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- D8 ^( [7 m- w8 H6 M◎译 名 占有者6 g! O6 O+ z6 ^) z W
◎片 名 Possessor / Possessor Uncut4 o- s- i5 p5 M
◎年 代 20208 P- H6 R3 F- u* z7 {" I
◎产 地 加拿大/英国+ _/ A; G0 K+ O* E
◎类 别 科幻/惊悚5 f: h3 d9 K8 E
◎语 言 英语
4 d$ \- D3 h1 t◎上映日期 2020-01-25(圣丹斯电影节)/2020-10-02(美国)
! G" g$ c( t6 _1 p) W◎IMDb评分 6.4/10 from 9,559 users6 b) _* p1 m( {7 `1 u
◎IMDb链接 https://www.imdb.com/title/tt5918982/4 O+ ~5 K7 e) y K
◎豆瓣评分 6.0/10 from 1,875 users/ ^! G& B; s6 P
◎豆瓣链接 https://movie.douban.com/subject/30220880/
: L+ x7 [9 z9 R l3 l' ?5 O" f◎文件格式 x265 + DTS * O7 _, p, J' ~
◎视频尺寸 3840 x 2160
) G7 Q0 [* h' r. a) w) F- @◎文件大小 1DVD 53.69 GiB2 @1 H9 | I# C) F, b
◎片 长 1:44:19.294 (h:m:s.ms)/ L8 g. u/ {$ H! L, J
◎导 演 布兰登·柯南伯格 Brandon Cronenberg6 G! e7 Y# T5 y
◎编 剧 布兰登·柯南伯格 Brandon Cronenberg
l6 B* R) r0 Z& R& |◎主 演 肖恩·宾 Sean Bean5 f) O# `$ Q0 |' x/ w: @
汉娜克·塔波特 Hanneke Talbot2 H* K& s/ L+ @6 Y
詹妮弗·杰森·李 Jennifer Jason Leigh3 X) [. t+ U) Z8 i: m) U9 U
安德丽娅·赖斯伯勒 Andrea Riseborough
2 g( ]+ k+ w3 y* t& w 瑞秋·克劳福德 Rachael Crawford3 ]3 J# U9 S: n1 ?1 q1 ~
塔彭丝·米德尔顿 Tuppence Middleton
5 y K! s3 c4 I* o) Q 罗西弗·萨瑟兰 Rossif Sutherland
) D7 _6 ~7 e5 i 盖奇·格雷厄姆·阿布斯诺特 Gage Graham-Arbuthnot
7 l4 Y+ d K, ]' `% j 丹尼·沃 Danny Waugh7 o0 b- o( H7 f
克里斯托弗·阿波特 Christopher Abbott P: | ?" d, U$ @; n1 Z" |$ j. n# N
雷欧·巴奈扎 Raoul Bhaneja
" k/ t0 O7 W# M, ?. { 克里斯托弗·贾科特 Christopher Jacot
# ^! R% ]8 z9 \, V X7 z$ ` 卡内赫迪奥·霍恩 Kaniehtiio Horn
& h% B; X" x8 @* H! N 黛拉格·坎贝尔 Deragh Campbell: f5 E6 w5 t% O4 x) J- W2 B
道格·麦克劳德 Doug MacLeod$ J, N Z s( g- i2 `/ J
Matthew Garlick
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- G! {, M$ x. d/ z C◎标 签 科幻 | 惊悚 | 2020 | 犯罪 | 加拿大 | 英国 | 电影 | 詹妮弗·杰森·李
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1 | A ]# }2 a' m◎简 介
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8 u# z0 j5 g {7 c- F 讲述一个秘密组织的特工Tasya Vos利用大脑植入技术来“栖息”在他人的身体里,驱使他们为某些高薪客户执行暗杀任务。然而一次例行工作出了差错,她很快发现自己陷入了一个不知情的嫌疑犯的思想中,其对暴力的欲望导致她要和自己作斗争。
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Possessor follows an agent who works for a secretive organization that uses brain-implant technology to inhabit other people's bodies - ultimately driving them to commit assassinations for high-paying clients.
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! X+ u8 Z) Z9 J6 N2 ~+ V◎获奖情况 . u. w0 F I" n7 [$ ^: U3 R. t
: ]& {& S( O" I u8 D2 _& w 第33届东京国际电影节(2020)
2 J9 p, v" U7 d% ^8 Q f2 _) W 东京首映2020(提名) 布兰登·柯南伯格
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: ?) o2 h8 z" z5 `/ K6 B7 C- DISC INFO:
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4 Z7 [$ x6 E! q" w/ U# b- Disc Title: Possessor.2020.UNCUT.2160p.BluRayCD.HEVC.DTS-HD.MA.5.1-EATDIK
* H7 k. K: T3 _7 U; n' z$ u+ J - Disc Size: 57,632,001,768 bytes. _6 u! \. ?1 h
- Protection: AACS28 g- m6 Y! c2 }/ a) V0 h1 ^; n9 ^
- Extras: Ultra HD2 x7 d3 M- \, i
- BDInfo: 0.7.5.9 (compatible layout created by DVDFab 12.0.0.9)
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c- O* I1 G. I: {4 |' ?- PLAYLIST REPORT:
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' W# m) O2 m1 l, s- v- Name: 00001.MPLS ) q' w; N4 o7 e0 {9 m
- Length: 1:44:19.294 (h:m:s.ms)) c/ m7 `4 u5 [: e
- Size: 56,142,219,264 bytes
/ v' e7 l6 p9 s: q4 z0 |- {8 @ - Total Bitrate: 71.76 Mbps6 H! Q9 ?2 [, B' p
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- Video:
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# S, H3 T" A5 C# x, n3 [6 [' {* L2 Z- Codec Bitrate Description & l) f" n4 a4 |% E
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4 D9 ~+ \3 y: p - MPEG-H HEVC Video 66155 kbps 2160p / 23.976 fps / 16:9 / Main 10 @ Level 5.1 @ High / 4:2:0 / 10 bits / 9000nits / HDR10 / BT.2020/ W! e; a c, O; b8 ?+ t
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- AUDIO:
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+ M% @5 h+ R9 h# S+ C \- Codec Language Bitrate Description @9 w7 E8 Q$ y1 ^* x4 X
- ----- -------- ------- -----------
& z- p4 Y$ J) k3 E - DTS-HD Master Audio English 2285 kbps 5.1 / 48 kHz / 2285 kbps / 24-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 24-bit)
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- SUBTITLES:
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3 }; _0 c4 j8 R3 y) E5 T; X, h1 S" m) q- Codec Language Bitrate Description
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6 V; Q* h" {2 ^" Y' K6 E - Presentation Graphics English 24.409 kbps
复制代码 Possessor 4K Blu-ray, Video Quality 7 ~9 c6 X$ R4 h' O4 A) M1 P
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; ~1 D i3 X1 `/ L0 w4 M" ANote: Screenshots are sourced from the 1080 Blu-ray. Additional 1080 screenshots are available in our Possessor Blu-ray review.
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Possessor is presented in 4K UHD courtesy of Well Go USA with a 2160p transfer in 1.78:1. Captured with a variety of cameras and finished at a 4K DI, this is a riot of styles and techniques, and as such needs to be accepted on its own decidedly heterogeneous terms. Quick cutting, skewed perspectives, wildly fluctuating contrast and palette saturation all contribute to a viewing experience that doesn't provide consistent detail levels, at least partially by design, but which is consistently arresting. One of the supplemental featurettes on the 1080 disc included in this package gets into some of the "practical" ways that the palette was tweaked, and so I'm loathe to mention "grading" (at least in its traditional sense), but there are a variety of colorings utilized here which are noticeably more nuanced than in the 1080 presentation. This includes the frequent orangish hues that accompany some of Colin's scenes, but it's also quite apparent in the cooler, almost blue-green, tones that are featured in, to cite just one example, Tasya's trip home. HDR also improves shadow detail in this version, including beefing up already nicely deep blacks. Fine detail is typically excellent, sometimes to gut wrenching effect in some of the kill scenes. As with some of the other 4K UHD releases put out by Well Go USA that I've reviewed, the intermittent banding that can afflict 1080 versions is noticeably absent here.
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. o: o6 s5 l, x/ `2 r2 U, G7 a* V" LPossessor 4K Blu-ray, Audio Quality $ P6 u' @7 @. j4 k2 L
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Possessor's DTS-HD Master Audio 5.1 track is a swirling, kaleidoscopic assault on the ears in much the same way the visuals are on the eyes. Voices (imaginary or otherwise) waft and crash, weird LFE-ish effects rumble on the low end, and all in all the sound design toes its own fine line between perceived reality and illusion. Some moments, as in the first debrief or even some later more or less straight ahead dialogue scenes, tend to relegate surround activity to passing ambient environmental effects, but when the possessions take place, things tend to become noticeably more immersive. Several of the significant kill scenes feature blades or other instruments of impalement, and the sound effects accompanying these scenes may be stomach churning for some. There are also some really cool if very subtle effects like the panning "waterfall" in the opening sequence (an effect which is discussed in some detail in one of the supplements on the 1080 disc). Dialogue is rendered cleanly and clearly for the most part, but part of the sound design is intentionally obfuscatory, adding to the overall discombobulation the viewer (and listener) is feeling along with both Tasya and Colin.3 a6 q1 |( M" G
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