- 积分
- 64147
- 经验
- 16551 点
- 热情
- 11188 点
- 魅力
- 5337 点
- 信誉
- 14600 度
- 金币
- 570 枚
- 钻石
- 451 颗
- 蓝光币
- 10 ¥
Post Share
- 金币
- 570 枚
- 体力
- 13292 点
|
6 ^* N- \& I' E: k
% H1 |8 S0 _5 t& T; a6 N7 m
◎译 名 尘行者1 p% C4 T8 n: H$ J
◎片 名 The Dustwalker / The Dust Walker: W. a& [; g" I( n D( P9 ]
◎年 代 2019+ X. W4 Z; M1 a4 h6 Q
◎产 地 澳大利亚 Australia
, M3 w+ @% }& o; C8 M0 Z! [◎类 别 剧情/科幻6 v6 B' d/ }5 ^$ o# l L- d) x1 A
◎语 言 英语
: ]) q3 O( f; x◎上映日期 2019-10-12(澳大利亚)
/ a6 z& x3 v2 ?+ |! r+ q◎IMDb评分 3.9/10 from 600 users- ?8 [) F( W( |
◎IMDb链接 https://www.imdb.com/title/tt6816388/
0 \; e: D: b; v8 n: M◎豆瓣评分 3.2/10 from 204 users6 w' D% R' \" q$ C2 y! c8 B
◎豆瓣链接 https://movie.douban.com/subject/34962436/- [3 K% s) R- y
◎文件格式 x264 + DTS
) V8 W* k$ Y0 d◎视频尺寸 1920 x 1080
* A Z: p' [& \◎文件大小 1DVD 22.95 GiB
6 { S. z6 V2 Q◎片 长 1:34:51.310 (h:m:s.ms)
) ]5 A4 f# J; _ z" g3 e6 G◎导 演 Sandra Sciberras. x, a4 K2 I |+ V! d
◎编 剧 Sandra Sciberras
' U5 G3 a% B0 l3 _" Y* F ]◎主 演 Jolene Anderson
0 c3 x8 ?" E- \ 斯黛芬·道森 Stef Dawson' @! h9 s) @/ _" t. a- m* Y' F4 ?
Talina Naviede
( w! {7 C, P6 f5 i
& q0 R) _% K# d& `5 d! ^. \◎标 签 烂片 | 澳大利亚 | 画质极佳一剧情烂爆 | 恐怖 | 垃圾 | [歐美]9 U0 |: r" O' Z- D2 l4 a
0 z& k7 ]: M4 ]% T4 b4 x+ S◎简 介 / L& Q8 I. J1 ?9 q- k/ G! i
, t3 E2 c: U+ `- A, ^( z 乔安妮·夏普中士(Joanne Sharp)以严酷的红色沙漠中的一个与世隔绝的小镇为背景,努力保护镇上的人们,因为他们试图从一种由外星人航天器带到地球上的潜伏的寄生虫中幸存下来。
7 j1 B( s" M- s( c: }8 ?# q6 c
' Z- e% O. _( i/ |' e5 k L8 I6 p Set in an isolated town in the middle of a harsh red desert, Sergeant Joanne Sharp fights to protect the town's people as they try to survive an insidious parasite brought to earth by an Alien spacecraft.
5 P# H4 q0 t( _) v
, F2 a9 m; u2 ^2 } 一艘外星飞船坠毁在沙漠中心的一个与世隔绝的小镇上。飞船受保护装置被破坏释放出一种潜伏的寄生虫,小镇的居民和动物被这种生物感染,他们变成了暴力的、没有自身意识的杀戮机器。+ A: A% H+ f9 |6 @! a
9 Z; p- c1 W( A2 S; g An alien spacecraft crash-lands in an isolated town in the middle of the harsh desert. It’s protected content is damaged, releasing an insidious parasite that attacks the brain of all creatures including humans, making them disorientated, unnaturally strong, and violent if that’s where the subconscious takes them.
9 Y) O6 d1 B- Y7 _( b5 s1 S. N) x
# Q3 p; Y v: l: H$ m) ~! q& P- DISC INFO:
9 O' U) l( W' r2 }
! F/ N, h) S9 E- O9 c5 w4 g3 a7 U: b- Disc Title: The.Dustwalker.2019.1080p.BluRayCD.AVC.DTS-HD.MA.5.1-BaggerInc
2 X! q' V, d4 W7 y - Disc Size: 24,640,502,910 bytes
6 b0 V% ]9 t$ Q( ^ - Protection: AACS u- a- b. B+ q0 K$ S6 @$ @
- BDInfo: 0.7.5.8 (compatible layout created by DVDFab 11.0.8.0)
$ q! v# x* f/ v - 3 P0 [& H. S! U. a5 a) E; D& L
- PLAYLIST REPORT:
; {2 i% {: m; O; H% [ - ; K3 l1 g x" t0 U# O
- Name: 00000.MPLS
7 S- K& T: Q8 a# N% A5 b! l- m2 d - Length: 1:34:51.310 (h:m:s.ms)- a. ?+ {. V9 [" h
- Size: 24,187,219,968 bytes
1 l/ H( b5 ^* Y* ^' U8 K - Total Bitrate: 34.00 Mbps0 L! R6 u8 Z3 {' e. x
- . T3 D' n8 S7 b4 n( p% G3 u. x3 K
- Video:1 t2 Z: o3 H& w* Z( y
~" t# |7 |& ] ? u7 h5 ~- A- Codec Bitrate Description
5 @' G9 |0 \' }2 h& } - ----- ------- ----------- / X0 a" c U5 E" G. F' F
- MPEG-4 AVC Video 28900 kbps 1080p / 23.976 fps / 16:9 / High Profile 4.18 @7 E# P$ M- ?9 F5 B3 L7 B
- 6 I0 A& ^( \3 H3 j. s2 q
- AUDIO:
* q S% x$ G2 {/ [+ P0 J& i. B
) R3 o$ I7 m \4 o! {- Codec Language Bitrate Description % a* `$ J* v4 J& Y; H
- ----- -------- ------- -----------
9 ?- h# b4 o) P! n" L - DTS-HD Master Audio English 3361 kbps 5.1 / 48 kHz / 3361 kbps / 24-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 24-bit)
$ H2 u0 x: b1 |
5 @8 }% R7 F( [ B' n+ i- SUBTITLES: J: k& y( h* J0 J! B0 o
- , F# R9 J" R, r7 R, q
- Codec Language Bitrate Description
4 w; p" V! ]* z* ]) B; d' S - ----- -------- ------- -----------
7 B' ]' T. P6 U- a) y1 m - Presentation Graphics English 19.386 kbps
复制代码 The Dustwalker Blu-ray, Video Quality 9 i2 r T$ m0 `6 X9 r
3 \( y" l* x) W
5 |5 `7 _! q/ f; {2 gThe Dustwalker trots, or maybe better said meanders or shambles, onto Blu-ray via a burned BD-R disc, standard practice for Gravitas Ventures releases. The picture looks quite nice at a glance. It was digitally photographed and, generally speaking, yields a nice looking image that features reliable clarity and details. It's adequately sharp and capable of bringing out the finer details around the dusty town, including sand and terrain, trees, weathered structural accents, dusty automobile interiors, battered jail cells, and the like. Facial details are reliably complex, as are clothing elements. Even the digital effects show a good bit of gory complexity. Colors are even-keeled throughout, offering good balance and output intensity. Red blood is one of the highlights, of course, particularly as it's fresh and slathered all over skin where it has an opportunity to offer some real punch. The earthy tones around town -- all the dusty roadways and rocky landscapes -- likewise hold true. Flesh tones are appropriately rendered but black levels fluctuate a bit between excellent (the opening outer space shots) to poor (a followup shot on earth, pale and littered with macroblocking artifacts). Unfortunately, macroblocking is a regular companion throughout. When it's not present, the image looks fairly good. But as it appears with some frequency and density, some scenes are challenged at best and near ruined at worst. Additionally, banding appears in places (25:27, 1:23:15 for two examples) and aliasing is infrequent but seen in a handful of spots. Don't let the low-ish video score be a total deterrent; more scenes than not look fairly good, but anyone with a macroblocking sensitivity will find this one a tough watch.5 d+ l: G {( S# s, _) q
9 f: u5 n) s" f# L- f* @, j7 Z
The Dustwalker Blu-ray, Audio Quality , \( I' N7 r4 Q
& s. f; o/ p0 w2 x2 R2 H
. v# d8 P' r! ^+ G8 d# ]The Dustwalker meanders onto Blu-ray with a DTS-HD Master Audio 5.1 lossless soundtrack. The presentation is rather good in the aggregate, offering fluid soundstage extension and plenty of width and depth. Discrete effects are present and the track offers some good examples of nicely imaged movement, fluidly flowing around the stage to impressive effect. The track is obviously lower budget than would be a major Hollywood production and the limitations in fidelity and extravagance are obvious, but there's some good stuff here that even in less than perfect source elements manages to offer a bit of flair and fun. That extends to action and atmosphere alike, both of which make good use of every speaker in the configuration. Clarity is strong for both music and effects, the former of which also spreads nicely out to the front edges. Dialogue is clear and well prioritized as it emanates from a natural front-center location.
' L& j6 Q+ l2 ]% P+ b% _* v+ a |
|