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Italian photographer Letizia Battaglia spends her career documenting the life and crimes of the Mafia.3 |0 {4 P9 ?5 u& q
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8 u& q/ U# v7 A◎译 名 拍摄黑手党
5 J* q& T! G$ y, |; q8 j4 I/ t1 U5 \. d◎片 名 Shooting the Mafia
, Z% [. S' s/ Q1 l7 y7 {+ G◎年 代 2019
6 y% W# _4 f" [/ d1 j0 D" }◎产 地 爱尔兰
* V$ F T1 N) H- a% T) M◎类 别 纪录片" `5 z. b, q3 ? Y) z
◎语 言 英语
; T j6 x5 Z# B3 W5 \4 E. Y◎上映日期 2019-01-25(圣丹斯电影节) M. C n- V+ d
◎IMDb评分 6.8/10 from 286 users9 ^3 @8 ~; k' f v1 w4 r
◎IMDb链接 https://www.imdb.com/title/tt9358256/. q# k, b: N: b6 @9 B+ }5 f
◎豆瓣评分 0/10 from 0 users
( k* y$ o7 k+ W* M◎豆瓣链接 https://movie.douban.com/subject/30391732/
5 L8 [$ D4 \+ w7 A# Y* _, Q0 i◎文件格式 x264 + DTS- V5 _. J- k X# D# a8 y3 L. B8 D
◎视频尺寸 1920 x 1080/ Q8 c7 B- B' g! w+ j1 ?
◎文件大小 1DVD 20.14 GiB
: U0 ^! g2 ^2 ^& _4 |; y6 B◎片 长 1 h 37 min- ]1 H4 g/ X) {9 ~" b1 y) O
◎导 演 Kim Longinotto
3 s# p) c; P4 l◎主 演 Letizia Battaglia
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3 @4 D& p8 v4 z0 x- J3 U& z◎标 签 纪录片 | 爱尔兰 | 摄影 | 意大利 | Documentary | 纪录 | Mafia | 美国4 ]3 f5 c$ N- F9 }+ z. \" p! a
, T# |! y1 G" F4 u8 i◎简 介
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在西西里岛的街道上,美丽勇敢的莱蒂齐娅·巴塔格利亚用相机直指着黑手党的心脏。黑手党包围了巴塔利亚,并开始射击。她拍摄的令人震惊、威胁生命的照片记录了黑手党犯罪集团的秘密统治。: t. L( C4 B, ^
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巴塔格利亚很受欢迎。她很小就结婚生子,但她那好动的性格让她放弃安逸享乐的生活。她打破传统,致力于新闻摄影。巴塔格利亚的镜头是挑衅的:虽然她的生命处于危险之中,但她无畏地捕捉到了每天西西里人的生活——从婚礼、葬礼到残酷杀害妇女和儿童——告诉她所爱的社区的故事被迫陷入沉默。
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$ A" C8 h9 M" [% m7 ]: P◎获奖情况 9 {& I6 m" F% l: @& ]
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第35届圣丹斯电影节(2019)5 }" _# i8 C2 p9 X. o. n; y
评审团大奖 世界电影单元纪录片(提名) 金·隆吉诺托
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Video
* q! f, @ R) q( a: ?ID : 1. T7 d/ A; ^2 R6 P) E3 j8 l
Format : AVC
# F F" _6 @" Q6 _! uFormat/Info : Advanced Video Codec
$ ?% ?2 I, {' O, m2 l Z- G. wFormat profile : High@L4.1
7 L5 ]. Z8 n, N, M/ rFormat settings : CABAC / 4 Ref Frames' g# m9 V4 I4 t# h! p# C# X
Format settings, CABAC : Yes! p: p8 n# V# n: q; B8 A' |
Format settings, Reference frames : 4 frames0 u# A5 |2 c6 D" \
Codec ID : V_MPEG4/ISO/AVC6 ]& x, N0 E% f9 q
Duration : 1 h 37 min( Y2 i# c3 ~( @: S% B
Bit rate mode : Variable
2 O( G: Q' m2 r& H5 ^* E* kBit rate : 27.0 Mb/s: g" z$ S1 _3 A
Maximum bit rate : 35.0 Mb/s4 g( x5 l: C/ |# [0 l, ~
Width : 1 920 pixels" h7 ~* W5 ]9 I1 Q; D% b0 @- }$ L
Height : 1 080 pixels4 ~6 O6 q9 [. J; D: |9 ^
Display aspect ratio : 16:92 g) p9 Z8 U0 k. i7 D
Frame rate mode : Constant6 [& k7 j8 N# h
Frame rate : 23.976 (24000/1001/37687) FPS
# D1 H, h8 t( z5 U0 W1 FStandard : NTSC
9 A4 U& E7 l+ v5 e* c4 eColor space : YUV5 k) i8 w F- r: G2 N
Chroma subsampling : 4:2:0
( h8 G, E2 z! f/ a6 g/ gBit depth : 8 bits
3 ~# }. D, J/ @2 e B6 eScan type : Progressive: O: |8 G& W! t) O5 j# Y0 J
Bits/(Pixel*Frame) : 0.544
0 a3 d. Y* i# K [Stream size : 18.5 GiB (92%)
. C% Y) [2 ^2 D E( STitle : Shooting.the.Mafia.2019.ITALIAN.ENSUBBED.1080p.BluRayCD.REMUX.AVC.DTS-HD.MA.5.1-FGT; s/ I3 P+ o& }
Language : English" B( j/ Y/ Y1 D% H
Default : No
A, w: f6 H$ `) `Forced : No
! N1 a1 n" {5 p/ G4 MColor range : Limited# n% G [) g/ a
Color primaries : BT.709
+ U# U8 P) ~% k9 b1 z0 UTransfer characteristics : BT.709
. f8 Q% y+ @# U( G* MMatrix coefficients : BT.709+ j& i' a7 d( d4 w( U; N8 I! L
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Audio #1
/ v3 H6 v( x* N1 i \* |% u' RID : 22 R+ E& E" F# P; G& K( d7 ^
Format : DTS XLL ^, O! p, ~1 B2 x/ A
Format/Info : Digital Theater Systems
Z& w; B% t- M- xCommercial name : DTS-HD Master Audio
# o6 i6 V' |+ |( @9 {' s, x8 s" [Codec ID : A_DTS
0 d3 Z2 I5 t" j8 `$ e3 S6 v1 Z: gDuration : 1 h 37 min
+ O' j# M6 p! q/ ?" M dBit rate mode : Variable7 `7 L! C( W' i; v) T2 d( c
Bit rate : 1 753 kb/s
% d; j$ S. G1 [$ B2 BChannel(s) : 6 channels) d( Y9 ^+ Y8 H7 i5 x
Channel layout : C L R Ls Rs LFE) n0 {. M( @: a0 L
Sampling rate : 48.0 kHz
: Q; D7 V/ @- O& P3 o3 y( x9 AFrame rate : 93.750 FPS (512 SPF)
3 M* i4 t' r- |1 nBit depth : 16 bits, ~# @& y. R1 X3 y0 _4 o) \
Compression mode : Lossless
7 G4 t) q2 o" y1 J9 b& yStream size : 1.20 GiB (6%)
4 I, f3 }) M. z9 B: X/ BTitle : Shooting.the.Mafia.2019.ITALIAN.ENSUBBED.1080p.BluRaycd.REMUX.AVC.DTS-HD.MA.5.1-FGT
) j H; g T/ M! w: f' fLanguage : Italian- e* W8 E/ i) L% N5 O' s
Default : Yes2 y; l( c, x$ s: e- i
Forced : No! z; F4 q8 L/ s; _" B
6 W0 k( @$ s- sAudio #2
; f5 e0 @* e/ v8 sID : 3+ O) ^1 ?; }0 Y! g4 P2 _1 ^
Format : AC-3, k; u! p# g. V3 M
Format/Info : Audio Coding 3. _ g/ _! v* `$ q
Commercial name : Dolby Digital! `+ {* M4 g+ U- w$ G1 j
Codec ID : A_AC38 z4 |% F0 q0 h: |. _
Duration : 1 h 37 min
9 T9 U; b0 J8 b8 |; w8 \Bit rate mode : Constant
* m H% R1 u8 j* F, tBit rate : 640 kb/s
m: q k* p/ z9 n+ }Channel(s) : 6 channels
6 u1 W9 ~; G1 gChannel layout : L R C LFE Ls Rs
0 O4 u! ?. i& dSampling rate : 48.0 kHz' s9 U4 H# X* s) f! m
Frame rate : 31.250 FPS (1536 SPF)9 t5 p$ Y! k! ~$ Q1 w6 r
Bit depth : 16 bits
' w! [5 f! q/ x8 ~* T: Q bCompression mode : Lossy
+ j; W4 |9 l( x: y! _0 s5 q/ q& SStream size : 448 MiB (2%)
# N# d* f0 X* s/ Y4 jTitle : Shooting.the.Mafia.2019.ITALIAN.ENSUBBED.1080p.BluRaycd.REMUX.AVC.DTS-HD.MA.5.1-FGT# Z! S1 m& [8 `2 q) \/ G4 ^0 k
Language : Italian
: M0 t: m! o3 A% B- F, S8 A4 IService kind : Complete Main" p: Z3 Z: n/ [9 j
Default : No7 h6 o# k: {7 _& ~& I% R* g
Forced : No9 w( a0 A) c$ E9 s$ J4 U/ G
" F; {# w6 X, e4 h1 pMenu
" X: k" I g( W. m" v# \# S* D0 t2 b00:00:00.000 : en:Chapter 01
# ]. n9 Y9 [# L& Y$ v00:10:21.329 : en:Chapter 02, Q" \# N/ C' S I4 [( F( |
00:20:32.105 : en:Chapter 03$ n- l; B- p! z; x4 p1 G( ~4 [' |7 ?& `
00:29:56.044 : en:Chapter 04
# l0 d! Y! t' T% v00:39:42.963 : en:Chapter 05* X; J2 w/ d/ k3 g$ [0 J
00:49:54.700 : en:Chapter 06
$ _: a/ v0 {' P `7 M! g01:00:48.936 : en:Chapter 07
; Y( r7 Q' M$ e+ P01:08:02.119 : en:Chapter 08
3 O( n+ }" z6 b) D01:20:11.473 : en:Chapter 09+ W+ g" x- _5 B! X9 F
01:30:12.198 : en:Chapter 10
" W; e$ u5 Y9 A- wShooting the Mafia Blu-ray, Video Quality
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7 h- K: y& x" l2 h. F9 sShooting the Mafia is presented on Blu-ray courtesy of Cohen Media Group with an AVC encoded 1080p transfer (mostly) in 1.78:1 (as can be gleaned from some of the screenshots included with this review, some archival video is in narrower aspect ratios). As with many documentaries cobbled together from different sources, this has a somewhat heterogeneous appearance, though all of the contemporary shot material tends to offer good detail levels and appealing sharpness, though Longinotto occasionally opts for "arty" framings that can mask fine detail. The palette even in the contemporary sections is natural looking but not overly vivid. The archival still photos look sharp and well detailed, with excellent contrast for the most part. Some of the archival video is fairly soft and ragged looking, with some of it obviously having been sourced from smaller millimeter formats. & a, S$ x8 o A4 w0 N* I3 G
7 p2 o& }3 a7 l6 W; l h8 uShooting the Mafia Blu-ray, Audio Quality
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+ D7 J/ U2 L& h: oShooting the Mafia features a DTS-HD Master Audio 5.1 track in the original Italian, with forced English subtitles. I'm frankly not sure this film really required a surround track, but there is an appealing spaciousness here that is probably most evident in the occasional underscore or outdoor material. The bulk of this piece is simply talking head material, though, and in that regard the track certainly provides ample support if not a ton of surround activity.
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