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◎译 名 余波/情,敌(台)/敌人妻(港)# p8 x( D/ R% o/ g/ J9 X! L
◎片 名 The Aftermath. a* P; p5 S" }+ n; S N: J* e9 F
◎年 代 2019
, E4 }& L6 i5 _ G& K/ q: d8 `6 D0 P◎产 地 英国/美国/德国
' y( J! } r% ~) U4 {7 V1 {◎类 别 剧情/爱情/战争/ s3 d8 X' e) p0 V% A$ r+ V
◎语 言 英语
! [ `6 x R' Q1 {" O. h4 Z◎上映日期 2019-03-01(英国)/2019-03-15(美国)
L3 u% K9 Q4 q4 F5 w) y U" Q◎IMDb评分 6.3/10 from 14,559 users
! t; L8 S% @7 p# I' B◎IMDb链接 https://www.imdb.com/title/tt5977276/
) q$ w9 V6 r: x◎豆瓣评分 6.5/10 from 5,005 users' Y& \/ Y2 i; C# x
◎豆瓣链接 https://movie.douban.com/subject/26857860/
/ s7 [+ H8 j1 `7 X9 L7 E◎文件格式 x264 + DTS6 q! |( s0 E/ s& h4 \* d( S$ Z
◎视频尺寸 1920 x 1080' h9 j( @! R5 ]
◎文件大小 1DVD 36.31 GiB
7 G( x+ S" x( f8 b8 F y◎片 长 1:48:38.011 (h:m:s.ms)( Z- n6 @0 X" Z) z9 y9 d
◎导 演 詹姆斯·肯特 James Kent
; s, ^" g7 F: W$ U◎编 剧 乔·施雷普内尔 Joe Shrapnel
4 F/ }; w! d( Q 安娜·沃特豪斯 Anna Waterhouse/ t, v$ ~* o% g3 A7 n
瑞迪安·布鲁克 Rhidian Brook. i( ~. |. D! ] [
◎主 演 亚历山大·斯卡斯加德 Alexander Skarsg?rd! g4 D8 D: p0 X) }2 \: h
凯拉·奈特莉 Keira Knightley. u6 w! _8 C$ o8 R
杰森·克拉克 Jason Clarke8 ]( V- D+ N4 M( x( o; N
凯特·菲利普斯 Kate Phillips6 j2 W9 `1 x& R. s; A1 [9 H
费昂·奥谢 Fionn O'Shea9 g4 W9 J% L" c) ]; g
雅尼克·许曼 Jannik Schümann
3 {6 F) X& \% F" Q% S 亚历山大·吉尔 Alexander Scheer) t: y6 a! ]$ o% {1 }$ ~- ]6 V
吉姆·海伊 Jim High
! r/ \% ^9 Q! m# b" D 弗雷德里克·普雷斯顿 Frederick Preston/ y0 q9 f* C D+ D% H7 _
汤姆·贝尔 Tom Bell
" q* i; k6 Y+ y/ A/ e Abigail Rice
% ` F6 n* l6 @: ^ Logan Hillier6 a+ ?' n9 t& P- q# Q) d
Flora Thiemann) |7 {7 V: n# h# J, |. @
Joseph Arkley
. K) }& E, Z. K; n% d 克劳迪娅·瓦西科娃 Claudia Vasekova6 g) A" U3 g4 R3 P" L: n
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◎简 介
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; f0 a" k5 q' A& E2 m6 M# j Post World War II, a British colonel and his wife are assigned to live in Hamburg during the post-war reconstruction, but tensions arise with the German who previously owned the house. % m; j" F' T, b7 m8 f+ s8 A
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故事发生在1946年的德国,第二次世界大战刚刚结束,战火让大地满目疮痍,家庭妻离子散。英俊上校刘易斯(杰森·克拉克 Jason Clarke 饰)和他的妻子瑞秋(凯拉·奈特莉 Keira Knightley 饰)在战争中失去了他们的大儿子,瑞秋因此非常的痛恨德国人,但是让她没有想到的是,战后,她和她剩下的家人们,要和一个名为史蒂芬(亚历山大·斯卡斯加德 Alexander Skarsgård 饰)的男人住在同一屋檐下。# t+ T- ?0 x; I9 k0 L5 {, {
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史蒂芬也在战争中失去了妻子,这让他对瑞秋没什么好脸色,两个人天天争锋相对。丧子之痛让刘易斯选择将大部分的时间和经历放在工作中,备受冷落的瑞秋每天的相处对象就只有史蒂芬,渐渐的,两人之间的关系开始转变。
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2 O" |( R9 C2 h- d d& R4 d# m% H. { In the aftermath of World War II, a British colonel and his wife are assigned to live in Hamburg during the post -war reconstruction, but tensions arise with the German widower who lives with them.
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- Disc Title: The.Aftermath.2019.1080p.BluRayCD.AVC.DTS-HD.MA.5.1-FGT0 u% P! |% s2 Q1 G0 W, \ r. q
- Disc Size: 38,984,270,469 bytes5 M8 H1 \8 C) K9 O
- Protection: AACS
+ C- H6 j/ y% b$ K8 ~6 g h$ c - Extras: BD-Java4 S4 p3 p, Q1 f! D' V
- BDInfo: 0.7.5.3 (compatible layout created by DVDFab 11.0.3.5): P6 P- K- E' p- ~, d5 f; M
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- PLAYLIST REPORT:
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, z" w; F; m) I1 M! M$ Z' y9 a( y7 H- Name: 00601.MPLS ! W: q8 j+ i$ y; P
- Length: 1:48:38.011 (h:m:s.ms)
/ p1 t4 ^( a% h9 _# W6 x - Size: 30,887,669,760 bytes
9 W! r% H, T9 b0 e2 _! _/ h - Total Bitrate: 37.91 Mbps
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+ ~! h5 P M8 ?4 @ - MPEG-4 AVC Video 30171 kbps 1080p / 23.976 fps / 16:9 / High Profile 4.1 /
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9 K2 ]3 d6 H$ b- AUDIO:' v4 V9 {2 @8 R! I3 Y
+ [( _0 H1 L2 v7 f6 M- Codec Language Bitrate Description ' L. W% p6 R O5 O" p' T
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- y j G' `4 j6 Z- G- \# ` - DTS-HD Master Audio English 3313 kbps 5.1 / 48 kHz / 3313 kbps / 24-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 24-bit). P/ Z2 a6 T. _& x( r" L& Y, `. w
- Dolby Digital Audio English 448 kbps 5.1 / 48 kHz / 448 kbps _3 K x! |1 \7 c+ q
- Dolby Digital Audio Spanish 448 kbps 5.1 / 48 kHz / 448 kbps/ ?' }2 r# _! d2 k
- Dolby Digital Audio French 448 kbps 5.1 / 48 kHz / 448 kbps4 j4 E8 _2 h" Q4 m( ~) ~! Z
- Dolby Digital Audio Portuguese 448 kbps 5.1 / 48 kHz / 448 kbps
! Z' d* ]. Q4 _2 a4 Q0 A - Dolby Digital Audio English 224 kbps 2.0 / 48 kHz / 224 kbps
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- Presentation Graphics English 21.918 kbps 0 w: A' F1 R" m; o/ N. a9 z" J
- Presentation Graphics Spanish 16.953 kbps
& _# U6 }( o: y" y1 r3 @3 R - Presentation Graphics French 18.254 kbps - m3 z* L; f& E
- Presentation Graphics Danish 16.415 kbps
% Y: _2 B* B" x - Presentation Graphics Finnish 16.601 kbps
# c; W+ d( n$ C1 J7 ~% k - Presentation Graphics Norwegian 16.881 kbps ! @% s3 I# }6 r. H$ t# d
- Presentation Graphics Portuguese 18.041 kbps : q6 x c- T# |! x
- Presentation Graphics Swedish 17.597 kbps 2 |5 D5 \- i. q, Q, W% M3 r9 v
- Presentation Graphics English 46.181 kbps
1 {# I5 ?: x6 E/ i) S8 q. V# Y - Presentation Graphics Spanish 42.227 kbps + x/ q! D0 Q' h- y- O; b
- Presentation Graphics French 42.859 kbps
0 g2 y7 S# q& l - Presentation Graphics Danish 40.122 kbps 9 C- L$ P. b6 |8 Q
- Presentation Graphics Finnish 40.287 kbps
" \1 \% p L) j - Presentation Graphics Norwegian 39.624 kbps 3 R2 x @; [( E% Q9 }3 X u& G& G
- Presentation Graphics Swedish 40.691 kbps
( {" r3 ?& }; U/ @- l - Presentation Graphics English 0.55 kbps
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The Aftermath Blu-ray, Video Quality ; H( B5 O5 P' e+ ?) v
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The Aftermath is presented on Blu-ray courtesy of 20th Century Fox Home Entertainment with an AVC encoded 1080p transfer in 1.85:1. Shot with Alexa Minis and presumably finished at a 2K DI, this is a rather winning presentation of an often interesting looking film. A lot of the outdoor material has been graded toward slate grays and ice cold blues, an approach that is coordinated with production design elements (pay attention to how many stragglers out in the cold Hamburg winter are also wearing blue or gray coats). The interior of the Lubert mansion is also impeccably detailed and includes everything from vintage paintings and furniture to then "modernist" items supposedly by such designers as Mies van der Rohe (who is explicitly mentioned in terms of one of the chairs). But what repeatedly struck me in the fine detail department were the fabrics on costumes, which often have almost palpable textures. When not graded, the palette looks natural, often favoring pastels or softer tones, especially for Rachael. Some of the CGI detailing the horrors Hamburg suffered are a tad soft looking, without a surplus of fine detail, but most of those shots are interstitial and tend not to last very long. / K& X! K+ O7 \6 _0 w5 \
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The Aftermath Blu-ray, Audio Quality
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The Aftermath features a DTS-HD Master Audio 5.1 track that can be quite nicely immersive when given the chance, as in the very opening shot of bombs exploding left to right mid-air (is it London or Hamburg?), where clear panning takes place. Other outdoor scenes, as in the gruesome attempts to dig out corpses from the piles of rubble, also contain notable surround activity, often discretely placed in individual channels. But a lot of this film takes place within the confines of the Lubert mansion, and then often with only two characters at a time within the frame, and so surround activity can tend to be limited to occasional background noises or Martin Phipps' score. Dialogue is rendered cleanly and clearly throughout.
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