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A cab driver finds himself the hostage of an engaging contract killer as he makes his rounds from hit to hit during one night in Los Angeles.$ ?3 w6 R, ]& X2 q7 w
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◎译 名 借刀杀人/同行杀机(港)/落日杀神(台)/间接伤害+ ?2 C& E5 [/ T% \/ z: V. F
◎片 名 Collateral( B4 A6 o- o! F, F) i2 ]: e: ~
◎年 代 2004 {$ x( g Y. o) s
◎产 地 美国$ U5 m7 U8 Y5 A
◎类 别 剧情/惊悚/犯罪$ a$ m. v! V# R) U
◎语 言 英语/西班牙语
, G0 |# N$ w+ A3 S% t◎上映日期 2004-08-06(美国)
: C1 m, L! X; K6 Z" n◎IMDb评分 7.5/10 from 356,804 users8 h, |; C: J- y9 `
◎IMDb链接 https://www.imdb.com/title/tt0369339/& `* @1 I2 [: d# @0 q, c* ?
◎豆瓣评分 7.5/10 from 52,261 users
9 c; e- M2 T4 {) ~: d ?1 Q! g◎豆瓣链接 https://movie.douban.com/subject/1308762/" @) V- T( z# \
◎文件格式 x265 + DTS
8 j4 u7 p* |9 Y) q4 k' a# l3 T( |◎视频尺寸 3840 x 2160! |6 j* f: j% i- l8 R& l
◎文件大小 1DVD 59.14 GiB: |- r+ u) f- w4 I1 _" P
◎片 长 1:59:53.144 (h:m:s.ms)6 F! c/ l& v7 o5 i, u6 j
◎导 演 迈克尔·曼 Michael Mann
0 c' N9 U- O& W6 N$ j0 l◎编 剧 斯图尔特·贝亚蒂耶 Stuart Beattie" u6 b* _3 F* Z" v
◎主 演 汤姆·克鲁斯 Tom Cruise
& a* `5 U Y" y5 i' C2 r) U+ P 杰米·福克斯 Jamie Foxx) V% H% ~6 b+ k2 T4 ?' O6 P: }
贾达·萍克·史密斯 Jada Pinkett Smith
& {% @' k2 J6 Y; K+ C9 u 马克·鲁弗洛 Mark Ruffalo
1 k, d# B* Z7 r$ o: N# N7 u# a 彼得·博格 Peter Berg5 e1 g! S" A. j; h$ Y2 W# ^
布鲁斯·麦克吉尔 Bruce McGill3 U3 I+ I4 l' E [- s# @" X
哈维尔·巴登 Javier Bardem! D7 l2 y+ h. y! X; S
杰森·斯坦森 Jason Statham) j7 p3 V2 G2 }2 ]3 T1 X
艾尔玛·霍尔 Irma P. Hall
3 d1 \; Q) S0 A! U' ^/ B( m# S 巴里·沙巴卡·亨利 Barry Shabaka Henley i- e; r: P) U3 F, U
理查德·琼斯 Richard T. Jones: F0 l* T8 f5 ]* X9 x( y* {
博德希·埃夫曼 Bodhi Elfman: z+ r' ^+ n, L! B6 A+ t
黛比·玛扎 Debi Mazar7 P8 d. |2 A8 p) ]9 R! h
埃米里奥·瑞弗拉 Emilio Rivera, {4 O( m' t, B: X. P
杰米·麦克布莱德 Jamie McBride. X+ N5 E9 N r
; E, G3 b6 A! L6 C7 Y/ g◎标 签 犯罪 | 美国 | 动作 | 剧情 | Tomcruise | 美国电影 | 2004 | Tom_Cruise- [0 h- f4 a3 ~% r/ q- |
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夜幕低垂,麦克斯(杰米·福克斯 Jamie Foxx 饰)接了一位注定要改变他人生的客人――文森特(汤姆·克鲁斯 Tom Cruise 饰)。" r+ L5 t; v k: c7 a* v
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文森特受雇于一家跨国贩毒集团,这晚来到洛杉矶要干掉五名重要证人。他与我们经常看到的杀手大不一样,他天生喜欢唠叨,在他挟持 麦克斯去帮他完成杀人工作时,还振振有词――“我又不是卢旺达大屠杀,我杀人本来就不是好人,可以说是替天行道,你有什么可以指责我的?”麦克斯也一时语塞。
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- B' K+ m4 ] f/ I" G 这晚要杀的最后一个人是助理检查官,她曾是麦克斯的顾客。麦克斯决心保护她……6 Z( f$ v) K- l! P0 d4 t- `
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Vincent is a cool, calculating contract killer at the top of his game. Max is a cabbie with big dreams and little to show for it. Now, Max has to transport Vincent on his next job - one night, five stops, five hits and a getaway. And after this fateful night, neither man will ever be the same again. Tonight everything is changing...
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" K( ^. M8 g+ ?5 h◎获奖情况 7 W4 O+ N# y0 G( i8 w
& e- k8 g5 ^$ X* X5 k 第77届奥斯卡金像奖(2005)2 ]3 ~$ C+ C9 G7 j: r" @
最佳男配角(提名) 杰米·福克斯, T! s0 [( ], Q
最佳剪辑(提名) 吉姆·米勒 / 保罗·鲁贝尔2 I8 @% o; X9 q
5 R0 L% E5 R6 b. F3 q+ n 第61届威尼斯电影节(2004): P/ F9 Y- {" G( h" c
未来数字电影奖
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第62届金球奖(2005)
% r- B+ q; Y' [* J 电影类 最佳男配角(提名) 杰米·福克斯
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( l( \; m2 e7 v, f5 O, X' C 第58届英国电影学院奖(2005)1 h1 R/ H" C3 T m6 ~; X; M
电影奖 最佳导演(提名) 迈克尔·曼7 K$ ^, x! ~$ F0 k
电影奖 最佳男配角(提名) 杰米·福克斯0 A( X* D; ]( N. R+ e: K7 q
电影奖 最佳原创剧本(提名) 斯图尔特·贝亚蒂耶6 g+ d. }% T& u* Y. y1 g0 f
电影奖 最佳摄影 迪昂·毕比 / 保罗·卡梅隆
' K7 S; p+ L+ X) y" C1 m 电影奖 最佳剪辑(提名) 吉姆·米勒 / 保罗·鲁贝尔
* C+ {3 X; e. y* | 电影奖 最佳音效(提名) 李·奥尔洛夫 / 迈克尔·明克勒 / 迈隆·内廷加 / 艾里奥特·科雷兹
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! E4 Y7 H( z5 q& a 第14届MTV电影奖(2005)( u a% f; r7 o0 y
MTV电影奖 最佳反派(提名) 汤姆·克鲁斯8 G5 @0 o+ |6 J" k
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第5届美国电影学会奖(2004)
; Y6 \" I& K" ~# ] 年度佳片% s I. `+ Q9 l, Y
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- DISC INFO:
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- Disc Title: Collateral.2004.2160p.BluRayCD.HEVC.DTS-HD.MA.5.1-TASTED& w m- b% F% |9 B; f
- Disc Size: 63,499,661,816 bytes
! V( @; G0 E \& J; z# f - Protection: AACS2
0 S2 v, F/ E% s4 v' @% H7 ^ - Extras: Ultra HD, BD-Java" ? p/ t5 I# g3 l$ k
- BDInfo: 0.7.5.9 (compatible layout created by DVDFab 12.0.0.9)* K3 `' Z' n7 _
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- PLAYLIST REPORT:
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- Name: 00001.MPLS ) {/ {; V3 U! H
- Length: 1:59:53.144 (h:m:s.ms)/ W+ [9 r8 m% _. o+ ~% a
- Size: 62,223,163,392 bytes5 U$ ]; u3 X+ M6 ~% ]
- Total Bitrate: 69.20 Mbps
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/ p e9 n1 f8 ~% b0 ]( a+ T, H- (*) Indicates included stream hidden by this playlist.* r/ S! J& w6 j/ @* w# @$ E' j
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- Video:- b1 C$ R7 C7 w: c
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- Codec Bitrate Description 6 ~2 W5 y- y5 N# a6 D
- ----- ------- -----------
6 O ^1 N* X; J& s - MPEG-H HEVC Video 55155 kbps 2160p / 23.976 fps / 16:9 / Main 10 @ Level 5.1 @ High / 4:2:0 / 10 bits / 4000nits / HDR10 / BT.20204 s/ Y7 [( z3 m; v) O# y! R) ?7 ~/ N
- * MPEG-H HEVC Video 4341 kbps (7.30%) 1080p / 23.976 fps / 16:9 / Main 10 @ Level 5.1 @ High / 4:2:0 / 10 bits / 4000nits / Dolby Vision FEL / BT.2020
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1 n2 d! n3 B/ l ] i. x& N- Codec Language Bitrate Description + y6 T; H( o' g4 z5 L: A
- ----- -------- ------- ----------- % q- G/ G0 q6 L9 p4 n1 M2 ~5 B/ I
- DTS-HD Master Audio English 3868 kbps 5.1 / 48 kHz / 3868 kbps / 24-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 24-bit)
' A% [' ~! i2 c2 `" R [. E - Dolby Digital Audio English 640 kbps 5.1 / 48 kHz / 640 kbps
. M. w0 U4 f" I5 c, Q- B& Y - Dolby Digital Audio French 640 kbps 5.1 / 48 kHz / 640 kbps
& M) W8 V+ x# Y: V6 E# s6 C/ i - Dolby Digital Audio German 640 kbps 5.1 / 48 kHz / 640 kbps
, ]+ k. b: Q& {2 f% }/ K. u - Dolby Digital Audio English 224 kbps 2.0 / 48 kHz / 224 kbps / Dolby Surround! J9 i- f! L0 s+ g0 {- q4 W0 w
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- SUBTITLES:
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- Codec Language Bitrate Description
3 E" b- I. I& _3 V, ?* Z" Y1 r - ----- -------- ------- ----------- " U4 G1 o4 z; J0 u
- Presentation Graphics English 33.331 kbps
x) R9 Z# W( p4 b4 K4 ~ - Presentation Graphics English 38.409 kbps
l" K5 p* o1 X - Presentation Graphics French 29.783 kbps ) B1 x0 U8 {- n1 [8 i6 o' @
- Presentation Graphics German 35.962 kbps , `% e9 w& V. s& G' S
- Presentation Graphics English 64.383 kbps $ e5 H1 u" }7 L0 d$ E& v
- Presentation Graphics French 54.806 kbps
( O, ]" o+ m4 y' c, a0 g - Presentation Graphics German 64.577 kbps
复制代码 Collateral 4K Blu-ray, Video Quality
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The included screenshots are sourced from a 1080p Blu-ray disc.3 ]/ X, R" j( k T4 b7 \2 U
% ]" e0 u- k- I; q7 OCollateral is not a film of vivid colors and scrumptious textures. It's a gritty experience, blended between film and digital construction. It's packed with grain and noise, low light conditions, and not a lot of visual splash. It's not a film that immediately springs to mind as one that would benefit from the UHD treatment, but the 4K/Dolby Vision presentation does offer some subtle refinements that altogether make for a pleasing, and ultimately critical, series of visual improvements. One of the most immediately obvious benefits is the disc's ability to render the grain and noise a bit more pleasantly and efficiently. On the UHD it's more organic, less spiky and dense, still a very noticeable and daresay critical component of the visual experience. Texturally the upgrade is a little more nuanced but still evident, even as it's reportedly sourced from a 2K digital intermediate. The UHD renders skin details, textures inside the cab, and location specifics both inside offices and out in the city with increased command of fine point details. Clarity is improved even through the mess of grain and noise and viewers will note more pleasantly crisp and authentic intricacies that help to elevate the film's visuals to greater heights. It's not revelatory but rather more clearly realized.! U2 d- c" D/ J2 _' \2 w2 N+ ^
& Z& x. E: V/ I( `The Dolby Vision color grading does some good work in tightening up the picture's color spectrum. This is a dark film and black levels are mission critical to its success. The UHD presents these darker nighttime blacks, shadows, and low light interiors with greater depth but also more realistic accessibility. The movie greatly benefits from a more stable and consistent black level series through a wide range of deeper and lighter shades of black as lower light locations are influenced by an array of surrounding light sources, whether streetlights at night, dim lights inside a club, or instrument readouts and signage glowing inside the cab. Opposite, white balance and brilliance are improved, though never to the point of compromising tonal integrity to match the film's color timing and mood. There is a slightly less green cast to parts of the movie and essential colors, including skin tones, are improved as well (look at the cab scene when Max first meets Annie). Even the brightest colors are only tweaked for depth. This is a very tasteful Dolby Vision application. The palette is reinforced but only within Mann's and Cinematographers Dion Beebe and Paul Cameron's vision for the film. The picture is free of obvious encode artifacts as well. This is by no means a "looker" but fans will find the upgrades to add up to a fairly good looking take on the film and the clear-cut best presentation yet for home consumption.; B% R5 q" U$ ]7 x& w4 m0 c
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Collateral 4K Blu-ray, Audio Quality
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" e+ }4 [' R8 @* ACollateral's UHD disc includes a DTS-HD Master Audio 5.1 lossless soundtrack, the same configuration found on the previously issued Blu-ray. While there is a difference in bit rate between the two (the UHD reads a little lower) one would be hard-pressed to notice any meaningful differences, if any exist at all. For a full audio review, please click here.
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