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◎译 名 少数派报告/关键报告(台)/未来报告(港)
7 |- G( ^; q0 r% d1 u5 l/ C4 F◎片 名 Minority Report. s! ~# D6 ]) h7 m- S7 @5 M
◎年 代 2002
0 u/ {5 L- M$ \/ l! ]◎国 家 美国
" Q. }) J( |9 d5 r5 c3 q4 E$ g◎类 别 科幻/惊悚/犯罪
6 ^; \& c4 x+ _! n◎语 言 英语/瑞典语& _3 @# o% L7 L
◎上映日期 2002-06-21(美国)
" K0 [0 [8 O a1 Y◎IMDb评分 7.6/10 from 492,929 users9 Q) |0 e9 H. ?; m
◎IMDb链接 https://www.imdb.com/title/tt0181689/
" R0 q+ W' }5 y& l- X. P◎豆瓣评分 7.8/10 from 125,821 users# _" E- _1 B) T% ], [ U+ p
◎豆瓣链接 https://movie.douban.com/subject/1297689/, x# P9 z" b; @) ]! Z2 u
◎文件格式 x264 + DTS5 w5 z/ u2 g* e6 `% r: a
◎视频尺寸 1920 x 1080
$ B! b p. E/ W# v8 ]◎文件大小 1DVD 44.58 GiB
; M. a7 b/ U9 B5 s* ~◎片 长 2:25:15.331 (h:m:s.ms)
: a1 g3 [( P' s( v# D* O8 v◎导 演 史蒂文·斯皮尔伯格 Steven Spielberg5 }$ }4 U7 ~8 _8 K5 Q* X
◎编 剧 斯科特·弗兰克 Scott Frank
" L) S5 {+ t: \$ U" e 乔恩·科恩 Jon Cohen- G" R& s1 b1 u, e" U
菲利普·K·迪克 Philip K. Dick
) U* A! M9 W& X◎主 演 汤姆·克鲁斯 Tom Cruise1 M1 F! J# C# M# v# ?/ x
科林·法瑞尔 Colin Farrell
, t8 r- Q* n+ o3 f6 b 马克斯·冯·叙多夫 Max von Sydow
. s! \9 ]2 G# G/ s3 x6 q 萨曼莎·莫顿 Samantha Morton
$ L, U' s. Z3 E; j5 Z7 n 凯瑟琳·莫里斯 Kathryn Morris7 ^& S) X3 O* E. l7 [- G
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◎简 介 3 x" y" S: ~8 {- H! [0 [
* R- d" S6 I: v) a4 F" j2 K In a future where a special police unit is able to arrest murderers before they commit their crimes, an officer from that unit is himself accused of a future murder.0 T. R7 |: _( }
; g1 L, R! G2 v, Y: E 随着科技的发展,人类发明了能侦察人的脑电波的“聪明”的机器人――“先知”。“先知”能侦察出人的犯罪企图,所以在罪犯犯罪之前,就已经被犯罪预防组织的警察逮捕并获刑。+ u- e% m `7 H( j9 }
( {! `& H& V8 S8 Z' K 乔恩(汤姆·克鲁斯 Tom Cruise 饰)就是犯罪预防组织的一个主管。在一次通过“先知”成功阻止了一起因外遇引起的双人命案之后,乔恩隐约感到了这一套完美的预防犯罪系统中隐含的秘密,那就是少数派报告。原来,共有三个“先知”一起判定一个人是否有杀人企图。当出现分歧时,按少数服从多数原则定案,但最后若证明少数那一方是正确的话,则会秘密保存一份少数派报告。1 t4 q- \3 B, L+ Y% Q
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乔恩一觉醒来,突然发现自己已是昔日同事的抓捕对象。乔恩唯一的出路就是找到能证明自己清白的那份少数派报告……4 D* c) m2 s P% P0 Z
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In the future, a division of the police department has the technology to arrest killers before they commit crimes. When officer John Anderton is himself accused of a murder he has yet to commit, he must go rogue in order to uncover the mystery of said murder.7 V1 B6 ]1 m( R1 L
, i2 |' _" x$ S4 ~* S! Y# d1 X◎获奖情况
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1 d; Y* m/ X! a 第75届奥斯卡金像奖 (2003)- S" i/ E8 v! h8 e
最佳音效剪辑(提名) 嘉里·瑞德斯托姆 / 理查德·姆尼斯7 y7 M# v7 H7 w9 @- s* ~
% D" K( k$ j. `; L1 [
第56届英国电影学院奖 (2003)
! | z" c) Z4 n! _0 h; O 电影奖 最佳特殊视觉效果(提名) 斯科特·法勒 / 内森·麦克基尼斯 / 亨利·拉伯塔 / 迈克尔·兰蒂里$ n, {5 y- b/ U, V* }- ~! \
- DISC INFO:
7 Z! e* Y; `% y" C - Disc Title: Minority.Report.2002.1080p.BluRayCD.AVC.DTS-HD.MA.5.1-FGT2 ^- X5 ~4 b# E" L' [
- Disc Size: 47,865,481,306 bytes
& c5 O6 z; p8 z: n; D - Protection: AACS
4 H! C% v1 W2 u7 v, y/ ` - BD-Java: Yes8 G K. W* P! X! o, Z
- BDInfo: 0.5.8
, a+ }$ X# f J. q2 M7 `( { - PLAYLIST REPORT:
7 P Z3 |" A) g1 K9 \ - Name: 00001.MPLS/ E' Y' _! x6 {7 c- e7 T
- Length: 2:25:15.331 (h:m:s.ms)
9 m4 e" u' X$ v - Size: 47,201,415,168 bytes! l2 ~% ]5 G. V7 R
- Total Bitrate: 43.33 Mbps( v& @9 U3 u3 X
- Video:
0 H: n2 Y% Q# I- C$ P1 W - Codec Bitrate Description
6 k2 \: C8 V: ` - ----- ------- ----------- ( V4 J2 v9 ~- T4 L) Y% x
- MPEG-4 AVC Video 37148 kbps 1080p / 23.976 fps / 16:9 / High Profile 4.1" c( ~' r9 k f4 w) U
- AUDIO:
+ P; U: {! c# a - Codec Language Bitrate Description 5 s% e. C. Z$ M/ {
- ----- -------- ------- ----------- Y; h, _( m2 ~, k
- DTS-HD Master Audio English 3015 kbps 5.1 / 48 kHz / 3015 kbps / 24-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 24-bit): r# p8 |! P+ s5 V
- Dolby Digital Audio French 640 kbps 5.1 / 48 kHz / 640 kbps / DN -4dB d/ `2 d( d( g
- Dolby Digital Audio Spanish 224 kbps 2.0 / 48 kHz / 224 kbps / DN -4dB / Dolby Surround8 I% b9 l( g6 L. @
- SUBTITLES:
$ K$ p2 W( q" y9 w - Codec Language Bitrate Description
5 n& o% \) n8 h: }. }! l* W - ----- -------- ------- ----------- ( |# Z& ]1 {3 @& @& {
- Presentation Graphics English 39.053 kbps
+ ~6 @4 w( h2 ]9 L8 F \ - Presentation Graphics French 26.064 kbps # J: y' r% `7 J8 k) {, `$ L
- Presentation Graphics Spanish 30.640 kbps
- z) N8 C- I4 c" _ - Presentation Graphics French 0.033 kbps ?4 S% j* Z. S: ]) ^
- Presentation Graphics English 36.678 kbps
复制代码
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: N- ?7 n: P1 t8 l; [, O& f8 j% TMinority Report Blu-ray, Video Quality
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According to the packaging, this Blu-ray release of Minority Report comes from a "Spielberg-approved HD Master," and the results are indeed spectacular. This 1080p, 2.39:1-framed transfer retains a finely-tuned layer of grain that sometimes swells to enormous proportions but nevertheless lends to the movie a wonderfully gritty film-like texture that allows for the retention of an awe-inspiring level of fine detail and gives the film, in conjunction with the spectacular special effects, the "glitzy-meets-rough" visual tone that accentuates the thematic elements of the story. Colors often feature a washed-out tone; the picture is built around a color scheme that's heavy on blacks, blues, and grays, with every other shade -- whether the plants found in a greenhouse in one scene or even the film's most vibrant sequence, a flashback to a public swimming pool -- diluted to match the dreary tone that's dominant throughout the film. The dark texturing, then, demands strong shadow reproduction, and in that area Minority Report doesn't disappoint. Blacks are incredibly deep and natural without even a hint of swallowing up the screen, and there's never a point where they become unnaturally bright, either. This transfer also boasts incredibly strong detailing, particularly in solid objects such as brick façades and street surfaces where texturing proves nothing short of amazing. Likewise, the image reveals every nuance in faces, whether wrinkly lines or individual strands of facial hair, and while on the subject, flesh tones -- while a bit ghastly -- appear spot-on insofar as they blend in with the picture's drab tone. A few errant speckles are visible in the scenes with the heaviest grain structure, but they barely distract from the image and indeed, seem almost a part of the rough-and-tumble texture the film employs. Paramount has proven time and again that they're capable of delivering some of the absolute finest Blu-ray transfers on the marketplace, and Minority Report solidifies the studio as a leader in top-quality Blu-ray releases both new and catalogue.
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/ u5 {4 T3 ` b W9 `Minority Report Blu-ray, Audio Quality 1 c/ ?9 o, p; C5 t( x2 r8 }
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Paramount brings Minority Report to Blu-ray with a top-quality DTS-HD MA 5.1 lossless soundtrack. Every aspect of the track is reference worthy, whether the tight low end or the playback of John Williams' score. The track never seems too quiet or too aggressive, always instead managing to find the perfect balance for the tone of the scene, whether more quiet and contemplative moments or heart-stopping action sequences. The track delivers fully convincing atmospherics; a thunderstorm and the accompanying heavy rainfall as heard in chapter three are presented with a full surround presentation that effortlessly draws the listener into the environment. The next scene inside Anderton's apartment features light background music and the hint of the same thunder and rain storm outside, continuing on with the track's wonderful sense of immersion. This DTS track features plenty of back-channel activity to draw the listener into the movie, whether buzzing futuristic traffic that seems to maneuver throughout the soundstage or rocket packs that allow police officers to swoop about the listening area with a seamless whoosh. The latter -- and plenty of other effects -- are carried by a prominent and tight but never once overpowering or excessive low end that's convincing and natural, delivering a good rumble that's strong enough to rattle the soundstage but not tear it down to its foundation. John Williams' score enjoys a crisp and powerful presentation that's of the utmost fidelity and enjoys a wonderful sense of space as it flows into the room, and dialogue reproduction is consistently accurate and crisp. Like the video presentation, Minority Report's lossless soundtrack defines what the Blu-ray experience is all about.0 u, M) f, T1 O! W' ~5 H
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