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Maybe pregnant, 20 years old Lissa revises her life. # P2 d- v6 [5 \. }8 w# b# T0 q& @
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/ [" L8 j9 o4 N3 P* v6 M& }3 S◎译 名 一分为二
@; ~) q) @7 |+ @◎片 名 1/1+ c' M8 c% v0 T+ K: E/ V
◎年 代 2018' D$ P9 s0 J- L2 [2 V
◎产 地 美国
! E# j! w2 y& M E; n; N9 A◎类 别 剧情% n( G) ]8 W% V
◎语 言 英语4 f4 y4 t7 N, C
◎上映日期 2018-07-17(美国)0 w- t( g) b1 I: y8 r
◎IMDb评分 6.9/10 from 2,527 users
& {, ] x; w% D, i* L5 b◎IMDb链接 https://www.imdb.com/title/tt3445702/; @( k" q" x* n
◎豆瓣评分 0/10 from 0 users4 K |' o8 z5 \! [- M& W
◎豆瓣链接 https://movie.douban.com/subject/30277369/
4 I$ K* A6 g# S o) h }◎文件格式 x264 + DTS i+ u' b% n- p
◎视频尺寸 1920 x 1080
2 {5 A% n2 [, Q, _1 h! V◎文件大小 1DVD 18.05 GiB, [$ M, k$ \& v/ |
◎片 长 1 h 24 min& c5 K4 c; G8 [+ f% {/ v
◎导 演 Jeremy Phillips
6 ?4 ^* ~9 u4 A1 \* a$ L◎编 剧 Jeremy Phillips
3 ~7 e8 L7 D$ b! H. K* {◎主 演 琳赛·肖 Lindsey Shaw6 `1 \, X1 `" Z1 F8 j
贾德·尼尔森 Judd Nelson5 C7 N# Q- M" B& H
丹德里·泰勒 Dendrie Taylor
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◎标 签 美国 | 电影 | 爱情 | 剧情 | 2018+ o5 f! _! L) n: v
: t# y3 O# P; p◎简 介3 q' f. x& @, Q5 n' R0 ?! E. g
6 Y W" |# N- r1 @) | 气喘吁吁,胆大妄为,完好无损。描述了这部电影的风格和主要人物,1/1将观众淹没在丽莎的脑海中,这位20岁的女孩被困在宾夕法尼亚州的农村,她与性、毒品、爱情和失去作斗争。当可能的怀孕迫使丽莎认真审视自己的生活时,她和电影的结构都成熟了,照亮了前方更光明的道路。( C# c' e/ N' y3 L/ o8 T' p: d' ]
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Lissa, a twenty-year-old girl trapped in rural Pennsylvania, grapples with sex, drugs, love and loss. When a possible pregnancy forces Lissa to take a hard look at her life, both her and the structure of the film mature, illuminating a brighter path ahead.# H$ `* R: H$ {6 ^" l
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   Video
3 [6 w& U7 u+ B# f9 E. v# d* k: ^ID : 1
- j* e1 E. I8 a- @Format : AVC# B% h. V+ k4 h5 T8 @
Format/Info : Advanced Video Codec8 [3 I q7 p* h# [6 b
Format profile : High@L4.11 v$ W. [) z: T$ p/ P6 L/ [5 ?* O0 [3 _
Format settings : CABAC / 4 Ref Frames1 J6 r) m4 e+ [, b
Format settings, CABAC : Yes
1 z* o$ k1 [4 L' j- q5 {Format settings, ReFrames : 4 frames4 @: i* h: \" J+ ]4 y, L$ |. R
Codec ID : V_MPEG4/ISO/AVC
! Z X z8 L# K& j8 F* gDuration : 1 h 24 min) u& F/ Q* K6 U& \
Bit rate mode : Variable
$ ]7 n, N( \2 G8 t cBit rate : 28.7 Mb/s
! j& t9 J% `8 ] m$ |Maximum bit rate : 38.0 Mb/s
/ C- e& _/ R/ ]1 U& d. Q+ v* gWidth : 1 920 pixels
) L7 e; Q- L V; Q/ }& @& ?Height : 1 080 pixels4 C* i, _ [, u% m; E& |
Display aspect ratio : 16:9# v$ G9 w8 \+ s! M2 L: ?
Frame rate mode : Constant7 U) l; _" e! _+ P
Frame rate : 23.976 (24000/1001/37687) FPS4 ]& m8 E+ m+ k$ p/ A( k6 @
Color space : YUV
, Y& J9 O( O; k1 f5 r, CChroma subsampling : 4:2:0
/ n2 z3 t# u1 c% J# oBit depth : 8 bits5 L- \, K- }$ R. S. I& L4 K
Scan type : Progressive
# j1 _4 i% C( ^: N# ] w' h: v, kBits/(Pixel*Frame) : 0.577
$ }$ Y0 \' ?& e3 D# p; ~Stream size : 16.9 GiB (94%)7 s+ x: k8 d( e. |2 e( R
Title : 1.1.2018.1080p.BluRayCD.REMUX.AVC.DTS-HD.MA.5.1-FGT
* f. g+ |6 L( k& l4 S, O: e/ uLanguage : English
/ `8 h# C) n0 l* p/ CDefault : No/ Z" s9 ]+ p7 j9 ?
Forced : No
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5 R+ M+ o( l' V; S& I9 Z3 X; b% JAudio
/ c% ]4 p3 y/ M1 i5 U. I7 }) cID : 2) u( i" w y, F: H2 \; s
Format : DTS XLL, F6 ~( @; x1 ]: I1 B+ n
Format/Info : Digital Theater Systems7 H3 @+ |& U+ f8 ]4 G% `# r
Commercial name : DTS-HD Master Audio2 Q8 z# n$ Q, b8 r
Codec ID : A_DTS
+ O3 p) I5 Q- o' `9 }' kDuration : 1 h 24 min
: l( o. C: S9 TBit rate mode : Variable- h" I5 Z1 T. O& a
Bit rate : 1 859 kb/s
0 i; v6 D( U1 d8 {/ @4 @Channel(s) : 6 channels
0 ~, i- W# a1 uChannel layout : C L R Ls Rs LFE
" Y' c |) w2 fSampling rate : 48.0 kHz
0 d6 e4 P \1 T! G# TFrame rate : 93.750 FPS (512 SPF)
6 Q, c) y8 R, J$ I9 NBit depth : 24 bits
" R3 C9 C* U* \& t" G! dCompression mode : Lossless
1 Z/ u- G+ j6 S- ^2 s2 s# jStream size : 1.10 GiB (6%)+ R4 G2 ^7 f5 P8 m; i9 H
Title : 1.1.2018.1080p.BluRaycd.REMUX.AVC.DTS-HD.MA.5.1-FGT
7 _3 n- z: `/ M4 C: E3 NLanguage : English
0 j/ w) A* e. r0 p lDefault : Yes* J) m# T( i( V
Forced : No
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* C; [5 x' X' R5 b* c9 E6 c( Y- KText- z2 |* t% x7 f2 H% w5 j9 e
ID : 3
- P" K0 t' O5 p2 a) z7 g+ aFormat : PGS) U9 q2 P3 M1 r
Muxing mode : zlib
. ]7 A, k$ n6 ~ XCodec ID : S_HDMV/PGS
- E- J6 a5 F- N2 H) Y( ^$ dCodec ID/Info : Picture based subtitle format used on BDs/HD-DVDs! k+ B3 i! \; P' C! c! N+ w. ^
Duration : 1 h 20 min
7 r0 n) x' C. U6 D) R" TBit rate : 48.6 kb/s& f9 p4 u4 K E6 X; N
Count of elements : 1606
* m1 d# E" i( E8 K7 x* G0 mStream size : 28.0 MiB (0%)) t, e$ }* m( F$ I
Title : English-PGS5 ~& S; k9 t! ?6 `. D$ Y; o+ [ q' K
Language : English
* A; L7 {. v9 dDefault : Yes" d6 ]& W; Q/ R S3 s
Forced : No$ s$ x. k$ _& e; Q- h% u, \
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Menu8 F6 {3 ?: p% K# X
00:00:00.000 : en:Chapter 013 |' w) F |' ?
00:10:07.231 : en:Chapter 020 b, ?2 ]( d+ \! V# v
00:18:49.670 : en:Chapter 03/ _8 i( A4 g x
00:29:03.158 : en:Chapter 04* P+ B( B) n8 O9 h$ J
00:41:25.941 : en:Chapter 054 o9 R* m S2 h% r. Q+ I1 o
00:51:50.607 : en:Chapter 069 G2 Z7 C, D8 v6 u
01:02:49.766 : en:Chapter 07& P t/ }" Y$ i2 o) H# w% ~
01:10:08.579 : en:Chapter 08
, }' E1 n* W" z1 s0 e01:24:27.228 : en:Chapter 09 1/1 Blu-ray, Video Quality 5 b. l0 o3 C6 Y. D9 }8 T9 i
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- D4 B$ l9 _6 g; Q4 dThe AVC encoded image (1.89:1 aspect ratio) presentation contributes a sharp look at the frenzied filmmaking of "1/1." Detail is exceptional, isolating facial particulars to best showcase emotional wear and tear, and set decoration is clearly defined, adding to the viewing experience. Outdoors are deep and textured, with the rural setting captured. Costuming is fibrous. Colors are also healthy, from the accelerated hues of Lissa's whirring mind to real-world hues, finding greenery appealing and clothing varied. Skintones are stable. Delineation is acceptable. Some banding is detected, and blocking is present.
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1/1 Blu-ray, Audio Quality / _6 V4 @6 F% q: r7 |9 C7 P, k
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$ _3 |' O( m/ _" Z5 U5 K1 @4 AThe 5.1 DTS-HD MA sound mix remains quite active, in charge of creating a claustrophobic space that mirrors Lissa's daily life. Sound effects are emphasized, with precise tapping of arms and lighting of cigarettes, and atmospherics are communicative, grabbing a feel for tight rooms and open air. Dialogue exchanges are sharp and true, capturing emotional nuances and confrontations with care. Scoring is supportive, with exact instrumentation, while heavier beats give the low-end something to do.
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