霹雳男儿/雷声四起 [4K蓝光原盘 自带中字] Days of Thunder 1990 2160p BluRaycd HEVC TrueHD 5.1-WhiteRhino 60.34GB

A young hot-shot stock car driver gets his chance to compete at the top level.
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- K1 a  }& Y8 c# M  a4 A◎译　　名　霹雳男儿/雷霆壮志/雷声四起/雷鸣的日子
3 @- K6 Z# X. H◎片　　名　Days of Thunder
◎年　　代　1990
/ j$ p" v% n+ G* X◎产　　地　美国
8 U" v4 c, @: B5 S$ x◎类　　别　剧情/动作/爱情/运动
* \+ v1 d4 D# P8 Q( e2 G( {( k" ]◎语　　言　英语
◎上映日期　1990-06-27
◎IMDb评分  6.0/10 from 76,248 users
◎IMDb链接  https://www.imdb.com/title/tt0099371/
◎豆瓣评分　6.8/10 from 1,824 users
& e+ |; W* S) }. @8 E4 ?◎豆瓣链接　https://movie.douban.com/subject/1292746/
( ~, d/ P9 M. I2 ^$ P! Q6 Y6 S◎文件格式　x265 + TrueHD
◎视频尺寸　3840 x 2160
◎文件大小　1DVD 60.34 GiB
◎片　　长　1:47:17.097 (h:m:s.ms)
◎导　　演　托尼·斯科特 Tony Scott
◎编　　剧　罗伯特·汤 Robert Towne
◎主　　演　汤姆·克鲁斯 Tom Cruise
4 \$ z. |1 ]7 Y* ^9 G$ r0 P" Y  ^　　　　　  妮可·基德曼 Nicole Kidman
1 l: g2 [9 i/ O5 a: ?4 J+ D　　　　　  罗伯特·杜瓦尔 Robert Duvall
8 v9 `8 r# E* q; o; f　　　　　  户田惠子 Keiko Toda
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) l, T* R: `) L7 r1 w  R◎标　　签　TomCruise | 美国 | NicoleKidman | 励志 | 汤姆·克鲁斯 | 爱情 | 美国电影 | 1990

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4 b4 O( l* j7 \　　赛车版的《壮志凌云》
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　　杰克是一名职业赛车手，对胜利和赛车冠军充满了渴望，在走出失败的阴影之后，他在女友的鼓励及赛车设计高手哈里的帮助下，决定再次挑战对手联手向雷特那赛车冠军发起了冲击。经过惊险万分比赛，最后终于赢得了冠军！
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　　Talented but unproven stock car driver Cole Trickle gets a break and with the guidance of veteran Harry Hogge turns heads on the track. The young hotshot develops a rivalry with a fellow racer that threatens his career when the two smash their cars. But with the help of his doctor, Cole just might overcome his injuries– and his fear.

# E, F7 e! h3 |0 c3 z◎获奖情况  
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2 L3 Y9 X& d, E- ~$ q$ n; a$ f　　第63届奥斯卡金像奖(1991)
3 t5 D5 ?- W* p9 b3 ]　　最佳音响(提名) Donald O. Mitchell / 凯文·奥康奈尔 / 里克·克莱恩 / Charles M. Wilborn

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1. DISC INFO:
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2. 
   
3. Disc Title:     Days.of.Thunder.1990.2160p.BluRayCD.HEVC.TrueHD.5.1-WhiteRhino
   
4. Disc Size:      64,785,389,591 bytes
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5. Protection:     AACS2
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6. Extras:         Ultra HD, BD-Java
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7. BDInfo:         0.7.5.9 (compatible layout created by DVDFab 11.0.8.8)
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9. PLAYLIST REPORT:
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Days of Thunder 4K Blu-ray, Video Quality   


The included screenshots are sourced from the remastered 1080p Blu-ray disc.
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0 [9 k7 b/ ~) y' {. tParamount's UHD release of Days of Thunder looks very good, but it's not perfect. The new 2160p/Dolby Vision presentation compliments the film nicely in total well, delivering an oftentimes striking presentation that is absolutely faithful to the picture's shot-on-film roots. It boasts an intact grain structure which does demonstrate a propensity to push a bit sharp in some of the more challenging scenes, particularly in low light (Harry Hogge building the car in chapter four) or some of the challenging shots on the race track. Some of the more intense grain fields can push more noisy and swarming rather than organic; look at the 10:50 mark as Trickle takes the car around the track. The sky looks like it's dancing with clumpy noise; the effect is much less subdued, if noticeable at all, on the Blu-ray. When Trickle gets out of the car and shakes hands with Buck, the background looks incredibly harsh-edged, processed, and digital, particularly the black horizontal line running across the screen. The same doesn't look anywhere near as harsh on the Blu-ray. One could make the case that the Blu-ray edges out the UHD in this area, at least. Unfortunately Paramount has not included it in this set to make that comparison easy; it's only available as part of the studio's "Paramount Presents" line.
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Generally speaking, though, the resolution boost does allow textures to breathe a little more. Skin details are tack-sharp, as are clothing lines, including Trickle's denim jacket, various racing suits, and environmental elements both natural and manmade, on the track and away from it. And when the grain is consistent, as it is for the majority of the picture, it ranks as one of the better looking images, in terms of film-like texturing, on the format. The Dolby Vision color grading brings with it a heightened sense of realism to tones, at least within the film's lighting structure. Parts of the movie push somewhat warm while others thrive in dynamic low light conditions, particularly when the opportunity presents for a bright light source to penetrate the shadowy surroundings. Colors find excellent fidelity and faithfulness, offering improved saturation without dialing up contrast too far or fundamentally altering a core color temperature. Tones are deeper in general, offering more favorable fullness and dynamic range, extending across essentials like skin tones, clothing hues, and environmental shades. The City Chevrolet car and corresponding uniforms seen in the first act jump off the screen with beautifully dynamic green and yellow tones and perfect gradations. There's just enough added color oomph to bring them to more vivid life compared to the otherwise excellent Blu-ray, which is itself certainly not lacking on color stability and output abilities; this is just a fortified version thereof. Whites are more dynamic and brilliant here and blacks are deeper without sacrificing shadow detail. The image looks excellent overall. There are some odds and ends that might give less forgiving viewers pause but the majority of the movie looks great.

5 J" o" h- O# EDays of Thunder 4K Blu-ray, Audio Quality   
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Days of Thunder's UHD disc does not conclude a Dolby Atmos soundtrack but rather a Dolby TrueHD 5.1 lossless soundtrack, the same found on the concurrently issued remastered Blu-ray. The track is agreeably guttural and dynamic, offering a healthy, vigorous compliment to the movie's racing scene needs. Cars dart around the track with impressive feel for natural movement and the throaty engine depth engages the low end forcefully but with commanding balance and authenticity. Combined with energetic music, stretching far and boasting excellent definition throughout the range, and the racing scenes dazzle. The track finds firm command of less intensive score in dialogue scenes, which also boast fine atmospheric elements in support of the spoken word, which presents with natural positioning and clarity. It's a shame Paramount didn't make the effort to expand the track into the Atmos configuration, which would have only boosted the feel for immersion during races and allowed the public address announcements heard during the climactic race to take on a more natural dispersal and top end positioning, but as it is the 5.1 track handles the content with the intensity and depth it demands.
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