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( c! P2 H2 ^" Q: Q◎译 名 迈尔斯·戴维斯：酷派始祖/迈尔士戴维斯:酷派的诞生(台)/迈尔斯·戴维斯：酷的诞生/Miles Davis：傳奇的誕生(港)6 Q* N3 S5 r4 Q6 t* w* ]
◎片 名 Miles Davis: Birth of the Cool
6 ?9 \4 {2 [/ @1 }9 g6 \3 q5 T5 @◎年 代 2019
- S: g8 m' p$ U' I7 ^◎产 地 美国
0 V8 L# }: X# `◎类 别 纪录片/音乐
^6 @6 Q# J' p. _* s, B. Q1 j◎语 言 英语
, Q; J7 o) a, n2 Q0 p" v' E◎上映日期 2019-01-27(圣丹斯电影节)5 Y j& N' Q, Z1 Y' k
◎IMDb评分 7.4/10 from 1,720 users- R$ u r! a) f& m3 b. p
◎IMDb链接 https://www.imdb.com/title/tt9358200/2 T' s+ i$ v4 |2 t& y' a- h0 H
◎豆瓣评分 8.0/10 from 115 users0 m. Z0 E o# [% W9 K
◎豆瓣链接 https://movie.douban.com/subject/30391762/
% I% C1 h5 ^$ p/ @2 }2 h% O2 I# r$ J◎文件格式 x264 + DTS ) G( l) X9 @ I7 d
◎视频尺寸 1920 x 1080' h r) m' |& m4 M; E5 e
◎文件大小 1DVD 27.15 GiB6 ^; x* f7 P4 a3 B) ]1 q
◎片 长 1 h 55 min+ a- E# V4 w0 \
◎导 演 斯坦利·尼尔森 Stanley Nelson: f2 i4 I! i" E- K/ {
◎编 剧 斯坦利·尼尔森 Stanley Nelson
5 e- V' Y( _' d7 e0 F& h◎主 演 迈尔斯·戴维斯 Miles Davis
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5 D7 [- t) @" S/ Y6 a. ?/ y◎标 签 纪录片 | 爵士 | 音乐-纪录片 | 音乐 | 美国 | Documentary | 2010s | james1 n; H$ ]( v' x2 z
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◎简 介
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( b; o- p; g0 P4 l3 K% V5 s A visionary, innovator, and originator who defied categorization and embodied the word cool: a foray into the life and career of musical and cultural icon Miles Davis.
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3 g4 H/ Y: F: G# |8 U! @$ ^- C 一位远见卓识的、创新者和发明者，他挑战分类，体现了酷这个词：对音乐和文化偶像迈尔斯·戴维斯(Miles Davis)的生活和职业生涯的一次冒险。2 L+ {! P* K, {, Y2 [$ u6 L
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Miles Davis: Horn player, bandleader, innovator. This documentary feature explores archival photos and home movies shot by Miles and his colleagues, his manuscripts and Miles' original paintings, to explore the man behind the music. / i6 `! |7 y9 z- n' x. k
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◎获奖情况
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第56届美国声音效果协会奖(2020)2 C& u! y4 D$ s( r) I
纪录片最佳音效(提名)
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1 [2 I1 L# W) t9 B$ V/ B) C' ]8 | 谷歌为您翻译：
: l6 X( [# b8 |1 X3 Z5 X 一个有远见的，创新的和创始者，他反对分类并且体现了“酷”一词：涉足音乐和文化偶像Miles Davis的生活和职业。4 A9 k, o" P3 M" A3 R2 z# }" v
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腾讯为您翻译：6 ^. N8 a* ~3 E+ N+ m% l
一位远见卓识的、创新者和发明者，他挑战分类，体现了酷这个词：对音乐和文化偶像迈尔斯·戴维斯(Miles Davis)的生活和职业生涯的一次冒险。
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. I# O! C* b/ M, P: a% ? 本站为您翻译：- N- t+ ^8 G/ O/ I# [3 W
他是一位富有远见的、革新者和原创者，他反抗分类，代表了酷这个词: 对音乐和文化偶像迈尔斯 · 戴维斯的生活和事业的一次突袭。
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Menu7 k5 P4 x2 U( D6 @- F
00:00:00.000 : en:Chapter 01
% N* Y) ?: l1 ]& w00:05:54.312 : en:Chapter 02
6 c8 n, g3 V3 a. U00:14:05.761 : en:Chapter 037 j9 q: d: _9 I1 c1 P; ^
00:22:34.811 : en:Chapter 04# Q' s0 [2 h T+ d7 E9 t
00:29:03.742 : en:Chapter 05
# ]0 u- f: h: u! |- I( }00:32:49.300 : en:Chapter 06( ^$ |6 `" O1 u* P( C) m8 x
00:40:36.892 : en:Chapter 071 Y$ h. @- J1 C$ D! P6 x) W
00:46:23.030 : en:Chapter 08
7 ?1 a$ o2 E: e# y00:54:44.281 : en:Chapter 094 H) D3 w8 G ~7 Q; ]
00:58:09.652 : en:Chapter 10
% l8 _7 U# z3 S1 V$ O9 @: i% S+ {% j01:05:13.451 : en:Chapter 110 D' o8 }0 h. U! w5 H) i5 v
01:12:06.530 : en:Chapter 12
+ p8 |0 R) z j& U. M1 k. j% S01:19:00.902 : en:Chapter 13 B+ p, k' D! Q$ n! I; ^
01:27:59.357 : en:Chapter 14# \! L+ \3 g3 D1 ?- W! H7 S' [' h: ^
01:32:33.798 : en:Chapter 15
( n1 J" p0 H% U0 v: M* M01:38:44.209 : en:Chapter 16' [+ f9 [7 k0 Z$ Y; Y
01:45:54.723 : en:Chapter 17
9 o" p9 b4 ?8 ^! C* f; w V01:52:38.585 : en:Chapter 18    , W% O: Q! \' N4 E: A, v3 d9 v+ e
* |% N- z" b9 B6 P) k2 R! [Miles Davis: Birth of the Cool Blu-ray, Video Quality 4 L6 q0 H* g# j5 \
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Miles Davis: Birth of the Cool is presented on Blu-ray courtesy of Eagle Vision, an imprint of Eagle Rock Entertainment, and Universal Music Group with an AVC encoded 1080p transfer (mostly) in 1.78:1 (occasional archival video and stills can be in narrower aspect ratios). This is often a very appealingly sharp and well detailed looking presentation, at least with regard to the contemporary interview sequences and many of the still photographs, all of which offer good detail levels and nice clarity. Some of the archival video and even some of the occasional stills certainly show the ravages of time, but some (like the repeated use of Miles sparring in a ring at a gym) are so fascinating that the quality deficiencies are probably easier to overlook.
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Miles Davis: Birth of the Cool Blu-ray, Audio Quality + {$ |9 b0 a7 C; e* u
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Miles Davis: Birth of the Cool features LPCM 2.0 and DTS-HD Master Audio 5.1 tracks. The disc is authored to default to the stereo track, and for all intents and purposes it suffices perfectly well since the music in this piece tends to be used as interstitials and it's quite often relegated to the background while various people talk over it. The surround track does open up the music, especially in the live performance material, but probably not to the extent that some audiophiles (who would want uninterrupted songs in any case) might prefer.
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