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Against the backdrop of grisly murders and child abductions, a clan of cannibalistic savages which plague the North-east Coast since 1858, is after an unsuspecting family and their innocent baby girl. Do they have what it takes to survive?, o3 \7 w# v7 R
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◎译 名 后代
" a3 _, b" v% g( j1 m; u+ _/ s+ u◎片 名 Offspring
- S* f3 v+ W8 K◎年 代 20095 `; k' A {% v9 x; p: ~8 A2 m
◎类 别 恐怖
4 v$ e4 d E9 b4 j, s◎语 言 英语
1 ^# f m1 C) ?2 K, ?# J" x◎上映日期 2009-02-05
1 ?& B" j$ o% B6 L$ R$ P$ _◎IMDb评分 4.9/10 from 2,414 users! i2 g1 e# l5 c
◎IMDb链接 https://www.imdb.com/title/tt1262413/& N5 v) v# j% o- H) k" x
◎豆瓣评分 4.0/10 from 156 users
& c/ D) Z5 f7 P◎豆瓣链接 https://movie.douban.com/subject/3148041/
$ E) d4 J8 ?; Q3 d7 X◎文件格式 x264 + DTS# Q. T; d9 |2 G( E9 f2 d: l: M
◎视频尺寸 1920 x 1080
* B! Q) M9 } N- K◎文件大小 1DVD 38.49 GiB
# h( ?/ l' p4 D# p◎片 长 1:19:09.202 (h:m:s.ms)' p Y- \) o. H: ]/ X4 ^9 m
◎导 演 安德鲁·范·登·豪滕 Andrew van den Houten, p3 C' I( m4 J( C6 j6 \
◎编 剧 杰克·珂强 Jack Ketchum
7 j: C: T1 A" d- H( a, }' [◎主 演 阿特·欣德尔 Art Hindle `. G$ W- ?+ N# {+ A
宝拉雅娜·麦金托什 Pollyanna McIntosh: x' n- F% U0 z# h: L
斯宾塞·李斯特 Spencer List
/ ?# _7 t. c- X: q 汤米·尼尔森 Tommy Nelson7 m; C7 Z) Q7 E$ l( q2 V
安德鲁·埃尔维斯·米勒 Andrew Elvis Miller
2 }* e: b4 x! O8 N# F' o Rachel White
. c( I1 |& K1 P& ~ 霍尔特·格拉汉姆 Holter Graham
+ J; V% a* \ C' s7 ^% [5 R+ [ 凯伦·皮斯托里斯 Caren Pistorius
3 U. ~& d8 S5 Z/ B; n% a' { Leigh Shannan' R3 c( J( C* |5 Y" b
艾米·哈格里夫斯 Amy Hargreaves' K ?1 B$ [0 |( C: n2 P6 C
杰克·珂强 Jack Ketchum
- k7 e8 b4 b* _5 n5 ]4 | 安德鲁·范·登·豪滕 Andrew van den Houten
5 e' s: h# ?. b3 h; h 阿特·欣德尔 Art Hindle
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5 D. u5 \ t" {8 A6 |3 L◎标 签 恐怖 | 血腥 | 美国 | 惊悚 | 我看过的恐怖电影 | 我看过的电影 | 恐怖电影 | 英语的标签
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◎简 介 $ S2 q. o: y+ q$ o/ l9 ~8 e1 A6 F
3 Q9 R4 O5 J2 p) ~5 E* K' o 本片根据作家Jack Ketchum,美国畅销排行榜第一名的同名小说改编而来;一个被人们认为已经死的杀人狂魔,从地狱归来,必定会掀起一场新一轮的血雨腥风,玛瑞和她的孩子们,成为了“死神”的目标……
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: c9 {. i+ G* k, V6 s Back with a vengeance and an insatiable appetite for human flesh...Their Time Has Come Again. Based on the acclaimed novel and adapted for the screen by best-selling author Jack Ketchum, Offspring follows the survivors of a brutal flesh-eating clan that has resurfaced in the once sleepy town of Dead River, Maine. The locals are in for a rude awakening when they realize it's the same pack that the sheriff thought he'd killed off a decade ago. Just when they thought the nightmare was over, they're about to discover that the fight for their lives has only just begun.8 H2 k2 D; X8 z$ ^
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- DISC INFO:
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, {& R) D# |3 S2 g: Z3 O- Disc Title: Offspring.2009.REMASTERED.1080p.BluRayCD.AVC.DTS-HD.MA.5.1-OCULAR5 \* u2 P% Z5 K" L
- Disc Size: 41,323,067,386 bytes
% r, _+ C- i. E7 z4 d - Protection: AACS6 S: @! q! p0 M6 C3 p) C
- BDInfo: 0.7.5.9 (compatible layout created by DVDFab 11.0.8.9), X5 C& \8 l# Y! ]- y7 Y I
- 3 n, u# ] ]+ \! H" _2 J
- PLAYLIST REPORT:0 \4 t% ?( u+ Q8 h9 r3 V
1 _9 O! _/ B& g. y& X- Name: 00001.MPLS
3 k) p- e7 |) g/ t" s - Length: 1:19:09.202 (h:m:s.ms)
4 ` s" ^: @7 u - Size: 23,709,015,552 bytes4 @; i5 U. D6 @4 `
- Total Bitrate: 39.94 Mbps s7 i9 G6 C0 h$ |, G& N" e9 y, @
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- Video:
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- Codec Bitrate Description - T# J9 G9 H- i& i2 [3 U
- ----- ------- ----------- 2 P' h7 g4 @1 y6 y
- MPEG-4 AVC Video 31746 kbps 1080p / 23.976 fps / 16:9 / High Profile 4.1
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- AUDIO:
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7 \' v( R( r9 z1 j" Z- Codec Language Bitrate Description # z% n: A3 }; w3 _4 [
- ----- -------- ------- -----------
" r, N7 u+ |9 Y. P5 T - DTS-HD Master Audio English 2986 kbps 5.1 / 48 kHz / 2986 kbps / 24-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 24-bit)6 K- T ` r" c+ q4 N8 Y/ ~
- LPCM Audio English 2304 kbps 2.0 / 48 kHz / 2304 kbps / 24-bit
) u5 N3 `, o+ O7 \# J - Dolby Digital Audio English 320 kbps 2.0 / 48 kHz / 320 kbps
4 |/ j @+ L! J3 \0 Q - Dolby Digital Audio English 320 kbps 2.0 / 48 kHz / 320 kbps
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$ ^, `9 u: q/ Y8 O- SUBTITLES:
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复制代码 Offspring Blu-ray, Video Quality $ q# K- I( q. J9 p! L6 A* V# d
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: P8 @$ K9 _5 V% y9 f& mPresented in 1080p utilizing the AVC codec (at an average bitrate of 15Mbps), Offspring is a disappointing high-definition experience. From the first scene of the film through the blood-drenched climax, the transfer exhibits a startling lack of detail, allowing haziness to creep in during at least 60% of the runtime. The low bitrate could be a contributing factor in the overly soft nature of the picture, but I'm guessing another primary factor is a lack of focused camerawork during a number of scenes. Although fine-object detail is below average, the color spectrum of the film seems to accurately replicate the intentions of the cinematographer (William Miller). In the opening twenty minutes, we're introduced to a coastal setting that at first glance seems bright and welcoming, but as the story unfolds becomes a dark, dingy hell on earth. Unfortunately, the last sixty minutes of the runtime take place during the course of one night, so moonlight or firelight becomes the primary form of lighting during the majority of the film. This wouldn't be a problem if black levels and contrast exhibited even an average level of proficiency, but the differentiation between multiple shades exhibits a level of weakness that results in a drastic loss of shadow detail. Lastly, anyone with an aversion to film grain should be aware there are several scenes with noisy backgrounds due to the incorporation of heavy grain-fields.
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Even if you consider the low-budget nature of this release, there's simply not much positive to be said about the transfer.6 t; ~: w, f& J5 P7 P# S7 v
% Y! u3 P6 H- K. }) JOffspring Blu-ray, Audio Quality
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Matters don't improve much with the lossless audio track, presented in DTS HD-MA 5.1. One of the first things you'll notice about the audio presentation is the anemic sound design, which ultimately fails to generate much in the way of chills. As we all know, a good horror movie is ten times better when the effects and music generate a creepy sense of dread, but Offspring seems content to only throw out moments of clarity when it involves sounds of ripping flesh or the crunch of an ax penetrating a skull (as I stated before, this film is not for the squeamish). Other than that, I rarely noticed much creativity in the use of surrounds. On the positive side, the opening title sequence contains some effectively chilling synthesizer music that harkens back to days of John Carpenter. As you can imagine, the opening sequence simply sets the viewer up for disappointment, since the rest of the film never manages to live up to the expectations set during the first three minutes. Moving along, the dialogue from the noticeably amateur cast feels overly flat, as if the voice-work was completed in a post-production sound booth that doesn't match the environment of the scene we're currently watching. I'm not saying the speaking parts are always that bad, but most of the dialogue-heavy scenes in the first twenty minutes of the film seem to have that off-putting nature to them.) n* G+ p! w6 ]% ~) U: }
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I'm trying to keep in mind this is a low-budget entry in the horror genre, but even when you take that into account, this is still only a serviceable audio experience (in a genre that demands much more).( L& f! P' `' S. s" p
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