生化危机2：启示录 [4K蓝光原盘 自带中字] Resident Evil Apocalypse 2004 EXTENDED 2160p BluRaycd HEVC TrueHD 7.1 Atmos-GLiMMER 54.18GB

Alice wakes up in the Raccoon City hospital after the area has been overrun by zombies, and must now make it out of the city before a nuclear bomb is dropped.
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, ~( l; R5 |7 A+ u% `1 D) N! \◎译　　名　生化危机2：启示录/恶灵古堡II：启示录/生化危机之歼灭生还者
- G- Y) A; m  Z8 R( g# l◎片　　名　Resident Evil: Apocalypse
+ Y% m. j7 ^4 w8 E* y' N& p" f# [◎年　　代　2004
◎产　　地　德国/法国/英国/加拿大/美国
◎类　　别　动作/科幻/恐怖
◎语　　言　英语
◎上映日期　2004-09-10(加拿大/美国)
# p* L3 `; u! k* F◎IMDb评分  6.2/10 from 184,830 users
◎IMDb链接  https://www.imdb.com/title/tt0318627/
◎豆瓣评分　7.9/10 from 187,602 users
◎豆瓣链接　https://movie.douban.com/subject/1308752/
) ]6 k$ C1 k2 ?/ u◎文件格式　x265 + TrueHD
5 Y( B' Y1 G- ~3 m◎视频尺寸　3840 x 2160
◎文件大小　1DVD 54.18 GiB
; F+ F/ @  R  C" J* n◎片　　长　1:37:46.777 (h:m:s.ms)
◎导　　演　亚历山大·维特 Alexander Witt
& ]4 Z3 `8 r% s1 T1 z# p◎编　　剧　保罗·安德森 Paul W.S. Anderson
  D# T+ v4 ?/ W, h4 M% t2 b◎主　　演　米拉·乔沃维奇 Milla Jovovich
) ~6 u5 F, ?" M1 l1 H* d$ P1 s　　　　　  西耶娜·盖尔利 Sienna Guillory
　　　　　  奥德·菲尔 Oded Fehr
, ~: b9 J" Z4 L　　　　　  托马斯·克莱舒曼 Thomas Kretschmann
0 @( T, t  e3 T; O9 q% r　　　　　  索菲·瓦瓦塞尔 Sophie Vavasseur
3 S+ t, q' w6 M; B　　　　　  何家蓓 Sandrine Holt
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: Y  B, h$ a3 m/ l$ G, h! o7 y◎标　　签　科幻 | 生化危机 | 美国 | 动作 | 惊悚 | 恐怖 | 丧尸 | 游戏改编

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　　T病毒在蜂巢中肆虐并很快打破了地面上浣熊市的平静，丧尸开始在人群中出现，安布雷拉公司将整个城市封锁，计划使用核武器摧毁城市以掩盖病毒外泄的事实。被安布雷拉注射T病毒使身体能力远超常人的爱丽丝（米拉·乔沃维奇 Milla Jovovich 饰）由昏睡中醒来，她在混乱的浣熊市与防卫队员瓦伦汀（Sienna Guillory 饰）、记者泰莉等人组成队伍，试图找到脱身之法。另一方面，安布雷拉公司的科学家艾肯佛博士为搭救被公司抛弃在城中的女儿安琪拉，以提供逃生方式为代价请求爱丽丝和防卫人员卡洛斯（Oded Fehr 饰）两组人马帮助。而安布雷拉公司派出了由环保分子麦特所改造成的“复仇邪神”阻止这一切……
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* b. ^7 H0 F9 L　　本片获2005年加拿大吉尼奖最佳音效剪辑奖、金盘奖。是生化危机系列电影的第二部。

　　After narrowly escaping the horrors of the underground Hive facility, Alice is quickly thrust back into a war raging above ground between the living and the Undead. As the city is locked down under quarantine, Alice joins a small band of elite soldiers, led by Valentine and Carlos, enlisted to rescue the missing daughter of Dr. Ashford, the creator of the mutating T-virus. It's a heart-pounding race against time as the group faces off against hordes of blood- thirsty zombies, stealthy Lickers, mutant canines and the most sinister foe yet. Written and produced by the visionary director of Resident Evil, Paul W. S. Anderson and directed by Alexander Witt, Resident Evil: Apocalypse is a superior sci-fi suspense sequel.

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3. Disc Title:     Resident.Evil.Apocalypse.2004.EXTENDED.2160p.BluRayCD.HEVC.TrueHD.7.1.Atmos-GLiMMER
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4. Disc Size:      58,157,049,338 bytes
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Resident Evil: Apocalypse 4K Blu-ray, Video Quality   
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The included screenshots are sourced from a 1080p Blu-ray disc.

Apocalypse is an even bleaker film that its predecessor. This is another steely blue and gray movie but with a much darker tone and even greater color desaturation. Nevertheless, the 2160p/HDR UHD presentation is quite strong. The picture is pleasantly filmic, maintaining an organic grain structure that is very flattering of the material and quite cinematic. It's consistent in density, helping to bring out exquisite film-like detailing in every shot. Clarity abounds well beyond the aged Blu-ray, offering firm, tactile definition to faces, clothes, and environments. This is inherently not the sharpest movie on UHD, but there's an unmistakable firmness and fidelity about the image. It appears perfectly true to its film roots, delivering the rather challenging low light imagery with great faithfulness and a willingness to hold fast to the organically cinematic qualities. It's attractively stable and sure.
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8 e8 g6 o1 n) I" O, I1 tThe HDR color spectrum helps to deepen and solidify the movie's inherently bleak color timing which favors extreme blue, gray, and black output. Contrast through this spectrum is impressive, boasting excellent tonal detail, separation, and gradation. The added depth reinforces the material compared to the lighter, less dynamic Blu-ray which gets the point across but never truly explores the material with the sort of color accuracy it truly demands. HDR brings with it more finely nuanced tones within the available spectrum of lighter and brighter, mostly coming through healthy, full flesh tones, some red blood, and fire in the form of explosions and barrel flashes during gunplay. Film's end brings with it the most aggressive burst of color to be found, seen only briefly in a choppy crash sequence and more stabilized for a few moments afterwards. Here, colors remain somewhat reserved but there's no real want for added vitality without making for a completely jarring transition. Within the movie's intended visual characteristics, it seems as if Apocalypse couldn't look a whole lot better.

Resident Evil: Apocalypse 4K Blu-ray, Audio Quality   
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0 _& M2 p9 r* C; {. n* @+ tThe Dolby Atmos soundtrack offers endless extremes at reference volume. It's insanely aggressive, delivering one of the more blatantly overamped yet exceedingly fun tracks in recent memory. Music spills through the speakers with abundant volume and extreme depth. Yet it maintains its subtleties, too, with clarity extending to even the more minute supports rather than expend all of its energy on the most prominent pieces. Still, those most engaging components do find ridiculously generous spacing through the entire stage, saturating the listener with a rare example of thunderous depth and tremendous detail. Action elements are no different. Gunfire, prodigious throughout the picture, tears through with extreme punch, hitting hard as shots ring out from a weapon and impact surfaces and flesh alike. Gunfire explodes from all around, though with purpose and precision placement, not just popping in for random effect. Subwoofer output never relents in action. There's always a gunshot, something or someone crashing hard, a structure breaking, or an object being thrown around the stage. And the total sense of immersion, right in the middle of the action at all times, may be this track's greatest engineering feat. Light ambience is constantly in play, too, even if it's just an eerie sound effect, a slightly echoing footfall, or any number of spooky sound effects that ease the listener into the coming Horror maelstroms. Overheads engage with frequency, both in support of established elements and offering a number of discrete effects, such as when public address announcements about medical scanning are heard in the early minutes. Expect sounds to come into the stage from all over and move through its every available corner and layer. Dialogue is perfect, too. For hardcore audio, this one's tough to beat.

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