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Jason Voorhees returns with a new look, a new machete, and his same murderous attitude as he is awakened on a spaceship in the 25th century.
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! H: w7 `. d* }& m3 U6 k- b◎译 名 杰森在太空/星际公敌/太凶杀人狂/未来杀手
. Z0 e& G" X# _◎片 名 Jason X( v/ u- Y. t3 J3 I3 n% d' a
◎年 代 2001. [8 L, K$ Q7 j3 t* K$ V* s$ \
◎产 地 美国$ {; i3 @2 m7 D m
◎类 别 科幻/恐怖
8 r4 x3 B$ Z @1 L% W# B◎语 言 英语6 I: x G' [9 S D
◎上映日期 2001-11-09
- T) E) e. T9 v3 u: e◎IMDb评分 4.4/10 from 49,798 users
9 g1 ^% q3 W5 w2 A1 p2 r0 a◎IMDb链接 https://www.imdb.com/title/tt0211443/
) r1 k6 ^5 y0 A n J◎豆瓣评分 5.9/10 from 2,156 users& r' H$ V. Z8 \ r% e
◎豆瓣链接 https://movie.douban.com/subject/1303672/& J* X. G- J. K" m+ d& H
◎文件格式 x264 + DTS % }! U& X) ~9 Y
◎视频尺寸 1920 x 10801 P& l# ~( m3 J V' n& Z2 ~
◎文件大小 1DVD 26.59 GiB
8 w& @, W% e: @, {0 \( {3 _+ [- c◎片 长 1 h 31 min+ n6 Q5 W4 _3 d" [" F" P, _
◎导 演 詹姆斯·艾萨克 James Isaac
- s/ a8 u0 b" w: ^◎编 剧 Victor Miller& P. g, D; _/ [4 I
◎主 演 莱克莎·多伊格 Lexa Doig
2 T/ O* e' ~' U$ D/ Y Lisa Ryder
8 y7 M5 ?4 p, o Y; \) u7 F; ~ 查克·坎贝尔 Chuck Campbell5 e6 V7 |9 G* Q/ L- Z! |
彼得·门萨 Peter Mensah
; F( {: M- {. e9 {$ r5 q7 O! v 德尔文·乔丹 Derwin Jordan
2 }0 E G G+ C; T 梅洛迪·约翰逊 Melody Johnson3 q S! ?' l1 Q2 \% S/ R
雅尼·吉尔曼 Yani Gellman4 ]0 |# J& n# x0 h. l0 G3 k" V
多夫·蒂芬巴奇 Dov Tiefenbach
8 E. Q Y: R. V+ e; W0 Q1 p 詹姆斯·艾萨克 James Isaac' l2 e1 ?; } p! a
凯恩·霍德尔 Kane Hodder
7 R G" a. p; O2 q2 A! b 大卫·柯南伯格 David Cronenberg; G. v5 q( u+ C+ c0 g4 C6 a, M
克里斯汀安格斯 Kristi Angus8 v0 P t" u; d
阿曼达·布鲁盖尔 Amanda Brugel0 i3 `" g: M5 Q, |2 S/ L' Z
杰夫·格迪斯 Jeff Geddis
# l m5 F7 g; \0 E Robert A. Silverman
# H3 r0 O8 u/ g$ C+ b2 ] 博伊德·班克斯 Boyd Banks
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◎简 介
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2000年，杀不死的杰森被关在水晶湖研究中心，政府为了借杰森研究坏死组织恢复试图将其转移，然而交接时刻杰森再次大开杀戒，危机关头研究员萝文（莱克莎·多伊格 Lexa Doig 饰）把杰森和自己一起封冻。455年后，地球早已不适合人类生存，一支人类科考队返回地球进行考古研究，他们发现了萝文与杰森的尸体，博士卢威（乔纳森·鲍茨 Jonathan Potts 饰）与学生们把尸体带回运输船高刚号，并使用高科技令萝文复活。作为著名杀人狂，杰森尸体的商业价值令卢威心动，岂料杰森在太空船中再次复活并大开杀戒，杰森杀不死的体质结合400年后的科技手段令他的恐怖指数再度上升……) f$ R. M6 L$ K: i" ~* u
5 l7 u2 s2 N6 P4 \7 y& R) U+ c   Video- C6 e! Y; e2 D0 B3 c2 H6 }
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5 y8 U5 a Z, o% N2 h7 cFormat settings : CABAC / 4 Ref Frames
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0 Z# D1 \, p: j; ]; xTitle : Jason.X.2001.SHOUT.PROPER.1080p.BluRaycd.REMUX.AVC.DTS-HD.MA.5.1-FGT z: M x H/ a, ^7 W& v; D" p
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' h7 V" P, W3 I/ I1 G9 d3 HFormat/Info : Audio Coding 3, |8 N& z' w+ m: N, Q
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Title : Jason.X.2001.SHOUT.PROPER.1080p.BluRaycd.REMUX.AVC.DTS-HD.MA.5.1-FGT
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8 h) {* E9 x0 e( ]
Menu
3 t z3 O2 ]; V3 z y5 f00:00:00.000 : en:Chapter 01$ t# \6 `, s: \5 Y
00:09:37.708 : en:Chapter 02
9 ?7 G+ ]4 s+ j! w! }00:16:28.375 : en:Chapter 03
! Z6 X9 U5 q, L. z7 e" _ c k00:23:23.000 : en:Chapter 04; b/ y! C7 z$ G& k) J* C9 f
00:31:08.958 : en:Chapter 05
; ~# ~0 U2 |$ t1 n. E00:38:50.541 : en:Chapter 061 E+ g6 K( H& [
00:45:21.333 : en:Chapter 07
) l+ g1 K; f' C- P' w$ e; m3 |* ?00:51:38.750 : en:Chapter 08
. X1 Y4 @: K' J3 C0 i00:58:46.416 : en:Chapter 09
8 J3 w8 L$ m9 h! Y! K6 n. S01:08:46.500 : en:Chapter 10
' U; y4 v9 A# x/ }# C7 D3 L01:15:17.083 : en:Chapter 11) k5 v8 M5 t9 W [
01:21:23.583 : en:Chapter 12
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这是Shout Factory更换光盘。来源是全新的2K扫描的中间正片。# M5 }" W$ I7 Z8 w, ^
This is the Shout Factory replacement disc. Sourced from a brand new 2K scan of the interpositive.    Video; m$ r( K# E( d
ID : 1
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" j4 x5 _1 t* { T# i9 \' ]$ [6 e$ DFrame rate : 31.250 FPS (1536 SPF)
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Title : Jason.X.2001.SHOUT.1080p.BluRaycd.REMUX.AVC.DTS-HD.MA.5.1-FGT, _ K% ?6 c/ S. C; z
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Service kind : Complete Main+ t" d5 z, P; p* @' A+ Z
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" u% l3 X% j' {2 mMenu
2 o% f1 C! |2 N& L' J00:00:00.000 : en:Chapter 01' d6 b, Z" p6 S
00:09:37.708 : en:Chapter 02
% j* I N8 T. u. v$ i5 t00:16:28.375 : en:Chapter 03
# ~: i# @/ }) {, n+ d; r+ j- B: `00:23:23.000 : en:Chapter 04
# L. _7 \7 T6 q& m* D% d. B- M00:31:08.958 : en:Chapter 05
" [2 E( }0 o, I5 H9 M3 ^00:38:50.541 : en:Chapter 068 f6 i/ q3 \: J7 f- G F
00:45:21.333 : en:Chapter 07
+ w7 C9 ^; s3 g% O00:51:38.750 : en:Chapter 08
o% _+ L6 {: d& `00:58:46.416 : en:Chapter 09- E( L- O# y+ E
01:08:46.500 : en:Chapter 10! |. d: p5 o2 G& M) T6 h& o0 X
01:15:17.083 : en:Chapter 11' }8 H+ ^+ N) U @# w
01:21:23.583 : en:Chapter 12
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Although Jason X was shot on film by cinematographer Derick V. Underschultz (HBO's In Treatment), every frame was scanned into the digital realm at Blu-ray resolution, where the effects were designed and rendered, editing was done and the final color timing was finished. This is common practice today, but it was considered revolutionary when Jason X was made. The result, whether output to film, as would have been the case for the 2003 release, or translated to Blu-ray without any intervening analog stage, as is presumably the case here, has a substantially different look than any prior Friday the 13th film.
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The image on Warner's 1080p, AVC-encoded Blu-ray is generally bright, detailed and colorful. Even in scenes set in environments with low light, darkness is never total. Isaac made a conscious decision to head in the opposite direction from the dark dystopian futures that have become standard in science fiction movies. Wherever possible, he had Underschultz (or the CG techs in post-production) keep the scene illuminated. Even the desolated Earth isn't plunged into total darkness; it's just a dirty brown mess of swirling dust and wind.
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' F( E! b; V! B' @" CThe color palette of the various quarters aboard the Grendel and its shuttle is soft and pleasing by design, in keeping with the benign vision of the future that the arrival of Jason violently disrupts. The blacks of space outside the ship are solid and deep. If there is any criticism to be made of the image, it's that the CG work is somewhat dated, lacking the organic quality that today's best CG artisans have the experience and computing power to lend their creations. However, this is not the fault of the Blu-ray. Fine detail in non-CG elements might also have been improved if an upper limit hadn't been initially imposed by the decision to shoot a smaller negative and scan the film elements at no more than HDTV resolution. (This is explained in more detail in the accompanying featurette.) Again, though, this is not a fault in the Blu-ray.0 P6 C9 [! o" z1 P' D$ b T; Q5 W
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Jason X shares a BD-50 with Jason Goes to Hell. However, the virtual absence of extras for the latter film has allowed sufficient room for the compressionist to deliver an average bitrate of 22.93 Mbps, which is somewhat lower than one would like for a film with so much action but is enough to provide an image without noticeable artifacts.( z& ~: P- Z$ @" f# k8 D0 ^
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Jason X Blu-ray, Audio Quality $ n1 {/ q9 v3 V# w% c" ^, K: s/ |. N
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1 f v$ @7 U/ j W0 x+ nOuter space has always provided sound designers with room to play, and Jason X is no exception. The good ship Grendel is alive with sounds of equipment and machinery, both mechanical and electronic. Sequences like the nanotechnology reconstruction of Rowan (and later Jason) are full of subtle sound cues accompanying the labor of the tiny machines. Big effects like the roaring winds of the now-deserted Earth, or the cryostasis imposed on Jason and Rowan at the beginning, or a spectacular collision between the Grendel and a space station, or an explosion rigged by the Grendel survivors as an emergency life-saving measure, all register with forceful impact and the full involvement of the surround speaker array. The track has wide dynamic range and deep bass extension when it's needed. This is the first Friday the 13th film to have a truly impressive 5.1 soundmix. The Blu-ray's presentation, of course, is lossless DTS-HD MA 5.1.- y; U1 v' I0 X* G, x3 ~. K+ V7 b
\7 A. N$ C. a3 vHarry Manfredini once again supplied the score, but now that he was writing for an entirely different kind of Jason film, Manfredini was free to write in a new style. Taking full advantage of the expanded audio capability, he wrote a more expansive musical experience to accompany Jason into the final frontier.
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