惊魂记/精神病患者 [4K UHD蓝光原盘] Psycho 1960 UNCUT 2160p BluRaycd HEVC DTS-X 7.1-LsNM 90.58GB

A Phoenix secretary embezzles $40,000. On the run she checks into the remote Bates Motel, run by a young man under the domination of his mother.


: H: C8 ?: a1 G7 ~
4 T" a4 V) ^8 ?: O◎译　　名　惊魂记/精神病患者/触目惊心(港)/精神病人
2 O9 Y) f& N$ n◎片　　名　Psycho
' d0 K) f7 g% b$ N& o/ D5 k9 t◎年　　代　1960
5 |6 K& _$ i% Z3 x( G◎产　　地　美国
◎类　　别　悬疑/惊悚/恐怖
◎语　　言　英语
◎上映日期　1960-06-16(纽约首映)/1960-09-08(美国)
◎IMDb评分  8.5/10 from 589,802 users
4 S1 ^+ S1 C" g; Y  w7 |, w◎IMDb链接  https://www.imdb.com/title/tt0054215/
4 c7 ?/ X& p" I5 P◎豆瓣评分　9.0/10 from 180,077 users
* Z/ O6 V; G2 {. K$ R) z◎豆瓣链接　https://movie.douban.com/subject/1297753/
◎文件格式　x265 + DTS
9 a3 P. _( t$ [0 n' E4 u; k7 e$ [" F◎视频尺寸　3840 x 2160
# x% U. G! z  @6 J6 D# N◎文件大小　1DVD 90.58 GiB
◎片　　长　1:49:04.496 (h:m:s.ms)
% U4 _4 P% G/ _  q9 G8 H8 V' [6 Q◎导　　演　阿尔弗雷德·希区柯克 Alfred Hitchcock
◎编　　剧　约瑟夫·斯蒂凡诺 Joseph Stefano
　　　　　  罗伯特·布洛克 Robert Bloch
◎主　　演　安东尼·博金斯 Anthony Perkins
) a$ @' H2 d" ^　　　　　  维拉·迈尔斯 Vera Miles
& e- @! l5 B$ s* J4 z8 Y　　　　　  约翰·加文 John Gavin
　　　　　  珍妮特·利 Janet Leigh
　　　　　  马丁·鲍尔萨姆 Martin Balsam
& T9 b" e, q! C' O( i! e! }　　　　　  约翰·麦克因泰 John McIntire
　　　　　  西蒙·奥克兰 Simon Oakland
6 c9 c( B6 K* E7 [7 O　　　　　  弗兰克·艾伯森 Frank Albertson
5 \) f* I3 S9 V( ^6 W　　　　　  帕特里夏·希区柯克 Patricia Hitchcock
　　　　　  沃恩·泰勒 Vaughn Taylor
) X' A9 C5 y$ {/ n6 z7 g　　　　　  卢伦·塔特尔 Lurene Tuttle
　　　　　  约翰·安德森 John Anderson
　　　　　  莫特·米尔斯 Mort Mills
. k) L' ?. o9 A, F: t2 c　　　　　  吉特卡森 Kit Carson
$ @& a- H; }) u# h　　　　　  维吉尼亚·格雷格 Virginia Gregg
5 D6 i  {/ W  ^3 p' M　　　　　  阿尔弗雷德·希区柯克 Alfred Hitchcock
　　　　　  珍妮特·诺兰 Jeanette Nolan
! h' g, A. K! y. F, G　　　　　  罗伯特奥斯本 Robert Osborne
7 b$ g3 o; N. P! M* `1 z　　　　　  海伦·华莱士 Helen Wallace
　　　　　  Fletcher Allen
　　　　　  Walter Bacon
' T$ [7 w% ~" c; b3 ~1 A　　　　　  Francis De Sales
　　　　　  George Dockstader
　　　　　  George Eldredge
3 C8 w( T, G, ]- {5 q　　　　　  Harper Flaherty
5 l! L6 L  P! o. j& u　　　　　  Sam Flint
　　　　　  Frank Killmond
　　　　　  Ted Knight
　　　　　  Pat McCaffrie
: c( K3 E! N: t5 q　　　　　  Hans-Joachim Moebis
　　　　　  Fred Scheiwiller

9 Q" c1 @, a+ I% k+ N◎标　　签　希区柯克 | 悬疑 | 惊悚 | 美国 | 经典 | 心理 | 1960 | AlfredHitchcock
2 s5 ^* r& Z- h- S; o" o% Y
◎简　　介  

- u# L. ?# D! e" a! k9 [. [) N　　年轻的马里恩·克兰（珍妮特·利 饰）在Phoenix工作，深受老板洛厄里（沃恩·泰勒 饰）信任。男友萨姆·卢米斯（约翰·加文 饰）在Fairvale经营一家五金店，因要替亡父还债又要支付前妻赡养费而无力再婚，只能借出差的机会偶尔来与马里恩幽会。马里恩对此感到不满，于是在周五下午趁机携四万美元公款驾车潜逃。可是马里恩的潜逃之路并不顺利：先是在出城的时候被洛厄里目击，周六一大早又被警察怀疑。花了七百美元以旧车换新车之后，马里恩继续忐忑地行驶。入夜后，天降大雨，视线模糊，无法行驶，马里恩只得将车泊入路边的贝茨汽车旅馆投宿。老板诺尔曼（安东尼·珀金斯 饰）十分友善，试图邀请马里恩到家里共进晚餐，可惜被凶恶的母亲粗暴阻止，只得将晚餐端至旅馆客厅。马里恩在客厅一边进餐一边与诺尔曼交谈，终于决定周日返回Phoenix。用餐完毕，马里恩回房沐浴。这时，一个老妇的身影突然出现在卫生间……

% t9 r7 x$ X+ K0 |. d- e4 n3 K+ e　　A Phoenix secretary embezzles forty thousand dollars from her employer's client, goes on the run, and checks into a remote motel run by a young man under the domination of his mother.
9 `4 a* k+ Z. z: i$ f
◎获奖情况  
. L% x+ W! K5 F) }. q( @
　　第33届奥斯卡金像奖(1961)
# h1 j) t: Z8 V9 N　　最佳导演(提名) 阿尔弗雷德·希区柯克
　　最佳女配角(提名) 珍妮特·利
　　黑白片最佳摄影(提名) 约翰·L·拉塞尔
0 y2 s( j8 T  j$ u' }: k8 V; C　　黑白片最佳艺术指导和布景(提名) Joseph Hurley / 乔治·米洛 / Robert Clatworthy
( u1 Y1 q, t4 V! M2 U8 ?- K
1 H! w. b1 s; a) j7 f) u+ [. Z　　第18届金球奖(1961)
% U; I2 v1 ^; S! W. T6 D　　电影类 最佳女配角 珍妮特·利

1. DISC INFO:
   / X* _1 _" J" S3 y: s
2. 
   
3. Disc Title:     Psycho.1960.UNCUT.2160p.BluRayCD.HEVC.DTS-X.7.1-LsNM
   ( i5 n+ w$ w; `: D  E' O
4. Disc Size:      97,261,774,656 bytes
   $ _/ }- w; V: {5 F  B/ v- b
5. Protection:     AACS2
   " _/ p8 j8 f1 `- X" I, d6 M
6. Extras:         Ultra HD, BD-Java
   
7. BDInfo:         0.7.5.9 (compatible layout created by DVDFab 11.1.0.6)
   
8. 
   / J8 w' a! l1 l5 w* H3 F% @3 Z4 g; t" Z
9. PLAYLIST REPORT:
     Y( o  A. L7 v- j8 O8 {$ @
10. 
    
11. Name:                   00801.MPLS  
    
12. Length:                 1:49:04.496 (h:m:s.ms)
    $ _; ^) K& m% W* I: C, \
13. Size:                   59,893,776,384 bytes
    2 O( A; u  l3 C7 a' P8 O
14. Total Bitrate:          73.21 Mbps
    
15. 
    
16. (*) Indicates included stream hidden by this playlist.
    
17. 
    * F2 I2 P5 B& \& g; f
18. Video:
    
19. 
    . o' u7 K( O8 A: K
20. Codec                   Bitrate             Description   
    - F; s: [/ n; _$ g, f- l* u
21. -----                   -------             -----------   
    
22. MPEG-H HEVC Video       63439 kbps          2160p / 23.976 fps / 16:9 / Main 10 @ Level 5.1 @ High / 4:2:0 / 10 bits / 1000nits / HDR10 / BT.2020
    
23. 
    
24. AUDIO:
    
25. 
    * @" V1 L& \& s! p" i
26. Codec                           Language        Bitrate         Description   
    
27. -----                           --------        -------         -----------   
    
28. DTS:X Master Audio              English         3376 kbps       7.1-X / 48 kHz / 3376 kbps / 24-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 24-bit)
    2 d, F$ o& s# T/ ?4 Y
29. DTS Audio                       English         448 kbps        2.0 / 48 kHz / 448 kbps / 24-bit
    7 t$ K1 m2 @# z; s% H/ P+ L
30. DTS Audio                       Spanish         448 kbps        2.0 / 48 kHz / 448 kbps / 24-bit
    
31. DTS Audio                       French          448 kbps        2.0 / 48 kHz / 448 kbps / 24-bit
    
32. Dolby Digital Audio             English         192 kbps        2.0 / 48 kHz / 192 kbps
    * X/ a+ l' Z% j0 q0 Q
33. * DTS Audio                     English         384 kbps        2.0 / 48 kHz / 384 kbps / 24-bit
    
34. * DTS Audio                     French          384 kbps        2.0 / 48 kHz / 384 kbps / 24-bit
    ' j0 H7 G7 t1 e1 ~* \5 L" m1 m0 t  Z5 k
35. * Dolby Digital Audio           English         192 kbps        2.0 / 48 kHz / 192 kbps
    2 X6 j4 g: a( U3 \: z
36. 
    3 ~0 G. ?: x3 Z, A2 K) n/ C
37. SUBTITLES:
    " R: j2 ^5 s4 k0 r+ ~
38. 
    
39. Codec                           Language        Bitrate         Description   
    ( x. [, |3 o! g9 p6 c$ P$ A0 x
40. -----                           --------        -------         -----------   
    0 B3 i% J2 G! t# ~+ k+ n7 u
41. Presentation Graphics           English         35.402 kbps                    
    
42. Presentation Graphics           Spanish         30.822 kbps                    
    
43. Presentation Graphics           French          32.676 kbps                    
    
44. Presentation Graphics           Spanish         0.16 kbps                     
    
45. Presentation Graphics           French          0.173 kbps

复制代码

Psycho 4K Blu-ray, Video Quality   


: @8 p6 V- l1 ~- n6 T; P# fThe included screenshots are sourced from the remastered 1080p Blu-ray disc.
8 }( c0 Z7 ~& I7 @
Psycho earns a rather substantial overhaul for its UHD release. Universal's 2160p/HDR UHD presentation, released simultaneously with a remastered Blu-ray, shows significant adds to sharpness and grayscale rendition compared even to the new 1080p image, no slouch in its own right and a good update to the original 2010 VC-1 disc. The UHD showcases the film elements with improved sharpness and clarity beyond the Blu-ray's reach. There is practically no limit to the textural might, the image delivering significant boosts to skin and clothing details, never mind various location and set dressing components, including furnishings in the Bates home and motel as well as other assorted locations seen primarily through the first act. The grain structure is more aggressive here than on the remastered Blu-ray but it is also very flattering and complimentary. The Blu-ray's grain has a lighter and more finessed look, but added to the superior textures and improved grayscale, it's only a boon for the 2160 resolution output.
4 f( j5 W) I9 J; c* L# T: L( \" D
Equally vital to this bolstered (yet very fine and filmic) presentation of Psycho is the HDR grading, which boosts the grayscale by quite a bit. There's obviously a much broader range here through that spectrum. Depth is greatly improved upon, whether at the extreme end of black level balance -- which is rich and deep and perfectly defined for consistency and shadow detail -- or through the midrange which is where the transfer really shines. There's so much more tonal nuance here compared to even the remastered Blu-ray, allowing for fine variances in skin, clothes, and various objects to present with much more expressiveness even as they're devoid of color. Whites are, of course, a high point, enjoying greatly boosted intensity and clarity in every example. The picture is flat-out gorgeous overall. The downsides are minor: light aliasing is visible at times (a curtain at the 50:38 mark for example), a few leftover speckles remain, and a fairly aggressive and large splotch can be seen running vertically on the left-hand side at the 1:27:11 mark (also visible on the remastered Blu-ray). But these are minor inconveniences in what is, overall, a superior UHD experience and a brand new, yet seemingly entirely faithful, rendition of Psycho that unquestionably looks better than ever for home consumption and probably bests the theatrical run prints, too, particularly with that fine-tuned HDR output.

Note that for the purpose of this review, the film was screened in its entirety via the Uncut version. Also note that the disc never played properly on the menu screen. It always displayed pixelation and missing content, undoubtedly a result of the unavoidable fingerprinting caused by removing the disc from the boxed set packaging.
9 @! a" s9 O" [0 A5 s- q- V2 u0 M
Psycho 4K Blu-ray, Audio Quality   


Don't expect the DTS:X configuration to suddenly and drastically transform the Psycho listening experience. It's predominantly front-heavy but very rich for clarity. Bernard Herrmann's score has never sounded so wonderful, every intensely piecing note driving through speakers like a knife stabbing into the theater. Front side stretch is wide and reach is seamless. Surround wrap is subtle but effective. The track opens up at a couple of points, both dealing with water. The surrounds and overheads pick up some saturating rain in chapter seven when Marion arrives at the Bates Motel. Later, during the infamous shower scene, the sound of running water from the shower head offers one of the film's most fully immersive examples of surround engagement. A few scattered additional effects and ambience filter through beyond the front but those are the most obvious examples of surround intensity the film has to offer. Dialogue is the primary mover here and it presents with perfectly good clarity, front-center placement, and prioritization.

游客，查看本帖隐藏内容请回复 | 加入VIP可免积分免回复 了解详情 | 还不是会员：点击获取邀请码 Invitation Code