汉尼拔/人魔/沉默的杀机 [4K蓝光原盘] Hannibal 2001 2160p BluRaycd HEVC DTS-HD MA 5.1-TERMiNAL 78.38GB

Living in exile, Dr. Hannibal Lecter tries to reconnect with now disgraced F.B.I. Agent Clarice Starling, and finds himself a target for revenge from a powerful victim.

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◎译　　名　汉尼拔/人魔(台)/沉默的杀机(港)/沉默的羔羊2/汉尼拔尔
◎片　　名　Hannibal
) H8 e* g( t- ^9 N! d( A* Y◎年　　代　2001
0 ]( z9 ~( w9 [' Q2 i◎国　　家　英国/美国
◎类　　别　惊悚/犯罪
, ]) t  O" Q! E- E1 u9 V& @/ r◎语　　言　英语/意大利语/日语
◎上映日期　2001-02-09(美国)/2001-02-16(英国)
" |3 q- h2 r2 k7 @3 o& m9 s3 ~3 z; p◎IMDb评分  6.8/10 from 248,347 users
# T/ a) ^+ |' O& f* c◎IMDb链接  https://www.imdb.com/title/tt0212985/
: o! L4 [2 i3 v" C; y! Q( e  s◎豆瓣评分　8.2/10 from 132,810 users
, X1 U! `# j1 ^" G% d$ e% R, `◎豆瓣链接　https://movie.douban.com/subject/1301746/
8 A* {$ Z' M) J◎文件格式　x265 + DTS
◎视频尺寸　3840 x 2160
7 T) ~' ^1 g" q, P5 o◎文件大小　1DVD 78.38 GiB
& l1 h; \7 I, t6 l1 }% e* M" |+ j* `◎片　　长　2:11:26.250 (h:m:s.ms)
; R2 x+ K: g  q; b3 Q3 g7 E# [◎导　　演　雷德利·斯科特 Ridley Scott
◎编　　剧　大卫·马梅 David Mamet
　　　　　  斯蒂文·泽里安 Steven Zaillian
　　　　　  托马斯·哈里斯 Thomas Harris
◎主　　演　安东尼·霍普金斯 Anthony Hopkins
　　　　　  朱丽安·摩尔 Julianne Moore
) B5 I+ |2 o6 Y　　　　　  加里·奥德曼 Gary Oldman
　　　　　  雷·利奥塔 Ray Liotta
: j2 K# y. ]5 \8 ]7 J7 e　　　　　  弗兰基·费森 Frankie Faison
# G6 [9 W% r7 Y/ ^& L　　　　　  吉安卡罗·吉安尼尼 Giancarlo Giannini
( l0 L! h( ], q+ S+ C- F/ Y* S- F　　　　　  弗朗西斯卡·内莉 Francesca Neri
　　　　　  泽利科·伊万内克 Zeljko Ivanek
　　　　　  荷砦尔·古德曼 Hazelle Goodman
. O! u; m0 K2 `* F　　　　　  大卫·安德鲁 David Andrews
0 |4 U4 |, }5 ^, x. t+ {1 V　　　　　  弗朗西斯·奎南 Francis Guinan
/ @* _+ H3 l; ?' @9 B　　　　　  James Opher
3 D  m# ]; Q. d　　　　　  恩里克·洛维索 Enrico Lo Verso
) g1 k. r2 d0 F& x' P　　　　　  Ivano Marescotti
8 Z- o& Y, D; W% h% n　　　　　  法布里齐奥·吉福尼 Fabrizio Gifuni
　　　　　  亚历克斯·科拉多 Alex Corrado
5 \. k/ o  a+ m7 C; B0 U2 C4 y8 x　　　　　  罗伯特·里耶蒂 Robert Rietty
　　　　　  泰瑞·塞尔皮科 Terry Serpico
8 Q; w' z- u) o; s; \　　　　　  博伊德·肯斯特纳 Boyd Kestner
; l' v0 }/ x) ^　　　　　  Peter Shaw
7 N! U0 I- p! Y' K! m7 Z1 r5 r　　　　　  唐·麦克马纳斯 Don McManus
% S- D% C! c2 P5 n. S9 p9 `. r　　　　　  特德·科赫 Ted Koch
　　　　　  阿伦·克雷格 Aaron Craig
　　　　　  安德里亚·皮耶迪蒙特·博迪尼 Andrea Piedimonte Bodini
　　　　　  Ennio Coltorti
　　　　　  马克·马戈利斯 Mark Margolis
, v; ?, T9 F" Q: X) j  }9 }　　　　　  阿杰·奈杜 Ajay Naidu
9 d9 t+ K: |$ ^- i　　　　　  詹妮娜·法西奥 Giannina Facio
2 P7 n9 X4 b6 s1 A　　　　　  Andrew C. Boothby
　　　　　  朱迪·阿伦森 Judie Aronson
　　　　　  Danielle de Niese
4 g8 V" S0 s" S, ~/ P　　　　　  道格拉斯·克罗斯比 Douglas Crosby
　　　　　  Renne Gjoni
& Y9 [+ u5 }1 D/ a, c　　　　　  Dalton Gray
　　　　　  杰米·哈罗德 Jamie Harrold
4 b% U  [2 u  A8 g　　　　　  查克·杰弗里斯 Chuck Jeffreys
　　　　　  贾利尔·杰伊·林奇 Jalil Jay Lynch
6 ?2 `6 }3 v: s. r( l　　　　　  Phil Neilson
　　　　　  布瑞恩·斯米吉 Brian Smyj
　　　　　  Sebastiano Somma
　　　　　  Anthony Wanzer
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1 L& N/ a$ c0 I' g- x; M6 i◎标　　签　惊悚 | 汉尼拔 | 心理 | 犯罪 | 悬疑 | 美国 | 经典 | 美国电影

◎简　　介　

　　本片是《沉默的羔羊》十周年纪念日推出的续集，这一集故事仍然改编自作家托马斯哈里斯的小说。

　　从高度戒备的医院逃脱的汉尼拔（安东尼·霍普金斯 Anthony Hopkins 饰）恶习难改，继续寻找他的“猎物”，不料成了曾在自己刀下侥幸活命的梅森（加里·奥德曼 Gary Ol dman 饰）的猎杀对象。梅森是一个罪大恶极的恋童癖，曾经强暴过自己的亲妹妹，年轻的时候逃狱，并且接受过人魔汉尼拔·莱克特的心理治疗，但汉尼拔·莱克特却害他半身瘫痪并且严重毁容，现在必须靠人工呼吸器维生。但是他拥有庞大的财产，并且不断收集各种不同的儿童，希望能把汉尼拔引出来，进行恐怖的报复行动。无奈之下汉尼拔求助于克莱丽斯探员（朱丽安·摩尔 Julianne Moore 饰）。两大恶魔对决，到底谁胜谁败？

　　Years after escaping custody, the brilliant but psychotic Dr. Hannibal Lecter settles in Italy and becomes the curator of an art museum in Florence, even learning to curb his appetite for human flesh. Back in the States, FBI agent Clarice Starling has been discredited by the bureau and her nights have been haunted by dreams of her past conversations with Lecter. Mason Verger, a twisted pedophile whose encounter with Lecter left him disfigured and paralyzed, places a bounty on Lecter's head. When Clarice gets word, she goes in search of Lecter to warn him and unwittingly becomes a pawn in Verger's plans for revenge.
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1. DISC INFO:
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3. Disc Title:     Hannibal.2001.2160p.BluRayCD.HEVC.DTS-HD.MA.5.1-TERMiNAL
   
4. Disc Size:      84,160,929,092 bytes
   
5. Protection:     AACS2
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6. Extras:         Ultra HD
   
7. BDInfo:         0.7.5.3 (compatible layout created by DVDFab 11.0.2.9)
   
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12. Length:                 2:11:26.250 (h:m:s.ms)
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13. Size:                   83,574,159,360 bytes
    
14. Total Bitrate:          84.78 Mbps
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22. MPEG-H HEVC Video       67499 kbps          2160p / 24 fps / 16:9 / Main 10 @ Level 5.1 @ High / 4:2:0 / 10 bits / HDR10 / BT.2020 /
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31. Dolby Digital Audio             English         192 kbps        2.0 / 48 kHz / 192 kbps
    
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Hannibal 4K Blu-ray, Video Quality   

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% q% T. K% z2 \3 RThe included screenshots are sourced from a 1080p Blu-ray disc. Watch for 4K screenshots at a later date.

" q. t6 e/ M9 @6 k3 K* V$ ZThe comparisons between Hannibal's UHD and Kino's newly prepared Blu-ray are particularly interesting. That 1080p disc is very good and certainly a massive upgrade over an aging MGM (MPEG-2 encoded!) Blu-ray, and this UHD is, in turn, a fairy stout improvement over Kino's excellent 1080p offering. The 4K/Dolby Vision-enhanced presentation delivers great improvements to both detail and color, certainly over the decade-old BD but also Kino's own 1080p transfer. The 4K imagery is noticeably more firm and rewardingly cinematic. Everything from intimate character portraits to wider vistas enjoy exceptional definition. A shot of a car approaching Mason Verger's estate at the 16-minute mark offers a fairly striking point of comparison. The pavement leading to the gateway is of particular note, offering a tangible, tactical surface grit. The complexity enhances the shot manyfold. The shot is also a strong example of the added color depth. The Blu-ray appears comparatively light and overly bright. Once one sees that shot, or any in the movie for that matter, back-to-back, there's really no going back to the Blu-ray. Green grasses outside the estate, notably in an expansive distance shot at the 16:50 mark, are astonishing for color depth.
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% W; J8 R. g3 I/ O( `  X& O2 eIn the scene to follow, when Starling meets with Verger in his darkened room, the UHD pushes the shadows harder, refusing to allow them to lighten for better visibility. The added density certainly helps better define the scene's tonal and dramatic construction, even if it decreases visibility, and it's also an interesting point of reference for improved white balance and brilliance on the curtains that are closest to a light source at the top-right-hand side of the frame. Grain is better managed on the UHD in this scene (and throughout); one can tell the film stock is being pushed a good bit on both formats here, but density and stability are better on the UHD. Hannibal Lecter appears in close-up at the 31:41 mark (31:54 on the Blu-ray). The shot represents another terrific point of comparison for the vast improvements in color rendition and textural might. It's a beautifully composed shot that isolates the character against the background and allows for an intimate study of the UHD's superiority. Similar improvements to detail and color hold for the duration. The film offers a number of breathtaking shots of both character close-ups and wider environmental elements. Both yield very tight, firm, and filmic textures that are enhanced by a richer Dolby Vision color palette that never betrays the movie's tones but rather strengthens them with improved gradation, vitality as necessary, and depth where warranted. But what's important is how the film plays in motion, and there's no mistaking the cinematic bonafides and extremely high yield textural and color output. The transfer compliments the film beautifully in every scene. Add that there are no troublesome source or encode anomalies of note and it's simply a joy to watch.
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4 @9 |9 ?4 D* l" Y, p0 ^Hannibal 4K Blu-ray, Audio Quality   


+ Q6 E. w# L, B& h4 M4 p3 U# WHannibal's UHD disc includes the same DTS-HD Master Audio 5.1 lossless soundtrack included on the studio's Blu-ray. Below is reproduction of that audio review.
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One similarity between this disc and the original 2009 edition is the DTS-HD Master Audio 5.1 lossless audio encoding. The tracks are not identical, at least not technically; the older track plays with a larger bitrate in the 3.0-4.0 Mbps range while this one hovers around 1.5-1.8 Mbps. The added bitrate on the older track does not necessarily make it a superior track. Indeed, there are certainly no significant differences. The fish market shootout remains an engaging explosion of gunfire, slams, screams, and other chaotic sounds. Various one-off effects throughout sound generally similar between the two tracks, including squealing boars and a deeply whirring fan during a hazy surgical procedure late in the film. This new track might boast a mild increase in sound separation and immersion, slightly more precision placement, and modestly improved clarity, but don't expect a radical departure from the decade-old MGM offering. This track's essentials are handled well. Rainfall at the 62 minute mark proves very nicely saturating. There is good bustle in a police office at the 39 minute mark and later at the 65 minute mark after an opera, both examples of mild but immersive and well engineered din that brings the location to life. Ditto bustling city streets in various exteriors throughout the film. Music enjoys adequately wide spacing, modest but essential surround support, good clarity, and fair low end extension. Dialogue is handled well. It's naturally prioritized, detailed, and located firmly in the center channel beyond one or two fleeting moments of larger amplification.
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