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A petty criminal, wanted for the murder of a police officer, returns to Paris where he reunites with an American journalism student and attempts to persuade her to run away with him to Italy.5 B5 n# c5 I- N& ?# u+ b e/ x
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' A" U! _. Q/ X0 I- t0 {◎译 名 精疲力尽/断了气(港/台)/欲海惊魂(港)/筋疲力尽/精疲力竭/穷途末路2 ]' m$ M" V$ X3 A" ^
◎片 名 À bout de souffle / Breathless+ S# {% \- ]$ U
◎年 代 1960- E+ u W' S% k' i: t s
◎产 地 法国
- J* W' K* p2 f8 i( ?; r◎类 别 剧情/爱情/犯罪
5 z! w: F4 I" |* ~4 x◎语 言 法语/英语
3 }) n7 r# P# q; J7 |! k+ m◎上映日期 1960-03-16(法国)
& ]" t# i% i9 K+ n9 o1 V9 U. p◎IMDb评分 7.8/10 from 72,117 users, v; w! H' k/ [& I
◎IMDb链接 https://www.imdb.com/title/tt0053472/
* a3 ~6 T/ x( _; R C U; x( l1 e◎豆瓣评分 8.4/10 from 36,702 users
6 Q( _; W( {& Z& [& @, ^& r4 b3 d \◎豆瓣链接 https://movie.douban.com/subject/1353745/
$ i4 u+ F0 k7 V◎文件格式 x265 + LPCM 6 D6 U* Y7 w0 P9 Q! }; h
◎视频尺寸 3840 x 21608 Z* z4 E" _6 L
◎文件大小 1DVD 49.72 GiB
" P m/ l" @6 D! S◎片 长 1:30:15.750 (h:m:s.ms)! M9 {! ]+ C( T: j6 ] b
◎导 演 让-吕克·戈达尔 Jean-Luc Godard* X7 d7 B$ e0 w; r( A
◎编 剧 弗朗索瓦·特吕弗 François Truffaut
, h/ p! k" G- f* {0 z. F 让-吕克·戈达尔 Jean-Luc Godard" H& V7 l* ?# j/ f
克洛德·夏布洛尔 Claude Chabrol
/ x7 @+ H B$ L; Z◎主 演 珍·茜宝 Jean Seberg
) r& c1 @3 c$ x' N- Z 让-保罗·贝尔蒙多 Jean-Paul Belmondo3 m% W' E6 h) [/ b0 e
达尼埃尔·布朗热 Daniel Boulanger. C; Y/ M/ [! b6 ^/ e
亨利-雅克·于埃 Henri-Jacques Huet/ J- B4 z. x! z' b
罗杰·哈宁 Roger Hanin
* n$ ]: D+ J- n- a9 e2 b 范都德 Van Doude% ^% @) q, F/ t1 `6 C8 l
克洛德·芒萨尔 Claude Mansard9 w: B3 O d |/ I4 v/ z- X; q
莉莲·德莱弗斯 Liliane Dreyfus$ |7 g# [1 j! t6 b
Michel Fabre; [4 M0 M. o2 v: c% M
让-皮埃尔·梅尔维尔 Jean-Pierre Melville! B" s3 I! i# O4 K$ |9 h* A
让-吕克·戈达尔 Jean-Luc Godard
4 ?# k1 Q" z0 S8 b( z' j( x 里夏尔·巴尔杜奇 Richard Balducci
7 t3 R! D2 q! ^+ c/ I$ c 安德烈·S·拉巴尔特 André S. Labarthe5 z/ O& M- p( j( ^, p
弗朗索瓦·莫瑞尔 Fran?ois Moreuil
$ \; q4 [; }$ q! h0 S9 @ Jacques Lourcelles
3 K0 z: S. k/ u, o$ [2 ~ 热拉尔·布拉什 Gérard Brach0 H( i6 e/ ~& y2 ^9 p0 |# B
菲利普·德·布罗卡 Philippe de Broca
/ {& w, R. @/ y; f( C, E José Bénazéraf3 ^& D6 g! L* W$ H n7 R! e2 ^
让·杜歇 Jean Douchet; M4 E% {1 Q( D4 M
雷蒙德·亨特利 Raymond Huntley
, [, d! K ]& p Louiguy
; I _5 o! {: y0 M6 @$ k# C Guido Orlando9 K, a) ^8 {$ i3 \, d* P
让-路易·里夏尔 Jean-Louis Richard) t; R5 H+ F3 _5 ^, e
Jacques Siclier4 Q/ D8 ]/ @9 b# O: G. a; t
8 b0 y) w( R# G% t8 K◎标 签 法国 | 新浪潮 | 1960 | 经典 | 爱情 | 黑白 | 犯罪 | 剧情
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◎简 介 ( Y% ?0 n, d$ W* u
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本片和特吕弗的《四百击》同被誉为法国电影新浪潮的开山之作。. }3 b+ e, u$ p: X$ @# y$ G
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身无分文的街头混混米歇尔(让-保罗·贝尔蒙多)从马赛偷了一辆小汽车,驶往巴黎的路上,他因超速行驶被警察逮住,为了脱身,他开枪打死一名警察,来到巴黎后,他躲进当记者的女友帕特丽夏(Jean Seberg)处(躲避警方的通缉之外,他还想方设法讨回一笔卖车赚来的钱)。帕特丽夏去报社时,遇到警长,对方要她一有米歇尔的消息就打电话相告。对米歇尔,帕特丽夏心态复杂,一面深深为他对一切都无所谓的劲儿着迷,一面却嫌弃他太吊儿郎当。$ g1 }0 b7 U6 W: {6 e5 D+ Q) z
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A small-time thief steals a car and impulsively murders a motorcycle policeman. Wanted by the authorities, he reunites with a hip American journalism student and attempts to persuade her to run away with him to Italy.
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◎获奖情况
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第10届柏林国际电影节(1960)
) O7 T3 j) q2 h, C0 O# J 金熊奖 最佳影片(提名) 让-吕克·戈达尔" q7 p/ r+ e0 O, q
银熊奖 最佳导演 让-吕克·戈达尔
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0 @$ O5 @8 N* f/ N" f3 O0 g- DISC INFO:
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1 Q' F5 B7 l3 t, ^' r- h0 A6 B$ n- Disc Title: Breathless.1960.FRENCH.2160p.BluRayCD.HEVC.LPCM.2.0-ROCKEFELLER" U- @6 ~, t0 O' t" M$ M& z9 l& S
- Disc Size: 53,387,329,452 bytes
: J3 C( S% {& A1 D6 W8 {; D1 O+ E - Protection: AACS2) U c1 P( y' N1 N6 v/ ~
- Extras: Ultra HD) e w1 t2 T3 _% W
- BDInfo: 0.7.5.9 (compatible layout created by DVDFab 12.0.0.5)$ X. j# x4 h S0 C! i
- 7 d4 `/ `2 q2 ~: _ w. @
- PLAYLIST REPORT:
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& p7 c& d& U U4 I- Name: 00010.MPLS + t' v0 K1 y- f, g" Z8 L
- Length: 1:30:15.750 (h:m:s.ms), L, u2 Y0 a! ]
- Size: 44,680,114,176 bytes- x/ p* |- h& H- M
- Total Bitrate: 66.00 Mbps8 {3 v2 L% }) A
! b7 j! D. G K- (*) Indicates included stream hidden by this playlist.7 o2 G' o: _1 e* f
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- Video:
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3 l7 t4 M0 D. ~. u7 @2 ]- Codec Bitrate Description
& l0 T/ A6 I( h/ Q5 W - ----- ------- ----------- . o6 o* U$ A/ J+ V0 S4 j. h+ s
- MPEG-H HEVC Video 54155 kbps 2160p / 24 fps / 16:9 / Main 10 @ Level 5.1 @ High / 4:2:0 / 10 bits / 1000nits / HDR10 / BT.2020
; g7 u% s, O% s+ \ D# K - * MPEG-H HEVC Video 4198 kbps (7.19%) 1080p / 24 fps / 16:9 / Main 10 @ Level 5.1 @ High / 4:2:0 / 10 bits / 1000nits / Dolby Vision FEL / BT.2020+ Y% T( L: M7 W9 g; c% C2 D
6 y' Q; C9 S7 w" D- AUDIO:' H: D3 A$ Q9 m! n$ C
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- Codec Language Bitrate Description # c2 s* ]( j/ e# S m5 J" \8 E
- ----- -------- ------- ----------- 1 y8 X9 T. b4 z0 [0 d
- LPCM Audio French 2304 kbps 2.0 / 48 kHz / 2304 kbps / 24-bit* i j8 L( P. X
- LPCM Audio German 2304 kbps 2.0 / 48 kHz / 2304 kbps / 24-bit3 G+ W% t6 c3 g6 G8 z. |6 J" }5 S
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- SUBTITLES:
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% {: _7 Z1 ?& T- h1 {( R - ----- -------- ------- ----------- 5 {! s, Z- P/ w% l! F% F' T
- Presentation Graphics French 30.949 kbps
: |- d: o7 _+ A# l) r, L$ i4 @; f9 s - Presentation Graphics German 33.01 kbps
' i/ M6 Y0 I4 T/ w2 y- G8 S - Presentation Graphics English 25.092 kbps 1 v9 [2 @. m; j8 C! y% G3 M
- Presentation Graphics French 0.944 kbps
+ Y8 _; w0 l* g - Presentation Graphics German 0.506 kbps
复制代码 Breathless 4K Blu-ray, Video Quality
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1 A( R: D- w! H6 Q) U$ T. CThe release is sourced from a brand new 4K restoration that was completed on behalf of StudioCanal. The laboratory that carried out the restoration is L'image Retrouvee. (See screencaptures for complete details).+ ]1 t( R$ ], ]' i$ ^/ i
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4K BLU-RAY DISC
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! u7 t- @* y. Q% |' y9 q+ m! V! m9 g8 WI did a number of direct comparisons with StudioCanal's previous release of Breathless and I think that the most obvious improvements actually come from the transition to native 4K. Indeed, a direct comparison between the 1080p presentation of the old 2K restoration and the 1080p presentation of the new 4K restoration does not reveal any significant improvements in terms of delineation, clarity, and density. In fact, because of the manner in which the new 4K restoration is graded, in 1080p the old 2K restoration often looks stronger. In native 4K, however, the 4K restoration reveals wider and much more subtle ranges of grays, white, and blacks, and as a result there are areas of the film where it is very easy to see improved delineation and depth. Also, density levels are marginally stronger, though I am quite certain that viewers who, like me, appreciate superior density will not be overly impressed. Why? Because the old 2K restoration is already quite nice, and because there are some inherited source limitations that make it virtually impossible to get superior visuals even in native 4K. Contrast levels are better managed in native 4K, but in 1080p there are again some unusual trade-offs. Image stability is outstanding. The entire film looks very healthy as well.
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*Screencaptures #1-7 are from the Blu-ray release. Screencaptures #11-21 are from the 4K Blu-ray release and downconverted to 1080p. (In native 4K, the grading will look different on your screen).
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When viewed in 1080p, as opposed to native 4K, the new 4K restoration can look somewhat underwhelming at times. For example, in a lot of darker areas the elevated blacks actually flatten some existing detail. Grain exposure can be a tad loose as well. Additionally, in select darker areas I noticed light macroblocking patterns that easily could have been avoided with superior encoding. (You can see an example in the right corner of screencapture #7). Density levels are good, but on a larger screen I think that the old 2K restoration frequently looks superior. I also think that it is easy to argue that the grading job on the old 2K restoration is more convincing. To sum it all up, I would recommend the 4K restoration as the definitive presentation of the film only if viewed in native 4K. In 1080p, the old 2K restoration seems like the better option. My score is 3.75/5.00. (Note: This is a Region-B "locked" Blu-ray release. Therefore, you must have a native Region-B or Region-Free player in order to access its content).% ?; {; v4 ?8 l* L7 e5 \/ p2 L7 @
! g: O6 m( k8 I& I* PBreathless 4K Blu-ray, Audio Quality
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There are two standard audio tracks on this release: French: LPCM 2.0 and German: LPCM 2.0. Optional English, French SDH, and German subtitles are provided for the main feature.9 b, R" l% M( h
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The lossless French track sounds terrific. I felt that it was marginally fuller now and perhaps better rounded as well. Also, it is definitely cleaner, which does not surprise me at all because it was extensively restored. There are no encoding anomalies to report in our review.! x4 ^" T% y7 X% A7 t) ]3 D$ ]! J
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