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The story of the Battle of Midway, told by the leaders and the sailors who fought it. ) l G& Y* V i6 Z) a; D2 x
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◎译 名 决战中途岛/中途岛/中途岛海战/中途岛战役, \# {" y/ ~' o- ]# B( _5 u
◎片 名 Midway / Battle of the Midway% |2 Z! v0 v7 c r
◎年 代 2019
. t0 `3 L/ W& d1 |$ U6 o◎产 地 中国大陆/美国5 f" q1 a5 H- `% Y9 U* _
◎类 别 剧情/历史/战争' O! {, b' }) F
◎语 言 英语
( [- M W1 W! Z! W◎上映日期 2019-11-08(美国/中国大陆)
4 t k+ P$ Q' _6 L/ `7 i% ]( h◎IMDb评分 6.7/10 from 29,404 users
! H: `. y: i5 z* K' U) ?. C◎IMDb链接 https://www.imdb.com/title/tt6924650/
2 G+ o5 I: J( H' b# H◎豆瓣评分 7.7/10 from 133,728 users c, l& @; L) D3 b& i+ R
◎豆瓣链接 https://movie.douban.com/subject/26786669/
# A( ~# P1 N+ z4 O& Z8 y◎文件格式 x264 + TrueHD5 ?( z- }6 h, J3 z" L
◎视频尺寸 1920 x 1080 2 `2 g0 C# S) q
◎文件大小 1DVD 46.12 GiB
$ Y; l% D7 l5 ^◎片 长 2:18:24.337 (h:m:s.ms)
( j k) R& ]& f7 [4 c◎导 演 罗兰·艾默里奇 Roland Emmerich! }/ O& X# h2 N
◎编 剧 韦斯·图克 Wes Tooke
+ J5 ^- D+ D8 ~/ J* v: b8 d& M◎主 演 艾德·斯克林 Ed Skrein
& M5 G8 X/ G1 F6 ` 帕特里克·威尔森 Patrick Wilson
3 W8 U7 Y7 G4 T+ I" O 伍迪·哈里森 Woody Harrelson" M. G, L4 y$ B" m/ c7 e+ N
卢克·伊万斯 Luke Evans# u( Q/ { z( `4 v
丹尼斯·奎德 Dennis Quaid5 b5 K+ r0 g ~6 |
曼迪·摩尔 Mandy Moore @3 \2 S `& H$ s. m
亚历山大·路德韦格 Alexander Ludwig) z5 ^* g9 z% p! b! `! o' V% [
艾伦·艾克哈特 Aaron Eckhart
; ?7 Z0 F1 V! O$ ?. V' q5 a 达伦·克里斯 Darren Criss
/ T" J4 w: F6 G+ n 尼克·乔纳斯 Nick Jonas
2 J7 W% o: r$ j1 Y9 u: ` 卢克·克莱恩坦克 Luke Kleintank: N- N( i0 m4 U& e
杰克·韦伯 Jake Weber T. N2 b8 I% U; n& n0 r) W6 q& m6 g
基恩·约翰逊 Keean Johnson
/ @+ j, v' v( b4 H 浅野忠信 Tadanobu Asano4 U% v% F: Z) N( [) d4 Q g* D9 B/ c0 k
大卫·休莱特 David Hewlett4 l% Y/ z. D( X2 P
马克·罗斯顿 Mark Rolston
- @( t+ M: [# R* F; I. L0 B# ] 布雷南·布朗 Brennan Brown
% \: R& a' a- q, G% R 詹姆斯·卡佩内罗 James Carpinello5 W& K/ ?( v: l* y* o/ g# K p
马修·麦考尔 Matthew MacCaull
9 t. a, C& c3 c5 o+ \3 p' z 格雷格·霍瓦尼西安 Greg Hovanessian/ t4 I* f+ |8 @! Q
杰克·曼利 Jake Manley: u9 H9 U! _! K4 z1 [6 J
杰弗里·布莱克 Geoffrey Blake
% E" {6 }8 h) u3 e 瑞秋·佩雷尔·佛斯基特 Rachael Perrell Fosket
$ v+ m7 Z n- Z# F' z 卡梅伦·布罗德 Cameron Brodeur
( ^/ R! D" t$ _ 杰克博·布莱尔 Jacob Blair# v2 b) |; s7 C, j, s* v
克里斯蒂·布鲁克 Christie Brooke
% {1 c& B3 ?5 o) y1 [: S& a/ H; x 国村隼 Jun Kunimura
- a' A8 N- E" D 泰勒·艾略特·伯克 Tyler Elliot Burke
# h! r7 j( f! d' x 丰川悦司 Etsushi Toyokawa
$ X/ s4 u% T2 }6 [ 艾梅伯·瓦尔斯 Amber Walls
7 L1 e' b" K; P" @$ @. q* [ 莫妮卡·比卡罗娃 Monika Bicarova( }8 J5 Q+ E- Z4 M3 @0 Q8 u4 K, U
托尼·克里斯托弗 Tony Christopher9 @: A7 Q( R$ r
加雷特·佐藤 Garret Sato
. F& }" x( k/ L' X7 `' I 罗伯特·克鲁克斯 Robert Crooks2 _/ ^) M- B; A( c' j# F6 v3 ^" }
埃里克·戴维斯 Eric Davis: b8 `& }- j2 b* e4 C) c7 ]8 J |
托马斯∙瓦利埃 Thomas Vallieres
& w: o7 X! A& V 约翰·洛巴托 John Lobato' R% b% K0 ?2 {4 k
迪索·拉莫斯 Diezel Ramos
; w, u9 R4 l; o" K, P 肯尼·梁 Kenny Leu
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. S7 O4 s# j' p% T+ d) \9 G, O! U◎简 介 9 h& ~7 z! G4 L+ Y( K% R- k% A
6 o) m) U" N. d/ {, u7 L 电影讲述的是第二次世界大战太平洋战争重要转折点——中途岛海战:经此一役,日本海军受到“降维打击”,美日海上实力反转,从而扭转了整个太平洋战场的局势。影片通过参战士兵和飞行员一个个鲜活的故事,带领观众逐步进入1942年6月初发生在太平洋中途岛附近那场令人难以置信的战争……
/ v& z# _! H/ l* T- DISC INFO:9 f8 _7 A8 r, \2 a. Q/ e) |
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- Disc Title: Midway.2019.1080p.BluRayCD.AVC.TrueHD.7.1.Atmos-FGT' C$ G& ~& |; {$ Z3 V5 T5 A& g
- Disc Size: 49,520,632,993 bytes( k0 Y1 U* K/ c1 x7 F& y9 J
- Protection: AACS4 S5 Z! o: ~4 Z# \; H Z
- Extras: BD-Java
! J4 ?/ ~( ?. g) V+ C. H( L$ x - BDInfo: 0.7.5.6 (compatible layout created by DVDFab 11.0.7.0)
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( }% E% S* C$ L2 ]7 J5 ~. x- PLAYLIST REPORT:- A ?) F- i( Z% @9 m6 ]5 T
" G, }8 h6 {( d: {, T8 z9 ~4 L- Name: 00539.MPLS ( v4 |# g- {. \$ D7 ^) m
- Length: 2:18:24.337 (h:m:s.ms)
; {1 v1 S" v6 K2 c4 t; P. e7 r - Size: 39,027,879,936 bytes6 G( @" J! V! I( \% @( ^6 C' E
- Total Bitrate: 37.60 Mbps4 n" U$ U) p3 u9 P1 Z. b
! x( e* c8 x; u4 g# W8 w9 e- Video:- \9 ]+ b4 m# f
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- Codec Bitrate Description . Y5 k8 _. c( _. I
- ----- ------- -----------
: t4 v6 W7 K7 H5 Z# S3 C9 u - MPEG-4 AVC Video 30169 kbps 1080p / 23.976 fps / 16:9 / High Profile 4.1
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9 m) n. A- C& p' r- AUDIO:( c% W I% A4 ?; t/ H. Y) m
- s5 i; v( o) I* g- Codec Language Bitrate Description
4 p' E2 }+ ^# { ] ] - ----- -------- ------- ----------- # Z! u M5 a) @4 x% J
- Dolby TrueHD/Atmos Audio English 3638 kbps 7.1-Atmos / 48 kHz / 3638 kbps / 16-bit (AC3 Core: 5.1-EX / 48 kHz / 448 kbps)
/ m+ G: {; d) ^( L- H - Dolby Digital Audio English 192 kbps 2.0 / 48 kHz / 192 kbps
; N+ w3 @7 {: S4 M - Dolby Digital Audio Spanish 640 kbps 5.1 / 48 kHz / 640 kbps# r2 W$ j" r+ j. ~ `
- Dolby Digital Audio English 192 kbps 2.0 / 48 kHz / 192 kbps& e+ A& U0 H0 C3 i! q+ I
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- SUBTITLES:( A2 X) |# X1 @0 ~3 j
4 c) s( ?' d5 z) B- Codec Language Bitrate Description 2 {! G* v! n. ~, m3 X/ S
- ----- -------- ------- ----------- ' T& B- c* c7 l
- Presentation Graphics English 27.986 kbps . Z" q! o8 J6 j" d$ L; i
- Presentation Graphics English 32.058 kbps & M, f% C. K" Y9 `% J& U0 i" ]
- Presentation Graphics Spanish 34.025 kbps
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! M9 l. n+ c! m( v' b _ KMidway Blu-ray, Video Quality $ b, D6 u* _3 ~! G: K
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Midway is presented on Blu-ray courtesy of Lionsgate Films with an AVC encoded 1080p transfer in 2.39:1. The IMDb lists the Panavision Millennium DXL2 as having captured the imagery (at a source resolution of 8K!), but the film's closing credits list the Red camera, so perhaps both were utilized*. The IMDb lists things were then finished at a 2K DI. I'm of two minds about the look of this presentation, frankly, and I'm also really curious to see what it looks like in 4K (I'll be reviewing that version within a day or so). On the plus side, detail levels on "real" things like, you know, actual human beings and practical props are almost always excellent, with fine detail really popping on fabrics and facial features. The CGI here is often pretty soft looking, and rather large swaths of this film have what I'd term a "300 ambience", where what certainly seem to be greenscreened backgrounds just look slightly artificial and even hazy at times. There are some interesting lighting and grading choices at play. The brief opening vignette outside in Japan in 1937 is just slightly desaturated, but with reds still predominating in the color that remains, and later moments have been tweaked toward yellows and browns. Several of the big battle scenes feature pretty prevalent grays and cool slate colors skewing toward blues. What appears to be digital grain has been added here, and to my eyes, it's not always helpful. In the opening moments in Japan, for example, and perhaps due at least in part to the brightness and desaturation already mentioned, the imagery almost looks pockmarked with black specs. This tendency recurs in later more brightly lit moments, but struck me more than once as doing little more than making things look slightly dirty. I'm scoring this at a 4.5 because the bulk of the imagery here, at least in terms of the non-CGI elements, is typically very well rendered. Your tolerance for lots of CGI in both special effects and seemingly in quite a few of the backgrounds as well as the look of the digital grain may determine how you personally feel this rates.
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^, Q/ r; S" c v Z2 Z M5 c& V* Update: This discrepancy kind of intrigued me and I did a bit of reading today. It seems that this Panavision model utilizes a Red sensor, which may account for the different data points.
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Midway Blu-ray, Audio Quality
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, j. u" ]8 p; P0 m, q9 w+ dThis has been an awesome last few weeks for those of us with Dolby Atmos setups in our home theaters, and that's once again the case with the release of Midway. Much as with the recently reviewed Ford v Ferrari 4K, Midway offered this particular audiophile a virtually nonstop listening extravaganza that regularly exploits overhead effects courtesy of the many sequences involving flying, machine gun bursts into the open air, and, of course, bombs dropping precipitously toward their target. Kind of ironically given the less than laudatory reviews the 1976 Midway's Blu-ray release received by some who actually remembered the original Sensurround experience, this Midway absolutely glories in LFE, with huge, rumbling effects emanating from the subwoofer that actually did rattle my floorboards on more than one occasion. The film also benefits from a really expressive, elegiac score by Thomas Wander and Harald Kloser which sounds fantastic as well. Dialogue is always rendered cleanly and clearly, prioritization is smart even in the very noisy battle scenes, and dynamic range is incredibly wide.
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