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When a man goes for virtual vacation memories of the planet Mars, an unexpected and harrowing series of events forces him to go to the planet for real - or is he?- J" p' m* t' U/ f6 L
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! Y4 t" N" k. ~, x' p◎译 名 全面回忆/宇宙威龙(港)/魔鬼总动员(台)
i9 m# D v! ?◎片 名 Total Recall, ^1 W" n: h9 X! [/ v, ^% V
◎年 代 1990
% O2 G$ p. w+ _$ ]◎产 地 美国$ L" J( e, O6 m: {6 K5 k; X* [
◎类 别 动作/科幻/惊悚/冒险3 D5 n8 y i. I+ F8 [2 ~. w. }
◎语 言 英语
- A! m7 J' j/ x2 q) ]4 d◎上映日期 1990-06-01(美国)
: _6 [. _+ B3 M5 A◎IMDb评分 7.5/10 from 298,744 users. }# c* ^) T6 b% @* J3 w
◎IMDb链接 https://www.imdb.com/title/tt0100802/
, X6 t$ }# w8 [1 v: y◎豆瓣评分 7.7/10 from 25,184 users Z/ Q6 ?3 y( e2 M$ g7 T* O
◎豆瓣链接 https://movie.douban.com/subject/1295870/
3 k, j, T* L& |1 F4 { ^4 F$ @9 ^◎文件格式 x265 + DTS + TrueHD . `/ h8 J6 g! E( u+ Y6 u" K
◎视频尺寸 3840 x 2160" Y4 R) h8 x/ c! y
◎文件大小 1DVD 75.17 GiB & 84.69 GiB
& X8 z! b& A# _$ Y C◎片 长 1:53:16.708 (h:m:s.ms)5 L, G3 D0 D! x% i0 w7 Y* }
◎导 演 保罗·范霍文 Paul Verhoeven8 U& a) z7 f* w4 T; L3 l
◎编 剧 菲利普·K·迪克 Philip K. Dick
) R, |5 H5 `( C) i: y 罗纳德·舒塞特 Ronald Shusett 7 F C2 Y0 U, [9 U- H2 n5 I
丹·欧班农 Dan O'Bannon
7 A) f3 L% f; T- G: E" y Jon Povill
; J5 {7 D; t) H7 V. v% C: h 加里·戈德曼 Gary Goldman
5 A6 O' t% x- P A# i◎主 演 阿诺·施瓦辛格 Arnold Schwarzenegger
1 N3 w2 M( f6 c9 a$ y 雷切尔·蒂科汀 Rachel Ticotin
6 x# I3 l X" u$ q2 }+ @ 莎朗·斯通 Sharon Stone
# F- x$ C: }0 w; e+ S$ a W 罗尼·考克斯 Ronny Cox
* d$ S! A2 y4 L9 d, f3 ? z' v% c 迈克尔·艾恩塞德 Michael Ironside4 R0 i! |2 O' w. [7 p( n1 K
马绍尔·贝尔 Marshall Bell
0 ?, M" ~1 I% g 梅尔约翰逊 Mel Johnson Jr.) }" y. Q! Y2 m9 }) ^
迈克尔切姆平 Michael Champion! s% b1 L3 {4 b( F
罗伊·布罗克斯史密斯 Roy Brocksmith2 }, I4 ?: C/ ?2 W# H! f
雷·贝克 Ray Baker: X, t' J$ ?" T B$ i6 ~9 U
萝丝玛丽·邓斯莫尔 Rosemary Dunsmore0 f$ R# r/ r& y. f! U
戴维·奈尔 David Knell
5 X. `& H2 l" v H* X 阿列卡夏罗宾逊 Alexia Robinson
. M: F5 E8 }1 `% x) z5 X, U 迪恩·诺里斯 Dean Norris
& @7 D) D$ Q0 ~! x! t 马克卡尔顿 Mark Carlton8 r, P8 O y* m- L0 k* S7 S6 A
黛比·李·卡林顿 Debbie Lee Carrington
& |7 Y7 M: R; u/ W2 ` Lycia Naff( r, ?2 H/ N: I3 k9 ?- K
罗伯特·康斯坦佐 Robert Costanzo
) q* k0 {; L" P& Q A Michael LaGuardia/ j1 a# O- f4 ?, E- k! B" E
Priscilla Allen" J+ x% B# Y H* J% T
马克·阿莱莫 Marc Alaimo! s3 ]# u; I- g/ H* w
Michael Gregory
& _, f' o/ w( q- g' A! S/ k! { 户田惠子 Keiko Toda0 ^0 P( L7 ?7 T$ a* [
阿兰·格拉夫 Allan Graf7 G' p; q" C% f& ~2 R$ P: E
鲍勃·祖迪克 Bob Tzudiker
" Q" J, V/ O& m Erik Cord
# d! U3 Q8 v: i% D+ R Bennie Moore
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8 @3 k$ ]' d, e) c, {% w! s7 r◎标 签 科幻 | 动作 | 施瓦辛格 | 美国 | 1990 | 美国电影 | ArnoldSchwarzenegger | 电影" T; g5 o8 C; `# m+ g
8 Y6 \6 A, z: |◎简 介 - C3 k P6 {6 n9 F, G8 U5 t2 X7 g
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未来世界中,工程工人道格拉斯(Arnold Schwarzenegger 饰)被持续的梦境困扰,那是一系列发生在红色火星上的体验。道格拉斯在广告上发现了回忆旅行公司的介绍,虽然同事警告他这种虚拟旅行可能会危害人类的大脑,但比起亲自去一趟充斥着反政府武装的火星,回忆旅行公司确是一个不错的选择。道格拉斯如愿接受了回忆旅行的服务,但是虚拟记忆的过程突然出现错误,自此一系列不可思议的经历出现在道格拉斯的身上,先是妻子劳瑞(Sharon Stone 饰)向他发起攻击并承认自己是监视道格拉斯的间谍,后来有陌生人出现帮助他逃脱并指出他是火星独裁者针对反政府武装派出的特工,结果因为一名女子梅丽(Rachel Ticotin 饰)改变了立场……道格拉斯动身前往火星,那里有一切的谜底,或者一切又只是梦境一场? + q( k3 I1 h! ~$ b2 W8 q
" p/ B+ C. b* m6 c q A construction worker is haunted by dreams of Mars. Against the wishes of his wife, he goes to a company that implants artificial memories, he is actually a secret agent from Mars - or is he?
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◎获奖情况 + d; z$ a/ v# A( t$ `. D
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第63届奥斯卡金像奖(1991); v N' X- U! Z+ g
最佳音效剪辑(提名) 斯蒂芬·亨特·弗利克
/ J- r7 W+ L4 H5 o, J( Y 最佳音响(提名) 亚伦·罗琴 / 迈克尔·J·科胡特 / 尼尔森·斯托尔 / 卡洛斯·德拉里奥斯2 a4 T2 ]" q& G- S
特别成就奖 蒂姆·麦加沃恩 / 埃里克·布雷维格 / 罗伯·博汀$ X/ y3 t* _, z7 `4 z
A- y( A2 X( d9 @$ H$ H' m 第14届日本电影学院奖(1991)! n6 @3 |& c, x* K8 X9 \* M6 C
最佳外语片(提名)- V- s3 w+ l) T7 Z2 p, Y
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复制代码- DISC INFO:
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复制代码 Total Recall 4K Blu-ray, Video Quality , Q/ a8 ?' ?% m8 q. v/ k. u
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Note: Screenshots are sourced from the 1080 Blu-ray.
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Total Recall is presented in both 4K UHD 2160p and 1080p courtesy of Lionsgate Films and StudioCanal in 1.85:1. Since this is a "combo release" which doesn't seem to be getting a standalone 1080 release as of the writing of this review, I'll cover both presentations here. As noted above, I gave top marks to the 2012 Blu-ray, while I'm downgrading the scoring here slightly for both the 1080 version and the 2160 version, which may cause some to understandably question my comment above that in some ways these new presentations are an improvement over the 2012 release. So let me just begin by saying what I've often said over the course of my pretty long tenure here: scores are relative way markers, and what was a 5.0 for me in 2012 might not get the same generous score in 2020. And as I've also stated repeatedly, I personally wish people would pay less attention to scores and more to the actual discussion of the presentation. So with those introductory comments in mind, let me mention some of the differences, both plus and minus, that I noticed while watching this film again in both its "new, improved" 1080 and 2160 presentations, when compared to both the 2012 release and to each other.$ y7 k6 l! s% j- Z; R7 x" I
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The first thing that struck me is that both the new 1080 presentation and the 4K UHD presentation are somewhat darker than the 2012 release, as well as generally better saturated. The brightness of the 2012 version may tend to highlight the grain field a bit more, especially in daytime scenes, but grain seems more finely resolved overall in both the new 1080 and 2160 versions in this release, and in fact I personally liked the resolution of the grain field better in 4K UHD, which has not always been the case with me when releases like this that have provided simultaneous new 1080 and 2160 versions have been in my review queue. Grain in the 2160 version is noticeable without ever swarming or clumping, even in some opticals. The 1080 version doesn't offer quite the same clarity (if that's a decent term) in the grain resolution that the 4K UHD version does.$ v& S; m, x* \: c7 Y7 |* J
/ ~4 k' t0 S! D9 ^8 O8 T; P1 C2 h4 uWhile there are still some noticeable fluctuations in densities and saturation levels in both of the new presentations here, with some moments like the opening scene with Sharon Stone looking a bit desaturated, generally speaking I found the vividness of the palette in these new presentations to be superior to the 2012 version. That very opening scene has some interesting palette highlights toward teal in the Dolby Vision rendering, and in fact HDR throughout the 4K UHD version really impressed me repeatedly, though in that regard some of the reds take on a more orangish tint. Perhaps ironically then in the context of HDR, and rather interestingly to my eyes at least, the colors seems slightly pushed on the 1080 version in this release, and are therefore surprisingly a bit more nuanced and less lurid looking in the 2160 presentation.
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F/ ?6 L* m; U3 I9 A# k5 `3 P. jThere are some passing compression issues in both presentations that will probably be the source of greatest concern and/or controversy and the one striking minus. Most of these are centered on some of the Mars material, notably the first landing there. In the 1080 version there are clear banding ripples moving through the lower right part of the frame. I actually went back and watched the Mind Bending Edition which I reviewed so many years ago, and there are just hints of ripples right at the segue between the two scenes, though not as noticeable as the ones here, which kind of weirdly occur just a fraction of a second later. The 2160 version didn't exhibit the banding on my display, but there were very noticeable pixellated macroblocks, again in the lower right corner of the frame. What's kind of perplexing in terms of compression challenges for this kind of scene is that the very opening Mars set sequence (Quaid's first "dream") I thought looked exceptional in the 4K UHD version in particular. The orangish reds were spectacularly suffused without any compression issues that I noted, detail levels were excellent and grain resolved nicely against the sky especially.* j/ x% z# W/ h4 N. M% t
5 S& e3 V7 T% k% c! rOn the whole in my personal estimation both the 1080 and 4K UHD versions here are an improvement over the 2012 release, especially in terms of palette and fine detail level (things like the Rekall salesman's herringbone suit jacket are really impressively rendered, and even some of the textures on the kind of quaint miniatures used in many effects sequences offer new detail). The 4K UHD version in particular offers a well balanced palette that manages to offer really striking hues, especially toward the red end of the spectrum (but also with regard to elements like the bright pink top Stone wears early in the film).
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7 P; Z8 Y. Y$ Q$ _& P9 E: C5 [Total Recall 4K Blu-ray, Audio Quality $ \ v. e2 M. u) P
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* c. f; i- F1 S4 oTotal Recall features a Dolby Atmos track on both the 1080 and 4K UHD discs. This does offer noticeable and recurrent verticality, quite evident in moments like some of the cacophony Quaid experiences tooling around the hotspots on Mars, but also prominently in the big "Terraforming" climax, where overhead activity is quite pronounced. Maybe just a little ironically, then, my one niggling qualm with this track isn't the Atmos channel engagement, it's actually a bit lower, toward the midrange where some of Jerry Goldsmith's score in particular just doesn't seem to have adequate punch. There are very impressive bursts of LFE, however, so this may have been a mixing decision. Dialogue is rendered cleanly and clearly throughout. Optional subtitles in several languages are available.) M3 g5 C1 K! c
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