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Years after Tommy Jarvis chained him underwater at Camp Crystal Lake, the dormant Jason Voorhees is accidentally released from his prison by a telekinetic teenager. Now, only she can stop him.& T$ A% d0 i5 z4 A, b
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$ Y% h9 P' k# ~, g3 a, y( G+ Q◎译 名 十三号星期五7:新的血液/十三号星期五第七集/黑色星期五7" W* Q1 v$ Z6 Q
◎片 名 Friday the 13th Part VII: The New Blood4 a# t. a ?5 o4 }3 i ~4 z
◎年 代 19880 Y' w9 ?- O3 B8 U1 ^
◎产 地 美国
8 Y1 B% g7 Q1 C7 z◎类 别 剧情/爱情/恐怖
4 f2 ~- B z! l' z◎语 言 英语4 ]% S+ b+ A; F6 g3 N
◎上映日期 1988-05-13" U3 B) _0 V; L* g; E- }3 C2 r1 j
◎IMDb评分 5.3/10 from 31,912 users
) m( f( k; m8 ~! Y3 l◎IMDb链接 https://www.imdb.com/title/tt0095179/
. d! x* @! d: b" D5 k/ I◎豆瓣评分 6.0/10 from 1,068 users
; P% k! J; m1 |+ B◎豆瓣链接 https://movie.douban.com/subject/1305884/
' ]# t1 g! U' F# b# J! k' |) Q& _$ i◎文件格式 x264 + DTS
1 Y9 M7 C; N. y' a4 U4 i◎视频尺寸 1920 x 1080
N; P6 }# v- Q' E# z◎文件大小 1DVD 24.12 GiB
}+ S6 H! D- ?: }# Y◎片 长 1 h 28 min
- ~$ j" D% ]4 s2 p◎导 演 约翰·卡尔·伯奇勒 John Carl Buechler% b( o2 V# r- z7 j7 i/ a" ]
◎编 剧 Daryl Haney
0 x1 t: C6 T2 K o; r. b: ~ Manuel Fidello
$ J4 R* g) [; F$ }$ {5 N8 ^) I 维克多·米勒 Victor Miller" x( s! v6 E% X/ k& K
◎主 演 约翰·卡尔·伯奇勒 John Carl Buechler
0 n. S" N4 H: [2 I3 w4 ] 凯文·斯派塔斯 Kevin Spirtas& J( v8 C- \! `8 L: ~# T* J
拉尔·帕克·林肯 Lar Park-Lincoln
5 B* C& N0 y" W2 D( J; K% e Elizabeth Kaitan% b" e- t" t: w: G
海蒂·科扎克 Heidi Kozak! P F7 ?! `) R
特利·奇瑟 Terry Kiser
5 R0 X9 X$ x) A: z6 g Walt Gorney# O/ {9 a$ _( d: R
Staci Greason8 P9 U) l. }0 ~" U$ |, A1 K
Diana Barrows- m1 a9 R2 j- _2 E3 d
苏珊·布卢 Susan Blu" q' c G! A6 _: i# o
Jennifer Banko/ b4 T" }$ G8 d+ \+ Q' n
凯恩·霍德尔 Kane Hodder
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◎标 签 恐怖 | 美国 | 惊悚 | 血腥 | 美国电影 | 黑色星期五 | 1988 | 恐怖电影: p# H/ R% y9 v7 e: n' M. u; t
% ]) G- {9 e/ C# N3 M◎简 介0 n; E c5 R* X, C
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在汤米·贾维斯(Tommy Jarvis)把杰森炼锁在水晶湖底多年之后,一位有特异功能的年青人又不小心把杰森放了出来,杰森于是又回到了水晶湖营地重操旧业。1 D8 Z. D0 I" [
' F3 ?5 B5 M3 ~" V/ k+ s A# \ One of this season's happy campers at Crystal Lake has brought along a deadly secret. Tina Shepherd can see the future and levitate objects. Her doctor knows just how dangerous telekinesis can be, but now it's too late. Tina has accidentally unchained Jason from his watery grave, and the bloodbath is underway. [$ f- c3 L. a4 Y3 \
$ U/ q& {( a3 u* z: cVideo% ~/ `5 }- O! Z2 H
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7 Q& V0 W+ N& {, f* {- z/ M0 N2 bWidth : 1 920 pixels
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# p- X/ f! x: k9 \Stream size : 22.1 GiB (87%)
0 a3 i6 o) I/ i7 z8 \, `0 T' bTitle : Friday.The.13th.Part.VII.The.New.Blood.1988.SHOUT.1080p.BluRayCD.REMUX.AVC.DTS-HD.MA.5.1-FGT! X1 g$ g" v$ ~) K8 g( W$ s* G! Y
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' ^8 I) r" Q- WTitle : Friday.The.13th.Part.VII.The.New.Blood.1988.SHOUT.1080p.BluRaycd.REMUX.AVC.DTS-HD.MA.5.1-FGT
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# H( J8 ]: R, S/ X i, ^5 UCommercial name : Dolby Digital
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8 n0 F" D6 y9 rTitle : Friday.The.13th.Part.VII.The.New.Blood.1988.SHOUT.1080p.BluRaycd.REMUX.AVC.DTS-HD.MA.5.1-FGT
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" h: u/ C. q$ G' ]+ E8 JCommercial name : Dolby Digital% T0 m9 T# v3 z& m/ m a9 J
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K" g% r# I( ]Title : Friday.The.13th.Part.VII.The.New.Blood.1988.SHOUT.1080p.BluRaycd.REMUX.AVC.DTS-HD.MA.5.1-FGT. e7 ?5 o% ?3 W
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Forced : No
, B* O) F+ ^4 hOriginal source medium : Blu-ray
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- ?9 F7 T' G: xMenu
J9 i- [5 b9 P00:00:00.000 : en:Chapter 01' j$ o. m% Z5 m0 x. G3 g
00:07:38.166 : en:Chapter 02" V7 A+ e2 ]. U
00:17:48.859 : en:Chapter 03 q; g) s4 c k
00:26:40.974 : en:Chapter 04, f4 ^" N: O4 c& X% T7 Y
00:33:50.528 : en:Chapter 05. }0 d$ S$ i v- D+ K6 i
00:41:26.901 : en:Chapter 062 |* Y: g# ]% h% m+ A! s/ B0 F
00:50:46.626 : en:Chapter 07
7 {$ Z4 V8 H+ A+ f00:59:12.799 : en:Chapter 08
6 Z/ r4 h) J% [1 V, v8 t: ?01:06:29.360 : en:Chapter 09
' r5 l& q0 C h( N2 x( M01:13:17.810 : en:Chapter 10- B: L% X8 q# D" {# N) k
01:23:15.657 : en:Chapter 11/ C& k# c$ @0 g( i
01:29:07.258 : en:Chapter 124 p6 S; Y- y* n2 o% E' `
01:32:12.902 : en:Chapter 13 Friday the 13th: Part VII - The New Blood Blu-ray, Video Quality 0 ]% u( k' b1 N4 G. t
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The cinematographer for The New Blood, Paul Elliott, was just getting started, having served as a camera assistant on such independent productions as Dreamscape. He has become a frequent DP for HBO films, as well as successful small dramas such as My Girl and Soul Food. While The New Blood did not have a bigger budget than previous Friday the 13th films, its lighting and palette continue the movement away from the exploitation style that was already evident in A New Beginning. Pastels and lighter shades are more common; surfaces are less harshly lit; and the image gains a greater sense of texture and depth.
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The image on Warner/Paramount's 1080p, AVC-encoded Blu-ray for The New Blood is surprisingly good. (Why "surprisingly"? I'll get to that in a minute.) The detail is excellent, especially when Buechler's makeup for Jason's rotting carcass comes fully into the light, or in scenes in the surrounding woods, or even in something as ordinary as a group of people talking in a kitchen littered with party preparations. The blacks are solid, the contrast is never overstated, and the colors are appropriately saturated, with the red of blood and the orange of fire being the strongest.. v. ~( B) r! D7 |! x
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Why is this a surprise? The New Blood is on another of The Complete Collection's double features discs, sharing a BD-50 with Jason Takes Manhattan, which is one of the longest films in the series at 100 minutes. The combined running time of the two films is three hours, eight minutes, and both have significant extras. When I ran the average bitrate for both films, I was shocked at how low it came out—18.45 Mbps in the case of The New Blood. I was amazed that compression artifacts had not been obvious during viewing.
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: v- E, x* [* a: b. b7 @+ pOne possible explanation is that significant portions of The New Blood occur at night, with much of the frame in darkness. With little or no change in those areas, the compressionist may have achieved substantial savings. It also no doubt helped that the grain pattern on The New Blood is fine and barely visible, although there is nothing to indicate that this was achieved by digital manipulation. In any case, the eye is a more meaningful judge than the statistics, and The New Blood looks just fine.) c: I3 G, f' j& T4 x
3 }- }6 j) H) C, [3 wFriday the 13th: Part VII - The New Blood Blu-ray, Audio Quality ; @1 O$ t. u4 i8 T q
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( b3 R9 y: y! v; B @0 J+ O( QFrom the opening bars of Harry Manfredini's music, selected, edited and, at a few points, filled in by Fred Mollin, the Blu-ray's lossless DTS-HD MA 5.1 track provides punch and an enveloping surround presence. The New Blood was originally released in Ultra Stereo, and the remix has made good use of the discrete multi-channel format to open out the two-track matrixed version. As with Jason Lives , the sound editing was overseen by future Oscar winner Dane Davis, who used all his talents to bring the big telekinetic events to life. The pier that collapses into the water at the beginning does so with a cracking, sickening thud. The various crashes, collapses, live wires and flying objects involved in the final showdown between Jason and Tina have equally distinctive sonic signatures. A vehicle crash midway through the film is a symphony of screeching tires, jarring impact and grinding metal. Jason's various murders, a number of which are performed by sheer physical force instead of with cutting tools, are accompanied by a cacophony of sickening blows and crunches. And there's a hedge trimmer with a distinctive high-pitched roar.9 K) z! {4 C/ D1 x
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The dialogue is very clear, particularly that of Dr. Crews, who seems to yell everything at full volume.* d5 y& {7 _2 }" }# d
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