藤 Garret Sato1 A: r; Z+ p: c+ x- g7 P
罗伯特·克鲁克斯 Robert Crooks
: z. d. l* x9 @* |0 z2 e 埃里克·戴维斯 Eric Davis" r$ h! v A$ _2 i+ r
托马斯∙瓦利埃 Thomas Vallieres) Y( K- t6 \; T
约翰·洛巴托 John Lobato1 U# Y {* ~! W
迪索·拉莫斯 Diezel Ramos
" R7 D) X8 _1 { 肯尼·梁 Kenny Leu% M- _% v: {5 k; O @1 F
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◎简 介 % Y2 O) n! I, m i* r. R6 w6 ]) c
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电影讲述的是第二次世界大战太平洋战争重要转折点——中途岛海战:经此一役,日本海军受到“降维打击”,美日海上实力反转,从而扭转了整个太平洋战场的局势。影片通过参战士兵和飞行员一个个鲜活的故事,带领观众逐步进入1942年6月初发生在太平洋中途岛附近那场令人难以置信的战争……
; s8 \. o5 q2 `3 ^" z! x- DISC INFO:
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- Disc Title: Midway.2019.2160p.BluRayCD.HEVC.TrueHD.7.1.Atmos-AAAUHD
% W! p, f% q* r& f) | { - Disc Size: 92,432,673,526 bytes! q: r$ D Q: L* O I8 N
- Protection: AACS2& P; N" [% ?% { N! X7 E; F
- Extras: Ultra HD, BD-Java
6 B4 W2 e! H! B4 j6 ?3 Q, Q Y* V - BDInfo: 0.7.5.7 (compatible layout created by DVDFab 11.0.7.2)
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- PLAYLIST REPORT:9 k4 y+ N1 a9 H" w( |, m9 e
8 W; |" G3 p' m" n( i- Name: 00504.MPLS
6 L! s0 @5 ?6 C$ H+ D - Length: 2:18:25.255 (h:m:s.ms): C4 I1 ]7 Y! {' L
- Size: 80,083,243,008 bytes; Z. t$ |; ]; t4 Z- g
- Total Bitrate: 77.14 Mbps% u, s6 V3 |* ?5 w3 [
& l' u0 ~6 w) d0 }# E9 N- (*) Indicates included stream hidden by this playlist.+ \$ `0 n1 c# Q- ?$ @& f
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- Video:- M7 E3 |4 b& }# z9 L
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- Codec Bitrate Description
! [: `. R8 ?6 ?8 @ M/ Q$ a - ----- ------- -----------
E# E& t! J' S5 Q. \* d - MPEG-H HEVC Video 60534 kbps 2160p / 23.976 fps / 16:9 / Main 10 @ Level 5.1 @ High / 4:2:0 / 10 bits / 1000nits / HDR10 / BT.20205 I. X7 W0 Q7 I$ [
- * MPEG-H HEVC Video 7512 kbps (11.04%) 1080p / 23.976 fps / 16:9 / Main 10 @ Level 5.1 @ High / 4:2:0 / 10 bits / 1000nits / Dolby Vision FEL / BT.20206 o- P7 m3 u% L
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* I/ b6 ]' V N8 @" _ - Dolby TrueHD/Atmos Audio English 3638 kbps 7.1-Atmos / 48 kHz / 3638 kbps / 24-bit (AC3 Core: 5.1-EX / 48 kHz / 448 kbps)5 @ n3 f+ Y7 U
- Dolby Digital Audio English 192 kbps 2.0 / 48 kHz / 192 kbps
% {+ G% K+ u. K7 ? - Dolby Digital Audio Spanish 640 kbps 5.1 / 48 kHz / 640 kbps$ ^' y! F# A! }6 {9 `. ]
- Dolby Digital Audio English 192 kbps 2.0 / 48 kHz / 192 kbps* n2 A+ r# z7 _+ Z# E
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- SUBTITLES:. G# Z: C* r% d
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* o% H/ v! }/ {" R* Y B: d - Presentation Graphics English 27.867 kbps
9 Y6 j3 m; x n - Presentation Graphics English 31.926 kbps
. a+ ~; }% M+ E8 E, x. o - Presentation Graphics Spanish 33.908 kbps
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7 m! e* b8 W3 y4 fMidway 4K Blu-ray, Video Quality
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Note: Screenshots are sourced from the 1080p Blu-ray. . D! J! c5 D4 d# v4 o) _
" v- P+ A% r' c0 ?9 t4 J& GMidway is presented in 4K UHD courtesy of Lionsgate Films with a 2160p transfer in 2.39:1. As I mentioned in the video section of our Midway Blu-ray review, more than one camera may have been utilized, but the IMDb reports a 2K DI. As I also mentioned in the 1080p review, I was actually kind of curious, and daresay maybe a little trepidatious, about how this would look in 4K, but cutting to the chase, I have to say I was generally very favorably impressed with this presentation. The first thing I noticed right off the bat was an increase in highlights courtesy of Dolby Vision, something that's evident almost literally from the get go with regard to the sepia toned and distressed looking mastheads for Lionsgate and several other production entities. But all through this film the palette really pops spectacularly, offering both robust primaries and some beautifully modulated interstitial tones. I was especially struck by an increase in teal tones when some of the characters arrive at a post-attack Pearl Harbor at dusk at around the 20 minute mark, and much later in the film some of the reds in the submarine sequences were incredibly vivid (the red dress of the nightclub singer was also beautifully saturated). Fine detail enjoys noticeable upticks throughout this presentation, and I was actually kind of surprised to see nicer delineation in at least some of the CGI. There's still an unmistakable green screen look to some of the backgrounds, but on the whole, I felt even this element was improved in the 4K presentation. There are still some passing issues with crush in some of the darkest scenes (the early scene with Layton at a dinner party in Japan is one example). With regard to the digital grain, I was once again generally kind of surprised to see how relatively organic it looked in this version. While there are still a few passing scenes where things look slightly "dirty", notably some of the aerial material and at around the one hour mark a sequence with "Bull" Halsey aboard a carrier, on the whole I felt there was even improvement in this aspect. The mottling of the grain can give a somewhat impressionistic look to some of the imagery, as in the reeds underlying the opening credits sequence or even with regard to some of the more heavily laden CGI material. " I8 n/ P$ d/ M- x1 \
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Note: I've seen some of the posts in our Forum that some members have experienced playback issues with certain selected players. I encountered no issues with my older Oppo.
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Midway 4K Blu-ray, Audio Quality
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0 v; c4 L' v3 V; Z1 rThis has been an awesome last few weeks for those of us with Dolby Atmos setups in our home theaters, and that's once again the case with the release of Midway. Much as with the recently reviewed Ford v Ferrari 4K, Midway offered this particular audiophile a virtually nonstop listening extravaganza that regularly exploits overhead effects courtesy of the many sequences involving flying, machine gun bursts into the open air, and, of course, bombs dropping precipitously toward their target. Kind of ironically given the less than laudatory reviews the 1976 Midway's Blu-ray release received by some who actually remembered the original Sensurround experience, this Midway absolutely glories in LFE, with huge, rumbling effects emanating from the subwoofer that actually did rattle my floorboards on more than one occasion. The film also benefits from a really expressive, elegiac score by Thomas Wander and Harald Kloser which sounds fantastic as well. Dialogue is always rendered cleanly and clearly, prioritization is smart even in the very noisy battle scenes, and dynamic range is incredibly wide.0 |. l1 ~ A. F* l N/ X4 n, N
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