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A demon, raised from infancy after being conjured by and rescued from the Nazis, grows up to become a defender against the forces of darkness. 4 U) b7 x, j8 F0 p% z% P3 J
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; {, \& ` c5 ^# w% M m' ?( `◎译 名 地狱男爵/烈焰奇侠/天魔特攻/地狱男孩/地狱怪客/地狱小子
8 Y+ `, \9 w# C1 V, n: M, L◎片 名 Hellboy
- T h# G6 B) x2 W◎年 代 2004& \3 ^0 W, J4 T1 x
◎产 地 美国* s. p2 h" _7 l% e4 ?
◎类 别 动作/奇幻/冒险 Q8 T- W6 h, e& T7 m+ y2 y8 P0 F
◎语 言 英语/俄语/ r& f$ d: ?5 E/ u* k) I
◎上映日期 2004-04-02(美国)
' P9 S3 k# o. ]- y$ o◎IMDb评分 6.8/10 from 298,635 users# @/ [+ z# p& Z% ?3 x
◎IMDb链接 https://www.imdb.com/title/tt0167190/9 t. s8 S8 m+ N# P7 `
◎豆瓣评分 7.0/10 from 59,307 users5 Q/ n p& D$ \! b' t% J! P! w
◎豆瓣链接 https://movie.douban.com/subject/1308851/
$ W* t5 L e6 |# q# k! w) ]◎文件格式 x265 + TrueHD, \& y I4 z& k
◎视频尺寸 3840 x 2160
( U' Z4 E# Z. t4 p+ c- M. O◎文件大小 1DVD 81.85 GiB
& x# b7 `- ~- x◎片 长 2:12:27.939 (h:m:s.ms)( m9 u l" H; F+ D# v. K, @4 d
◎导 演 吉尔莫·德尔·托罗 Guillermo del Toro; X% a+ l# Q- |- w4 X+ {% e# h
◎编 剧 吉尔莫·德尔·托罗 Guillermo del Toro
# V5 Y' }; f( i5 b2 U 彼得·布里格斯 Peter Briggs
$ }" |! h8 s! c }6 O: \ 迈克·米格诺拉 Mike Mignola! C' Q1 _! A; b* x/ P
◎主 演 朗·普尔曼 Ron Perlman: F8 k7 U0 W# S D: G
约翰·赫特 John Hurt u ]4 y5 |, v9 o! R: n. O, ]; @
塞尔玛·布莱尔 Selma Blair
0 m) C4 U) a" U+ {% O) t 鲁珀特·伊文斯 Rupert Evans0 j+ Y4 V2 U& c3 R5 t5 E7 a( p
卡瑞尔·罗登 Karel Roden1 R4 r' Z5 N2 v2 s# M
杰弗里·塔伯 Jeffrey Tambor
# {! w, ~* N; E0 |/ y; g 道格·琼斯 Doug Jones
) r! `& D. h; b/ o 拉迪斯拉夫·伯兰 Ladislav Beran0 x5 G2 g+ L2 z. C$ E. K" |
比迪·霍德森 Biddy Hodson( Z) T+ O+ E% j/ ]. r) s
克里·约翰逊 Corey Johnson
$ Z5 e( b2 X4 L3 r3 G- d( J 凯文·特诺 Kevin Trainor
) @! V8 t8 @( T9 y0 F0 d 布莱恩·卡斯佩 Brian Caspe
0 F. R* l' ?! e: P# ]0 J. e* M 詹姆斯·巴伯森 James Babson1 u ?% y. f; ?
安格斯·麦金尼斯 Angus MacInnes
8 k7 Q6 X V+ N$ b 吉姆·霍威克 Jim Howick- W+ ~# y2 p. U; C2 }. M$ o& Z
罗里·科普斯 Rory Copus, C& r9 E: e- m# @( r6 v
+ l: ^0 s8 i" e% _! P( a- [, j, E f◎标 签 科幻 | 美国 | 魔幻 | 漫画改编 | 动作 | 美国电影 | 奇幻 | 2004
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1 E) U9 F* T6 _) z+ ?" F4 W$ b0 g◎简 介 9 N+ c! D! s) v& v2 S5 M
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二战末期,溃败的德军为了扭转局势,竟然找来了一个邪恶的巫师,企图利用他召唤出地狱男爵,打败盟军。幸亏盟军的突击队在他们进行仪式时及时赶到,顺利挫败了他们的阴谋,但这时候地狱男爵——1个婴儿已经被召唤出来了,盟军见此只好收养了他。教授布鲁姆(约翰·赫特 John Hurt 饰)是地狱男爵(朗·普尔曼 Ron Perlman 饰)的养父,他用自己的善良循循教导着男爵,男爵则利用自己刀枪不入的身体和通天本领为美国政府完成了多项特种任务。然而,阴暗邪恶的本性还是一直潜藏在男爵的心底,最终人类的善良能否战胜来自地狱的邪恶?
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. g B" P! b7 z6 B% o, N Born in the flames of hell and brought to Earth as an infant to perpetrate evil, Hellboy was rescued from sinister forces by the benevolent Dr. Broom, who raised him to be a hero. In Dr. Broom's secret Bureau of Paranormal Research and Defense, Hellboy creates an unlikely family consisting of the telepathic "Mer-Man" Abe Sapien and Liz Sherman, the woman he loves who can control fire. Hidden from the very society that they protect, they stand as the key line of defense against an evil madman who seeks to reclaim Hellboy to the dark side and use his powers to destroy mankind.
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( D& G8 R, M0 g) o, i" [- Theatrical:
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复制代码 Hellboy 4K Blu-ray, Video Quality
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The included screenshots are sourced from the newly remastered and herein included 1080p Blu-ray disc.% @3 [3 ]; F. p u
/ }- r6 w" f( P; hHellboy's 2160p/HDR UHD presentation is another masterwork from Sony. The opening sequence has an almost black and white feel to it. With the surrounding nighttime darkness and the predominance of blues and grays there's opportunity for the UHD transfer to present is qualities with remarkable precision, finding perfectly and gracefully balanced HDR color grading in a difficult sequence where zaps of lightning, high intensity spotlights, and sporadic colors (red Nazi banners) merge with the predominately bleak tones to give the sequence a jolt of visual excellence that is only complimented by the finely honed textures and corresponding organic grain structure. Skin tones are proficient here despite the relative lack of tonal intensity, looking a little pallid and gray but perfectly balanced and blended with the surroundings. Beyond the opening sequence the movie favors largely warm and/or steely tones. There are not many truly and traditionally dizzying displays of color. It's very subdued but the HDR coloration allows it to pop as needed. Intense blues and oranges in chapter seven, for example -- a merging of fire and water -- offer some of the most fundamentally pure color punch the image has to offer. Various character tones are perfectly nuanced and deep, including the obvious ones like Hellboy and Abe, but human skin in any light enjoys healthy depth and detail within the constraints and parameters of any given lighting condition. Brights are intense with exceptionally balanced whites and black levels are perfectly refined whether considering dark attire or shadowy corners. 6 u+ ^- {: g" |
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The 2160p resolution brings a crispness and clarity to the movie that exists well beyond the old Blu-ray and is a clear step above the newly remastered 1080p presentation. The image is organic and sophisticated, pure and without any obvious blemish. The level of clarity is astonishing. Close-ups of the various practical make-up and costume elements reveal amazing attention to detail that don't simply reveal Hellboy's skin intricacies and crevices and designs but rather begs viewers to explore them, to take measurements, to reach out and touch them, to feel the tactile pieces and learn what the character is truly about. The same goes for Abe's complexly designed skin. Environments are ultra-sharp and even under some challenging or less-than-ideal lighting conditions find an extraordinary level of clarity and visual insight that allows viewers the opportunity to soak up the fine-point construction details and appreciate the production design complexities at every turn. Human skin and clothing details are precise. Grain is organic and pure, a delight that brings the picture to strikingly beautiful and filmic perfection.
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The newly remastered 1080p Blu-ray is certainly no slouch. It's an excellent representation of the film, finding many of the same qualities. There's undoubtedly a bit less in terms of absolute clarity, perfect film-like texturing, and more perfectly dense and deep colors, but considering the technical downgrade from the UHD there's nothing to dislike here. Colors cover the spectrum with commendable complexity, from intense whites to the deepest darkest tones with plenty of steely resolve and warmth intermixed in the middle. The image is texturally robust, sure and firm and while lacking the intricate complexity and inherent filmic accuracy seen on the UHD the material does push the 1080p format towards, if not directly to, its limits. Though it plays second fiddle to the UHD, Sony's remastered Blu-ray is more than capable of delivering extraordinary results in its own right. : T; ~1 c0 P7 U' y7 n- t
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Hellboy 4K Blu-ray, Audio Quality
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Hellboy's UHD disc features a Dolby Atmos soundtrack. The track is impressively large and perfectly refined. It's basically everything one could wish for for the film's audio in the Atmos configuration. Music finds engaging width and seamless surround support, bolstered by lifelike clarity. Action scenes are huge, from gunshots to explosions. Hellboy's monstrous caliber revolver offers good thump when it goes bang. An explosion in chapter seven is monumentally large, with fire flowing through the stage with raging intensity and perfectly realized positioning as it maneuvers through at furious speed. Any action element is a delight, presenting with perfectly attuned stage engagement that includes a healthy, though not usually discrete, overhead component. The top layer does work in some seamless detail on a give-and-go basis, when the situation warrants some added height elements, including overhead loudspeaker announcements at one point. The Atmos track accomplishes its task of invigorating the movie's sound design from the top to the bottom, from simple dialogue to complexly engineered and intense action. There are no gaps in coverage, no drops in clarity, no missteps in placement or prioritization. It's an invigorating, high yield track that is the perfect compliment to the movie.
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As is standard practice for a Sony release, the Blu-ray does not include the Atmos track, instead featuring a DTS-HD Master Audio 5.1 lossless soundtrack. The marketing ploy behind the practice is obvious enough; the studio is trying to create a more premium product with the UHD line, but it's a bit of a head-scratcher here with no separate Blu-ray release. Why not throw the Atmos track on the Blu-ray since buying the UHD is the only way to get the BD, anyway? Regardless, the 5.1 track is certainly not to be dismissed outright for its comparative lack of channels. It's as authoritative, fun, and full-fledged as one would expect. It's basically everything the Atmos track delivers, minus the fuller spacial awareness and perfectly harmonized precision that more channels affords. The track never wants for greater low end depth, surround stretch, or front end width, even if it lacks the absolute top-tier pureness and purpose that Atmos track delivers. It's all harmoniously put together with every component perfectly executed and well prioritized within the whole.& w) q* h2 H9 Y1 T( W& J& P6 a4 `
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