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Tommy Jarvis goes to the graveyard to get rid of Jason Voorhees' body once and for all, but inadvertently brings him back to life instead. The newly revived killer once again seeks revenge, and Tommy may be the only one who can defeat him.
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) {4 C& o9 \) w3 @* e9 B. F◎译 名 十三号星期五6/黑色星期五第六集/黑色星期五6:杰森复活
& i7 v/ C- k9 x, S2 E2 C◎片 名 Friday the 13th Part VI: Jason Lives6 y( _! _) ` m P
◎年 代 1986
, Z) k" j) p7 B; e' ~, F◎产 地 美国
) A: @( K4 S$ ] t" x◎类 别 喜剧/惊悚/恐怖
5 W7 |( e, A2 Y◎语 言 英语
, Y4 E4 x- x1 E4 O3 I◎上映日期 1986-08-01
5 n B" ]4 F6 F3 @* h9 M3 m, Y◎IMDb评分 6.0/10 from 37,780 users0 p' H' X5 k6 |
◎IMDb链接 https://www.imdb.com/title/tt0091080/
9 N3 [/ [+ v2 z' d" N, q* K◎豆瓣评分 6.1/10 from 1,242 users
0 M; K0 S; J' [& }$ [/ T◎豆瓣链接 https://movie.douban.com/subject/1294180/
% o) j/ x3 Y3 }. ]◎文件格式 x264 + DTS
9 ~! {. q7 k& c8 m; r; c3 ]◎视频尺寸 1920 x 1080% \" e% U- D" X4 J _# L
◎文件大小 1DVD 24.29 GiB+ i) M) J9 X7 q% x& {6 S
◎片 长 1 h 27 min
3 F, ?. q7 O2 I: K* l◎导 演 汤姆·麦克洛克林 Tom McLoughlin
' Y! }: k1 L" Q) w% o* K5 m◎编 剧 汤姆·麦克洛克林 Tom McLoughlin ; p/ y1 k( I9 o# [8 E
维克多·米勒 Victor Miller. b8 G @% n, C0 B" c
◎主 演 索姆-马修斯 Thom Mathews
% |8 s$ ]/ F# W# a; z Renée Jones
# n+ d& h' y4 T3 ?9 H David Kagen
1 \( r0 [+ I, U+ x' X; T+ h Jennifer Cooke
- G9 q( M# d) j2 @- n* \ 艾伦·布卢门菲尔德 Alan Blumenfeld* q) b$ E/ Y9 Z: Q2 H) A+ V, l
Darcy DeMoss
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◎标 签 恐怖 | 美国 | 惊悚 | 血腥 | 黑色星期五 | 美国电影 | 1986 | 恐怖电影( J, }* ]; A# H1 C1 G$ W
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◎简 介
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- M1 V; e( b8 |* g4 q0 ?1 U8 U- n 被杰森杀害了双亲的汤米(汤姆·马修斯 Thom Mathews 饰)在一个雨夜,与好友来到墓地,他们将杰森的坟墓打开,试图烧毁尸体泄愤,突然天降闪电击中杰森的尸体,在汤米惊异的眼光中,杀人狂杰森居然复活了!大惊失色的汤米向当地的加里斯探长(David Kagen 饰)求援,但后者认为杰森已成历史,汤米的表现不过是精神病的后遗影响。在这个黑色星期五的夜里,杰森回到水晶湖营地——如今这里已经改名为绿森林,似乎是为了把那些恐怖的往事遗忘——对来这里参加露营的人们以及营地辅导员们大开杀戒,加里斯探长认为凶手是已经走火入魔的汤米,而此时此刻,汤米在加里斯女儿梅根(Jennifer Cooke 饰)协助下,试图将杰森再次送回地狱…… 0 H- \9 ?% a4 U5 B. F
7 G- S- y, T) l5 C% F As a child, Tommy Jarvis killed mass-murderer Jason Voorhees. Years later, he is tormented by the fear that Jason may not be dead. Determined to finish off the infamous killer once and for all, Tommy and a friend dig up Jason's corpse in order to cremate him. Unfortunately, things go seriously awry, and Jason is instead resurrected, sparking a new chain of ruthlessly brutal murders.
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; w- j7 f. w+ I+ vTitle : Friday.The.13th.Part.VI.Jason.Lives.1986.SHOUT.1080p.BluRaycd.REMUX.AVC.DTS-HD.MA.5.1-FGT! v4 w2 b, D0 Y: ]
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! l$ M3 A/ Q% u/ e& ~! \$ C5 aTitle : Friday.The.13th.Part.VI.Jason.Lives.1986.SHOUT.1080p.BluRaycd.REMUX.AVC.DTS-HD.MA.5.1-FGT0 w/ u1 B/ O# F% @
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" C3 Q: B/ W; J! eDuration : 1 h 28 min
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4 D( M/ x7 }$ t/ dOriginal source medium : Blu-ray* k. |: L" i9 Z* H
8 s' H2 p- ?% n5 Q! ^0 _. o, tMenu7 u: p) X4 R. [; t% I
00:00:00.000 : en:Chapter 01
5 l" p0 q6 [7 \( P% i00:07:38.166 : en:Chapter 02- o) S4 A* o! `& d
00:17:48.859 : en:Chapter 03
# G; ]' Q) m! Q+ m5 R1 A$ G00:26:40.974 : en:Chapter 04 r. n6 f3 w4 U: n( A
00:33:50.528 : en:Chapter 05
/ O& T; o$ _. r00:41:26.901 : en:Chapter 06( s+ u1 W# F" M6 g* @6 L
00:50:46.626 : en:Chapter 07
+ V9 `8 ^/ O1 K6 _! Q t/ h: `00:59:12.799 : en:Chapter 08
4 ?. E! C2 d) ~01:06:29.360 : en:Chapter 09$ O! d$ q* y8 p" f/ q0 g X" P
01:13:17.810 : en:Chapter 10+ \4 o7 W2 v9 e
01:23:15.657 : en:Chapter 11( s3 v( ~1 D4 d& D5 X- U! t# B
01:29:07.258 : en:Chapter 126 r& R1 L; g' ^7 q2 B! K; ~" p1 S
01:32:12.902 : en:Chapter 13 Friday the 13th: Part VI - Jason Lives Blu-ray, Video Quality
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The cinematographer for Jason Lives was Jon Kranhouse, who would go on to specialize in aerial photography for such films as Star Trek IV and Broken Arrow. Like McLoughlin, Kranhouse was at the beginning of his career. As McLoughlin says at one point in his commentary, the relative youth of everyone involved was essential to their enthusiasm for the project.
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x- p$ ^( z8 b7 `4 k% BThe image on Warner/Paramount's 1080p, AVC-encoded Blu-ray for Jason Lives represents an uptick in quality, compared to The Final Chapter and A New Beginning. I attribute this to the source rather than any improvement in the transfer or mastering. The basic aesthetic of the series did not change with Jason Lives, but from all appearances either the quality of lighting or the film stock (or both) improved to the point that the filmed image gained some measure of polish and fineness of grain. On Blu-ray, this translates into superior detail, slightly richer color and a look that's closer to "studio" than "exploitation". Black levels and contrast levels are well set, the source material is in pristine condition, and there are no signs of untoward digital manipulation.- _* G) N& d- i9 T: N
3 x. t5 R8 I% s6 eJason Lives shares a BD-50 with A New Beginning, but like its roommate it has a healthy average bitrate, in this case of 22.52 Mbps. I kept watching for compression artifacts, but none presented themselves.
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, [/ i% I* v: Q% f" |4 yFriday the 13th: Part VI - Jason Lives Blu-ray, Audio Quality
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As best as I have been able to determine, Jason Lives was the first film in the series to be released in Ultra Stereo, the generic version of Dolby Stereo. That track has been remixed as 5.1 and presented as lossless DTS-HD MA 5.1, and it's the first soundtrack in the series to provide an enveloping surround environment. Supervising sound editor Dane Davis has since become a major figure in film audio, winning an Oscar for The Matrix and designing sound for such films as The Cabin in the Woods and the upcoming Enders Game. Davis' layered stereo mix has provided the remix team with worthy material for a 5.1 experience.1 P& Q+ M1 Z6 C3 M; u
) [( T3 P0 b) ~1 x! L+ ?: x& }0 ^- IThe wind, thunder and lighting accompanying Jason's resurrection register with solid impact, and the forest environments are alive with insects and rustling leaves. You can feel the movement of cars racing down the road, and the sound of kids at camp yelling (or screaming) reaches out to envelop the viewer. Especially impressive is the final battle between Tommy and Jason, a complex blend of fire, water, body blows and clanking chains, all of which has to be appropriately modulated as the edits shift the viewer's perspective.5 N2 p7 o# _; F) ^6 \6 t( |
% v+ x# B; K' {0 q/ f; nHarry Manfredini's score plays with increased authority as it expands to fill the entire speaker array. Adding to the soundtrack's impact are three songs by Alice Cooper, including "He's Back (The Man Behind the Mask)", which plays over the closing credits. The entire track has wide dynamic range and the deepest bass extension of any entry in the series to date.
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