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A deeply disturbed man, prowls the seedy streets of New York City to stalk and slaughter innocent young women." Z8 Q; q& M+ x2 E0 V8 A/ B
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◎译 名 疯子8 @. z4 A0 A6 N1 ]( o. i2 T2 a# U$ @
◎片 名 Maniac# I q' \9 o. `/ ~! M# X. |! Q
◎年 代 1980
9 B- A2 R( \! `6 x5 ^) j◎产 地 美国9 V* L) t) z' o0 h% p( _1 H1 G& h8 s( p
◎类 别 剧情/惊悚/恐怖, }% q7 e( z' R+ Z9 N0 ^7 x V
◎语 言 英语+ ^3 R) F3 T- w# \ U
◎上映日期 1980-12-26(美国)
! j2 I7 _# }- p) b◎IMDb评分 6.5/10 from 13,767 users
, o$ u$ X* h; E/ T( }! @◎IMDb链接 https://www.imdb.com/title/tt0081114/
4 r; m m/ \. _◎豆瓣评分 6.2/10 from 398 users
2 T- e' K: k# s7 N; @/ Q◎豆瓣链接 https://movie.douban.com/subject/1293634/
+ i8 D5 u1 Q- r$ Y: n0 t# [' E◎文件格式 x265 + TrueHD
" w/ M5 U, m3 k$ y# Z1 V0 J* @1 W◎视频尺寸 3840 x 2160
* Z3 ?) ^& F& @) F0 G, y◎文件大小 1DVD 67.92 GiB
A, P" a+ g) i/ q2 b7 |+ |" D3 C" y8 C◎片 长 1:27:53.268 (h:m:s.ms)* F* ~% o9 K" Q
◎导 演 威廉·拉斯蒂格 William Lustig0 t4 I! j6 \- ] e; n" a% u' j. Y
◎编 剧 C.A. Rosenberg
: g9 ?' G2 M+ I7 \7 Y 乔·斯皮内尔 Joe Spinell% y- Q, S/ } M& r0 y: j8 H( `
◎主 演 乔·斯皮内尔 Joe Spinell( X- }8 i& }$ W* c; B
卡罗琳·莫罗 Caroline Munro& d- [& O, P/ v4 x3 i) d
阿比吉尔·克莱顿 Abigail Clayton3 [ M% ]4 Z, A/ @ f( N7 k
Kelly Piper1 r4 \ @, I, z/ ~; H/ V; h7 i
Rita Montone
2 Q5 I2 J- e- c' p! f 汤姆·萨维尼 Tom Savini$ W; c- v3 l- |7 _8 @1 u
Hyla Marrow
/ Q( M+ y# B" f y James L. Brewster; V3 w+ f& X$ T2 G, r6 O
Linda Lee Walter$ a. ?" f6 X. G+ x i8 V) w) _% q
Tracie Evans2 F0 H# \9 x% d+ n) M+ k
莎伦·米切尔 Sharon Mitchell& Q! y- t4 N/ }' k
Carol Henry
o: X4 N2 z: Y! r% ?7 t Nelia Bacmeister
; j- c+ F. T! p8 a; A Louis Jawitz
4 ^% Z* T8 Y* W% Q% { Denise Spagnuolo. m( }( Y4 R- N* y% F
威廉·拉斯蒂格 William Lustig" ?! V" A8 ?% n! j+ S4 o
7 o2 U9 r3 M+ b1 F2 k◎标 签 恐怖 | 美国 | 惊悚 | 美国电影 | 1980 | 1980s | 疯子 | 血腥
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弗兰克(乔·斯皮内尔 Joe Spinell 饰)和母亲过着相依为命的生活,虽然母亲常常虐待他,但弗兰克对母亲还是有着深深的依恋。在一场意外中,母亲不幸丧生,痛不欲生的弗兰克常年压抑的扭曲性格终于爆发了,他将自己的悲伤和愤怒都发泄在了杀戮之中。: I: I$ k) Y- A q, q: G
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弗兰克常常诱拐无知的年轻女性回家,杀死她们,并且残忍的损坏她们的尸体,这种种行动能够让弗兰克发泄心中的压力,修复回忆的伤痛。一天,弗兰克邂逅了名为安娜(卡罗琳·莫罗 Caroline Munro 饰)的女子,很显然,他选择安娜成为了自己的下一个目标。弗兰克对安娜展开了火热的攻势,而安娜很快就就范了。
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7 g3 _- D( K o1 |! i A psychotic man, troubled by his childhood abuse, loose in New York City, kills young women and takes their scalps as his trophies. Will he find the perfect woman in a photographer, and end his killing spree?; t- G- B3 }- ?
1 j4 r7 J( t9 |- DISC INFO:
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- Disc Title: Maniac.1980.2160p.BluRayCD.HEVC.TrueHD.7.1.Atmos-WhiteRhino
8 Y+ D Y! R! @ K - Disc Size: 72,928,079,923 bytes2 f- R h( k7 }
- Protection: AACS2: J* T* z+ T+ p
- Extras: Ultra HD
2 e) o; P# D8 K# ^+ d - BDInfo: 0.7.5.9 (compatible layout created by DVDFab 11.0.8.9)
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- PLAYLIST REPORT:9 `+ n- @: X0 l4 v( U
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- Length: 1:27:53.268 (h:m:s.ms), N) Z# T3 y* J2 R# K Y2 C0 W
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# r) J8 _: K) Y3 j! d - Total Bitrate: 99.53 Mbps
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- * MPEG-H HEVC Video 4760 kbps (5.86%) 1080p / 23.976 fps / 16:9 / Main 10 @ Level 5.1 @ High / 4:2:0 / 10 bits / 1000nits / Dolby Vision FEL / BT.20201 h5 O( L: D( x% q. h/ L8 N
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- DTS-HD Master Audio English 3890 kbps 5.1 / 48 kHz / 3890 kbps / 24-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 24-bit)
2 O* G5 F, [5 |# B2 Z$ h9 l+ z& f# `7 U. E - DTS-HD Master Audio English 1574 kbps 2.0 / 48 kHz / 1574 kbps / 16-bit (DTS Core: 2.0 / 48 kHz / 1509 kbps / 16-bit)
; ~+ T# I: P8 |- C) B - Dolby Digital Audio Spanish 192 kbps 2.0 / 48 kHz / 192 kbps& z7 W" @0 m7 `. s0 s \
- Dolby Digital Audio French 192 kbps 2.0 / 48 kHz / 192 kbps+ x2 I# S2 K5 I! L0 ~& @! A
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1 X- b$ j6 s* _6 U6 J1 V6 [ - Dolby Digital Audio German 192 kbps 2.0 / 48 kHz / 192 kbps
/ F# v6 }$ ]* R- R( A- W9 N# m3 H) h - Dolby Digital Audio English 192 kbps 2.0 / 48 kHz / 192 kbps
* x b |; q# } - Dolby Digital Audio English 192 kbps 2.0 / 48 kHz / 192 kbps5 h! v, X9 i* z& |
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: b. q- @# H1 }8 D7 F - Presentation Graphics Portuguese 21.229 kbps # G0 g7 Z1 O, ]% G% @; O% c
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复制代码 Maniac 4K Blu-ray, Video Quality
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Presented in its original aspect ratio of 1.85:1, encoded with HEVC/H.265 and granted a 2160p transfer, Bill Lustig's Maniac arrives on 4K Bluray courtesy Blue Underground., l/ E! o' l: ^% x) t9 `' h' c E5 X
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The release is sourced from the label's recent 4K 16-bit restoration of the film which was introduced on Blu-ray in 2018. You can see our listing and review of this release here.; K0 \9 s. ]0 w" B# x
8 V: V6 ^5 A; Q5 ^/ c( j! ]; X: \+ cFirst, I think that this release offers a bigger upgrade in quality than the upcoming release of Lucio Fulci's Zombie, but not because the technical presentation is done differently. Rather, the native qualities of the 16mm material are such that the move from 1080p to 2160p actually produces stronger and perhaps easier to appreciate improvements. More importantly, these improvements are not just in darker areas where nuances and shadow definition typically look superior in 2160p -- delineation, sharpness, clarity, and fluidity now appear more convincing throughout the entire film. Viewers with larger screens that pay attention to grain exposure should also easily recognize the more even and 'tighter' appearance of segments that reveal some small density fluctuations in 1080p. (Screencapture #9 is from one such segment). Furthermore, when viewed in Dolby Vision the 4K presentation reveals a superior color scheme. The primaries look more vivid and have wider ranges of supporting nuances, even in segments where the original photography makes some appear slightly muted. This makes quite a difference during nighttime footage where unique lighting routinely impacts the viewer's perception of depth. Also, I would like to specifically mention that the blacks have expanded nuances that undoubtedly contribute to the superior delineation. Stability remains the same. All in all, I think that the move from 1080p to 2160p gives this film the type of solid cinematic organic appearance that usually movie theaters provide. It is quite incredible, really.
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Maniac 4K Blu-ray, Audio Quality
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The 4K Blu-ray release features a Dolby Atmos audio track that was prepared exclusively for it. The Blu-ray release that emerged a few years ago has English: DTS-HD Master Audio 2.0 and English: DTS-HD Master Audio 7.1.
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The new Dolby Atmos track introduces new dynamic contrasts, which I think is exactly what folks that like this film will expect from it. The difference is pretty significant and easy to appreciate. However, all of the organic sounds and noises become more prominent as well. Interestingly, I think that the overall dynamic balance is actually managed better, so transitions sounded more even to me. Or, it could very well be that the new mix creates the impression that it is so. The atmospheric score sounds wonderful, so if you can, turn up the volume quite a bit while viewing the film with the Dolby Atmos track.4 Y; z! S) R# v* ~& n9 }1 W- R
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