车速过快 [蓝光原盘] Spree 2020 1080p BluRaycd AVC DTS-HD MA 5.1-HERCULESHD 23.24GB

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◎译　　名　车速过快
/ b! p+ @4 m" r( U◎片　　名　Spree
◎年　　代　2020
◎产　　地　美国
◎类　　别　喜剧/惊悚
7 Z4 d0 N* p2 c" z0 Z; f. i) h◎语　　言　英语
◎上映日期　2020-01-24(圣丹斯电影节)/2020-08-14(美国)
' T; M9 z/ m  F8 _4 i1 t' m◎IMDb评分  5.9/10 from 2,148 users
6 n+ A4 v1 S1 |) i6 d- b) k◎IMDb链接  https://www.imdb.com/title/tt11394332/
◎豆瓣评分　5.7/10 from 188 users
◎豆瓣链接　https://movie.douban.com/subject/34907407/
8 U$ J3 S1 U$ D" s% y◎文件格式　x264 + DTS
" z, r2 p- i8 Y* c! A, C. Z2 s◎视频尺寸　1920 x 1080
. \, P) w) Z- T" h9 k◎文件大小　1DVD 23.24 GiB
3 |" D4 u+ m% h+ o◎片　　长　1:32:33.631 (h:m:s.ms)
) V& M# q. }5 k$ F; s6 d◎导　　演　尤金·科特亚伦科 Eugene Kotlyarenko
5 J( n# V4 N9 [5 Q◎编　　剧　尤金·科特亚伦科 Eugene Kotlyarenko
　　　　　  Gene McHugh
◎主　　演　乔·基瑞 Joe Keery
　　　　　  萨西尔·扎玛塔 Sasheer Zamata
　　　　　  大卫·阿奎特 David Arquette
  u  y! h* \) z: @9 d　　　　　  凯尔·穆尼 Kyle Mooney
　　　　　  米莎·巴顿 Mischa Barton
2 p) m( Y+ q2 N  Y, L　　　　　  拉拉·肯特 Lala Kent
　　　　　  约翰·德卢卡 John DeLuca
　　　　　  杰萨琳·吉尔西格 Jessalyn Gilsig
　　　　　  肖恩·艾弗里 Sean Avery
　　　　　  Frankie Grande
7 h3 Q, D- z, C' B　　　　　  Joshua Ovalle
　　　　　  Reatha Grey
; i2 P2 C; X# m3 V! F( R! r8 s　　　　　  Caroline Hebert
+ t3 Q0 S% Q$ H& ?0 V& P/ U　　　　　  Sunny Kim
　　　　　  Linas Phillips
6 Z6 E1 M6 V3 P4 V　　　　　  Randy Vasquez

◎简　　介  

　　影片由尤金·科特亚伦科执导，《怪奇物语》演员乔·基瑞主演，他在片中扮演的是一个为了寻求刺激，在网上直播虐待乘客的网约车司机。
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" r" h) t0 [7 a, o- ~　　Thirsty for a following, Kurt Kunkle is a rideshare driver who has figured out a deadly plan to go viral.
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1. DISC INFO:
   
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3. Disc Title:     Spree.2020.1080p.BluRayCD.AVC.DTS-HD.MA.5.1-HERCULESHD
   
4. Disc Size:      24,950,581,938 bytes
   
5. Protection:     AACS
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6. BDInfo:         0.7.5.9 (compatible layout created by DVDFab 12.0.0.4)
   
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8. PLAYLIST REPORT:
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10. Name:                   00002.MPLS  
    
11. Length:                 1:32:33.631 (h:m:s.ms)
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12. Size:                   17,035,505,664 bytes
    
13. Total Bitrate:          24.54 Mbps
    
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15. Video:
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17. Codec                   Bitrate             Description   
    
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19. MPEG-4 AVC Video        20000 kbps          1080p / 23.976 fps / 16:9 / High Profile 4.1
    
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21. AUDIO:
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25. DTS-HD Master Audio             English         2125 kbps       5.1 / 48 kHz / 2125 kbps / 16-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 16-bit)
    
26. DTS-HD Master Audio             English         894 kbps        2.0 / 48 kHz / 894 kbps / 16-bit (DTS Core: 2.0 / 48 kHz / 384 kbps / 16-bit)
    
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28. SUBTITLES:
    
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32. Presentation Graphics           English         42.19 kbps                     
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33. Presentation Graphics           Spanish         41.623 kbps

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Spree Blu-ray, Video Quality   
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. L* |2 J5 y1 ]Spree makes use of so many different techniques that it's difficult to pin down visually, as this all-digital production uses just about every trick in the book to break up what's essentially 90% "guy driving in a car". From Kurt's multi-angle in-vehicle setup (which features eight different perspectives) to pop-op on-screen graphics, occasional exterior shots, hand-held footage, stray security cameras, and split-screen shots, there's an awful lot of information on display at times... which is the reason why a few screenshots, including the one above, might look more like an advertisement at first glance. Aside from slight drops in quality dependent on the source material, RLJ's Blu-ray offers a razor-sharp and largely consistent 1080p transfer with crisp on-screen text, a solid amount of fine detail, and reasonably deep black levels in low-lit interiors and nighttime sequences. Colors are also nicely saturated, especially the LED lighting inside Kurt's car and some of the neon signage. Although small amounts of black crush and chunky noise can be spotted along the way, these again seem to be source material issues and aren't really distracting by any measure. Overall, it's a great-looking presentation of challenging -- and not typically attractive -- "fly on the wall" footage.
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8 ?/ d0 `$ s8 Y) Q7 U: o/ _5 N- `Spree Blu-ray, Audio Quality   
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Likewise, the DTS-HD 5.1 Master Audio dresses up an otherwise plain-wrap presentation. In-car dialogue, not surprisingly, sounds a little hollow but still offers good placement when multiple passengers are on board, while exterior shots and other "normal" sequences obviously sound wider in comparison. The lone outlier is James Ferraro's score, which stands in contrast by looping around the rear channels and mixes nicely with the dialogue while purposefully overpowering it on many occasions. It's a satisfying effect that creates an equally surreal end result and suits the visuals very well. Optional English (SDH) and Spanish subtitles are also included during the main feature.

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