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Living in exile, Dr. Hannibal Lecter tries to reconnect with now disgraced F.B.I. Agent Clarice Starling, and finds himself a target for revenge from a powerful victim.) T4 @1 x; G: L2 Z V5 i
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; {5 @6 }7 T, W◎译 名 汉尼拔/沉默的羔羊2/人魔(台)/沉默的杀机(港)/汉尼拔尔0 V' Q+ I. a4 O ]4 ?0 f& J
◎片 名 Hannibal) D- N% X6 X& K- y5 L, U' A
◎年 代 2001
8 m1 i5 e+ @3 _" N" T$ m' s8 l+ S2 I; T◎国 家 英国/美国( Z5 I' ^" R% X5 M- n- \" g
◎类 别 惊悚/犯罪, V% c* p4 T5 @$ _9 f {0 ]" L
◎语 言 英语/意大利语/日语
! D1 X* d8 M; e% }( h◎上映日期 2001-02-09(美国)/2001-02-16(英国)( Z. z8 q7 K, h7 ^8 `
◎IMDb评分 6.8/10 from 248,547 users' {. Y& d2 B+ n; N/ W1 X
◎IMDb链接 https://www.imdb.com/title/tt0212985/
# D' z( ?( n$ {- |& D" E& v3 ]◎豆瓣评分 8.2/10 from 133,234 users
3 R/ V* t1 \% ~4 x+ Q. G+ J◎豆瓣链接 https://movie.douban.com/subject/1301746/- f& O9 p, @4 u) T, ~
◎文件格式 x264 + DTS
# w' g5 N( Y; I' F, @◎视频尺寸 1920 x 1080$ l; e) z- a1 @: F
◎文件大小 1DVD 45.06 GiB
" [8 d2 o5 \, G6 w6 |( n7 w◎片 长 2:11:45.147 (h:m:s.ms)" [$ D% ~1 K+ j2 J' J3 ?- {8 h
◎导 演 雷德利·斯科特 Ridley Scott& G5 u- @+ u% ^+ b+ e% ~2 L
◎编 剧 大卫·马梅 David Mamet
: ^/ Z8 W% \( _+ s; x 斯蒂文·泽里安 Steven Zaillian
5 T% q, T b6 ^3 j 托马斯·哈里斯 Thomas Harris1 E" A/ Z/ w8 g/ x8 \
◎主 演 安东尼·霍普金斯 Anthony Hopkins
) J/ n' |! [0 r: _2 W8 |( m 朱丽安·摩尔 Julianne Moore
, G2 [) N% U- e+ J 加里·奥德曼 Gary Oldman# R# O# S: m2 h
雷·利奥塔 Ray Liotta
! ?: M W1 I t: P# K2 S 弗兰基·费森 Frankie Faison
5 a' R ~+ h6 f: q! H1 u% L) l 吉安卡罗·吉安尼尼 Giancarlo Giannini
2 y' l8 g8 q( ?( ^& V7 P6 H 弗朗西斯卡·内莉 Francesca Neri
4 L# m2 G6 G" V' Q0 | 泽利科·伊万内克 Zeljko Ivanek
: x; G9 D. N1 B* x% K7 v; }3 F 荷砦尔·古德曼 Hazelle Goodman
' T1 ?: ?9 l* l6 w' B" V- F: T 大卫·安德鲁 David Andrews
0 K I# e& h0 ]( w$ a9 D 弗朗西斯·奎南 Francis Guinan( c! {* y! [/ Q. l
James Opher
" F N8 Q" V1 J& M& T 恩里克·洛维索 Enrico Lo Verso
; y- u- C; F1 j& H3 k/ c* h; x* n! Z Ivano Marescotti
- T' r* n: U$ M8 }$ Y5 r* n 法布里齐奥·吉福尼 Fabrizio Gifuni
7 X; c; f; p$ ]8 Q& `4 B: Y5 n5 [- D 亚历克斯·科拉多 Alex Corrado$ P3 W. s( h [7 `! T2 d! N& U
罗伯特·里耶蒂 Robert Rietty3 \: H, C7 b* u' e' ? O: R# p( s
泰瑞·塞尔皮科 Terry Serpico
$ v M6 \ a: _3 `; h1 _' [! r 博伊德·肯斯特纳 Boyd Kestner$ i- X8 E1 Q2 F! ~. |! R2 ^
Peter Shaw
' \. ^& H, o$ Z 唐·麦克马纳斯 Don McManus
2 V0 ?3 T! n: q- U 特德·科赫 Ted Koch
2 X% D4 ~* | b# t 阿伦·克雷格 Aaron Craig) b3 H1 Q; w8 Z6 ?0 a$ G
安德里亚·皮耶迪蒙特·博迪尼 Andrea Piedimonte Bodini/ a& f+ _3 T! D1 [- x1 S" {" j
Ennio Coltorti8 [! X& C/ r4 H% p
马克·马戈利斯 Mark Margolis9 P& h1 Z9 G F/ a# a
阿杰·奈杜 Ajay Naidu
1 Q9 x" r- q2 c; D: s; O( d 詹妮娜·法西奥 Giannina Facio/ j9 T6 @- Y" {9 X! B
Andrew C. Boothby
# A* `0 j* ]( `$ ~ 朱迪·阿伦森 Judie Aronson4 _+ l- b1 ~7 g+ L: r2 B a* l# [
Danielle de Niese
# _+ k( [8 ~. p! P$ L( z5 f 道格拉斯·克罗斯比 Douglas Crosby
, o# I/ t4 u4 ? Renne Gjoni
& K$ O3 k# w0 p, I Dalton Gray- l f& i) j0 {. {0 S* q& R
杰米·哈罗德 Jamie Harrold
8 J+ |/ k) E' E: m% J' V! s! L' ` 查克·杰弗里斯 Chuck Jeffreys
6 X9 B) @* M$ } 贾利尔·杰伊·林奇 Jalil Jay Lynch9 g6 Y1 u- @4 {/ o
Phil Neilson2 M, c$ c/ A/ G1 d& J% |5 A, R
布瑞恩·斯米吉 Brian Smyj, y) x$ L, H* E9 k" z5 B4 B. L
Sebastiano Somma
5 z6 N; D8 h0 p" a: a) a, p Anthony Wanzer
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◎标 签 惊悚 | 汉尼拔 | 心理 | 犯罪 | 悬疑 | 美国 | 经典 | 美国电影
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2 _" J- M8 i9 v- L1 G◎简 介
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本片是《沉默的羔羊》十周年纪念日推出的续集,这一集故事仍然改编自作家托马斯哈里斯的小说。5 W# l( p3 @/ X: b! k+ u
5 a% S7 F: K& `5 Y; L 从高度戒备的医院逃脱的汉尼拔(安东尼·霍普金斯 Anthony Hopkins 饰)恶习难改,继续寻找他的“猎物”,不料成了曾在自己刀下侥幸活命的梅森(加里·奥德曼 Gary Ol dman 饰)的猎杀对象。梅森是一个罪大恶极的恋童癖,曾经强暴过自己的亲妹妹,年轻的时候逃狱,并且接受过人魔汉尼拔·莱克特的心理治疗,但汉尼拔·莱克特却害他半身瘫痪并且严重毁容,现在必须靠人工呼吸器维生。但是他拥有庞大的财产,并且不断收集各种不同的儿童,希望能把汉尼拔引出来,进行恐怖的报复行动。无奈之下汉尼拔求助于克莱丽斯探员(朱丽安·摩尔 Julianne Moore 饰)。两大恶魔对决,到底谁胜谁败?
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Years after escaping custody, the brilliant but psychotic Dr. Hannibal Lecter settles in Italy and becomes the curator of an art museum in Florence, even learning to curb his appetite for human flesh. Back in the States, FBI agent Clarice Starling has been discredited by the bureau and her nights have been haunted by dreams of her past conversations with Lecter. Mason Verger, a twisted pedophile whose encounter with Lecter left him disfigured and paralyzed, places a bounty on Lecter's head. When Clarice gets word, she goes in search of Lecter to warn him and unwittingly becomes a pawn in Verger's plans for revenge.! Y4 c, x. K9 S; c
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- DISC INFO:
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5 ^: F1 S0 I) M ]6 I% c# | Y, }; l- Disc Title: Hannibal.2001.REMASTERED.1080p.BluRayCD.AVC.DTS-HD.MA.5.1-FGT i; O V! d; X d+ }0 ~
- Disc Size: 48,381,790,202 bytes
& I' p+ z* {2 I7 s1 _* p - Protection: AACS! T8 ~" Q8 \/ k8 y+ Z" w
- BDInfo: 0.7.5.3 (compatible layout created by DVDFab 11.0.2.9)# x9 j8 x& B2 r
5 O/ b( Q; _& [- PLAYLIST REPORT:1 y+ l9 S- K% a0 {3 o* }* h
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- Name: 00004.MPLS : F. E* p. v( Z0 \/ _$ M
- Length: 2:11:45.147 (h:m:s.ms)
+ D# ~$ o+ }6 A+ u - Size: 37,196,802,048 bytes
7 o1 B; `- Y' j6 m' Q' e. D - Total Bitrate: 37.64 Mbps
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- AUDIO:
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- ----- -------- ------- ----------- + R3 X; x; C$ Y0 u( E
- DTS-HD Master Audio English 1777 kbps 5.1 / 48 kHz / 1777 kbps / 16-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 16-bit)
1 S1 N3 X7 u% x! F6 ^& o7 ^& L1 D9 Q - DTS-HD Master Audio English 1560 kbps 2.0 / 48 kHz / 1560 kbps / 16-bit (DTS Core: 2.0 / 48 kHz / 1509 kbps / 16-bit)
! }1 q4 v$ d/ r/ e# e6 `6 I - Dolby Digital Audio English 192 kbps 2.0 / 48 kHz / 192 kbps" B/ [! C4 b% x" @
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- Presentation Graphics English 25.741 kbps
复制代码 Hannibal Blu-ray, Video Quality 1 e! [" a' L* I# P! s! R
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- M" c( V8 ?- p6 m$ AHannibal is at its best on the companion UHD release, but this 1080p Blu-ray is certainly a capable presentation and a very strong upgrade from the 2009 MGM disc. Grain management is improved and holds a very organic structure. Increases in sharpness are evident in every frame and color saturation and precision are greatly improved, even if the palette sometimes appears a little light and lacking more intense contrast (particularly compared to the Dolby Vision UHD). Still, there's no mistaking the improvements to color accuracy and vibrance compared against the aging disc, which appears dull in comparison. Take a look at Ray Liotta's Paul Krendler at the 15:11 mark. It's a good character portrait that showcases much needed clarification of his light blue shirt, dark blazer, and skin tone. Such improvements carry throughout. Kino's new disc offers comparatively crisper whites, superior blacks, and colors of much more even contrast, stability, and accuracy. Details are likewise much more firm. That same shot featuring Krendler is a good example of the vast improvements to sharpness and textural clarity and intimacy. Facial details throughout the film enjoy amplified definition. Environments are crisp and highly revealing, and Oldman's grisly makeup reveals the disfigurement in much greater detail. Some examples of heavy edge enhancement that appeared in the MGM disc -- particularly an entryway shot of Mason Verger's estate early in the film -- are gone (though edges against any high contrast area will yield a mild glow, but the trees, in this instance, no longer appear as if protected by a force field on this disc). Fans longing for a superior Blu-ray from the old MPEG-2 release have found it.
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* R; d2 b* A8 EHannibal Blu-ray, Audio Quality 6 `, Z* P: a- D; o0 U" E
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One similarity between this disc and the original 2009 edition is the DTS-HD Master Audio 5.1 lossless audio encoding. The tracks are not identical, at least not technically; the older track plays with a larger bitrate in the 3.0-4.0 Mbps range while this one hovers around 1.5-1.8 Mbps. The added bitrate on the older track does not necessarily make it a superior track. Indeed, there are certainly no significant differences. The fish market shootout remains an engaging explosion of gunfire, slams, screams, and other chaotic sounds. Various one-off effects throughout sound generally similar between the two tracks, including squealing boars and a deeply whirring fan during a hazy surgical procedure late in the film. This new track might boast a mild increase in sound separation and immersion, slightly more precision placement, and modestly improved clarity, but don't expect a radical departure from the decade-old MGM offering. This track's essentials are handled well. Rainfall at the 62 minute mark proves very nicely saturating. There is good bustle in a police office at the 39 minute mark and later at the 65 minute mark after an opera, both examples of mild but immersive and well engineered din that brings the location to life. Ditto bustling city streets in various exteriors throughout the film. Music enjoys adequately wide spacing, modest but essential surround support, good clarity, and fair low end extension. Dialogue is handled well. It's naturally prioritized, detailed, and located firmly in the center channel beyond one or two fleeting moments of larger amplification.
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