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In the 1950s Brooklyn a seedy PI is hired by a shady client to track down a singer who reneged on a debt. The investigation takes an unexpected and somber turn.
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I6 x. U2 V1 o7 ~/ Q◎译 名 天使之心/天使心/天使追魂/赤裸天使/安格尔的心) R- \! f( k& Z
◎片 名 Angel Heart9 V4 R9 p/ X8 h8 Q& H' b# B6 E! j
◎年 代 1987& @, J" @# F7 ^2 G" y" J
◎产 地 美国/加拿大/英国
1 j: \- Y5 m) q/ d |; s◎类 别 悬疑/惊悚/恐怖! T" @; X& z, R5 T# b1 ~
◎语 言 英语/法语$ ?1 h9 v, I) |/ S, K) E) |+ v. Y
◎上映日期 1988-11-17; h# t9 M2 `0 R. y$ p
◎IMDb评分 7.3/10 from 76,624 users
8 N3 X3 L6 ?% S◎IMDb链接 https://www.imdb.com/title/tt0092563/2 a0 [& h$ f! Y8 u4 [ P# J
◎豆瓣评分 7.1/10 from 1,628 users4 }9 W. v& M4 h2 E9 j
◎豆瓣链接 https://movie.douban.com/subject/1294764/: k0 [- N! d( [' q% R9 Q1 n# s! Z4 ]2 N
◎文件格式 x264 + DTS J, K0 G( |: I5 q2 u
◎视频尺寸 1920 x 1080
! V" g# y! A0 `! k4 Q4 O% H◎文件大小 1DVD 40.39 GiB
4 @: a& `* J2 M o! E◎片 长 1:53:11.750 (h:m:s.ms)
( U& i/ ?7 [' z3 |◎导 演 艾伦·帕克 Alan Parker
. T' R( X9 m; Q4 g/ s8 p" ]◎编 剧 威廉·乔兹伯格 William Hjortsberg; L2 e6 J0 V/ A3 q5 r" n3 O0 `
艾伦·帕克 Alan Parker/ e# R3 H. b8 N9 ?8 z
◎主 演 罗伯特·德尼罗 Robert De Niro
& I, }- D4 g, T; p) ~ 米基·洛克 Mickey Rourke
" Q* f/ U: V7 i. o 莉莎·博内特 Lisa Bonet
: `: s q/ P8 S 夏洛特·兰普林 Charlotte Rampling% ]( m$ ?( y) p. P; \9 S
斯托克·丰特列乌 Stocker Fontelieu& Y5 f. l: ^3 r( b
布朗尼·麦吉 Brownie McGhee+ ~* u' ]( n9 ^; J0 Q4 X( x1 h
迈克尔·希金斯 Michael Higgins
* J0 l6 r, `+ ?2 M, f( q 埃利奥特·基纳 Eliott Keener
4 r, `# m& E7 {% ?8 k& H+ h1 { 查尔斯·戈登 Charles Gordone+ h ^+ O( M( p$ ?, g, o# m
达恩·弗洛莱克 Dann Florek! o& u/ i, R! }+ c
凯瑟琳·威尔霍特 Kathleen Wilhoite& t9 P: I4 [9 u; c3 Z( O
, k @( v- p, u, Z# n7 A. E◎标 签 悬疑 | 美国 | 宗教 | 惊悚 | 罗伯特·德尼罗 | RobertDeNiro | AlanParker | 恐怖
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2 \3 w# o" G0 c0 q◎简 介 * M) p. b7 v2 Q5 z/ p7 x& Z
* e' G2 I& a0 a0 p 故事开始于1955年的纽约布鲁克林区,哈里·安格尔(米基·洛克 饰)是个胡子不剃、不停抽烟的私家侦探,专门调查离婚案。一天,一个自称叫路易斯·赛佛雷(罗伯特·德尼罗 饰)的神秘外国人找到了他,要他去寻找一个叫弗沃里特的歌唱家。这项任务钱很多,看起来也很轻松,哈里就接受了。 但是,哈里在调查中发现,自己所接触的每个与这件事情有关的人,都逐一被杀害:医生福勒、玛格丽特(夏洛特·兰普林 饰)、黑人音乐家图茨、伊桑。渐渐他发觉到事情的严重与神秘,自己也深陷其中,无法自拔。
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本片改编自威廉·乔兹伯格的小说《堕落天使》。% B0 r/ A8 K8 s" U$ p
& i0 I/ M: l. e) k A private investigator is hired by a man who calls himself Louis Cyphre to track down a singer named Johnny Favorite. But the investigation takes an unexpected and somber turn.
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- DISC INFO:
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- A/ U @8 G& N8 V: A+ ~- Disc Title: Angel.Heart.1987.REMASTERED.1080p.BluRayCD.AVC.DTS-HD.MA.5.1-OLDHAM2 R9 F1 `- g. k4 b) [: l
- Disc Size: 43,371,868,810 bytes" O1 a/ Q8 f! Z9 p0 }, Q r4 T: S
- Protection: AACS: j' o+ X. i4 h
- BDInfo: 0.7.5.5 (compatible layout created by DVDFab 11.0.5.1)% S2 Y1 d0 ]4 x# `: Q9 e0 L/ M
# M5 U6 k0 N+ y9 }! j7 J- PLAYLIST REPORT:
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H5 C7 x$ f: ~; n0 Z5 h- Name: 00001.MPLS * n+ S1 w* o# ]4 c/ j3 M H1 Z- {
- Length: 1:53:11.750 (h:m:s.ms)3 A/ d- H& }2 J3 t/ f: h' L
- Size: 35,866,202,112 bytes* R) [, }1 D0 ?8 r5 ~4 z! f1 z5 q
- Total Bitrate: 42.25 Mbps+ k( e' G8 P4 i4 S, h# o: A
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- Video:
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1 H! H. q1 f8 ~# {9 j% e/ p% ]- Codec Bitrate Description
; P6 n( C% d( c7 } - ----- ------- -----------
4 b/ G; s, }# a0 O2 M - MPEG-4 AVC Video 32816 kbps 1080p / 24 fps / 16:9 / High Profile 4.1
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1 M# U9 y/ j6 L- AUDIO:5 p; |1 R9 }/ G" L. c
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- Codec Language Bitrate Description & ?' |0 o2 i* W8 D7 [$ b. I
- ----- -------- ------- ----------- ) I, ^( j' }8 x: z# K2 s
- DTS-HD Master Audio English 2461 kbps 5.1 / 48 kHz / 2461 kbps / 24-bit (DTS Core: 5.1 / 48 kHz / 768 kbps / 24-bit)4 T/ t+ v8 A: d% _5 R% L
- DTS-HD Master Audio English 1001 kbps 2.0 / 48 kHz / 1001 kbps / 24-bit (DTS Core: 2.0 / 48 kHz / 768 kbps / 24-bit)
" j8 `9 c4 M0 d/ {: o4 F) f - DTS-HD Master Audio German 1627 kbps 2.0 / 48 kHz / 1627 kbps / 24-bit (DTS Core: 2.0 / 48 kHz / 768 kbps / 24-bit)1 |0 u$ G% {* M" \: v& X
- DTS-HD Master Audio French 1600 kbps 2.0 / 48 kHz / 1600 kbps / 24-bit (DTS Core: 2.0 / 48 kHz / 768 kbps / 24-bit). F& o% `& U3 A8 g: A: o; t
- Dolby Digital Audio English 192 kbps 2.0 / 48 kHz / 192 kbps
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- SUBTITLES:
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; D7 s' B+ u8 o - ----- -------- ------- -----------
% ^+ _2 Z. u6 r* U' L( Y) U" U - Presentation Graphics German 27.872 kbps / L! p2 u0 L; U7 @
- Presentation Graphics French 22.875 kbps
, H) Z$ c& j0 I7 d1 ` - Presentation Graphics German 28.229 kbps ; b3 ~1 H1 a: `4 c6 N% u+ L5 C6 ~
- Presentation Graphics French 22.191 kbps
复制代码 Angel Heart Blu-ray, Video Quality ; l! s5 ~6 c1 c( R1 {* y3 t8 p' \, R4 a
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Wow! Maybe my memory is playing tricks on me, but I have a distinct recollection of the VHS tape of Angel Heart being a dark and grimy affair, littered with omnipresent grain and virtually no contrast. I did get the Special Edition DVD when it came out, and watched it then, and appreciated the significant image upgrade that that version provided. But nothing really prepared me for the brilliantly clear and clean image of this 1080p/AVC encoded image. At last one can fully understand why Parker sings DP Seresin's praises so highly. Though often very dark and at times purposefully devoid of saturation and with a certain intentional softness which permeates many scenes, this is a film dripping in shades of lugubrious color, from the deep midnight blues which open the film, to the shocking gashes of red which portend the many murders the film contains. The film is purposefully blanched in several segments, but even those offer superior detail and contrast, especially when compared to previous releases of the film. About midway through the film, in a brief interior scene with Rourke, I had to wonder if a different film stock was utilized, as that brief moment was noticeably softer and with more apparent grain than the rest of the film. Otherwise, though, this is a really remarkable upgrade. Scenes of New Orleans streets bristle with detail and you can see for what seems like miles, far into the background of several scenes. Black levels are consistent and contrast is remarkably good, especially considering how purposefully dark a lot of this film is. A lot of the interior scenes have such abundant grain that it may bother some viewers, but I personally found it completely natural looking and in keeping with Parker's vision for the film.
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* y3 Y. L% \6 V/ m! BAngel Heart Blu-ray, Audio Quality 1 U7 {& ?* a3 k( ?! L
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The DTS HD-MA 5.1 mix offers some excellent low frequencies throughout the film which help maintain an aura of menace and dread. The repeated whispers of "Harry" and "Johnny" emanate from the side channels with the sort of subconscious terror that haunts a recurrent nightmare. The bulk of the film is simply dialogue, and that is presented cleanly and crisply through the front channels. Surround channels kick in in a couple of great sequences, notably the "voodoo" ritual, where the chanting and drum beats surround the listener with a cacophony of sounds, the "raining blood" sex scene which made the film so infamous before its release, and in a couple of car chase scenes. Otherwise, this is a remarkably subtle sound mix for a horror film, one which makes something seemingly banal like the sudden burst of chickens cackling a portent of terror. Pine's saxophone offers a reedy, almost vocal underpinning to Trevor Jones' underscore, and it is mixed well throughout the film.
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